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Changed line(s) 1,2 (click to see context) from:
--> Permit me to reacquaint you with the face of the enemy, the ever-evolving army that will one day bury us all...Modern. American. Youth.
to:
--> Permit "Permit me to reacquaint you with the face of the enemy, the ever-evolving army that will one day bury us all...Modern. American. Youth.
Youth."\\
'''-- Meighan'''
'''-- Meighan'''
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Changed line(s) 16 (click to see context) from:
* ComingOutStory
to:
* ComingOutStoryComingOutStory: Sara comes out to her mother.
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* RetCon: In the ''Penny and Aggie'' SpinOff ''Webcomic/{{QUILTBAG}}'', a {{Flashback}} to the malicious outing of Sara earlier that year shows that Iseul was already aware her daughter was gay. Campbell clarified in the [[AllThereInTheManual forum]] that Iseul had in fact suspected as much since Sara's preteen years, which is why (as shown in [[Recap/PennyAndAggieTheFirstManIEverLoved The First Man I Ever Loved]]) she started pressuring Sara to date boys so early. Thus, Campbell said, Iseul's stunned, and then bitter, reaction when Sara broaches the topic here stems not from it being news to her, but from the realization that she could no longer keep pretending her daughter would one day change her mind about boys. (In ''QUILTBAG'', Iseul's concern over this is tied up with [[spoiler:her own bisexuality which she's found herself unable to repress and so is having a same-sex affair]].)
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Changed line(s) 23 (click to see context) from:
'''Penny:''' Aw, come on, the lit mag publishes much worse crap than this!\\
to:
'''Penny:''' Aw, come on, [[AssuranceBackfire the lit mag publishes much worse crap than this!\\this!]]\\
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Deleted line(s) 30 (click to see context) :
* SchoolgirlLesbians: Iseul claims that Sara's relationship with her girlfriend is part of a "questioning phase" that will end when she "settles down" with a man.
Changed line(s) 34 (click to see context) from:
* TrueCompanions: Rich, Stan and Jack; particularly the latter two.
to:
* TrueCompanions: Rich, Stan and Jack; particularly the latter two.two.
* WhyCouldntYouBeDifferent: Iseul claims that Sara's relationship with her girlfriend is part of a "questioning phase" that will end when she "settles down" with a man.
* WhyCouldntYouBeDifferent: Iseul claims that Sara's relationship with her girlfriend is part of a "questioning phase" that will end when she "settles down" with a man.
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Changed line(s) 14,15 (click to see context) from:
* AnachronicOrder - The phone calls that end three of the four conversations show that the events of this arc, though all within the same evening, take place at different points in time.
* CallBack - Among the contents of Aggie's scrapbook is a quatrain from her sonnet to Marshall in [[Recap/PennyAndAggieTheLastDaysOfSummer The Last Days of Summer]].
* CallBack - Among the contents of Aggie's scrapbook is a quatrain from her sonnet to Marshall in [[Recap/PennyAndAggieTheLastDaysOfSummer The Last Days of Summer]].
to:
* AnachronicOrder - AnachronicOrder: The phone calls that end three of the four conversations show that the events of this arc, though all within the same evening, take place at different points in time.
*CallBack - CallBack: Among the contents of Aggie's scrapbook is a quatrain from her sonnet to Marshall in [[Recap/PennyAndAggieTheLastDaysOfSummer The Last Days of Summer]].
*
Changed line(s) 17,18 (click to see context) from:
* ComplimentBackfire / DamnedByFaintPraise - Penny's well-meaning reaction to Aggie's creative efforts.
* DiggingYourselfDeeper - Penny, when Aggie falls apart after the above-mentioned faint praise.
* DiggingYourselfDeeper - Penny, when Aggie falls apart after the above-mentioned faint praise.
to:
* ComplimentBackfire / DamnedByFaintPraise - DamnedByFaintPraise: Penny's well-meaning reaction to Aggie's creative efforts.
*DiggingYourselfDeeper - DiggingYourselfDeeper: Penny, when Aggie falls apart after the above-mentioned faint praise.
*
Changed line(s) 26 (click to see context) from:
* {{Emo}} - Aggie characterizes her own haiku as this. She has a point:
to:
* {{Emo}} - {{Emo}}: Aggie characterizes her own haiku as this. She has a point:
Changed line(s) 28,30 (click to see context) from:
* {{Foreshadowing}} - A conversation at the bowling alley foreshadows [[spoiler: Jack and Brandi finding themselves tempted by each other]] in "The Last Summer of Youth."
* ImageMacro - Aggie's scrapbook contains one of her rat Finister, with the caption "[[MemeticMutation INVISIBL]] SOUL."
* SchoolgirlLesbians - Iseul claims that Sara's relationship with her girlfriend is part of a "questioning phase" that will end when she "settles down" with a man.
* ImageMacro - Aggie's scrapbook contains one of her rat Finister, with the caption "[[MemeticMutation INVISIBL]] SOUL."
* SchoolgirlLesbians - Iseul claims that Sara's relationship with her girlfriend is part of a "questioning phase" that will end when she "settles down" with a man.
to:
* {{Foreshadowing}} - {{Foreshadowing}}: A conversation at the bowling alley foreshadows [[spoiler: Jack and Brandi finding themselves tempted by each other]] in "The Last Summer of Youth."
*ImageMacro - ImageMacro: Aggie's scrapbook contains one of her rat Finister, with the caption "[[MemeticMutation INVISIBL]] SOUL."
*SchoolgirlLesbians - SchoolgirlLesbians: Iseul claims that Sara's relationship with her girlfriend is part of a "questioning phase" that will end when she "settles down" with a man.
*
*
Changed line(s) 32,34 (click to see context) from:
* StylisticSuck - Aggie's poetry.
* TrueArtIsAngsty - In-universe, Aggie's rigid adherence to this attitude helps her to produce {{Emo}} poetry, and blinds her to the fact that she's quite good at drawing.
* TrueCompanions - Rich, Stan and Jack; particularly the latter two.
* TrueArtIsAngsty - In-universe, Aggie's rigid adherence to this attitude helps her to produce {{Emo}} poetry, and blinds her to the fact that she's quite good at drawing.
* TrueCompanions - Rich, Stan and Jack; particularly the latter two.
to:
* StylisticSuck - StylisticSuck: Aggie's poetry.
*TrueArtIsAngsty - TrueArtIsAngsty: In-universe, Aggie's rigid adherence to this attitude helps her to produce {{Emo}} poetry, and blinds her to the fact that she's quite good at drawing.
*TrueCompanions - TrueCompanions: Rich, Stan and Jack; particularly the latter two.
*
*
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Changed line(s) 33 (click to see context) from:
* TrueArtIsAngsty / TrueArtIsComplex - In-universe, Aggie's rigid adherence to this attitude helps her to produce {{Emo}} or florid poetry, and blinds her to the fact that she's quite good at drawing.
to:
* TrueArtIsAngsty / TrueArtIsComplex - In-universe, Aggie's rigid adherence to this attitude helps her to produce {{Emo}} or florid poetry, and blinds her to the fact that she's quite good at drawing.
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Added DiffLines:
* TrueArtIsAngsty / TrueArtIsComplex - In-universe, Aggie's rigid adherence to this attitude helps her to produce {{Emo}} or florid poetry, and blinds her to the fact that she's quite good at drawing.
