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Not YMMV
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* OvershadowedByAwesome:
** May have happened to Nannerl, but it may have just been because she was a girl.
** Mozart arguably did this to the Classical Era as a whole: even his biggest-name contemporaries such as Christoph Willibald Gluck, Luigi Boccherini, or C.P.E. Bach aren't performed ''a tenth'' as much as Mozart.
** May have happened to Nannerl, but it may have just been because she was a girl.
** Mozart arguably did this to the Classical Era as a whole: even his biggest-name contemporaries such as Christoph Willibald Gluck, Luigi Boccherini, or C.P.E. Bach aren't performed ''a tenth'' as much as Mozart.
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Added example(s)
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* GatewaySeries: Mozart is one of the best-known names in ClassicalMusic, so he's certainly been many people's introduction to the genre as a whole.
to:
* GatewaySeries: Mozart is one of the best-known names in ClassicalMusic, so he's certainly been many people's introduction to the genre as a whole. It is contributed by the fact that Mozart compositions have various levels of complexity.
* JustHereForGodzilla: In "The Magic Flute", many people are only interested to the Queen of the Night aria.
* JustHereForGodzilla: In "The Magic Flute", many people are only interested to the Queen of the Night aria.
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None
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* ArchivePanic: You might experience this after buying the Complete Works -- ''170'' [=CDs=].
to:
* ArchivePanic: You might experience this after buying the Complete Works -- ''170'' Works. For example, the ''Mozart 225'' edition has ''200'' [=CDs=].
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** Mozart arguably did this to the Classical Era as a whole: even his biggest-name contemporaries such as Christoph Willibald Gluck, Luigi Boccherini, or C.P.E. Bach aren't performed a tenth as much as Mozart.
* ValuesDissonance: A strange incidence, not between Mozart and the 21st century viewer, but with viewers only 20 or 30 years younger than himself (if that): while Don Giovanni's plot deals with violence, rape and sex under coercion, this generation found its AllMenArePerverts premise ''far'' less shocking than the AllWomenAreLustful premise of ''Theatre/CosiFanTutte'' (where the girls only get engaged and may not even kiss their boyfriends from whirlwind romances while already on a promise with other men.) According to Beethoven this was 'an insult to all women' -- it was so shocking that it disappeared from the repertoire for over a century.
* ValuesDissonance: A strange incidence, not between Mozart and the 21st century viewer, but with viewers only 20 or 30 years younger than himself (if that): while Don Giovanni's plot deals with violence, rape and sex under coercion, this generation found its AllMenArePerverts premise ''far'' less shocking than the AllWomenAreLustful premise of ''Theatre/CosiFanTutte'' (where the girls only get engaged and may not even kiss their boyfriends from whirlwind romances while already on a promise with other men.) According to Beethoven this was 'an insult to all women' -- it was so shocking that it disappeared from the repertoire for over a century.
to:
** Mozart arguably did this to the Classical Era as a whole: even his biggest-name contemporaries such as Christoph Willibald Gluck, Luigi Boccherini, or C.P.E. Bach aren't performed a tenth ''a tenth'' as much as Mozart.
* ValuesDissonance: A strange incidence, not between Mozart and the 21st century viewer, but with viewers only 20 or 30 years younger than himself (if that): while Don Giovanni's plot deals with violence, rape and sex under coercion, this generation found its AllMenArePerverts premise ''far'' less shocking than the AllWomenAreLustful premise of ''Theatre/CosiFanTutte'' (where the girls only get engaged and may not even kiss their boyfriends from whirlwind romances while already on a promise with other men.) According toBeethoven Beethoven, this was 'an insult to all women' -- it was so shocking that it disappeared from the repertoire for over a century.
* ValuesDissonance: A strange incidence, not between Mozart and the 21st century viewer, but with viewers only 20 or 30 years younger than himself (if that): while Don Giovanni's plot deals with violence, rape and sex under coercion, this generation found its AllMenArePerverts premise ''far'' less shocking than the AllWomenAreLustful premise of ''Theatre/CosiFanTutte'' (where the girls only get engaged and may not even kiss their boyfriends from whirlwind romances while already on a promise with other men.) According to
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* OvershadowedByAwesome: May have happened to Nannerl, but it may have just been because she was a girl.
to:
* OvershadowedByAwesome: GatewaySeries: Mozart is one of the best-known names in ClassicalMusic, so he's certainly been many people's introduction to the genre as a whole.
* OvershadowedByAwesome:
** May have happened to Nannerl, but it may have just been because she was agirl.girl.
** Mozart arguably did this to the Classical Era as a whole: even his biggest-name contemporaries such as Christoph Willibald Gluck, Luigi Boccherini, or C.P.E. Bach aren't performed a tenth as much as Mozart.
* OvershadowedByAwesome:
** May have happened to Nannerl, but it may have just been because she was a
** Mozart arguably did this to the Classical Era as a whole: even his biggest-name contemporaries such as Christoph Willibald Gluck, Luigi Boccherini, or C.P.E. Bach aren't performed a tenth as much as Mozart.
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None
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* ValuesDissonance: A strange incidence, not between Mozart and the 21st century viewer, but with viewers only 20 or 30 years younger than himself (if that): while Don Giovanni's plot deals with violence, rape and sex under coercion, this generation found its AllMenArePerverts premise ''far'' less shocking than the AllWomenAreLustful premise of CosiFanTutte (where the girls only get engaged and may not even kiss their boyfriends from whirlwind romances while already on a promise with other men.) According to Beethoven this was 'an insult to all women' -- it was so shocking that it disappeared from the repertoire for over a century.
to:
* ValuesDissonance: A strange incidence, not between Mozart and the 21st century viewer, but with viewers only 20 or 30 years younger than himself (if that): while Don Giovanni's plot deals with violence, rape and sex under coercion, this generation found its AllMenArePerverts premise ''far'' less shocking than the AllWomenAreLustful premise of CosiFanTutte ''Theatre/CosiFanTutte'' (where the girls only get engaged and may not even kiss their boyfriends from whirlwind romances while already on a promise with other men.) According to Beethoven this was 'an insult to all women' -- it was so shocking that it disappeared from the repertoire for over a century.
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None
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* ValuesDissonance: A strange incidence, not between Mozart and the 21st century viewer, but with viewers only 20 or 30 years younger than himself (if that): while Don Giovanni's plot deals with violence, rape and sex under coercion, this generation found its AllMenArePerverts premise ''far'' less shocking than the AllWomenAreLustful premise of CosiFanTutte (where the girls only get engaged and may not even kiss their boyfriends from whirlwind romances while already on a promise with other men.) According to Beethovan this was 'an insult to all women' -- it was so shocking that it disappeared from the repertoire for over a century.
to:
* ValuesDissonance: A strange incidence, not between Mozart and the 21st century viewer, but with viewers only 20 or 30 years younger than himself (if that): while Don Giovanni's plot deals with violence, rape and sex under coercion, this generation found its AllMenArePerverts premise ''far'' less shocking than the AllWomenAreLustful premise of CosiFanTutte (where the girls only get engaged and may not even kiss their boyfriends from whirlwind romances while already on a promise with other men.) According to Beethovan Beethoven this was 'an insult to all women' -- it was so shocking that it disappeared from the repertoire for over a century.
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None
Changed line(s) 3 (click to see context) from:
* ValuesDissonance: A strange incidence, not between Mozart and the 21st century viewer, but with viewers only 20 or 30 years younger than himself (if that): while Don Giovanni's plot deals with violence, rape and sex under coercion, this generation found its AllMenArePerverts premise ''far'' less shocking than the AllWomenAreLustful premise of CosiFanTutte (where the girls only get engaged and may not even kiss their boyfriends from whirlwind romances while already on a promise with other men.) According to Beethovan this was 'an insult to all women'- it was so shocking that it disappeared from the repatoire for over a century.
to:
* ValuesDissonance: A strange incidence, not between Mozart and the 21st century viewer, but with viewers only 20 or 30 years younger than himself (if that): while Don Giovanni's plot deals with violence, rape and sex under coercion, this generation found its AllMenArePerverts premise ''far'' less shocking than the AllWomenAreLustful premise of CosiFanTutte (where the girls only get engaged and may not even kiss their boyfriends from whirlwind romances while already on a promise with other men.) According to Beethovan this was 'an insult to all women'- women' -- it was so shocking that it disappeared from the repatoire repertoire for over a century.
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* ValuesDissonance: A strange incidence, not between Mozart and the 21st century viewer, but with viewers only 20 or 30 years younger than himself (if that): while Don Giavanni's plot deals with violence, rape and sex under coercion, this generation found its AllMenArePerverts premise ''far'' less shocking than the AllWomenAreLustful premise of CosiFanTutte (where the girls only get engaged and may not even kiss their boyfriends from whirlwind romances while already on a promise with other men.) According to Beethovan this was 'an insult to all women'- it was so shocking that it disappeared from the repatoire for over a century.
to:
* ValuesDissonance: A strange incidence, not between Mozart and the 21st century viewer, but with viewers only 20 or 30 years younger than himself (if that): while Don Giavanni's Giovanni's plot deals with violence, rape and sex under coercion, this generation found its AllMenArePerverts premise ''far'' less shocking than the AllWomenAreLustful premise of CosiFanTutte (where the girls only get engaged and may not even kiss their boyfriends from whirlwind romances while already on a promise with other men.) According to Beethovan this was 'an insult to all women'- it was so shocking that it disappeared from the repatoire for over a century.
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Added DiffLines:
* ValuesDissonance: A strange incidence, not between Mozart and the 21st century viewer, but with viewers only 20 or 30 years younger than himself (if that): while Don Giavanni's plot deals with violence, rape and sex under coercion, this generation found its AllMenArePerverts premise ''far'' less shocking than the AllWomenAreLustful premise of CosiFanTutte (where the girls only get engaged and may not even kiss their boyfriends from whirlwind romances while already on a promise with other men.) According to Beethovan this was 'an insult to all women'- it was so shocking that it disappeared from the repatoire for over a century.
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* OvershadowedByAwesome: May have happened to Nannaerl, but it may have just been because she was a girl.
to:
* OvershadowedByAwesome: May have happened to Nannaerl, Nannerl, but it may have just been because she was a girl.
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Added DiffLines:
* OvershadowedByAwesome: May have happened to Nannaerl, but it may have just been because she was a girl.
