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Ask the Tropers:
openQuestion about an edit Anime
About seven years ago the troper Seguir made a sweeping edit
to the Tearjerker page
for Death Note, removing a number of entries with the edit reason saying "removing apologism for murderers and melodrama" with no further explanation given. I don't see how a lot of the removed entries (such as Hatori's death or Light's amnesiac self screaming when he regains his memories) fit this description so I'm wondering if anyone feels they should be restored.
openWhy this human posture (Butt in the Air/ Knee-Chested Posture) is not in tvtropes.org? Anime
Full Question: Why this human posture (Butt in the Air/ Knee-Chested Posture) is not in tvtropes.org? Please make it have a page in it.
The posture sample:
another sample:
https://www.reddit.com/media?url=https%3A%2F%2Fpreview.redd.it%2F263ht8nqple51.jpg%3Fauto%3Dwebp%26s%3D3a8dfb23855ec68ee082c87887fa0a78076e7434
This posture is almost present in Cartoons, video-games.... heck alot in anime nowadays for laughs. sometimes for *ahem arousement...
openShould this be removed from the Gundam YMMV? Anime
I've noticed this particular example while I was browsing:
- Americans Hate Tingle: The Gundam franchise is very unpopular in Brazil, since most of Brazilian anime fans dislike mecha series. The only anime aired in the country was Mobile Suit Gundam Wing and the Mobile Suit Gundam Wing: Endless Waltz OVAs during the beginning of the 2000s in the Cartoon Network, but it was clearly overshadowed by other animations like Dragon Ball Z, Rurouni Kenshin and YuYu Hakusho in the channel. Even the Brazilian fansubs don't have interest on it, most of them don't bother subbing any of the series that came before Mobile Suit Gundam SEED and Mobile Suit Gundam 00.
Speaking as a Brazilian myself, I'd like to clarify some things:
- I really don't know where this supposed mecha stigma came from, even other shows like Code Geass have a solid fanbase in the Otaku community of the country.
- Wing was in fact overshadowed by other animations, but the franchise never aired again in all of Latin America; Seed was planned to air in the country alongside SD Gundam before it was licensed and Wing itself was even revisited by another TV block not affiliated with Cartoon Network.
- All pre-2000 Gundam shows are available and are easy to find thanks to fansubs made by devoted fans, gaining a small but dedicated cult-following in the process. In recent years, the modern Gundam shows are much more popular than their predecessors and are enjoyed by many in the community.
So yeah, It's certainly not "hated" or "very unpopular". This section was noted by another Brazilian troper a few years ago, who had this to say: "As an actual brazilian anime fan, I think that this post is making things sound worse than they actually are. And the "most of series are either not subbed or dropped" part is factually incorrect. Big fansubs groups may have not subbed Gundam anime before Seed, but smaller and specialized groups did it."
Edited by TheMadCr0wopenFranchise Killing in Digimon Anime
So, Digimon is registered in Franchise Killer under the following context: The decline of the virtual pet craze caused Digimon to take a few major knocks in the merch sales, and it wasn't helped by Digimon Tamers underperforming in its target demographic (though it did end up Vindicated by History when older audiences rediscovered it). Digimon Frontier attempted to reverse the decline by retooling itself as a Henshin Hero series, but this alienated a chunk of existing fans and failed to create enough new ones, putting the franchise on ice until Digimon Data Squad four years later. And then it went on hiatus until Digimon Fusion four years later again. And then another hiatus until Digimon Adventure tri. four years later yet again (five'' years later with Digimon Universe: App Monsters if only counting TV shows). Needless to say, the franchise has had it rough since its heyday.
I have to ask, is this valid? Considering the franchise still continues to this day, does it really belong on the Franchise Killer page?
openFolders/Sections on the Shonen Jump page Anime
I'm not going to mince words on it: I think the Shonen Jump page is a complete mess, namely all of the folders and sections in the middle of the page. IMO there's way too many folders, too many gigantic folders, a bunch of weird placements that don't make intuitive sense, a bizarre Adaptations section, etc. I don't know when exactly this happened (based on the Discussion page this has been sitting like this since ~2019) but I do remember the older version of this page from years back and while it wasn't necessarily perfect it was significantly more usable than the page in its current state.
I'm bringing this up here to at the very least draw some attention to it and get some responses and feedback on what should be done before proceeding on anything. Cleaning it up would be quite a bit of work for me to do by myself/on a single go so I would appreciate any help with it, and I'd like to get some consensus on a few things with it as well. Biggest part would be addressing some of the sister mags; while most of the folders are IMO superfluous I do think some are at least worth highlighting given the overlaps involved (for example Viz's Shonen Jump app pulls from Jump+, Jump Square, and V-Jump).
open Edit War on Love of Kill Anime
I swore to myself I was going to avoid this page from now on but I need to report myself and another troper for edit-warring. Back in January I added the following example to Love of Kill (and admittedly with an unnecessarily rude edit reason because I was furious at having wasted my lunch break watching it, thinking it would be similar to SPY×FAMILY).
- Sexual Extortion: Song (AN: male lead) spends the first episode (or first few manga chapters) extorting a "date" from Chateau (AN: female lead) in exchange for information she needs for her day job and only manages to not actually rape her because she finally musters the nerve to actually leave the hotel room he takes her to at the end of it. He still manages to force a hug on her before she gets on the train to go home.
This example was first modified due to a factual error in the original version (perfectly okay), and then deleted outright by Ominae (not okay). I re-added it, and then immediately realized I was edit-warring and posted on the discussion tab
. I fully admit I blew it.
Without checking the discussion tab or taking note of the legal definition of sexual harassment, Ominae removed the example again.
I freely admit that I was unnecessarily rude and have an irrational hatred for this series (I consider it to be the best fantasy for incels since Redo Of Healer), but everything in the example is factually correct.
openEdit Warring on YMMV/Overlord2012 Anime
Leonidaz made some edits to the Overlord (2012) page on roughly 1/12.
- Memetic Badass: Ainz Ooal Gown is regarded as one of the most overpowered, invincible and badass villains and protagonists in Isekai history. An unusual case in that Ainz is indeed invencible and in-universe everybody regards him as the ultimate superior being, but in reality Ainz is far from being the unbeatable badass everyone thinks he is, he is just lucky to always meet foes weaker or dumber than him.
- Rooting for the Empire: It's rather hard to root for Ainz and the rest of the gang when they act like your typical Fantasy JRPG villains. The fact that they easily steamroll through any obstacle or foe, all the while acting over the top arrogant and snide at the other races and people around them does not help matters. You WISH the antagonist of the arc would actually smack the smirks right off of their faces just for a change of pace (though a bunch of them, such as the Eight Fingers, are even worse than them). The Tomb of Nazarick's over the top entrance and sadistic subjugation of the Lizardfolk (a peaceful community they went to war with just as an "experiment") has been seen as rather infuriating for readers. Though, after they were conquered, Ainz then ordered Cocytus to rule over them with the carrot and not the stick, showing that he's not a total sadist. However, Ainz later unleashed five abominations on a huge, mostly conscript, army and showed nothing but glee towards breaking the record of how many monsters were summoned at once, not even feeling anything about all those who his summoned monstrosities slaughtered. And then there's everything about Demiurge's "livestock". Seriously, many fans of Overlord would want a crossover with other series just so Ainz could face a challenge and be defeated JUST ONCE.
- Spiritual Adaptation: If you unfocus your eyes, you can almost convince yourself you’re watching an anime adaptation of Den.
- That One Boss: For the Great Underground Tomb of Nazarick this title can easily be assigned to Victim, Guardian of the 8th Level. The irony of it all is that Victim is only level 35 and the weakest Guardian. His power comes from being able to sacrifice himself, which causes an onslaught of crippling status debuffs and movement lockdown effects, allowing the rest of Nazarick's forces to kill the invaders at their leisure. To emphasise this point; no Raid Party in Yggdrasil had ever gotten past it.
I removed the areas marked in bold, Spiritual Adaptation, and That One Boss because of the nature of these edits.
- Memetic Badass not only had misspelling, but it also reads as a Justifying Edit and conflicts with the trope.
- Rooting for the Empire has an unnecessary point at the end and has no reason to be there.
- Spiritual Adaptation reads as a ZCE since it doesn't explain how it is one.
- That One Boss is being used for an In-Universe example, so it doesn't make sense to include it.
After removing them on 1/13, said troper returned and added them back in without a message. I sent them a message notifying them I would be making this.
Edited by keyblade333openFena = Wasted character? Anime
Ok, with Fena: Pirate Princess finally over, I gotta ask: does the titular character really qualify for They Wasted a Perfectly Good Character? Her entry in the YMMV page reads:
"Fena herself, despite being the main and title character. All throughout the series, Fena is rarely, if ever, allowed to actually do anything on her own, and it actively ignores opportunities to let her grow as a person or do anything that doesn't involve getting kidnapped, having the plot explained to her, or being saved by other people. Any attempt at letting her do something on her own is handwaved away, such as when she leads the party to where the coordinates are in the underground tomb, not because she herself does it, but because a mysterious voice said so. She's basically a Pinball Protagonist with little to no agency in her own series, and more than a few people noticed this.
"
1. Fena is the protagonist and by definition, she can't get wasted because we follow the story from her perspective. 2. TWAPGC is "this character was insufficiently developed or improperly explored", not "I didn't like the direction this character went through."
So, what do you think?
open YMMV Pokemon Journeys/2019 Anime issue: Jackpot21 versus Franchise Original Sin Anime
...Yes, I know, but this is a trope I really stand for, stand on, and I want to fix it without starting an edit war.
Okay, so here's what Jackpot
removed.
https://tvtropes.org/pmwiki/pmwiki.php/YMMV/PokemonJourneysTheSeries
...
- Franchise Original Sin:
- Ash has had a co-lead before, most famously in the form of Dawn. At several points Dawn would take the lead as the focus character even in the midst of what might be considered an Ash focused storyline, such as during the Maylene episodes where she took a lead in roughly half of the four episodes. Fans have more problems with Goh doing this than Dawn due to it being perceived as more often and more intrusive to Ash's focus.
- It has been in Ash's nature at several points to have the course of the journey dictated by those around him more than his own, notably with May and Dawn's Contests and Serena's Showcases. However this is perhaps the first series where such a occurrence has been widely criticized and disliked by a sizeable and vocal portion of the fanbase, with Goh's goals tending to dominate a large chunk of episode over Ash's being a frequent issue with such fans. Possible reasons for this being Goh's captures often occurring in episodes that would have once been considered filler thus giving the fans a feeling that Goh gets more focus than he actually is intended to, Goh's goal being relevant more frequently than the female companions and thus aggravating fans more, or just the fact that Goh's status as a designated co-lead means that any imbalance in focus is more tangible to the fanbase.
...
This is Jackpot's given reason for removing it.
...
Dawn isn’t classified as a protagonist but as a traveling companion. The difference between her and Goh is that Dawn’s focus episodes were spread out and didn’t overshadow Ash’s journey, usually involved competing in Contests, bettering herself as a Coordinator, or had to do with her Pokémon, whereas with Goh’s focus episodes, they tend to happen every few episodes and would more often than not be about a specific Pokémon that he’d catch at the end of the episode. Also, how did Ash’s companions dictate his journey? Most of the Contests or Showcases were on the way to whatever Gym he’d challenge next. That’s far different from Goh dragging him around to whatever location he found out a specific Pokémon will be at or a specific event taking place. ...
I am very familiar with the Pokemon fanbase. I am aware of how the fanbase is and what the show is like for twenty years, and what it is now. I am aware of Goh is seen, and I am able to look at it historically.
Dawn was treated as a Co-Lead. In the opening of DP anime episodes, it is the 'adventures of Satoshi (Ash) and Hikari (Dawn). May, Iris, Serena, Misty, etc did not get this. The only one who gets that is Goh.
As to the point about direction, at several points in the series the company diverts their path to go to places that are contest or showcase based (For example, in Kalos Ash does this for some of Serena's later performances)
Also, and I suspect this is the most important, this is YMMMV. Your Mileage May Vary. I don't think the edit removal given really works as that argument is more for 'yes or no' tropes versus opinion tropes. Jackpot removed it more on 'I don't agree with it' lines, which strikes me as problematic for YMMV tropes, especially as Goh's issues brought up are a commonly held opinion on many sites like Bulbargarden and Spacebattles and the point of 'being something in the originals' is used in debate there and acknowledged as such.
Please help me return the trope to YMMV Journeys. I added it originally so I cannot without risking an edit war (while I added it back in August 21 so I have no idea if that makes a reversing edit two and a half months is the edit, remove, edit definitions or not.)
Edited by KrspaceTopenPronoun inconsistency Anime
Kyubey's section
in the Puella Magi Madoka Magica character page has a few inconcsistencies with the pronouns used for him. Most sections use he/him, while some use they/them or it/its.
There's also the following example:
- Heel–Face Turn: This is very unusually subverted for many reasons. The first one is that following Madoka's wish and the rewriting of reality, he/they no longer needs to be a manipulative mastermind. Secondly he/they doesn't change in the slightest, he/they just doesn't have the motivation in this world. Thirdly he ultimately chooses to re-rewrite reality anyway out of greed in the movie and goes back to their old scheming ways.
And this:
- Your Approval Fills Me with Shame: Gives one on occasion, as far as he/she/it can actually express approval. The one he's speaking with definitely feels shame as a result.
In the anime, Kyubey refers to himself with "boku", and English supplementary material refers to Kyubey with he/him pronouns.
What do we do?
Edited by YuriHaru567resolved Vocabulary Conflict Anime
A little while ago now, Dentaku made this edit
on YMMV.Bocchi The Rock for the LGBT Fanbase example.
All instances of "Sapphic" were replaced with "Lesbian", saying the former is an "old-fashioned" form of the latter. I reverted the change with the reason that Sapphic is actually an umbrella term for any woman who loves woman (which does include lesbians, but also labels like bisexual, demi, etc.)
And then just today, someone reverted it again with no edit reason.
Edited by IkeaHanopenValues Dissonance entry Anime
The YMMV page for Monster has a Values Dissonance entry saying, "Asking women to smile has become very frowned upon since the series was made." The troper who added this is now suspended, and it doesn't elaborate at all. I've seen the whole series, but I can't remember what specific moment this is referencing, and the comment itself doesn't make sense without more of an explanation.
Edited by Javertshark13openIs Gundam IBO too dark and gritty? Anime
Ok, I gotta ask: does Mobile Suit Gundam: Iron-Blooded Orphans truly qualify for Too Bleak, Stopped Caring? TBSC is normally defined as either "both sides are either equally unlikeable (pedophiliac serial killer vs genocidal slave trader" or "the heroes' efforts ultimately amount to nothing and the universe still sucks." A story only averts the trope when it features clearly defined heroes and villains and the ending delivers a positive outcome.
TBSC was orignally listed
in the show's YMMV page by its original name, "Darkness-Induced Audience Apathy", under the following argument: "By far the worst offender in the entire Gundam franchise, which was already fairly dark to begin with. Detractors point out that it's hard to sympathize with the protagonists, especially Mikazuki, as their actions push them further off the slipper slope. This isn't helped in season 2 where you're required to be ruthless in this society to get ahead. In the final episodes, major characters get killed left and right to the point it stops being dramatic and starts becoming tedious. Not helping matters is that people are comparing it to Zeta and the director's insistence that the entire show is basically a mafia story, NOT a war story.". It was deleted
because the trope required proof of audience apathy.
The YMMV page previously included:
- Eight Deadly Words: Detractors of the series frequently point this out as a problem. With a bleak setting, extremely morally shady characters (especially the main character), even worse villains, and an underdeveloped Big Bad who not only manages to succeed but ends on a high note, it's pretty easy to stop caring about what happens to the characters., but it was deleted
because Eight Deadly Words became a DefinitionOnlyPage.
- Ending Aversion: The outcome of the final episode is extremely divisive, with a pretty vocal segment of the fandom decrying it for feeling that Tekkadan didn't get the payoff they deserved while Rustal, Julietta, Nobliss, and Gjallarhorn in general successfully destroyed Tekkadan and ended on a high note, with only Iok and Nobliss receiving any form of comeuppance that ultimately rings hollow because of the other villains still winning- the way they won also gets accused of being a complete Shoot the Shaggy Dog for the sake of a Gray-and-Grey Morality message. Many who want a sequel for the series tend to request for Rustal and Julieta to get killed and for Gjallarhorn to be destroyed, assuming they don't write a Fix Fic to fulfill the same purpose by having Tekkadan win the Final Battle. The trope was deleted because, supposedly, "the trope is for people avoiding a work because they hear the ending is disappointing, not about people not liking the ending."
It still includes Esoteric Happy Ending with: "While the series portrays the finale as a bittersweet but overall happy ending with Rustal reforming Gjallarhorn and recognizing Martian independence, while Iok and Nobliss Gordon are killed, detractors of the series finale point out that as a member of the previous Gjallarhorn regime, Rustal is at best complicit in or at worst actively responsible for much of the corruption that plagued the organization. Onscreen, he doesn't bat an eye at starting proxy wars, formenting violent rebellions as false flags, and making use of outlawed weapons to achieve his ends. Even with the Seven Stars disbanded, he's managed to hold on to his power by making himself the best possible candidate to be elected to lead Gjallarhorn, and both he and Julietta were willing to side with Nobliss Gordon, of all people. As a result, the detractors see him as carrying on old Gjallarhorn's corrupt practices while propping up a public facade of being a reformer."
The show's anime page includes tropes like:
- The Bad Guy Wins: Although Gjallarhorn is heavily reformed by the end of the series, there is little doubt that throughout the series they are the villains, and were fighting to remain the authority in the world. Tekkaden was simply trying to find a place to belong in the world, which put them in direct opposition to Gjallarhorn by necessity rather than any actual enmity at first. It's made clear that there are still elements of resentment on both sides by the series end though, particularly in light of the look of anger and distrust that Eugene sends Julietta's way. This makes sense when you remember Julietta, a devoted, borderline fanatical follower of Rustal Elion, is the one who murdered Mikazuki on the battlefield. Julietta doesn't miss it, or its implications, either.
- Sliding Scale of Idealism Versus Cynicism: Very cynical. For starters, the protagonist is a Sociopathic Hero who kills without remorse. The main characters are a group of Child Soldiers who see nothing wrong with their profession, fighting an all-powerful army that oppresses the masses through bureaucracy and military intervention. Both sides kill each other in the most brutal and painful ways, with no hope for peace or reconcilation. The ending implies things will be much better, but by that point, so much blood has been shed.
So, what do you think?
BTW, I also asked this question in Is this an example?
to get a proper consensus.
open Sevens: Jackpot21 deletes all dissenting Opinions: Anti-Climax Boss edition Anime
https://tvtropes.org/pmwiki/pmwiki.php/Tropers/Jackpot21
https://tvtropes.org/pmwiki/pmwiki.php/YMMV/YuGiOhSevens
User Jackpot 21 has this thing where they really dislike any opinion on Sevens they disagree with, even if it is a YMMV trope and thus is about opinions versus facts. Recently they went after my YMMV opinion on one of the final bosses of a Sevens Arc.
Here be what they removed.
...
- Anti-Climax Boss: Yuga's second duel with Asana, and the climax of her arc, is considered the weakest duel of all the arc climax duels in the series. Reasons for this stem for the aborted clash of the Maximum Monsters (which makes sense in the plot but comes as the expense of the duel), a sense of repetition of plays from the previous arc climax duel with Neiru (Yuga making a similar 'Trick Guard-Stray Familiar move', the second and third turns leading to a mutual Maximum clash, the use of Magical Switch to summon Seven Roads Magician to take an attack for a weaker monster, etc), and the duel's format overall being more akin to a regular Yuga duel than a climactic one (Yuga notably wins not using Seven Roads Magician, a combo with Seven Roads Magician, or his Maximum monster, but a new level 7 monster (Steeltek Diety Mirror Innovator) in a manner that is more akin to how a duel with a minor character would go and not a climactic clash with a final opponent whose duels tend to more closely involve Yuga's signature cards. Asana herself remains a popular character, but her final duel is considered weak by many.
...
Now let's break down why this is wrong. To list a few of them off the top of my head.
1: Anti-Climax Boss is a trope that is usable outside of video games. In fact all Yu Gi Oh Series have used this trope in their YMMV (For both cards and opponents). 2: This was an opinion I did see around and more than just myself. 3: Anti-Climax boss entries list out why the boss was seen that way, and I did list out several reasons including repetition and how it was concluded.
Also of course 'Your Mileage May Vary'
Minor tweaks are perfectly fine: perhaps changing words from 'is considered the weakest duel of all the arc climax duels' to 'many consider it the weakest duel in all the arc climax duels'. But if he isn't going to even give a reason for his removal like the Pokemon Journeys entry in this system at the same time...well either there is something wrong with it that I don't know about or it is good to go back in a manner that can avoid an edit war.
Edited by KrspaceTresolved What do I go to change the title of a work page? Anime
I'm considering of changing the main title of "Literature.Bakemonogatari" to "Literature.MonogatariSeries" since Bakemonogatari is only the title for the first arc/season of the series (and the series itself is a bit of a Long Runner with multiple different names for each arc/season and Bakemonogatari is only one of them). It makes more sense for the main title to be the Monogatari Series instead.
However, I'm not exactly sure where I can propose to change the main title. How do I do this?
Edited by RuckusHeartsopenAbout Akame ga Kill Anime
Can someone fix the character list for Night Raid and Akame, please? It is getting confusing. All I see is Akame herself, but not the rest of the Night Raid.
resolved Am I Being Too Uptight About This? Anime
This question involves the final episode of one of those rather important older anime series, so if you're interested in Revolutionary Girl Utena and haven't seen it, this spoiler warning is for you.
Here's my question:
"Revolutionary Girl Utena E 39 Someday We Will Shine Together", has an example of Screw This, I'm Outta Here!. At two points in 2024 I deleted one of its two bullets on the basis that the event in question does not meet the trope's "unplanned departure" criteria (the character who leaves pays a visit to another character to say that she's leaving, and is then shown walking away with a suitcase). Now that I think about it, it's a better fit for Won't Do Your Dirty Work.
Recently another editor added this event under Screw This, I'm Outta Here! again. I don't want to be a wonk about this and I'm already uncomfortable with having deleted it twice. The event in question is a key moment in the story and as such, editors like to mention it in as many examples as possible. So if I delete it again the odds are good that someone else will add it back before long.
Am I interpreting this trope too strictly? I've been treating "unplanned" as something along the lines of "spontaneous"—maybe I'm setting the bar too high?
Or maybe I'm second guessing myself too much and what I need is a commented out message to discourage people from adding this to Screw This, I'm Outta Here!?
Edited by ShivaIndisresolved Does YMMV have a different standard for natter than Main? Anime
Hi,
This edit
for YMMV.The 100 Girlfriends Who Really Really Really Really Really Love You strikes me as natter. I was looking to edit the paragraph so that it doesn't look like the wiki arguing with itself, but before I do, I wanted to check whether YMMV has a different (lower?) standard for natter than Main.
My reasoning is given that the opinions expressed in YMMV tend to be subjective, does that mean that it's acceptable for Tropers to respond/debate under an entry?
openShould Ferris (from Re:Zero) Be considered Transgender? Anime
Hi, I'm new to posting here, though I've browsed for longer. I'm a fan of the book series ReZero
, but what caught my interest while browsing the trope page was the fact that in the Re Zero Character Sheet Ferris is listed as a crossdressing boy, yet in the Transgender page Ferris is also listed as a transwoman. I think that these are conflicting statements or something. and a bit confusing? Idk. But I wanted to know whether Ferris should be considered a trans girl or a crossdressing boy.
Now. I personally believe that Ferris is a trans woman having read the bulk of the series. And these are some of my reasoning's as to why. Sorry if this is too long.
- Ferris legally goes by Felix Argyle, but she wishes to be called Ferris. In her introduction she reiterates to her boss that being called Felix upsets her,
and that "It's Ferris, Not Felix." Her birth name is rarely used in the story. This is akin to a trans person's deadname.
- In the side novel EX 1, it is shown that not even Fourier, one of her best friends, was aware that she had another name that she never used,
as Ferris does not like talking about the past, to the point where she doesn't tell people her birth name.
- In the side novel EX 1, it is shown that not even Fourier, one of her best friends, was aware that she had another name that she never used,
- In the English books, Ferris is addressed with male pronouns after her introduction. yet in the japanese version, she frequently uses feminine pronouns, this fact is also stated on the character sheet.
- Most importantly, there is a scene in her side novel Volume EX 1 which shows that for the last 6 years, Ferris has been praying to be a girl,
reaffirming herself everyday when she is alone in the mirror. The Narrator goes on to state that she no longer had to say these words, as they were already apart of the person who spoke them for 6 years.
- There is also a scene in EX 1 which shows that she dreaded coming out to Fourier about her birth gender, as she feared that, like other people, he would no longer want to be her friend.
- Ferris also states that she will never wear men's clothes again. In an interview on Twitter, the Author stated that the one time she wore men's clothes, she actually cried.
- And there is also the small fact that Ferris has been in a couple of video game crossovers that feature them in all-girls casts. I just figured I might add that in.
I know of a popular counterargument that might be brought up. That one is that Ferris in Arc 4 says that "He is a man in heart and soul" according to fan translations of the Web Novel. However, in the Official Light Novel release, This line is omitted and replaced with a line that reads "This outfit is a reflection of my body and spirit." I feel this has a much different meaning than the former line, as the outfit Ferris wears is a girls outfit, and it doesn't seem to imply that she identifies as male. This line is omitted in Volume 10 of the Light Novel, which the author considers to be the final version of the book series. Arc 4 was also released in 2013, when EX 1 and Volume 10 were released post 2015.
All-in-all, these points, alongside other evidence I didn't mention, are why I also think Ferris is trans, and I'd like to know what to make of this.
Edited by Sneekshion

I know Word Cruft is a reason for editing down an entry, but is it actually applicable in this case? On November 4th
, I/Rebel Falcon, edited the entry for the trope "Because You Were Nice to Me" for the character Kyoka Jiro on My Hero Academia - Class 1-A (11-20) to provide further context, and I didn't think the entry was that long or required any Word Cruft.
- Because You Were Nice to Me: Jiro initially didn't have much of a connection with Midoriya throughout the school year. During the preparation for the Culture Festival however, she approached him for aid in neatening up her notes on music, initially embarrassed at needing to ask but finding herself pleasantly surprised the more they worked together, slowly transitioning into the two becoming genuine friends. She brings up this moment specifically when all of Class 1-A come to bring him back to U.A. High after he had left due to becoming a target for Shigaraki due to his possession of One For All, telling him how happy she was to find they shared a hobby in note taking and, that while he has gotten stronger, she doesn't want her friend having to suffer for their sake.
On November 6th- Because You Were Nice to Me: During Class 1-A's fight against Midoriya, when they try to bring him to back U.A. High, Jiro brings up to him how they bonded over their shared habit of making notes to improve their works (for Izuku, it's his combat skills, for Jiro, it's her musical skills) and how he helped her prepare for the School Festival as a way to convince him to return, even if she know it's only a minor moment.
I will admit that the Word Cruft was warranted for the Breakout Character entry and have no issue with the edits they did for that removing excess content, since even I can admit that it was too long in retrospect, but my question is if it was actually necessary for the Because You Were Nice to Me entry, and even then if its possible to reword it so that it retains the original context even if in fewer words.EDIT: I am not trying to get anyone in trouble, this is just me trying to clear up some genuine confusion on my end. Edited by RebelFalcon