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Usually Aside Glance includes a bit more than "looks at camera". As the article indicates, it's meant to communicate a private thought to the audience such as "What's with this weirdo?" or "See what I have to deal with?", or otherwise making a double entendre, and the aside glance is a definite wink-nudge of "Yes, I meant that one."
For example, in one episode of Amphibia, the put-upon Lady Olivia states "I'll be in the kitchen, drinking... *Aside Glance* ... juice." Her aside glance indicates to the adults in the audience (Parental Bonus) that she really meant wine, but couldn't say that in a kids' show.
In summary, you need to take the whole situation into account, not just "they're looking at the camera".
Edited by KDYou also have Fourth Wall Psych, where the character seems to Break the Fourth Wall, but the audience's viewpoint is simply "standing" between the character and the in-universe person or thing they're actually looking at/talking to.
For the given image, I think we'd need more context. (With my artist hat on I kind of get Cheated Angle and Social Semi-Circle vibes, where having them stand like this and several of them look straight at the camera means you can use the standard-issue face sheets and only slightly modify stock body poses )
Edited by Scorpion451

At no point do they move their gaze, but they stare at what appears to be the camera and respond to what the other characters say.
https://www.reddit.com/media?url=https%3A%2F%2Fpreview.redd.it%2Fbreaking-4th-wall-v0-6y570h11f52d1.png%3Fwidth%3D1020%26format%3Dpng%26auto%3Dwebp%26s%3D42cffb6c4620b2d3d7b42670101426b50e3abb8a