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* Music/{{Kelis}}' debut single "Caught Out There" has her [[SuddenlyShouting scream]] during the chorus:
-->I hate you so much right now!
-->I hate you so much right now!
-->I hate you so much right now!
-->AAAAAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHHHHHH!!!!!!!!!!!!!!!!!!!!!!!
-->I hate you so much right now!
-->I hate you so much right now!
-->I hate you so much right now!
-->AAAAAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHHHHHH!!!!!!!!!!!!!!!!!!!!!!!
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Oedipus Complex is a disambiguation
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** He says he wants to [[OedipusComplex fuck her]] in the uncensored version.
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** He says he wants to [[OedipusComplex [[ParentalIncest fuck her]] in the uncensored version.
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* In "Car Trouble", a 1959 single by The Eligibles, the protagonist's girlfriend's father's anger at the couple being back home late is expressed by what sounds like nonsensical shouting but is actually [[SubliminalSeduction backmasked shouting]]. When the couple is back home late, the father shouts "Didn't I tell you to get my daughter back by 10:30, you bum?" backwards. Earlier in the song, the father demands they be back by 10:30 "or else", then he shouts "Now look-a here, cats, stop playing this record backwards!" backwards.
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* Music/UncannyAlliance's song "[[https://www.youtube.com/watch?v=GYgVyDyyyLQ Happy Day]]" from ''Film/HappyGilmore'' uses this at three points during the song.
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* [[TheWho Roger Daltrey]]'s stuttering in "My Generation" is meant to sound like this.
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* [[TheWho [[Music/TheWho Roger Daltrey]]'s stuttering in "My Generation" is meant to sound like this.
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* RageAgainstTheMachine frequently engages in this, many of Zack de la Rocha's lyrics being belted out with such fury that they are nigh unintelligible.
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* RageAgainstTheMachine Music/RageAgainstTheMachine frequently engages in this, many of Zack de la Rocha's lyrics being belted out with such fury that they are nigh unintelligible.
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* Joe Strummer works himself up to this in TheClash's "The Right Profile."
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* Joe Strummer works himself up to this in TheClash's Music/TheClash's "The Right Profile."
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* Jim Morrison in TheDoors' "The End":
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* Jim Morrison in TheDoors' Music/TheDoors' "The End":
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* Several of JohnLennon's songs engage with Angrish and primal howling; particularly the tracks on ''Plastic Ono Band'', released after he'd tried Primal Scream therapy, enter into this, particularly "Mother" ("Mama don't gooooOOOOOOOOOOWWWAAAAAAAAAAAAHH!!!!!"). "Cold Turkey" also degenerates into feverish sounding screams, reflective of someone with a nasty heroin addiction experiencing particularly bad withdrawal pangs -- not coincidentally, Lennon ''was'' [[CreatorBreakdown going through a nasty heroin addiction]]...
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* Several of JohnLennon's Music/JohnLennon's songs engage with Angrish and primal howling; particularly the tracks on ''Plastic Ono Band'', released after he'd tried Primal Scream therapy, enter into this, particularly "Mother" ("Mama don't gooooOOOOOOOOOOWWWAAAAAAAAAAAAHH!!!!!"). "Cold Turkey" also degenerates into feverish sounding screams, reflective of someone with a nasty heroin addiction experiencing particularly bad withdrawal pangs -- not coincidentally, Lennon ''was'' [[CreatorBreakdown going through a nasty heroin addiction]]...
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None
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* Jim Morrison in "The End":
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* Jim Morrison in TheDoors' "The End":
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*RageAgainstTheMachine frequently engages in this, many of Zack de la Rocha's lyrics being belted out with such fury that they are nigh unintelligible.
**"Some of those who work forces / are the same that burn crosses! UUAAGGH!"
**"And ya do what they told ya. Now your under contro-ooooooaaaAAAUUUGGHHHH!"
**"Some of those who work forces / are the same that burn crosses! UUAAGGH!"
**"And ya do what they told ya. Now your under contro-ooooooaaaAAAUUUGGHHHH!"
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* [[TheWho Roger Daltrey]]'s stuttering in "My Generation" is meant to sound like this.
-->People try to p-put us d-down
-->Just because we g-g-g-get around
-->People try to p-put us d-down
-->Just because we g-g-g-get around
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* [[HidetoMatsumoto hide]]'s DOUBT. Also to some degree on Oblaat.
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* [[HidetoMatsumoto [[Music/HidetoMatsumoto hide]]'s DOUBT. Also to some degree on Oblaat.
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* [[HidetoMatsumoto hide]]'s DOUBT. Also to some degree on Oblaat.
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* Joe Strummer works himself up to this in TheClash's "The Right Profile."
-->He said go out and get me my old movie stills
-->Go out and get me another roll of pills
-->There I go again shaking, but I ain't got the chills
-->Arrrghhhgorra buh bhuh do ''ARRRRGGGGHHHHNNNN''!!!!
* John Cale is fond of the trope. Take "Leaving It Up To You", which is a smooth (if slightly menacing) midtempo rock song up until the end of the second verse, and then it all starts to get... weird.
-->And it's sordid how life goes on when I could take you apart
-->And if you give me half a chance, I'd do it NOW!
-->...I'd do it NOW! RIGHT NOW, YA FASCIST!
-->I know we can all feel safe - like Sharon Tate!
-->Or we could give it all, we cou-gi-give-gi-giveitAAAAAAAALL!
* Jim Morrison in "The End":
-->Father, I want to kill you... Mother, I want to AHHHRAARAAAGH!"
** He says he wants to [[OedipusComplex fuck her]] in the uncensored version.
* Several of JohnLennon's songs engage with Angrish and primal howling; particularly the tracks on ''Plastic Ono Band'', released after he'd tried Primal Scream therapy, enter into this, particularly "Mother" ("Mama don't gooooOOOOOOOOOOWWWAAAAAAAAAAAAHH!!!!!"). "Cold Turkey" also degenerates into feverish sounding screams, reflective of someone with a nasty heroin addiction experiencing particularly bad withdrawal pangs -- not coincidentally, Lennon ''was'' [[CreatorBreakdown going through a nasty heroin addiction]]...
* ''Pretty Lush'' by Glassjaw ends the bridge with Daryl Palumbo yelling "You fnn...nng...nngah!"
* Many heavy metal songs. Especially with a type 3 MetalScream.
* With Wayne Static of Static-X, it's a toss-up between this, or TheUnintelligible. Check out "Tera-fied", "Otsego Amigo" or "Cannibal".
* In the Music/{{Danielson}} song "Pottymouth", rather than using actual profanities, the pottymouth's cursing is rendered as indeterminate muttering.
----
-->He said go out and get me my old movie stills
-->Go out and get me another roll of pills
-->There I go again shaking, but I ain't got the chills
-->Arrrghhhgorra buh bhuh do ''ARRRRGGGGHHHHNNNN''!!!!
* John Cale is fond of the trope. Take "Leaving It Up To You", which is a smooth (if slightly menacing) midtempo rock song up until the end of the second verse, and then it all starts to get... weird.
-->And it's sordid how life goes on when I could take you apart
-->And if you give me half a chance, I'd do it NOW!
-->...I'd do it NOW! RIGHT NOW, YA FASCIST!
-->I know we can all feel safe - like Sharon Tate!
-->Or we could give it all, we cou-gi-give-gi-giveitAAAAAAAALL!
* Jim Morrison in "The End":
-->Father, I want to kill you... Mother, I want to AHHHRAARAAAGH!"
** He says he wants to [[OedipusComplex fuck her]] in the uncensored version.
* Several of JohnLennon's songs engage with Angrish and primal howling; particularly the tracks on ''Plastic Ono Band'', released after he'd tried Primal Scream therapy, enter into this, particularly "Mother" ("Mama don't gooooOOOOOOOOOOWWWAAAAAAAAAAAAHH!!!!!"). "Cold Turkey" also degenerates into feverish sounding screams, reflective of someone with a nasty heroin addiction experiencing particularly bad withdrawal pangs -- not coincidentally, Lennon ''was'' [[CreatorBreakdown going through a nasty heroin addiction]]...
* ''Pretty Lush'' by Glassjaw ends the bridge with Daryl Palumbo yelling "You fnn...nng...nngah!"
* Many heavy metal songs. Especially with a type 3 MetalScream.
* With Wayne Static of Static-X, it's a toss-up between this, or TheUnintelligible. Check out "Tera-fied", "Otsego Amigo" or "Cannibal".
* In the Music/{{Danielson}} song "Pottymouth", rather than using actual profanities, the pottymouth's cursing is rendered as indeterminate muttering.
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