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* VocalEvolution: While Lou never had the prettiest voice to begin with, he ''did'' used to sing really well, especially during his time with Music/TheVelvetUnderground. Sometimes he could even sound sweet. As time went on, poor technique and constant drugs turned his voice into the coarse and barely in-tune croaky monotone most people know he sounds like.
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* Main/ThrivingExCrush: "Baton Rouge", which is a reflection on the narrator's failed marriage (possibly related to Reed's marriage to Sylvia Morales), with the following lines:
--> So thanks for the card the announcement of child
--> And I must say you and Sam look great
--> Your daughter's gleaming in that -
--> - white wedding dress with pride
--> Sad to say I could never bring that to you that wide smile
--> So thanks for the card the announcement of child
--> And I must say you and Sam look great
--> Your daughter's gleaming in that -
--> - white wedding dress with pride
--> Sad to say I could never bring that to you that wide smile
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* LyricalDissonance: If you'd never heard "Walk on the Wild Side" before and just listened to the backing track--a smooth, upbeat, hook-filled bit of jazzy folk-pop with some light orchestral strings in the second half, you'd never guess in a million years that the song had lyrics that dealt with drugs, male prostitution, transsexuality, and oral sex.
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* LyricalDissonance: If you'd never heard "Walk on the Wild Side" before and just listened to the backing track--a smooth, upbeat, hook-filled bit of jazzy folk-pop with some light orchestral strings in the second half, you'd never guess in a million years that the song had lyrics that dealt with drugs, male prostitution, transsexuality, transgender identity[[note]]which has considered taboo in the '70s[[/note]], and oral sex.
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Defunct trope.
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* ContentWarnings: The [[WhatDoYouMeanItWasntMadeOnDrugs somewhat erratic]] liner notes for ''Music/MetalMachineMusic'' end with them.
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* ContentWarnings: The [[WhatDoYouMeanItWasntMadeOnDrugs somewhat erratic]] erratic liner notes for ''Music/MetalMachineMusic'' end with them.
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Removing a chained sinkhole.
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* ContentWarnings: The [[WhatDoYouMeanItWasntMadeOnDrugs somewhat erratic]] liner notes for ''[[HarshNoise Metal]] [[HellIsThatNoise Machine]] [[SensoryAbuse Music]]'' end with them.
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* ContentWarnings: The [[WhatDoYouMeanItWasntMadeOnDrugs somewhat erratic]] liner notes for ''[[HarshNoise Metal]] [[HellIsThatNoise Machine]] [[SensoryAbuse Music]]'' ''Music/MetalMachineMusic'' end with them.
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Cleanup requirement.
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%% * GettingCrapPastThe Radar: Due to overwhelming and persistent misuse, GCPTR is on-page examples only until 01 June 2021. If you are reading this in the future, please check the trope page to make sure your example fits the current definition.
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%% * GettingCrapPastThe Getting Crap Past The Radar: Due to overwhelming and persistent misuse, GCPTR is on-page examples only until 01 June 2021. If you are reading this in the future, please check the trope page to make sure your example fits the current definition.
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* LyricalDissonance: If you'd never heard "Walk on the Wild Side" before and just listened to the backing track--a smooth, upbeat, hooky bit of folk-pop with some light orchestral strings in the second half, you'd never guess in a million years that the song had lyrics that dealt with drugs, male prostitution, transsexuality, and oral sex.
to:
* LyricalDissonance: If you'd never heard "Walk on the Wild Side" before and just listened to the backing track--a smooth, upbeat, hooky hook-filled bit of jazzy folk-pop with some light orchestral strings in the second half, you'd never guess in a million years that the song had lyrics that dealt with drugs, male prostitution, transsexuality, and oral sex.
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* LyricalDissonance: "Walk on the Wild Side" is a smooth, hooky pop single... about drugs, male prostitution, transsexuality, and oral sex.
to:
* LyricalDissonance: If you'd never heard "Walk on the Wild Side" is a before and just listened to the backing track--a smooth, upbeat, hooky pop single... about bit of folk-pop with some light orchestral strings in the second half, you'd never guess in a million years that the song had lyrics that dealt with drugs, male prostitution, transsexuality, and oral sex.
