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** Blink and you'll miss it, but in each of the Super 8 reels, during the 'happy' sequences before the murders occur, the missing child looks directly at the camera.
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** Blink and you'll miss it, but in each of the Super 8 reels, during the 'happy' sequences before the murders occur, [[spoiler: the missing child looks directly at the camera.]]
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** Blink and you'll miss it, but in each of the Super 8 reels, the missing child at one point looks directly at the camera.
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** Blink and you'll miss it, but in each of the Super 8 reels, during the 'happy' sequences before the murders occur, the missing child at one point looks directly at the camera.
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** Blink and you'll miss it, but in each of the Super 8 reels, the missing child at one point looks directly at the camera.
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* ShoutOut: At one point, Dylan and Zach watch an old horror movie ([[Film/NightOfTheLivingDead1968 ''Night of the Living Dead'']]) before Courtney, not wanting them to [[KidsShouldntWatchHorrorFilms get nightmares]], switches it off; much to their dismay. She leads them to bed shortly afterwards.
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* ShoutOut: At one point, Dylan and Zach watch an old horror movie ([[Film/NightOfTheLivingDead1968 ''Night (''[[Film/NightOfTheLivingDead1968 Night of the Living Dead'']]) Dead]]'') before Courtney, not wanting them to [[KidsShouldntWatchHorrorFilms get nightmares]], switches it off; much to their dismay. She leads them to bed shortly afterwards.
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* ShoutOut: At one point, Dylan and Zach watch an old horror movie ([[Film/NightOfTheLivingDead1968 Night of the Living Dead]]) before Courtney, not wanting them to [[KidsShouldntWatchHorrorFilms get nightmares]] switches it off, much to their dismay. She leads them to bed shortly afterwards.
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* ShoutOut: At one point, Dylan and Zach watch an old horror movie ([[Film/NightOfTheLivingDead1968 Night ''Night of the Living Dead]]) Dead'']]) before Courtney, not wanting them to [[KidsShouldntWatchHorrorFilms get nightmares]] nightmares]], switches it off, off; much to their dismay. She leads them to bed shortly afterwards.
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* ShoutOut: At one point, Dylan and Zach watch an old horror movie ([[Film/NightOfTheLivingDead1968 Night of the Living Dead]]) before Courtney, not wanting them to [[KidsShouldntWatchHorrorFilms get nightmares]] switches it off, much to their dismay. She leads them to bed shortly afterwards.
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* JumpScare: Deputy So-and-So closely inspects a photo which has Bughuul in a shadowy corner, then Bughuul suddenly moves forward in that photo. A jump scare in a literal sense, as Deputy So-and-So quickly freaks out and stands after witnessing it.
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That's "Exact Words" and already covered
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That's "Exact Words" and already covered
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* MetaphoricallyTrue: Ellison assures Tracy that this time, they had not moved a few blocks away from a murder scene for his new true crime book. They are actually ''at'' the murder scene itself.
-->'''Ellison:''' Tracy, nobody died here. It's not like we're sleeping where somebody was killed or they had to wipe blood off the walls for the open house.\\
'''Tracy:''' You're saying it didn't happen here?\\
'''Ellison:''' No! It happened in the backyard.
-->'''Ellison:''' Tracy, nobody died here. It's not like we're sleeping where somebody was killed or they had to wipe blood off the walls for the open house.\\
'''Tracy:''' You're saying it didn't happen here?\\
'''Ellison:''' No! It happened in the backyard.
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* CorruptTheCutie: We get to see this process, with Bughuul's corrupted children forcing Dylan to watch their films. [[spoiler:When Dylan finally rejects them, the children reveal that their attempts to turn Dylan was sufficient to corrupt *Zach*]].
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* CorruptTheCutie: We get to see this process, with Bughuul's corrupted children forcing Dylan to watch their films. [[spoiler:When Dylan finally rejects them, the children reveal that their attempts to turn Dylan was sufficient to corrupt *Zach*]].''Zach'']].
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** It's pretty terrifying when [[spoiler: the first thing you see is three people tied to crosses and the person in the middle going up in flames.]] But when you find out that person is [[spoiler: the kids' abusive {{Jerkass}} father, it goes from terrifying to LaserGuidedKarma. [[KickTheSonOfABitch He's also the only one who dies in Zach's film.]]]]
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** It's pretty terrifying when [[spoiler: the first thing you see is three people tied to crosses and the person in the middle going up in flames.]] But when you find out that person is [[spoiler: the kids' abusive {{Jerkass}} father, it goes from terrifying to LaserGuidedKarma. [[KickTheSonOfABitch He's also the only one who dies in Zach's film.]]]]]]
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* SpookyPhotographs: ...and digital stills, paused footage, woodcut prints, paintings...
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* SpookyPhotographs: ...and SpookyPhotographs: …and digital stills, paused footage, woodcut prints, paintings...paintings…
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* DeathByIrony: In a manner of speaking. As far as we know, these aren't {{Karmic Death}}s, since there's no evidence the victims aren't innocent, but [[spoiler:most of the Super 8 films]] demonstrate this trope: [[spoiler:three of the films each introduce a motif in the family's daily life before revealing that the murder is inspired by that motif. The tire swing inspires ''Family Hanging Out '11''; ''BBQ '79'' opens with footage of a normal barbecue; and ''Pool Party '66'' is obviously only possible because the family owned a pool.]] The last two films to be shown flout this pattern, [[spoiler:since ''Sleepy Time '98'' features no buildup before the murder scene, and 'Lawn Work '86'' starts with some RedHerring footage of the family just watching TV,]] but the end of the movie brings this trope back in full force [[spoiler:when the latest murder turns out to have been [[{{Foreshadowing}} foreshadowed]] by the daughter's penchant for wall-painting.]]
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* DeathByIrony: In a manner of speaking. As far as we know, these aren't {{Karmic Death}}s, since there's no evidence the victims aren't innocent, but [[spoiler:most of the Super 8 films]] demonstrate this trope: [[spoiler:three of the films each introduce a motif in the family's daily life before revealing that the murder is inspired by that motif. The tire swing inspires ''Family Hanging Out '11''; ''BBQ '79'' opens with footage of a normal barbecue; and ''Pool Party '66'' is obviously only possible because the family owned a pool.]] The last two films to be shown flout this pattern, [[spoiler:since ''Sleepy Time '98'' features no buildup before the murder scene, and 'Lawn ''Lawn Work '86'' starts with some RedHerring footage of the family just watching TV,]] but the end of the movie brings this trope back in full force [[spoiler:when the latest murder turns out to have been [[{{Foreshadowing}} foreshadowed]] by the daughter's penchant for wall-painting.]]
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%%* NoMouth: Bughuul.
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[[folder:Tropes exclusive to ''Sinister 2'']]
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[[folder:Tropes exclusive to the movie ''Sinister 2'']]II'']]
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[[foldercontrol]]
[[folder: Common tropes to both films]]
[[folder: Common tropes to both films]]
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!! The first film contains examples of:
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[[folder:Tropes exclusive to the movie ''Sinister'']]
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!! The second film contains examples of:
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[[folder:Tropes exclusive to ''Sinister 2'']]
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[[/folder]]
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*EvilRedhead: [[spoiler: in the first film, Ashley (the only red-headed member of the Oswalt family) falls under Bughuul's thrall, ultimately sacrificing her family to him.]] In the second fim, three of the Ghost Kids have red (or reddish) hair: Ted (Fishing Trip) has reddish brown hair, while Emma (Christmas Morning) and Catherine (Trip to the Dentist) are both redheads.
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* ColorCodedForYourConvenience / RedOniBlueOni: The twins, Dylan and Zach:
** Dylan [[spoiler: acts as the Blue Oni of the twins. He's generally much more quiet and reserved, is more respectful to their mother and meek around their father. He also tends to wear clothing in colors classically associated with "good." The majority of his shirts are blue, while his pajamas, often seen when watching the home movies, are light blue shorts and a white undershirt. The movie attempts a BaitAndSwitch by showing Dylan in a redshirt preparing to kill his family, though this is revealed to be Dylan's nightmare that opens the movie.]]
** Zach [[spoiler: is the Red Oni of the twins. Like his father, he tends to be quicker to anger, is a BigBrotherBully to Dylan and ultimately ends up being the brother that gets corrupted by Bughuul. His wardrobe tends to consist of colors more often associated with anger or "evil." Most of his shirts are red, while his pajamas are black shorts and a grey undershirt.]]
** Dylan [[spoiler: acts as the Blue Oni of the twins. He's generally much more quiet and reserved, is more respectful to their mother and meek around their father. He also tends to wear clothing in colors classically associated with "good." The majority of his shirts are blue, while his pajamas, often seen when watching the home movies, are light blue shorts and a white undershirt. The movie attempts a BaitAndSwitch by showing Dylan in a redshirt preparing to kill his family, though this is revealed to be Dylan's nightmare that opens the movie.]]
** Zach [[spoiler: is the Red Oni of the twins. Like his father, he tends to be quicker to anger, is a BigBrotherBully to Dylan and ultimately ends up being the brother that gets corrupted by Bughuul. His wardrobe tends to consist of colors more often associated with anger or "evil." Most of his shirts are red, while his pajamas are black shorts and a grey undershirt.]]
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* TrashyTrueCrime: Though Ellison is a fairly sympathetic protagonist with a respectable writing career, several elements of the plot cast shadows on his character and profession. Despite his claims otherwise, it's clear that his only motivation in writing his true crime book is to revive his flagging career. At least one of his previous books had incorrect conclusions that damaged the case. The sheriff tells Ellison that his decision to move into the victims' house for research was extremely tasteless. And when Ellison uncovers bombshell evidence in his investigation, he makes the deeply questionable decision to keep the info for his book instead of turning it over to the police.
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* TrashyTrueCrime: Though Ellison is a fairly sympathetic protagonist with a respectable writing career, several elements of the plot cast shadows on his character and profession. Despite his claims otherwise, to want justice, it's clear that his only motivation in for writing his true crime book is to revive his flagging career. At least one of his previous books had incorrect conclusions that damaged the case. The sheriff tells Ellison that his decision to move into the victims' house for research was extremely tasteless. And when Ellison uncovers bombshell evidence in his investigation, he makes the deeply questionable decision to keep the info for his book instead of turning it over to the police.
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* TrashyTrueCrime: Though Ellison is a fairly sympathetic protagonist with a respectable writing career, several elements of the plot cast shadows on his character and profession. Despite his claims otherwise, it's clear that his only motivation in writing his true crime book is to revive his flagging career. At least one of his previous books had incorrect conclusions that damaged the case. The sheriff tells Ellison that his decision to move into the victims' house for research was extremely tasteless. And when Ellison uncovers bombshell evidence in his investigation, he makes the deeply questionable decision to not call the police and keep the info for his book instead.
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* TrashyTrueCrime: Though Ellison is a fairly sympathetic protagonist with a respectable writing career, several elements of the plot cast shadows on his character and profession. Despite his claims otherwise, it's clear that his only motivation in writing his true crime book is to revive his flagging career. At least one of his previous books had incorrect conclusions that damaged the case. The sheriff tells Ellison that his decision to move into the victims' house for research was extremely tasteless. And when Ellison uncovers bombshell evidence in his investigation, he makes the deeply questionable decision to not call the police and keep the info for his book instead.instead of turning it over to the police.
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* ShootTheShaggyDog: [[spoiler: Ultimately, Ellison just becomes another victim, along with the rest of his family, and Bughuul is free to kill again]].
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* TrashyTrueCrime: Though Ellison is a fairly sympathetic protagonist with a respectable writing career, several elements of the plot cast shadows on his character and profession. Despite his claims otherwise, it's clear that his motivation in writing his true crime book is to revive his flagging career. At least one of his previous books had incorrect conclusions that damaged the case. The sheriff tells Ellison that his decision to move into the victims' house for research was extremely tasteless. And when Ellison uncovers bombshell evidence in his investigation, he makes the deeply questionable decision to not call the police and keep the info for his book.
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* TrashyTrueCrime: Though Ellison is a fairly sympathetic protagonist with a respectable writing career, several elements of the plot cast shadows on his character and profession. Despite his claims otherwise, it's clear that his only motivation in writing his true crime book is to revive his flagging career. At least one of his previous books had incorrect conclusions that damaged the case. The sheriff tells Ellison that his decision to move into the victims' house for research was extremely tasteless. And when Ellison uncovers bombshell evidence in his investigation, he makes the deeply questionable decision to not call the police and keep the info for his book.book instead.
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* TrashyTrueCrime: Though Ellison is a fairly sympathetic protagonist with a respectable writing career, several elements of the plot cast shadows on his character and profession. Despite his claims otherwise, it's clear that his motivation in writing his true crime book is to revive his flagging career. At least one of his previous books had incorrect conclusions that damaged the case. The sheriff tells Ellison that his decision to move into the victims' house for research was extremely tasteless. And when Ellison uncovers bombshell evidence in his investigation, he makes the deeply questionable decision to not call the police and keep the info for his book.
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* ReasonableAuthorityFigure:: So-and-So shows he still has shades of this despite not being a deputy anymore, when [[spoiler:the state police cops sent by Clint Collins came by to regain custody of Courtney's children until Deputy So-and-So comes to the family's defense and with the knowledge he learned before when he was still in the force, points out that the cops do not have a proper warrant to do that]].
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* ReasonableAuthorityFigure:: ReasonableAuthorityFigure: So-and-So shows he still has shades of this despite not being a deputy anymore, when [[spoiler:the state police cops sent by Clint Collins came by to regain custody of Courtney's children until Deputy So-and-So comes to the family's defense and with the knowledge he learned before when he was still in the force, points out that the cops do not have a proper warrant to do that]].
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** [[spoiler: While Ellison isn't looking, Bughuul moves in the picture on the laptop to stare at him.]] It seems minor at first, until we learn Bughuul's method of haunting near the end.
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** [[spoiler: While Ellison isn't looking, Bughuul moves in the picture on the laptop to stare at him.]] It seems minor like just another scare at first, until we learn Bughuul's method of haunting near the end.
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* JustJokingJustification: In an interview during his first book tour, Ellison claimed that his motivation for writing was "fame and money," then played it off as a joke and claimed that he was actually driven by a desire for justice. Given what we know about Ellison, his answer is suspicious.
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* GloryDays: During one late night, Ellison watches an old VHS of a TV appearance during his first book tour, when he was a new hotshot author. He apparently has many, many tapes of himself.
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* TheAlcoholic: Possibly. Ellison drinks heavily throughout the movie and it's not clear whether this is just the stress of the investigation or because he has a serious problem.
* AmbitionIsEvil: Ellison's fatal flaw. Ellison is so desperate to have another hit book that he keeps investigating, to the point of withholding evidence from the authorities, and ignoring the clear toll it is taking on himself and his family.
* AmbitionIsEvil: Ellison's fatal flaw. Ellison is so desperate to have another hit book that he keeps investigating, to the point of withholding evidence from the authorities, and ignoring the clear toll it is taking on himself and his family.
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Adult Fear is now a disambig, and this is misuse which boils down to "listing all the scary stuff without context"
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* AdultFear:
** What's the most pressing fear in our hero's life? Alienating his family in pursuit of fame. This leads him to brush off the ''supernatural'' threat as nerves until [[spoiler:it's too late to stop.]]
** ''Having'' to subject himself to soul-searingly awful imagery just to get his work done.
** Having one's children come into harm's way, and watch horrible things happen to kids that's at your children's age.
* AlliterativeName: [[spoiler:'''S'''tephanie '''S'''tevenson, the 'Family Hanging Out' murderer.]]
** What's the most pressing fear in our hero's life? Alienating his family in pursuit of fame. This leads him to brush off the ''supernatural'' threat as nerves until [[spoiler:it's too late to stop.]]
** ''Having'' to subject himself to soul-searingly awful imagery just to get his work done.
** Having one's children come into harm's way, and watch horrible things happen to kids that's at your children's age.
* AlliterativeName: [[spoiler:'''S'''tephanie '''S'''tevenson, the 'Family Hanging Out' murderer.]]