I'll always have nothing but respect for the Disneyworld entertainers, as well as ones from other theme parks like Universal Studios, who play villains.
You have to play up being a bad guy and being entertaining at the same time, skirting the line between being just offensive enough to be a hoot, but not offensive enough to actually repel people.
It's damn hard especially to do that level of malevolence around children, let alone engage with them directly, because being so confrontational could easily result in legitimate fear in someone so young.
I know people have discussed Reylo here, and I recently discovered that the top-rated Star Wars fic on AO 3 is a Reylo fic.
Just thought I'd share.
That reminds me of this
fanfic about Pong.
The top fanfic on fanfiction.net is a TPM Peggy Sue AU! https://www.fanfiction.net/s/3054756/1/Shadows-of-the-Future
Edited by lalalei2001 on Jun 13th 2019 at 12:25:07 PM
The Protomen enhanced my life.Mace confronting Palpatine was the lesser of two evils. Either they eliminate a man who, by his own actor's mouth, is more evil than the Devil and sully their reputation by taking out a Villain with Good Publicity, or wait until he has too much power for them to hope to take out in any way and screw them over anyway. Of course, they didn't expect Palpatine to also be the strongest Force user in the galaxy outside of full potential Anakin and maybe Yoda. And Palpatine knows that, so he can use it for his Order 66 plot.
And now for the strangest bit of Star Wars trivia I know.
There is a very obscure Jukebox Musical called Back to the '80s, which features a John Hughes-style teen movie plot set to the greatest hits of, well the '80s. I first learned about it when my sister was in a school production, and I just found the whole thing so bizarre that I was surprised to learn that it really exists and was not invented out of wholecloth by the drama teacher.
Anyway, the strangest thing in a show that offers no shortage of them is a Star Wars inspired fantasy sequence set to "Believe it or Not, It's Just Me" that features the main character playing Luke and his crush... as Leia. And before anyone says anything, the show is explicitly set in '85. So there's no excuse.
I found the show's Wikipedia page! https://en.wikipedia.org/wiki/Back_to_the_80s_(musical)
Star Wars: Galaxy’s Edge is now open to the public with no reservations.
"Wasn't the entire point of the ending that all that stuff about cycles was bullshit"
Kinda but seen how it end TLJ it look even more a repetion of a cycle.
My two issues with kylo are this: how much snoke have to do with is corruption, and I think I never get why kylo a facist suddenly is breaking with the past, I mean if someone should is rey who cling to the idea of her parents.
"My Name is Bolt, Bolt Crank and I dont care if you believe or not"Let the Force die. Kill it, if you have to.
This message has been brought to you by screeching wraith of Kreia
Edited by TheAirman on Jun 25th 2019 at 2:59:21 PM
PSN ID: FateSeraph | Switch friendcode: SW-0145-8835-0610 Congratulations! She/TheyYes, that is exactly what Palpatine did. The Inquisitors recruited who they could and killed everyone else.
Writing a post-post apocalypse LitRPG on RR. Also fanfic stuff."This message has been brought to you by screeching wraith of Kreia
"
Oh kreia, we always know you will be right in the end.
you know, it would be hilarious if kylo have found solo holocron of kreia, that could explain is messy worldview.
"My Name is Bolt, Bolt Crank and I dont care if you believe or not"Kreia always struck me as an attempt to capture the same character type as DC Comics’ Manchester Black - essentially embodying / lampooning the self-important cynicism that was often applied to classic series back then by inserting a character in the narrative who believed a more idealistic series should be that way and thus desired to force it to comform to it.
Kreia herself is also very much a product of her time. In the old EU, Jedi really were the ones who pretty much did everything, the Force was at its most powerful and pervasive thanks to years of escalation, and they were really, really big on Because Destiny Says So.
That’s not really the case in the current continuity; while the Sequel Trilogy has it as a theme that the constant war between dark siders and the light is something that has stagnated forever and needs to be transcended, we’re definitely not at the “the Force controls everything and forces this cycle, and thus needs to go away” level.
Edited by KnownUnknown on Jun 26th 2019 at 11:39:12 AM
I feel like a lot of people miss the fact that Kreia is very deliberately written as a bitter old hypocrite whose good points are buried under a mountain of personal grudges, and that the whole point of the ending is that your actions have proven her at least partly wrong and she's having a breakdown over it.

Guerilla footage of a civilian uprising against the First Order.
Edited by Tuckerscreator on Jun 12th 2019 at 9:23:13 AM