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-->--'''Creator/RogerEbert''', ''Film/AcrossTheUniverse'' review
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-->--'''Creator/RogerEbert''', ''Film/AcrossTheUniverse'' ''Film/AcrossTheUniverse2007'' review
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->"The cover is like a drag act, a way of inhabiting another persona or body or voice, and it is a way of doing so while self-consciously registering the performance rather than merely blending into the original. When Music/RufusWainwright performs a version of "Chelsea Hotel #2" by Music/LeonardCohen, for example, the song, famous for its unsentimental account of a tryst between Cohen and Janis Joplin, becomes instead a queer elegy to another anonymous gay encounter. And when Music/PattiSmith performed another Leonard Cohen song, "Gloria," on her classic 1975 release, ''Horses,'' she turned the song easily into a lesbian punk anthem, despite the fact that she admits easily to being heterosexual in her orientation. The lesbian pose in this instance is itself a cover version--she covers a song that also causes her to cover a different identity position, and in the process she creates what she calls "positive anarchy." In both of these cases the original song really gets replaced by the cover version, which makes it irredeemably queer."
-->--'''Judith Halberstam,''' "[[https://www.thefreelibrary.com/Keeping+time+with+lesbians+on+ecstasy-a0171295073 Keeping Time with Lesbians on Ecstasy]]"
-->--'''Judith Halberstam,''' "[[https://www.thefreelibrary.com/Keeping+time+with+lesbians+on+ecstasy-a0171295073 Keeping Time with Lesbians on Ecstasy]]"
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-->--'''Mercedes Jones''', regarding the ''{{Glee}}'' cover of "Isn't She Lovely."
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-->--'''Mercedes Jones''', regarding the ''{{Glee}}'' ''Series/{{Glee}}'' cover of "Isn't She Lovely."
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-->--'''RogerEbert''', ''Film/AcrossTheUniverse'' review
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<<|QuotesWiki|>>
<<|QuotesWiki|>>
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->''"Oh, I know ''Theatre/{{Hamlet}}''. And what he might say with irony, [[ShoutOut/ToShakespeare I say]] [[SincerityMode with conviction]]: 'What a piece of work is man! How noble in reason! How infinite in faculty! In form, in moving, how express and admirable! In action, how like an angel! In apprehension, how like a god!'"''
-->-- '''Jean-Luc Picard''', ''Series/StarTrekTheNextGeneration'', "Hide and Q"
-->-- '''Jean-Luc Picard''', ''Series/StarTrekTheNextGeneration'', "Hide and Q"
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-->"When Prudence sings "I Want to Hold Your Hand," for example, I realized how wrong I was to ever think that was a happy song. It's not happy if it's a hand you are never, never, never going to hold."
-->--'''RogerEbert''', AcrossTheUniverse review
-->--'''RogerEbert''', AcrossTheUniverse review
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-->--'''RogerEbert''',
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-->"When Prudence sings "I Want to Hold Your Hand," for example, I realized how wrong I was to ever think that was a happy song. It's not happy if it's a hand you are never, never, never going to hold."
-->--'''RogerEbert''', AcrossTheUniverse review
-->--'''RogerEbert''', AcrossTheUniverse review
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-->--'''Mercedes Jones, regarding the ''{{Glee}}'' cover of "Isn't She Lovely."
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-->--'''Mercedes Jones, Jones''', regarding the ''{{Glee}}'' cover of "Isn't She Lovely."
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->''"I thought this song was about a baby."''
-->--'''Mercedes Jones, regarding the ''{{Glee}}'' cover of "Isn't She Lovely."
-->--'''Mercedes Jones, regarding the ''{{Glee}}'' cover of "Isn't She Lovely."
