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* RetroactiveRecognition: Yes, the Music/MichaelJackson impersonator is in fact Creator/DiegoLuna, not long before he struck it big.

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* BigLippedAlligatorMoment: At first glance, the cutaways to the Nuns are this. As the story comes into focus, however, it becomes apparent it's something else. And even then, it never does [[PlotLineCrossover intersect]] with the CelebrityImpersonator storyline. They're almost like parallel movies.
* BittersweetEnding: [[spoiler: For Michael, that is. For the Nuns, it's a DownerEnding.]]
* {{Jerkass}}: Charlie.

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* BigLippedAlligatorMoment: At first glance, The entire subplot regarding the cutaways to the Nuns are nuns could be considered this. As the story comes into focus, however, compelling and tragic as it becomes apparent it's something else. And even then, is, it never does [[PlotLineCrossover intersect]] has ''nothing'' to with the main CelebrityImpersonator storyline. They're storyline and never [[PlotLineCrossover intersects]], with only very superficial thematic connection between them. It's almost like parallel movies.
* BittersweetEnding: [[spoiler: For Michael, that is. For the Nuns, it's a DownerEnding.]]
* {{Jerkass}}: Charlie.
Harmony Korine wanted to make two completely different movies and decided to smush them into one.



* TearJerker: The whole film has a rather melancholy feel, but [[spoiler: Marilyn's suicide]] is definitely the worst of the lot.

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* TearJerker: The whole film has a rather melancholy feel, but [[spoiler: [[spoiler:[[WhamShot Marilyn's suicide]] suicide]]]] is definitely the worst of the lot.
lot.
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* TearJerker: The whole film has a rather melancholy feel, but [[spoiler: Marilyn's suicide]] is definitely the worst of the lot.

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* TearJerker: The whole film has a rather melancholy feel, but [[spoiler: Marilyn's suicide]] is definitely the worst of the lot.lot.

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* NarmCharm: The Impersonators' utter despondency at their entire herd of sheep having to be put down could come across as {{Narm}}, but it does more to reinforce how fragile and damaged they all are.

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* NarmCharm: The Impersonators' utter despondency at their entire herd of sheep having to be put down could come across as {{Narm}}, but it does more to reinforce how fragile and damaged they all are. The folk song "Gallow's Pole" on the soundtrack during that scene also emphasizes the [[PrimalFear terror of Death]] that is a major theme of the movie.
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* BigLippedAlligatorMoment: At first glance, the cutaways to the Nuns are this. As the story comes into focus, however, it becomes apparent it's something else. And even then, it never does intersect with the CelebrityImpersonator storyline. They're almost like parallel movies.

to:

* BigLippedAlligatorMoment: At first glance, the cutaways to the Nuns are this. As the story comes into focus, however, it becomes apparent it's something else. And even then, it never does intersect [[PlotLineCrossover intersect]] with the CelebrityImpersonator storyline. They're almost like parallel movies.
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* NarmCharm: The Impersonators' utter despondency at their entire herd of sheep having to be put down could come across as {{Narm}}, but it does more to reinforce how fragile and damaged they all are.
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Added DiffLines:

* BigLippedAlligatorMoment: At first glance, the cutaways to the Nuns are this. As the story comes into focus, however, it becomes apparent it's something else. And even then, it never does intersect with the CelebrityImpersonator storyline. They're almost like parallel movies.
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* BittersweetEnding

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* BittersweetEndingBittersweetEnding: [[spoiler: For Michael, that is. For the Nuns, it's a DownerEnding.]]
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* {{Jerkass}}: Charlie.
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* BittersweetEnding
* TearJerker: The whole film has a rather melancholy feel, but [[spoiler: Marilyn's suicide]] is definitely the worst of the lot.

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