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* ''Theatre/{{Brigadoon}}'': {{Inverted}}. The American guy chooses the UsefulNotes/{{Scot|land}}tish lassie over his [[BigApplesauce New York]] fiancee.
* ''Theatre/IAmFromAustria'': [[spoiler:Emma]] breaks off the deal of announcing her engagement to [[spoiler:the Argentinian soccer star Pablo García]]--who doesn't have a single line of dialogue with her-- because she's found the love of her life in [[spoiler:Austrian hotelier Josi Edler.]] Funnily enough, Josi shouts "Home is where the heart is!" during the helicopter ride.

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* ''Theatre/{{Brigadoon}}'': {{Inverted}}. The American guy chooses the UsefulNotes/{{Scot|land}}tish lassie over his [[BigApplesauce New York]] fiancee.
fiancée.
* ''Theatre/IAmFromAustria'': [[spoiler:Emma]] breaks off the deal of announcing her engagement to [[spoiler:the Argentinian soccer star Pablo García]]--who doesn't have a single line of dialogue with her-- because her--because she's found the love of her life in [[spoiler:Austrian hotelier Josi Edler.]] Funnily enough, Josi shouts "Home is where the heart is!" during the helicopter ride.
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* Following the historical record, Yorkist Anne Nevill is betrothed first to UsefulNotes/RichardIII from York until her father switches sides in the UsefulNotes/WarsOfTheRoses, which prompts him to marry her off to Edward IV, the French-born Lancastrian prince. When the latter dies, Anne marries Richard. Factually speaking, Anne's feelings over these events are lost to time, but fiction insists on portraying them in this trope's light, with some specific examples including:

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* Following the historical record, Yorkist Anne Nevill is betrothed first to UsefulNotes/RichardIII from York until her father switches sides in the UsefulNotes/WarsOfTheRoses, which prompts him to marry her off to Edward IV, Edward, the French-born Lancastrian prince. When the latter dies, Anne marries Richard. Factually speaking, Anne's feelings over these events are lost to time, but fiction insists on portraying them in this trope's light, with some specific examples including:
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A form of CreatorProvincialism wrapped in a LoveTriangle paper. Related to BettyAndVeronica, in which the homely Betty is the local lover and the exotic Veronica is the foreigner. The domestic love interest is sometimes a ChildhoodFriendRomance.

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A form of CreatorProvincialism wrapped in a LoveTriangle paper. Compare and contrast TheNativeRival, when a rivalry (not necessarily romantic) forms between an outsider and a local. Related to BettyAndVeronica, in which the homely Betty is the local lover and the exotic Veronica is the foreigner. The domestic love interest is sometimes a ChildhoodFriendRomance.
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* In ''Film/AmericanPie'', Jim has a shot at getting with the hot foreign student Nadia, but he blows it and has to settle for the dorky band nerd Michelle instead. In [[Film/AmericanPie2 the sequel]], he gets another chance to reignite things with Nadia, but this time he deliberately chooses a more permanent relationship with Michelle.

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* In ''Film/AmericanPie'', ''Film/AmericanPie'': Jim has a shot at getting with the hot foreign student Nadia, but he blows it and has to settle for the dorky band nerd Michelle instead. In [[Film/AmericanPie2 the sequel]], he gets another chance to reignite things with Nadia, but this time he deliberately chooses a more permanent relationship with Michelle.
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* In ''Film/AmericanPie'', Jim has a shot at getting with the hot foreign student Nadia, but he blows it and has to settle for the dorky band nerd Michelle instead. In [[Film/AmericanPie2 the sequel]], he gets another chance to reignite things with Nadia, but this time he deliberately chooses a more permanent relationship with Michelle.
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Added DiffLines:

[[folder:Fan Works]]
* ''Fanfic/{{Paradoxus}}'': The [[Recap/ParadoxusCapitulo09 ninth chapter]] establishes Trisha and Stacy's betrothal situations as opposites.
** Stacy is encouraged to play this trope straight seeing that her crush, Oropher Whisperwind, is the crown prince of Alpheim, while she's heiress to Solaria. Either of them would have to renounce their realms for it to work, something both are unwilling to do. Trisha advises her to kinda follow in her mother's steps; to meet some Solari plebeian who is not as arrogant as Oropher and truly loves her.
** On the other hand, Trisha is engaged to the son of Lady Taylor Eirsdottir Oðrsson, Duchess of Viniitar because he's earned the favor of the corrupt Domino's Council. In her own words, it's just a way to climb the nobility social ladder because she's the Domini crown princess, so Boomer is implied to be a jerkass. Whom Trisha loves is Leonard, an Earthling wizard. She still plays the trope sort of straight because Leonard is her ChildhoodFriend and she's spent much more time on Earth (and Eraklyon) than in Domino even before the tragedy because Altalune was supposed to be Domino's heiress.
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* Creator/{{Ovid}}: In ''Literature/{{Heroides}}'', Penelope worries there's a love triangle between her (from Ithaca/Greece), her husband (also Ithacan/Greek), and a "foreign" woman (who the audience knows is the witch Circe from Aiaia, though Penelope doesn't actually know she exists). Not only is her husband with Circe until he finally leaves to come back home to Penelope, but she specifically worries that he won't come home because he'll find a more exotic, interesting woman (while she's too "provincial" and plain), making this trope OlderThanFeudalism.

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* Creator/{{Ovid}}: In ''Literature/{{Heroides}}'', ''Literature/{{Heroides}}'': Penelope worries there's a love triangle between her (from Ithaca/Greece), her husband (also Ithacan/Greek), and a "foreign" woman (who the audience knows is the witch Circe from Aiaia, though Penelope doesn't actually know she exists). Not only is her husband with Circe until he finally leaves to come back home to Penelope, but she specifically worries that he won't come home because he'll find a more exotic, interesting woman (while she's too "provincial" and plain), making this trope OlderThanFeudalism.
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* ''WesternAnimation/{{Azur et Asmar}}'': The European Lady of the Fae comes to help her cousin, the Lady of the Djinns, choose between the titular heroes who both seek her. The Lady of the Djinns initially dances with Frenchman Azur while the Lady of the Fae goes with Maghrebine Asmar. Eventually, the four characters find that they're happier exchanging partners.

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* ''WesternAnimation/{{Azur et Asmar}}'': ''WesternAnimation/AzurAndAsmarThePrincesQuest'': The European Lady of the Fae comes to help her cousin, the Lady of the Djinns, choose between the titular heroes who both seek her. The Lady of the Djinns initially dances with Frenchman Azur while the Lady of the Fae goes with Maghrebine Asmar. Eventually, the four characters find that they're happier exchanging partners.
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A form of CreatorProvincialism wrapped in a LoveTriangle paper. Related to BettyAndVeronica, in which the homely Betty is the local lover and the exotic Veronica is the foreigner. Likewise with ChildhoodFriendRomance.

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A form of CreatorProvincialism wrapped in a LoveTriangle paper. Related to BettyAndVeronica, in which the homely Betty is the local lover and the exotic Veronica is the foreigner. Likewise with The domestic love interest is sometimes a ChildhoodFriendRomance.

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Changed: 371

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A form of CreatorProvincialism wrapped in a LoveTriangle paper. Related to BettyAndVeronica; which lover is which is quite obvious. It often overlaps with WrongGuyFirst, in which the protagonist's first pick in a love triangle ends up being a toxic person. Related to ChildhoodFriendRomance and RomanticFalseLead.

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If the foreigner is just a decoy and not meant to be, then it's a sub-trope of RomanticFalseLead. If, on top of that, they are a nasty piece of work, then it overlaps with WrongGuyFirst.

A form of CreatorProvincialism wrapped in a LoveTriangle paper. Related to BettyAndVeronica; which lover is which is quite obvious. It often overlaps with WrongGuyFirst, BettyAndVeronica, in which the protagonist's first pick in a love triangle ends up being a toxic person. Related to ChildhoodFriendRomance homely Betty is the local lover and RomanticFalseLead.the exotic Veronica is the foreigner. Likewise with ChildhoodFriendRomance.
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A form of CreatorProvincialism wrapped in a LoveTriangle paper. Related to BettyAndVeronica; which lover is which is quite obvious. A subtrope of WrongGuyFirst. Related to ChildhoodFriendRomance and RomanticFalseLead.

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A form of CreatorProvincialism wrapped in a LoveTriangle paper. Related to BettyAndVeronica; which lover is which is quite obvious. A subtrope of WrongGuyFirst.It often overlaps with WrongGuyFirst, in which the protagonist's first pick in a love triangle ends up being a toxic person. Related to ChildhoodFriendRomance and RomanticFalseLead.

Added: 433

Removed: 427

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* ''Film/BhowaniJunction'': Anglo-Indian Victoria must choose between the British Army Colonel Rodney Savage, Ranjit (a Sikh man), and Patrick (a fellow Anglo-Indian and her childhood friend(. In the original book, she chooses Patrick after overcoming her issues with social inferiority. Unfortunately, they suffer an Adaptation Relationship Overhaul in the movie; with Victoria ending up with the dashing white Colonel Savage.


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* ''Literature/BhowaniJunction'': Anglo-Indian Victoria must choose between the British Army Colonel Rodney Savage, Ranjit (a Sikh man), and Patrick (a fellow Anglo-Indian and her childhood friend). In the original book, she chooses Patrick after overcoming her issues with social inferiority. Unfortunately, they suffer an Adaptation Relationship Overhaul in the movie; with Victoria ending up with the dashing white Colonel Savage.
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A form of CreatorProvincialism wrapped in a LoveTriangle paper. Related to BettyAndVeronica; which lover is which is quite obvious. A subtrope of WrongGuyFirst. Related to GirlNextDoor, RomanticFalseLead, and HopelessSuitor.

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A form of CreatorProvincialism wrapped in a LoveTriangle paper. Related to BettyAndVeronica; which lover is which is quite obvious. A subtrope of WrongGuyFirst. Related to GirlNextDoor, RomanticFalseLead, ChildhoodFriendRomance and HopelessSuitor.RomanticFalseLead.



!!Examples

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!!Examples
!!Examples:
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A form of CreatorProvincialism wrapped in a LoveTriangle paper. Related to BettyAndVeronica; which lover is which is quite obvious. A subtrope of WrongGuyFirst. Related to GirlNextDoor and HopelessSuitor.

to:

A form of CreatorProvincialism wrapped in a LoveTriangle paper. Related to BettyAndVeronica; which lover is which is quite obvious. A subtrope of WrongGuyFirst. Related to GirlNextDoor GirlNextDoor, RomanticFalseLead, and HopelessSuitor.
Is there an issue? Send a MessageReason:
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* ''Film/BhowaniJunction'' (Creator/AvaGardner): Anglo-Indian Victoria must choose between the British Army Colonel Rodney Savage, Ranjit a Sikh man, and Patrick, a fellow Anglo-Indian and her childhood friend. In the original book, she chooses the Anglo-Indian Patrick but they suffer an AdaptationRelationshipOverhaul in the movie. In other words, she ends up with the dashing white Colonel Savage.

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* ''Film/BhowaniJunction'' (Creator/AvaGardner): ''Film/BhowaniJunction'': Anglo-Indian Victoria must choose between the British Army Colonel Rodney Savage, Ranjit a (a Sikh man, man), and Patrick, a Patrick (a fellow Anglo-Indian and her childhood friend. friend(. In the original book, she chooses the Anglo-Indian Patrick but after overcoming her issues with social inferiority. Unfortunately, they suffer an AdaptationRelationshipOverhaul Adaptation Relationship Overhaul in the movie. In other words, she ends movie; with Victoria ending up with the dashing white Colonel Savage.
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* ''WesternAnimation/TheRescuersDownUnder'': While all three participants are from different nationalities, the trope is set up in a way that is meant to appeal to Americans. American mouse Bernard, who has finally had enough CharacterDevelopment to be Hungarian Bianca's equal, faces the adventurous, AwesomeAussie Jake for her affections. Bianca, who returned Bernard's feelings since the previous movie, is not swayed by Jake's charm and picks Bernard.

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* ''WesternAnimation/TheRescuersDownUnder'': While all three participants are from different nationalities, the trope is set up in a way that is meant to appeal to Americans. American mouse Bernard, who has finally had enough CharacterDevelopment to be Hungarian Bianca's equal, faces the adventurous, AwesomeAussie Jake for her affections. Bianca, who has returned Bernard's feelings since the previous movie, is not swayed by Jake's charm and picks Bernard.
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* ''Film/LeapYear2010'': TheHeroine Anna goes to Ireland to propose to her New York City boyfriend Jeremy. By the end, this has become [[spoiler:an inversion, when she moves to Ireland and marries the Irish man she meets there]]

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* ''Film/LeapYear2010'': TheHeroine Anna goes to Ireland to propose to her New York City boyfriend Jeremy. By the end, this has become [[spoiler:an inversion, when she moves to Ireland and marries the Irish man she meets there]]there]].

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