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Sarah, not Shelly.
Changed line(s) 5,6 (click to see context) from:
** Eric has multiple chances to say goodbye to Shelly, but never does, not even after she points this out to him. One look at his face as she walks away from him in the graveyard is enough to see why: he's taken his vengeance now and his rage is spent. He's barely holding it together, and being that real would '''''break''''' him.
to:
** Eric has multiple chances to say goodbye to Shelly, Sarah, but never does, not even after she points this out to him. One look at his face as she walks away from him in the graveyard is enough to see why: he's taken his vengeance now and his rage is spent. He's barely holding it together, and being that real would '''''break''''' him.
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None
Changed line(s) 5 (click to see context) from:
** Eric has multiple chances to say goodbye to Shelly, but never does, not even after she points this out to him. One look at his face as she walks away from him in the graveyard is enough to see why: he's taken his vengeance now and his rage is spent. He's barely holding it together, and being that real would '''''break''''' him.
to:
** Eric has multiple chances to say goodbye to Shelly, but never does, not even after she points this out to him. One look at his face as she walks away from him in the graveyard is enough to see why: he's taken his vengeance now and his rage is spent. He's barely holding it together, and being that real would '''''break''''' him.him.
* FridgeHorror:
** In the first scene in Gideon's shop, Tin-Tin calls Gideon a "'''child-molestin'''' motherfucker." Is that just a really creative insult ... or an accusation ... or a statement of fact?
* FridgeHorror:
** In the first scene in Gideon's shop, Tin-Tin calls Gideon a "'''child-molestin'''' motherfucker." Is that just a really creative insult ... or an accusation ... or a statement of fact?
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Moving to Headscratchers
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Moving to Headscratchers
Changed line(s) 1,4 (click to see context) from:
* FridgeLogic:
** In the movie, Eric's coffin has apparently been buried about ''two inches'' below the ground. It's amazing natural erosion didn't expose it.
** Who pawns a whole bunch of barrels of gasoline?[[note]]In the comics, it was just a kerosene generator and a spare gallon of fuel that Eric jury-rigged into a bomb.[[/note]]
** In the movie, Eric's coffin has apparently been buried about ''two inches'' below the ground. It's amazing natural erosion didn't expose it.
** Who pawns a whole bunch of barrels of gasoline?[[note]]In the comics, it was just a kerosene generator and a spare gallon of fuel that Eric jury-rigged into a bomb.[[/note]]
to:
** In the movie, Eric's coffin has apparently been buried about ''two inches'' below the ground. It's amazing natural erosion didn't expose it.
** Who pawns a whole bunch of barrels of gasoline?[[note]]In the comics, it was just a kerosene generator and a spare gallon of fuel that Eric jury-rigged into a bomb.[[/note]]
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None
Added line(s) 5 (click to see context) :
Changed line(s) 5 (click to see context) from:
** The flashbacks to Eric and Shelly together are pretty rose-tinted and glurgy, yeah, but they're not prosaic third person flashbacks; they're Eric's personal memories. People tend not to recall their dearest loves in flat, dispassionate terms.
to:
** The flashbacks to Eric and Shelly together are pretty rose-tinted and glurgy, yeah, but they're not prosaic third person flashbacks; they're Eric's personal memories. People tend not to recall their dearest loves in flat, dispassionate terms.terms.
** Eric has multiple chances to say goodbye to Shelly, but never does, not even after she points this out to him. One look at his face as she walks away from him in the graveyard is enough to see why: he's taken his vengeance now and his rage is spent. He's barely holding it together, and being that real would '''''break''''' him.
** Eric has multiple chances to say goodbye to Shelly, but never does, not even after she points this out to him. One look at his face as she walks away from him in the graveyard is enough to see why: he's taken his vengeance now and his rage is spent. He's barely holding it together, and being that real would '''''break''''' him.
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None
Changed line(s) 3 (click to see context) from:
** Who pawns a whole bunch of barrels of gasoline?[[note]]In the comics, it was just a kerosene generator and a spare gallon of fuel that Eric jury-rigged into a bomb.[[/note]]
to:
** Who pawns a whole bunch of barrels of gasoline?[[note]]In the comics, it was just a kerosene generator and a spare gallon of fuel that Eric jury-rigged into a bomb.[[/note]][[/note]]
* FridgeBrilliance:
** The flashbacks to Eric and Shelly together are pretty rose-tinted and glurgy, yeah, but they're not prosaic third person flashbacks; they're Eric's personal memories. People tend not to recall their dearest loves in flat, dispassionate terms.
* FridgeBrilliance:
** The flashbacks to Eric and Shelly together are pretty rose-tinted and glurgy, yeah, but they're not prosaic third person flashbacks; they're Eric's personal memories. People tend not to recall their dearest loves in flat, dispassionate terms.
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None
Changed line(s) 3 (click to see context) from:
** Who pawns a whole bunch of barrels of gasoline?[[hottip:*:In the comics, it was just a kerosene generator and a spare gallon of fuel that Eric jury-rigged into a bomb.]]
to:
** Who pawns a whole bunch of barrels of gasoline?[[hottip:*:In gasoline?[[note]]In the comics, it was just a kerosene generator and a spare gallon of fuel that Eric jury-rigged into a bomb.]][[/note]]
