History YMMV / Superlopez

* CriticalDissonance: Critics liked it, deeming it a competent comedy film with some great special effects (which earned it a UsefulNotes/GoyaAward on this field), but casual viewers were less thrilled, especially due to Rovira's casting and performance, and fans of the comics in particular found it a rather mediocre adaptation. It was still a box office success, though.

* TheyChangedItNowItSucks: Many reviews noted that, while entertaining as a comedy, the film just didn't try very hard to be a good adaptation of ''Superlópez'', giving rather the impression that the filmmakers couldn't see beyond the most superficial aspects of the comics. The most cited complaint was that the entire film is more or less a parody of ''Film/ManOfSteel'' despite the fact that the comics have never really hinged on their Superman references (those amount to Superlópez's character premise and just that), but they also lamented the absence of most secondary characters, the insertion of a LoveTriangle that wasn't in the comics, and the usage of a generic kind of humor instead of the original's ''costumbrismo''.
* WTHCastingAgency: The casting of polarizing comedian Dani Rovira as the title character was equally divisive.

* CriticalDissonance: Critics liked it, deeming it a competent comedy film with some great special effects (which earned it a Goya Award on this field), but casual viewers were less thrilled, especially due to Rovira's casting and performance, and fans of the comics in particular found it a rather mediocre adaptation. It was still a box office success, though.

* CriticalDissonance: Critics liked it, deeming it a competent comedy film with some great special effects (which earned it a Goya Award on this field), but casual viewers were less thrilled, especially due to Rovira's casting and performance, and fans of the comics in particular found it a rather mediocre adaptation. It was still very economic successful, though.

* CriticalDissonance: Critics liked it, deeming it a competent comedy film with some great special effects (which earned it a Goya Award on this field), while casual viewers were less thrilled, especially due to Rovira's casting and performance, and fans of the comics in particular found it a rather mediocre adaptation of the story. It was still very economic successful, though.
* TheyChangedItNowItSucks: Among many reviews there was the note that, while entertaining as a comedy, the film just didn't try very hard to be a good adaptation of ''Superlópez'', giving rather the impression that the makers couldn't look beyond the most superficial aspects of the comics. The most cited complaints were that the entire film is more or less a parody of ''Film/ManOfSteel'' despite the fact that the comics have never really hinged on their Superman references (those amount to Superlópez's character premise and just that), as well as the absence of many famous secondary characters, the insertion of a LoveTriangle that wasn't in the comics, and the usage of a generic kind of humor instead of the original's costumbrismo.

* CriticalDissonance: Critics liked it, deeming it a competent comedy film with some great special effects (which earned it a Goya Award on this field), while casual viewers were often less thrilled, especially about Rovira's casting and performance, and fans of the comics in particular found it a rather poor adaptation of the story. It was still very economic successful, though.
* TheyChangedItNowItSucks: Among all the positive reviews there was the note that, while entertaining as a comedy, the film just didn't try very hard to be a good adaptation of ''Superlópez'', giving rather the impression that the makers couldn't look through the most superficial aspects of the comics. The most cited complaints were that the entire film is more or less a parody of ''Film/ManOfSteel'' despite the fact that the comics have never really hinged on Superman references (those amount to Superlópez's character premise and just that), as well as the absence of many famous secondary characters, the insertion of a LoveTriangle that wasn't in the comics, and the usage of a generic kind of humor instead of the original's costumbrismo.

* TheyChangedItNowItSucks: Among all the positive reviews there was the note that, while entertaining as a comedy, the film just didn't try very hard to be a good adaptation of ''Superlópez'', giving rather the impression that the makers couldn't look through the most superficial aspects of the comics. The most cited complaints were that the entire film is more or less a parody of ''Film/ManOfSteel'' despite the fact that the comics have never really hinged on Superman references (those amount to Superlópez's character premise and just that), as well as the absence of many famous secondary characters, the insertion of a LoveTriangle that wasn't in the comics, and the usage of a generic kind of humor instead of the original's costumbrismo.

* UnfortunateImplications: One of Al Trapone's gangsters is a black guy called "Carasucia" ("Dirtyface"). When he was introduced he called his boss "Bwana". Later on he became the most competent member of the gang after Al Trapone himself.