Have a question about how the TVTropes wiki works? No one knows this community better than the people in it, so ask away! Ask the Tropers is the page you come to when you have a question burning in your brain and the support pages didn't help.
It's not for everything, though. For a list of all the resources for your questions, click here. You can also go to this Directory thread
for ongoing cleanup projects.
At best, these entries probably fit better under Deader Than Disco, as that's for works that were highly praised back when they were first released; but now they've fallen so out of favour, even their original fans don't really stand up for them anymore.
Of course, Deader Than Disco has some harsh requirements nowadays, so I'm not sure if either would count. But yeah, I don't think these entries really fit "Seinfeld" Is Unfunny or Hype Backlash.

YMMV.The Force Awakens:
- Hype Backlash: When the film came out it was critically acclaimed and managed to Win Back the Crowd after the divisve prequels. However after both it's follow ups became Contested Sequels many have become far less tolerable to this film's faults. The constant rehashs of plot elements and character archetypes from A New Hope is seen as lazy and unimaginative, the Sequel Reset and Happy Ending Override renders the events of the entire Original Trilogy All for Nothing, and the mystery box setup of this film became widely criticized when later films made it clear the writers had no clear plan in mind leading to constant retcons and Armed with Canon by conflicting directors. Some reviewers such as Jeremy Jahns have admitted this film wasn't quite that good in retrospect and that a lot of the positivity was based around the hype and excitement of Star Wars returning that made them overlook the film's flaws.
YMMV.Sly Cooper Thieves In Time:Awhile ago, I asked if "Seinfeld" applied to The Force Awakens for the reason under Hype Backlash. They said it did not as "Seinfeld" is about being seen as old hat despite being original at the time, not good/bad. Hype Backlash seems misused as it’s fans praising it such audiences think it doesn’t measures up, not fans/audiences reevaluating due to later events which sounds closer to "Seinfeld".
If "Seinfeld" only applies to originality, the Sly Cooper example should be cut as the problem isn’t it being no longer seen as original,