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openStock Footage Trailers Film
Like Missing Trailer Scene but not exactly. When archive footage from earlier productions is used in trailers. Example, a teaser for a new Star Trek movie using clips from the previous films.
openTasting the tracks Film
I feel like I saw a TLP draft for this once (or it could be an existing trope) but I'm pressed for time to go look for it right now. Is there a trope for licking a footprint/track to analyse it?
open[Insert name here] Number Film
There's some joke about how you can always connect an actor to another actor whose name I don't remember in a single digit. Something along the lines of,
X has a number of 3. X was in movie A with Y, who was in movie B with Z, who was in movie C with W.
openAttack/crush from opposing/multiple directions Film
Is there a trope for when someone tries to crush/surround an opponent between two (or more) attacks?
In this bit of the final battle
in BoBoiBoy The Movie, BoBoiBoy Blaze and BoBoiBoy Ice attack Bora Ra with a giant iceberg from below and a flaming meteor from above.
If nothing works, I can settle for Combination Attack.
Edited by BlackFaithStaropennight in one scene, day next Film
What's the trope for one it's night in one scene, and broad daylight the next, even though the scenes are meant to take place only a few minutes apart?
openbut sir we cant Film
A commander of the ship demands that the crew fire their weapons but the lower ranking crew member says "but sir, we shouldn't" so the commander has to yell something along the lines of "I said fire! that's an order!"

Does anyone know any movies where the character dynamic is similar to Hannibal(2001), Hijacked (2012) and Leatherface(2017) where the male character is a bad guy and could kill the female character but chooses not to and there is potentially some romance sprinkled in. It's similar to the power imbalance trope and the Stockholm syndrome trope but I find the suggestions in there don't quite cover what I'm looking for, bonus points if it includes a switching of the roles e.g. Hannibal being a prisoner and Clarise being an FBI agent but then when he escapes and drugs her the balance of power is shifted, or in Leatherface where when Lizzy and Jackson meet she is in the position of power as the nurse but then when the asylum is overtaken by lunatics, the power shifts to Jackson yet he decides to make it his mission to protect her when he could have killed her instead. Thanks in advance:)))