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open YMMV Pokemon Journeys/2019 Anime issue: Jackpot21 versus Franchise Original Sin Anime
...Yes, I know, but this is a trope I really stand for, stand on, and I want to fix it without starting an edit war.
Okay, so here's what Jackpot
removed.
https://tvtropes.org/pmwiki/pmwiki.php/YMMV/PokemonJourneysTheSeries
...
- Franchise Original Sin:
- Ash has had a co-lead before, most famously in the form of Dawn. At several points Dawn would take the lead as the focus character even in the midst of what might be considered an Ash focused storyline, such as during the Maylene episodes where she took a lead in roughly half of the four episodes. Fans have more problems with Goh doing this than Dawn due to it being perceived as more often and more intrusive to Ash's focus.
- It has been in Ash's nature at several points to have the course of the journey dictated by those around him more than his own, notably with May and Dawn's Contests and Serena's Showcases. However this is perhaps the first series where such a occurrence has been widely criticized and disliked by a sizeable and vocal portion of the fanbase, with Goh's goals tending to dominate a large chunk of episode over Ash's being a frequent issue with such fans. Possible reasons for this being Goh's captures often occurring in episodes that would have once been considered filler thus giving the fans a feeling that Goh gets more focus than he actually is intended to, Goh's goal being relevant more frequently than the female companions and thus aggravating fans more, or just the fact that Goh's status as a designated co-lead means that any imbalance in focus is more tangible to the fanbase.
...
This is Jackpot's given reason for removing it.
...
Dawn isn’t classified as a protagonist but as a traveling companion. The difference between her and Goh is that Dawn’s focus episodes were spread out and didn’t overshadow Ash’s journey, usually involved competing in Contests, bettering herself as a Coordinator, or had to do with her Pokémon, whereas with Goh’s focus episodes, they tend to happen every few episodes and would more often than not be about a specific Pokémon that he’d catch at the end of the episode. Also, how did Ash’s companions dictate his journey? Most of the Contests or Showcases were on the way to whatever Gym he’d challenge next. That’s far different from Goh dragging him around to whatever location he found out a specific Pokémon will be at or a specific event taking place. ...
I am very familiar with the Pokemon fanbase. I am aware of how the fanbase is and what the show is like for twenty years, and what it is now. I am aware of Goh is seen, and I am able to look at it historically.
Dawn was treated as a Co-Lead. In the opening of DP anime episodes, it is the 'adventures of Satoshi (Ash) and Hikari (Dawn). May, Iris, Serena, Misty, etc did not get this. The only one who gets that is Goh.
As to the point about direction, at several points in the series the company diverts their path to go to places that are contest or showcase based (For example, in Kalos Ash does this for some of Serena's later performances)
Also, and I suspect this is the most important, this is YMMMV. Your Mileage May Vary. I don't think the edit removal given really works as that argument is more for 'yes or no' tropes versus opinion tropes. Jackpot removed it more on 'I don't agree with it' lines, which strikes me as problematic for YMMV tropes, especially as Goh's issues brought up are a commonly held opinion on many sites like Bulbargarden and Spacebattles and the point of 'being something in the originals' is used in debate there and acknowledged as such.
Please help me return the trope to YMMV Journeys. I added it originally so I cannot without risking an edit war (while I added it back in August 21 so I have no idea if that makes a reversing edit two and a half months is the edit, remove, edit definitions or not.)
Edited by KrspaceTopenFranchise Killing in Digimon Anime
So, Digimon is registered in Franchise Killer under the following context: The decline of the virtual pet craze caused Digimon to take a few major knocks in the merch sales, and it wasn't helped by Digimon Tamers underperforming in its target demographic (though it did end up Vindicated by History when older audiences rediscovered it). Digimon Frontier attempted to reverse the decline by retooling itself as a Henshin Hero series, but this alienated a chunk of existing fans and failed to create enough new ones, putting the franchise on ice until Digimon Data Squad four years later. And then it went on hiatus until Digimon Fusion four years later again. And then another hiatus until Digimon Adventure tri. four years later yet again (five'' years later with Digimon Universe: App Monsters if only counting TV shows). Needless to say, the franchise has had it rough since its heyday.
I have to ask, is this valid? Considering the franchise still continues to this day, does it really belong on the Franchise Killer page?
openEdit Warring on YMMV/Overlord2012 Anime
Leonidaz made some edits to the Overlord (2012) page on roughly 1/12.
- Memetic Badass: Ainz Ooal Gown is regarded as one of the most overpowered, invincible and badass villains and protagonists in Isekai history. An unusual case in that Ainz is indeed invencible and in-universe everybody regards him as the ultimate superior being, but in reality Ainz is far from being the unbeatable badass everyone thinks he is, he is just lucky to always meet foes weaker or dumber than him.
- Rooting for the Empire: It's rather hard to root for Ainz and the rest of the gang when they act like your typical Fantasy JRPG villains. The fact that they easily steamroll through any obstacle or foe, all the while acting over the top arrogant and snide at the other races and people around them does not help matters. You WISH the antagonist of the arc would actually smack the smirks right off of their faces just for a change of pace (though a bunch of them, such as the Eight Fingers, are even worse than them). The Tomb of Nazarick's over the top entrance and sadistic subjugation of the Lizardfolk (a peaceful community they went to war with just as an "experiment") has been seen as rather infuriating for readers. Though, after they were conquered, Ainz then ordered Cocytus to rule over them with the carrot and not the stick, showing that he's not a total sadist. However, Ainz later unleashed five abominations on a huge, mostly conscript, army and showed nothing but glee towards breaking the record of how many monsters were summoned at once, not even feeling anything about all those who his summoned monstrosities slaughtered. And then there's everything about Demiurge's "livestock". Seriously, many fans of Overlord would want a crossover with other series just so Ainz could face a challenge and be defeated JUST ONCE.
- Spiritual Adaptation: If you unfocus your eyes, you can almost convince yourself you’re watching an anime adaptation of Den.
- That One Boss: For the Great Underground Tomb of Nazarick this title can easily be assigned to Victim, Guardian of the 8th Level. The irony of it all is that Victim is only level 35 and the weakest Guardian. His power comes from being able to sacrifice himself, which causes an onslaught of crippling status debuffs and movement lockdown effects, allowing the rest of Nazarick's forces to kill the invaders at their leisure. To emphasise this point; no Raid Party in Yggdrasil had ever gotten past it.
I removed the areas marked in bold, Spiritual Adaptation, and That One Boss because of the nature of these edits.
- Memetic Badass not only had misspelling, but it also reads as a Justifying Edit and conflicts with the trope.
- Rooting for the Empire has an unnecessary point at the end and has no reason to be there.
- Spiritual Adaptation reads as a ZCE since it doesn't explain how it is one.
- That One Boss is being used for an In-Universe example, so it doesn't make sense to include it.
After removing them on 1/13, said troper returned and added them back in without a message. I sent them a message notifying them I would be making this.
Edited by keyblade333openPronoun inconsistency Anime
Kyubey's section
in the Puella Magi Madoka Magica character page has a few inconcsistencies with the pronouns used for him. Most sections use he/him, while some use they/them or it/its.
There's also the following example:
- Heel–Face Turn: This is very unusually subverted for many reasons. The first one is that following Madoka's wish and the rewriting of reality, he/they no longer needs to be a manipulative mastermind. Secondly he/they doesn't change in the slightest, he/they just doesn't have the motivation in this world. Thirdly he ultimately chooses to re-rewrite reality anyway out of greed in the movie and goes back to their old scheming ways.
And this:
- Your Approval Fills Me with Shame: Gives one on occasion, as far as he/she/it can actually express approval. The one he's speaking with definitely feels shame as a result.
In the anime, Kyubey refers to himself with "boku", and English supplementary material refers to Kyubey with he/him pronouns.
What do we do?
Edited by YuriHaru567openShould this be removed from the Gundam YMMV? Anime
I've noticed this particular example while I was browsing:
- Americans Hate Tingle: The Gundam franchise is very unpopular in Brazil, since most of Brazilian anime fans dislike mecha series. The only anime aired in the country was Mobile Suit Gundam Wing and the Mobile Suit Gundam Wing: Endless Waltz OVAs during the beginning of the 2000s in the Cartoon Network, but it was clearly overshadowed by other animations like Dragon Ball Z, Rurouni Kenshin and YuYu Hakusho in the channel. Even the Brazilian fansubs don't have interest on it, most of them don't bother subbing any of the series that came before Mobile Suit Gundam SEED and Mobile Suit Gundam 00.
Speaking as a Brazilian myself, I'd like to clarify some things:
- I really don't know where this supposed mecha stigma came from, even other shows like Code Geass have a solid fanbase in the Otaku community of the country.
- Wing was in fact overshadowed by other animations, but the franchise never aired again in all of Latin America; Seed was planned to air in the country alongside SD Gundam before it was licensed and Wing itself was even revisited by another TV block not affiliated with Cartoon Network.
- All pre-2000 Gundam shows are available and are easy to find thanks to fansubs made by devoted fans, gaining a small but dedicated cult-following in the process. In recent years, the modern Gundam shows are much more popular than their predecessors and are enjoyed by many in the community.
So yeah, It's certainly not "hated" or "very unpopular". This section was noted by another Brazilian troper a few years ago, who had this to say: "As an actual brazilian anime fan, I think that this post is making things sound worse than they actually are. And the "most of series are either not subbed or dropped" part is factually incorrect. Big fansubs groups may have not subbed Gundam anime before Seed, but smaller and specialized groups did it."
Edited by TheMadCr0wopenWhy this human posture (Butt in the Air/ Knee-Chested Posture) is not in tvtropes.org? Anime
Full Question: Why this human posture (Butt in the Air/ Knee-Chested Posture) is not in tvtropes.org? Please make it have a page in it.
The posture sample:
another sample:
https://www.reddit.com/media?url=https%3A%2F%2Fpreview.redd.it%2F263ht8nqple51.jpg%3Fauto%3Dwebp%26s%3D3a8dfb23855ec68ee082c87887fa0a78076e7434
This posture is almost present in Cartoons, video-games.... heck alot in anime nowadays for laughs. sometimes for *ahem arousement...
openAbout Akame ga Kill Anime
Can someone fix the character list for Night Raid and Akame, please? It is getting confusing. All I see is Akame herself, but not the rest of the Night Raid.
open Sevens: Jackpot21 deletes all dissenting Opinions: Anti-Climax Boss edition Anime
https://tvtropes.org/pmwiki/pmwiki.php/Tropers/Jackpot21
https://tvtropes.org/pmwiki/pmwiki.php/YMMV/YuGiOhSevens
User Jackpot 21 has this thing where they really dislike any opinion on Sevens they disagree with, even if it is a YMMV trope and thus is about opinions versus facts. Recently they went after my YMMV opinion on one of the final bosses of a Sevens Arc.
Here be what they removed.
...
- Anti-Climax Boss: Yuga's second duel with Asana, and the climax of her arc, is considered the weakest duel of all the arc climax duels in the series. Reasons for this stem for the aborted clash of the Maximum Monsters (which makes sense in the plot but comes as the expense of the duel), a sense of repetition of plays from the previous arc climax duel with Neiru (Yuga making a similar 'Trick Guard-Stray Familiar move', the second and third turns leading to a mutual Maximum clash, the use of Magical Switch to summon Seven Roads Magician to take an attack for a weaker monster, etc), and the duel's format overall being more akin to a regular Yuga duel than a climactic one (Yuga notably wins not using Seven Roads Magician, a combo with Seven Roads Magician, or his Maximum monster, but a new level 7 monster (Steeltek Diety Mirror Innovator) in a manner that is more akin to how a duel with a minor character would go and not a climactic clash with a final opponent whose duels tend to more closely involve Yuga's signature cards. Asana herself remains a popular character, but her final duel is considered weak by many.
...
Now let's break down why this is wrong. To list a few of them off the top of my head.
1: Anti-Climax Boss is a trope that is usable outside of video games. In fact all Yu Gi Oh Series have used this trope in their YMMV (For both cards and opponents). 2: This was an opinion I did see around and more than just myself. 3: Anti-Climax boss entries list out why the boss was seen that way, and I did list out several reasons including repetition and how it was concluded.
Also of course 'Your Mileage May Vary'
Minor tweaks are perfectly fine: perhaps changing words from 'is considered the weakest duel of all the arc climax duels' to 'many consider it the weakest duel in all the arc climax duels'. But if he isn't going to even give a reason for his removal like the Pokemon Journeys entry in this system at the same time...well either there is something wrong with it that I don't know about or it is good to go back in a manner that can avoid an edit war.
Edited by KrspaceTopenIs Gundam IBO too dark and gritty? Anime
Ok, I gotta ask: does Mobile Suit Gundam: Iron-Blooded Orphans truly qualify for Too Bleak, Stopped Caring? TBSC is normally defined as either "both sides are either equally unlikeable (pedophiliac serial killer vs genocidal slave trader" or "the heroes' efforts ultimately amount to nothing and the universe still sucks." A story only averts the trope when it features clearly defined heroes and villains and the ending delivers a positive outcome.
TBSC was orignally listed
in the show's YMMV page by its original name, "Darkness-Induced Audience Apathy", under the following argument: "By far the worst offender in the entire Gundam franchise, which was already fairly dark to begin with. Detractors point out that it's hard to sympathize with the protagonists, especially Mikazuki, as their actions push them further off the slipper slope. This isn't helped in season 2 where you're required to be ruthless in this society to get ahead. In the final episodes, major characters get killed left and right to the point it stops being dramatic and starts becoming tedious. Not helping matters is that people are comparing it to Zeta and the director's insistence that the entire show is basically a mafia story, NOT a war story.". It was deleted
because the trope required proof of audience apathy.
The YMMV page previously included:
- Eight Deadly Words: Detractors of the series frequently point this out as a problem. With a bleak setting, extremely morally shady characters (especially the main character), even worse villains, and an underdeveloped Big Bad who not only manages to succeed but ends on a high note, it's pretty easy to stop caring about what happens to the characters., but it was deleted
because Eight Deadly Words became a DefinitionOnlyPage.
- Ending Aversion: The outcome of the final episode is extremely divisive, with a pretty vocal segment of the fandom decrying it for feeling that Tekkadan didn't get the payoff they deserved while Rustal, Julietta, Nobliss, and Gjallarhorn in general successfully destroyed Tekkadan and ended on a high note, with only Iok and Nobliss receiving any form of comeuppance that ultimately rings hollow because of the other villains still winning- the way they won also gets accused of being a complete Shoot the Shaggy Dog for the sake of a Gray-and-Grey Morality message. Many who want a sequel for the series tend to request for Rustal and Julieta to get killed and for Gjallarhorn to be destroyed, assuming they don't write a Fix Fic to fulfill the same purpose by having Tekkadan win the Final Battle. The trope was deleted because, supposedly, "the trope is for people avoiding a work because they hear the ending is disappointing, not about people not liking the ending."
It still includes Esoteric Happy Ending with: "While the series portrays the finale as a bittersweet but overall happy ending with Rustal reforming Gjallarhorn and recognizing Martian independence, while Iok and Nobliss Gordon are killed, detractors of the series finale point out that as a member of the previous Gjallarhorn regime, Rustal is at best complicit in or at worst actively responsible for much of the corruption that plagued the organization. Onscreen, he doesn't bat an eye at starting proxy wars, formenting violent rebellions as false flags, and making use of outlawed weapons to achieve his ends. Even with the Seven Stars disbanded, he's managed to hold on to his power by making himself the best possible candidate to be elected to lead Gjallarhorn, and both he and Julietta were willing to side with Nobliss Gordon, of all people. As a result, the detractors see him as carrying on old Gjallarhorn's corrupt practices while propping up a public facade of being a reformer."
The show's anime page includes tropes like:
- The Bad Guy Wins: Although Gjallarhorn is heavily reformed by the end of the series, there is little doubt that throughout the series they are the villains, and were fighting to remain the authority in the world. Tekkaden was simply trying to find a place to belong in the world, which put them in direct opposition to Gjallarhorn by necessity rather than any actual enmity at first. It's made clear that there are still elements of resentment on both sides by the series end though, particularly in light of the look of anger and distrust that Eugene sends Julietta's way. This makes sense when you remember Julietta, a devoted, borderline fanatical follower of Rustal Elion, is the one who murdered Mikazuki on the battlefield. Julietta doesn't miss it, or its implications, either.
- Sliding Scale of Idealism Versus Cynicism: Very cynical. For starters, the protagonist is a Sociopathic Hero who kills without remorse. The main characters are a group of Child Soldiers who see nothing wrong with their profession, fighting an all-powerful army that oppresses the masses through bureaucracy and military intervention. Both sides kill each other in the most brutal and painful ways, with no hope for peace or reconcilation. The ending implies things will be much better, but by that point, so much blood has been shed.
So, what do you think?
BTW, I also asked this question in Is this an example?
to get a proper consensus.
openValues Dissonance entry Anime
The YMMV page for Monster has a Values Dissonance entry saying, "Asking women to smile has become very frowned upon since the series was made." The troper who added this is now suspended, and it doesn't elaborate at all. I've seen the whole series, but I can't remember what specific moment this is referencing, and the comment itself doesn't make sense without more of an explanation.
Edited by Javertshark13openShould Ferris (from Re:Zero) Be considered Transgender? Anime
Hi, I'm new to posting here, though I've browsed for longer. I'm a fan of the book series ReZero
, but what caught my interest while browsing the trope page was the fact that in the Re Zero Character Sheet Ferris is listed as a crossdressing boy, yet in the Transgender page Ferris is also listed as a transwoman. I think that these are conflicting statements or something. and a bit confusing? Idk. But I wanted to know whether Ferris should be considered a trans girl or a crossdressing boy.
Now. I personally believe that Ferris is a trans woman having read the bulk of the series. And these are some of my reasoning's as to why. Sorry if this is too long.
- Ferris legally goes by Felix Argyle, but she wishes to be called Ferris. In her introduction she reiterates to her boss that being called Felix upsets her,
and that "It's Ferris, Not Felix." Her birth name is rarely used in the story. This is akin to a trans person's deadname.
- In the side novel EX 1, it is shown that not even Fourier, one of her best friends, was aware that she had another name that she never used,
as Ferris does not like talking about the past, to the point where she doesn't tell people her birth name.
- In the side novel EX 1, it is shown that not even Fourier, one of her best friends, was aware that she had another name that she never used,
- In the English books, Ferris is addressed with male pronouns after her introduction. yet in the japanese version, she frequently uses feminine pronouns, this fact is also stated on the character sheet.
- Most importantly, there is a scene in her side novel Volume EX 1 which shows that for the last 6 years, Ferris has been praying to be a girl,
reaffirming herself everyday when she is alone in the mirror. The Narrator goes on to state that she no longer had to say these words, as they were already apart of the person who spoke them for 6 years.
- There is also a scene in EX 1 which shows that she dreaded coming out to Fourier about her birth gender, as she feared that, like other people, he would no longer want to be her friend.
- Ferris also states that she will never wear men's clothes again. In an interview on Twitter, the Author stated that the one time she wore men's clothes, she actually cried.
- And there is also the small fact that Ferris has been in a couple of video game crossovers that feature them in all-girls casts. I just figured I might add that in.
I know of a popular counterargument that might be brought up. That one is that Ferris in Arc 4 says that "He is a man in heart and soul" according to fan translations of the Web Novel. However, in the Official Light Novel release, This line is omitted and replaced with a line that reads "This outfit is a reflection of my body and spirit." I feel this has a much different meaning than the former line, as the outfit Ferris wears is a girls outfit, and it doesn't seem to imply that she identifies as male. This line is omitted in Volume 10 of the Light Novel, which the author considers to be the final version of the book series. Arc 4 was also released in 2013, when EX 1 and Volume 10 were released post 2015.
All-in-all, these points, alongside other evidence I didn't mention, are why I also think Ferris is trans, and I'd like to know what to make of this.
Edited by SneekshionopenYMMV.KannazukiNoMiko page... kind of overly negative? Anime
This page. I get that it's a controversial show, but why is it that it looks like being written not by a neutral party but more like the detractors hamfisting what they don't like about the show? I've already made several edits about it, but I feel like I should rewrite in a more neutral manner.
Should I? Is the page negative enough?
The main page itself looked rather old, with a lot of ZCE's (I plan on fixing that too), so I was thinking that this was why a lot of its 'negativity' (if confirmed) went unfixed. What do you think?
openCancelling a Wikiword request Anime
I was looking at Creator.Funimation and found it odd that it was spelled properly, as I had always known it as FUNimation. I popped a wikiword request in but then looked down, actually read the page and saw it said previously known as FUNimation Productions and FUNimation Entertainment. Since I don't see any way to cancel the request myself, I wanted to post this so a mod would know it was a mistake on my part.
Edited by sgamer82openStrike Witches YMMV page Anime
Just noticed that the broken base section of strike witches has a massive paragraph that, to my knowledge, belongs in base breaking character and also has a ton of natter. I genuinely think it should be cleaned up. The section I refer to is:
However as far as Hikari goes their has been some occasional disengagements of wither she is an actually good, fleshed out character in her own right that is distinct from Yoshika or if she's just "Yoshika 2.0" (the latter group seems to have mostly died off post release of Brave Witches and even even those few hold outs are as visible and seem to not have sufficient thesis to back such claims up). An additional point of contention with fans is wither Yoshika herself actually is or isn't a Mary Sue. Those who argue she isn't is due to the fact that while Yoshika's magic powers are of greater potential then average; they were unrefined and untrained and Yoshika was faced with sufficient challenges and had to work hard to improve her control of her magic and training as air infantry to become as competent and then as badass as the rest of the 501st, as well as the fact that nothing about Yoshika's magic was not outside of the the ordinary or expected of witches magic in the series. Those who claim she is a Mary Sue argue more to her idealistic personality and the fact her magic returned to her by the end of the movie; however the former tends to be a rather dubious argument and a counterargument to the latter is that witches are known to experience draining of their magical stamina whenever they exert themselves and their magic and thus require time to recuperate with food,water and rest and only older witches seem to experience various degrees of magical entropy or outright loss; and given that at the end of Season 2 Yoshika was still in her prime magically speaking and used a magical sword technique that she barely had enough proper sword training for and how no real magical training done for; it caused her to do the magical equivalent of pulling a muscle and needed a much longer period of time to recover the magical stamina, and likely didn't have a chance to test her magic recovery by the time movie came around until the very end in a serious crisis situation and feeling the inspired desire to fly with her friends again.
Edited by RAHDRONopenThis new troper here Anime
So I got a notification on my watchlist that the Characters.Naruto Team Eight Members character page was modified. I checked it out and saw that Rich 4 (he shows up as a "NEW ACCOUNT" on my watchlist) added Dandere to Hinata's section. However, while Hinata does fit the Dandere trope based on its description and Laconic and Playing With pages, the entry itself written by Rich 4 over-exaggerates Hinata's fainting tendencies—she faints only twice in the manga a.k.a. in Canon, while she faints a lot in the anime filler which is non-canon, the Rock Lee SD spin-off which is also non-canon, and a lot of Fanfics which are, well, fanon. So Rich 4 wrote false/exaggerated information in that example.
I want to fix the entry, but I don't want to cause an Edit War. Would my fixing the entry cause an Edit War? I just want to make sure before I do anything. Any advice would be very much appreciated.
Here is Rich 4's edit history: https://tvtropes.org/pmwiki/el.php?findfor=Rich4
Here is the Characters.Naruto Team Eight Members edit history: https://tvtropes.org/pmwiki/article_history.php?article=Characters.NarutoTeamEightMembers
open A lot of issues with the most recent edits on ShipTease/AnimeAndManga. Anime
I have noticed that there are a lot of issues with the most recent edits in Anime & Manga of the Ship Tease page, based on its History
, specifically with the most recent edits for Naruto and One Piece. There are very long-winded entries, non-neutral wording employed, adding information that has long since been firmly denied by the original creators themselves, showing shipping bias towards ships that aren't canon and against ships that are canon, grammar issues, not ending the entries on a clear definitive concluding note, and overall initiating an Edit War.
The reason why this all concerns me is because *I* displayed those very same issues myself before I got banned, and now that I know everything that I did wrong, I feel that these edits really do show everything that I just explained, the things I had problems with previously. These most recent edits display the problems as shown in these Administrivia articles: Sink Hole, Conversation in the Main Page, Righting Great Wrongs, Word Cruft, How to Write an Example, Edit Reasons and Why You Should Use Them, and Handling Spoilers.
Personally, I want to revert those edits back to how they were originally written most recently before they got ruined, because those previous edits didn't add excessive information that really didn't need to be added. All of those previous edits didn't display any shipping bias or at least showed as little as possible, gave evidence to back up what was written, and each entry ended on a clear definitive concluding note. However, I don't know how to do that without causing an Edit War myself. How would I go about reverting all of those edits back and explaining that "I am reverting back to the original edits because the most recent edits caused an Edit War and showed a lot of problems that violated proper editing etiquette," in a concise neutral Edit Reason, without causing an Edit War?
Please know that I am not trying to pick a fight, and this is the first time I'm using Ask The Tropers, so I'm not completely familiar with ATT just yet. However, I do know that asking for this troper to be banned is not the right answer, and that is not what I am asking anyways. My main point is, I just noticed that the most recent edits done by that troper showed those very same problems that I myself had before I got banned, and because those are big warning signs that I did not know about until I got banned, those edits need to be dealt with or fixed/reverted as a result.
Lastly, as a side note, I still see links to scanlations in that trope page. Those need to be deleted because links to scanlations are not permitted. They are illegal and therefore need to be deleted. I plan on getting rid of those myself, though, since I made that same mistake myself and am in the process of getting rid of all the links I've ever inserted, so the main issues I have with the edits in this page (issues which I wrote about above) are what I'm more focused on here.
Edited by mouschilightopenNothing to do with Creator Killer? Anime
I'm genuinely confused as to how this doesn't have anything to do with Creator Killer. I mean it, I thought it was an example from the minute I learned of it. Maybe the second half of the example doesn't have anything to do with the trope (and in fact would feel more at home under Old Shame), but I'm positive the first half has at least some link to the trope.
- The screenplay for Pokémon 3 has been blamed for killing series showrunner Takeshi Shudo's career. For him, the way the ending, which was supposed to have been ambiguous, was interpreted by the scriptwriter marked the beginning of the end. For the rest of his life, he had no kind word to say about the movie itself, going on record as saying that were his mother alive and missing he would never have even thought about abducting another's.
openWork in the wrong namespace Anime
Le Portrait de Petite Cossette is under Manga/, yet the article itself (and every other source) says it is an original OVA and the manga came later. Can I move the page to Anime/ and turn Manga/ into a redirect?
openWeird Example on YMMV/PuellaMagiMadokaMagica Anime
This was under the Moe entry.
- Many fans claim that Puella Magi Madoka Magica is a feminist series, when in fact, Gen Urobochi had conceptualized the series through comparisons of girls' "hubris" and "self-righteousness" to Al-Qaeda, not to mention that the intended demographic was for an older, male audience.
I'm not sure what the point of the entry was (well besides the last part). But the point about its relationship to feminism is already mentioned elsewhere on the page (word for word in fact) and for some reason i see this entry as out of place. Should it stay?

Ok, with Fena: Pirate Princess finally over, I gotta ask: does the titular character really qualify for They Wasted a Perfectly Good Character? Her entry in the YMMV page reads:
"Fena herself, despite being the main and title character. All throughout the series, Fena is rarely, if ever, allowed to actually do anything on her own, and it actively ignores opportunities to let her grow as a person or do anything that doesn't involve getting kidnapped, having the plot explained to her, or being saved by other people. Any attempt at letting her do something on her own is handwaved away, such as when she leads the party to where the coordinates are in the underground tomb, not because she herself does it, but because a mysterious voice said so. She's basically a Pinball Protagonist with little to no agency in her own series, and more than a few people noticed this.
"
1. Fena is the protagonist and by definition, she can't get wasted because we follow the story from her perspective. 2. TWAPGC is "this character was insufficiently developed or improperly explored", not "I didn't like the direction this character went through."
So, what do you think?