I think with more perspective the show is less a deconstruction of superheroes and a superhero setting than it is poking at the corporate infrastructure around how marketable superheroes are. It's more reflective of the celebrity worship culture if anything. The rather confined Meta Origin that all Supes have means that we aren't getting the Fantasy Kitchen Sink of aliens, demons, advanced technology, genetic manipulation and normal vigilantes that are normally present in similar settings.
Comics are just words and pictures. You can do anything with words and pictures.You know, Stormfront being assigned to The Seven really makes a lot less sense the more I think about.
Specifically, if Vought is at all concerned about Homelander, then putting her in proximity to him is just the worst idea. She is a bad influence on an already atrocious person and the best case scenario to her joining the team is that he is annoyed with her and Vought in general. Gee, putting the super powerful and desperate to be loved Aryan wet dream on the same squad as a charming, manipulative Nazi. What could possibly go wrong.
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I wondered this as well. I think the potential benefits of "having an uber powerful supe that ACTUALLY follows your orders (even if she pretends she doesn't online, No Such Thing as Bad Publicity) oh yeah and she's the ex-boss's wife" was worth the risk. Or maybe her dating Homelander was intended as a way to control him that went way wrong.
Funny satirical piece I came across: "Jeff Bezos Sees Nothing Wrong With Funding Two Shows About How Lex Luthor’s Arch Nemesis Is Actually the Bad Guy
(EDIT: The other show is Invincible)
Edited by Synchronicity on May 14th 2021 at 5:14:31 AM
Part of the satire is the fact that Voight is utterly incompetent at anything but marketing the superheroes. Because that is their sole concern. As such, things like tactics, reliability, or the safety of the world are secondary ones.
They also probably think Stormfront is a weapon against Homelander if he turns versus thinking, "Oh yes, the Nazi will want to create Master Race babies."
Edited by CharlesPhipps on May 14th 2021 at 5:17:48 AM
Author of The Rules of Supervillainy, Cthulhu Armageddon, and United States of Monsters.It's pretty funny because there's no good Lex Luthor equivalent here and Vought is both corrupt and inefficent. The true heroes are Punisher pastiches
Prettiest Meta Knight Gijinka, nglEdgar is the one who put her on the team and he seems to be fully aware of who - and espcially what - she is.
So I actually wonder what his plan there was.
His conversation with Butcher
in season 2's final episode is still one of my favourite scenes so far.
Edited by DrunkenNordmann on May 15th 2021 at 11:44:03 AM
We learn from history that we do not learn from historyDefinitely getting the "Totally-not-Captain-America" vibe (obviously) but I do wonder about the armoured look. Is the show version fully powered up or a Bad Ass Normal, do we know?
"These 'no-nonsense' solutions of yours just don't hold water in a complex world of jet-powered apes and time travel."Ackles auditioned for the role of Steve, so this is a fun casting joke. (In addition to being Production Posse from Supernatural.)
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so he got powers from it, without being on the same level as someone like Homelander? Makes sense.
I'm honestly interested in what they do with the character as the comics version was treated particularly pettily and spitefully even by Ennis' standards.
"These 'no-nonsense' solutions of yours just don't hold water in a complex world of jet-powered apes and time travel."

I finished a binge watch of both seasons myself. Even though I never read the comic out of disinterest, I found the show very compelling due to the use of superheroes to satirize and criticize celebrity and capitalist culture. In fact the latter is more interesting than the superhero deconstruction, but that was always going to happen since the tropes related to that idea are all trodden ground with very little to meaningfully add anymore.
I don't really have anything more to add here though. The characters we're meant to like are likable because of how flawed they are thanks to the setting, and the ones we're meant to dislike are still given the Cry for the Devil treatment without expecting the audience to like them or want them redeemed.