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Changed line(s) 2 (click to see context) from:
* BigLippedAlligatorMoment: After George first lands in the future, he stops too fast and is tossed from the machine, and a small, brief rainfall suddenly covers him and leave the surrounding ground visibly steaming. Why is never explained.
to:
* BigLippedAlligatorMoment: After George first lands in the future, he stops too fast and is tossed from the machine, and a small, brief rainfall suddenly covers him and leave leaves the surrounding ground visibly steaming. Why is never explained.
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Changed line(s) 13 (click to see context) from:
--->"They made a face mask of me to fashion all that rubber stuff -- the old age pieces -- all around. On the morning of that shot, I got made up by Bill Tuttle, and as I left, he gave me a little jar of glue, and he said, 'That's in case it comes off,' and I said, 'Well, won't you be on the set?," and he said, 'No, the budget can't afford a makeup man on the set.' So, I had this jar of glue, and that was at 6:00 or 7:00 in the morning. Well, they didn't get around to shooting that scene until late afternoon, and by then I could feel bits of my face falling off, so I'd get the glue out and stick it back on again, but by the time they actually got around to shooting that scene, it was about 4:30 or 5:00. So George said, 'Alan, I can't do any close-up's because I can almost see the glue brush strokes on your eyes.' So, if you remember the scene, it was done in a two shot all of the time. There were no close-up of this old man because bits of the face were peeling off."
to:
--->"They made a face mask of me to fashion all that rubber stuff -- the old age pieces -- all around. On the morning of that shot, I got made up by Bill Tuttle, and as I left, he gave me a little jar of glue, and he said, 'That's in case it comes off,' and I said, 'Well, won't you be on the set?," and he said, 'No, the budget can't afford a makeup man on the set.' So, I had this jar of glue, and that was at 6:00 or 7:00 in the morning. Well, they didn't get around to shooting that scene until late afternoon, and by then I could feel bits of my face falling off, so I'd get the glue out and stick it back on again, but by the time they actually got around to shooting that scene, it was about 4:30 or 5:00. So George said, 'Alan, I can't do any close-up's because I can almost see the glue brush strokes on your eyes.' So, if you remember the scene, it was done in a two shot two-shot all of the time. There were no close-up of this old man because bits of the face were peeling off."
