Do you have trouble remembering the difference between Deathbringer the Adorable and Fluffy the Terrible?
Do you have trouble recognizing when you've written a Zero-Context Example?
Not sure if you really have a Badass Bookworm or just a guy who likes to read?
Well, this is the thread for you. We're here to help you will all the finer points of example writing. If you have any questions, we can answer them. Don't be afraid. We don't bite. We all just want to make the wiki a better place for everyone.
Useful Tips:
- Make sure that the example makes sense to both people who don't know the work AND don't know the trope.
- Wrong: The Mentor: Kevin is this to Bob in the first episode.
- Right: The Mentor: Kevin takes Bob under his wing in the first episode and teaches him the ropes of being a were-chinchilla.
- Never just put the trope title and leave it at that.
- Wrong: Badass Adorable
- Right: Badass Adorable: Xavier, the group's cute little mascot, defeats three raging elephants with both hands tied behind his back using only an uncooked spaghetti noodle.
- When is normally far less important than How.
- A character name is not an explanation.
- Wrong: Full Moon Silhouette: Diana
- Right: Full Moon Silhouette: At the end of her transformation sequence into Moon Princess Misty, Diana is shown flying across the full moon riding a rutabaga.
Other Resources:
For best results, please include why you think an example is iffy in your first post.
Also, many oft-misused tropes/topics have their own threads, such as Surprisingly Realistic Outcome (here
) and Fan-Preferred Couple (here
). Tropers are better able to give feedback on examples you bring up to specific threads. We don't discuss Complete Monster or Magnificent Bastard examples; please don't bring them up.
Edited by SeptimusHeap on Jul 17th 2025 at 8:59:01 PM
Someone added this already commented out on Characters.Friday Night Funkin, under the Dad:
- Mamet Speak: In Dad Battle, the song being an aggressive singing battle, he starts interrupting the Boyfriend's verses to start his own early, and the Boyfriend follows suit for the rest of the song to remain competitive.Dad
If it's legit, I plan on moving it to the main page since it refers to two characters.
Jawbreakers on sale for 99¢Reposting from the previous page
.
This example from RWBY was removed from TheDogBitesBack.Web Original:
- Adam had been abusive to Blake, being manipulative, possessive, even slicing off Yang's arm to torment Blake and outright trying to kill her for leaving after she couldn't stomach his atrocities anymore. Later, he stalks her across Anima before getting Blake alone, leading to a one-sided battle as he tries to murder her. However, Yang eventually shows up and the girls resolve to defend one another, culminating in them killing Adam by stabbing him with shards of Gambol Shroud.
Is this a true example and if so, should it be put back?
He/His/Him. No matter who you are, always Be Yourself.
The Dog Bites Back seems to get a lot of questionable use, but according to the definition it's when a minor or secondary villain turns on a more important villain because of mistreatment. Blake and Yang are main protagonists. So, no, it should stay cut.
I see. To be fair, Synchronicity did mention that the "dog" in the other dog tropes like Kick the Dog and Pet the Dog is not necessarily a fellow villain/underling. It's just about any sympathetic character/thing the villain treats a certain way.
Edited by gjjones on Mar 7th 2021 at 7:48:19 AM
He/His/Him. No matter who you are, always Be Yourself.OK, a Wall of Text here, but these Kamen Rider examples from Non-Serial Movie need checking:
- Most Heisei era Kamen Rider series have had a Non-Serial Movie. There are exceptions, however.
- Agito: Project G4 isn't an Alternate Continuity, though it's difficult to place within the TV series continuity, leaving it up to Fanon to shoehorn the movie in.
- Ryuki: Both the movie and TV special present wildly contradictory events (and the TV special in fact had two alternate endings, which viewers could vote for via telephone). However, every version of events is considered canon since Word of God revealed that Shiro Kanzaki repeatedly hit the Reset Button trying to Set Right What Once Went Wrong; each version of the story happened in some timeline, but the TV series is the final iteration since he was convinced to give up.
- Faiz and Blade's movies are Alternate Continuity epilogues based on the question "What If? the series ended differently?".
- Faiz: The Kamen Rider Drive web mini-series Kamen Rider 4 is not just an epilogue to Super Hero Taisen GP: Kamen Rider #3, it also serves as a Fully Absorbed Finale for Faiz resolving the one loose plot thread of its finale: Takumi's impending death.
- Hibiki: A particularly odd case. It shows Hibiki gaining his Sword of Plot Advancement and Super Mode in a different way than in the TV series; however, every part of the movie except this is meant to be canon.
- Kabuto: God Speed Love is an Alternate Universe version of the TV series where the Shibuya meteor was even worse and reduced the world to a post-apocalyptic wasteland; it ends with Hyper Kabuto altering history by breaking part of the meteor, lessening the impact and bringing the TV series into existence through the Timey-Wimey Ball.
- Den-O: The show actually incorporates the first movie into the storyline such that the movie forms the fourth of a five-part Story Arc, making it an aversion. The second and third movies play the trope straight, due to the unexplained presence of Zeronos and no continuity between them. It gets even more confusing with the fourth movie and the 2010 trilogy, which may or may not be canon to the television series (their setting is in fact the Den-O Alternate Universe visited by Kamen Rider Decade, thus their canonicity is definite to Decade but questionable to the main Den-O universe; the Den-O AU was the least different of the Decade AUs, so it's possible they're one and the same).
- Kiva: King of Demon World Castle outright contradicts the show's continuity in so many ways that it's impossible for it to be placed in the show's timeline.
- Decade: All Riders vs. Dai-Shocker is canon to the series, but placing it is somewhat difficult as the show has no evident moment bridging to it in a series where the end of each episode sets up the next; it seemed non-canon at first because of the clear lack of anywhere it could fit. Movie Wars 2010 serves as Decade's Grand Finale; it also confirms the first movie's canonicity through the presence of Dr. Shinigami, referencing the previous film's events, as the Big Bad. On that note, Movie Wars 2010 ends with the protagonists have nothing more to do than travelling across the multiverse, making any Decade character appearances henceforth self-contained episodic affairs.
- Double: Averted for all films. Scenes from Begins Night appear in the first episode as part of a Cold Open, and it tells part of the backstory in Flash Back, but the actual present-day events seem to take place between episodes 14 and 15 due to the movie's story being Foreshadowed in 13-14 and the presence of the Fang Memory in 15. Forever A to Z/The Gaia Memories of Fate takes place quite pointedly between episodes 44 and 45, since the former ends with the T2 Gaia Memories being transported, and the latter begins with Futo Tower being repaired following the final battle between Double and Eternal. Movie War Core serves as the backstory of Posthumous Character Kamen Rider Skull; however, being canon to Double ends up causing problems for...
- OOO: Movie War Core has many contradictions with the show. It could have been easily written off as a non-serial movie if it weren't for Double's canonical involvement above. OOO, Den-O, All Riders: Let's Go Kamen Riders is flat-out non-canon because the time travel chaos ends up creating about quite a few dystopian alternate timelines without snapping back to the original, canon OOO timeline after the Big Bad is killed. On the other hand, 21 Core Medals, though stated to be in canon, is hard to place - also, the Greeed loan Eiji some of their Medals to fight the Big Bad and there's never any indication that he returned them - and Movie War Megamax and Heisei Generations FINAL are set after the series, with the former having Ankh dead and the non-existence of the Core Medals... and how both those things might change and the latter being about how both those things will change.
- Fourze: Averted in Megamax, which introduced Rocket States and the Virgo Zodiarts, and first revealed that Gamou is working with Foundation X, all of which are quite important to the series. Movie Wars Ultimatum (which affirms the canonicity of Kamen Rider Fourze the Movie: Everyone, Space Is Here! with the appearance of a character who otherwise only appeared in that movie) takes place five years post-series, with the post-series continuity respected in both Kamen Rider × Super Sentai × Space Sheriff: Super Hero Taisen Z and Heisei Generations FINAL, the latter actually being made five years after Fourze ended.
- Wizard: There are no references to Movie Wars Ultimatum or Wizard in Magic Land in the series proper. With Ultimatum not contradicting TV canon, it can be easily interpreted as Filler with no ramifications on the greater plot. For Magic Land, reality was altered to create the very different universe of the film, which is fixed by the end. The bulk of the film is similar to the previous decade's What If? stories, but it all still happened for Haruto, if no one else. The movies make references to each other, though: in Fateful Sengoku Movie Battle, Wizard has the 11th-Hour Superpower ring that he pulled out of nowhere in Magic Land. However, there is a possible humorous Continuity Nod to Ultimatum in Wizard's Hyper Battle DVD: in Ultimatum, Haruto went into an unknown person's Underworld, fell for the beautiful young woman he met there, and was utterly horrified when it turned out to be the Donut Shop Owner (who says he was mistaken for a girl when he was younger); in the Hyper Battle DVD, when Haruto sees that the Owner has fallen into despair, his immediate response is Screw This, I'm Outta Here!, which could be attributed to the events of the film.
- Gaim: The series is pretty weird about this. To begin with, Fateful Sengoku Movie Battle is never referenced in Gaim's series... but it does reference his Early-Bird Cameo in the last two episodes of Wizard. (In fact, Wizard reclaims a ring that he gave away in those episodes). As for the others, Gaim tends to acknowledge movies with plot-interrupting movie tie-in episodes that are never brought up again. For example, after Heisei Rider vs. Showa Rider: Kamen Rider Taisen feat. Super Sentai premiered, Gaim got a Crossover special with Ressha Sentai ToQger that tied into the movie. Neither the movie nor the special are ever brought up in Gaim's series. Then there's The Great Soccer Match! The Golden Fruit Cup!. It's got a tie-in episode, but as for its events, reality is altered to create the world it takes place in, and the characters lose their memories of it after, making it something that you could ignore... until the final episode features the Big Bad of the movie as its stand alone antagonist.
- The Gaim movies take advantage of the fact that ours isn't the only world to face the threat of Helheim to keep movies, team-ups, and specials out of the way of a tightly-plotted, self-contained series. If you're not inclined to watch the movies, you can just know that between episode x and y, they went through a Crack to somewhere in the multiverse, did stuff that won't matter to Earth's invasion by Helheim, and came back. At least, until the last Rider turns out to be Kogane possessing a woman.
- Drive: Averted for all films thanks to the series' premise. There are exactly 108 Roidmudes, so every Roidmude kill in the movies is accounted for in the series. Even Super Hero Taisen GP: Kamen Rider #3, which largely takes place in a Roidmude-less Alternate Timeline that gets negated at the end has a Roidmude kill in the real timeline (Roidmude 102, to be precise.). Interestingly, it ends with a cliffhanger that clashes severely with the rest of Drive, but the web miniseries Kamen Rider 4, which serves as the epilogue of Kamen Rider 3, sees it resolved, restoring Drive's status quo for good so that the series can continue. As such, as non-canon as the movie looked, it all fits!
- Ghost: Averted for some films, played straight with others. Ghost's cameo in Surprise Future is canon, although it's a little confusing how he has the Newton eyecon, when his cameo in the last episode of Drive is definitively canon as well and is where Takeru gets the Newton Eyecon. Super Movie War Genesis is non-canon, due to contradicting massively with later plot developments, and making little sense with relation to Drive's timeline. The Summer film is confirmed canon due to Takeru recognising Dark Ghost's suit when the Sage later uses it. Kamen Rider 1 seems to be mainly filler, but it acknowledges the Rider Eyecon shorts, whose side characters later turn up in the show's endgame, probably making that canon too. And, finally, Ghost's two post-series crossovers are both canon, as they reference each other and the events of the show, as well as the Spectre Rebirth film.
- Ex-Aid: Averted for all films in relation to each other, although the events of the films are rarely if ever touched on in the show other than Heisei Generations, which sets up part of a major story element, and True Ending, which acts as the show's equivalent of a Bonus Dungeon, is set up in the TV series as an impending threat and uses its timeline placement to make Kamen Rider Build's Early-Bird Cameo - which would otherwise be mere advertising with little narrative effects on the incumbent Rider's plot - into an Ex-Aid status quo-changing Sequel Hook for Heisei Generations FINAL. Nothing about the other movies directly contradicts the show's canon other than some characters using extra Gashats, typically based off licensed products like Galaxian or Pac-Man, that they never bring out in the show.
- Build: Averted for all films. The events of Heisei Generations FINAL tie back into the series in at least two places: In the movie Build gains the Phoenix and Robot Fullbottles and loses them soon after; in the series it turns out that they were stolen by agents of Hokuto in order to create Kamen Rider Grease. About halfway through the series, Seito gets involved in the war and it turns out that they're using the Kaiser technology invented by the movie's Big Bad (read: they repainted and reused suits from the movie, but acknowledged it In-Universe). Be The One explicitly occurs between Episodes 45 and 46 (complete with a lead-in hook like Double above) and the film's villains claim that they were there all along and helped engineer some of the most critical elements of the series, including the death of Banjou's girlfriend Kasumi and erasing Takumi Katsuragi's memory and turning him into Sento Kiryu to serve as their puppet. Additionally, during the Early-Bird Cameo for Kamen Rider Zi-O at the end of the movie, Sento recognizes Ex-Aid, re-confirming Heisei Generations FINAL's claim to canon.
- Zi-O: Heisei Generations Forever is explicitly stated by Word of God on Twitter to be Broad Strokes - on one hand, the movie is unreconciliable with Zi-O's Den-O arc about the first meeting of the Zi-O and Den-O casts and with New World: Cross-Z on the Build side of things about the nascita crew regaining their memories of Build's old world; on the other hand, Zi-O gains the Kuuga and Double Ridewatches in the movie, which will pay off in said Den-O arc. Over Quartzer takes places in an Alternate Ending to the TV series after Episode 43. However, it still counts as canon as the main villains did pull a Reset Button in the end, the show does mention that they encounter Go Shijima at some point as well as Sougo obtained the Drive Ridewatch in his timeline, allowing the ending of the show to happen, and Zero-One's Early-Bird Cameo is an important plot point for the next movie.
- Zero-One: Reiwa the First Generation takes place in an alternate timeline. The movie addresses Zero-One's previous cameo as the reason for his Ripple-Effect-Proof Memory and explores the backstory of the World of Zero-One, solidifying Over Quartzer as canon. The Stinger shows the appearance of Thouser which places the movie somewhere between the first and second arc.
- Also, the Movie Wars films in general have many similar canon elements, not the least of which is the previous Rider recognizing the current one due to his Early-Bird Cameo in the previous Rider's Summer movie. There are also a number of Continuity Nods; in Movie Wars Core, when Eiji saves Akiko from some falling debris, Shotaro says "That's another one I owe you, OOO", referring to Eiji's cameo in Forever A to Z; later in Movie Wars Megamax, when Shotaro offers to hold off Foundation X's baddies and Eiji protests, Shotaro responds that he's finally repaying the debts he owes Eiji for all his help. Additionally, the previous Rider's portion of a Movie Wars film is generally considered canon, due to its being a Post-Script Story or in some cases (like Decade's) the story's Grand Finale. However, the current rider's portion may or may not be referenced.
- Super Sentai movies are different - they're hard to place in show continuity, typically don't touch the series' plot, and are rarely referenced thereafter, but they're almost never contradictory, unlike the turn-of-the-century Kamen Rider movies that were What If? stories from the get-go.
- Bakuryuu Sentai Abaranger - The evil Palette Swap mecha from the movie makes a brief appearance near the end of the series. There's also a Running Gag of mentioning Abarangers's curry house in teamups if that teamup doesn't have at least one Abaranger character appearingnote , suggesting every Sentai succeeding the Abarangers has at least someone who has it as a favorite hangout; you won't see evidence of this in their series.
- Engine Sentai Go-onger's, however, has Samurai World mentioned often, and Retsutaka and Engine Daishogun return.
- Strangely, in Ninpuu Sentai Hurricaneger, Tricondor is recognized by the team because of the movie's events, but there doesn't seem to be any reason for Oboro to have made a machine that looks exactly like the first Tricondor.
- The two Kaizoku Sentai Gokaiger team-up movies are canon. The first one (with Tensou Sentai Goseiger), set between episodes 16 and 17, sees the Gokaigers unlocking 11 Ranger powers at once and and while the events of the second one (with Space Sheriff Gavan) are not referenced in the show itself, the Tokumei Sentai Go-Busters Early-Bird Cameo scene is pretty much a Foreshadowing of Basco's final and most nefarious move against the Gokaigers in episodes 47/48, setting the movie before that two-parter.
- Gokaiger also includes numerous references to previous movies in its series, with identical relatives of previous team-up villains appearing. Episode 40 even shows their Early-Bird Cameo in the Shinkenger-Goseiger teamup in context (how'd they have their suit-changing gimmick, gained from the lost powers of all past sentai, while Shinken and Gosei were active? The short version is, Time Travel was involved.)
- At first it seems like the Juken Sentai Gekiranger movie was this with its special combination "Geki Rin Tohja," a mecha formation made from the show's first mecha and the 2 mechs of the "evil" Rin Juken users Rio and Mele but in episode 33, when the first 3 Gekirangers along with Rio and Mele get stuck in the past, they have to fight a giant monster; Rio suggests using Geki Rin Tohja, making the movie canon. Then later they use Geki Rin Tohja Wolf.
- Tokusou Sentai Dekaranger's movies don't get mentioned in the series, but do mention each other — an Algolian (the summer movie villains) is involved in the Dekaranger vs. Magiranger teamup.
- On the case of Tokumei Sentai Go-Busters, Ene-tan and the Megazord Epsilon from the summer movie and the Megazord Omega from the Gokaiger team-up returned in the show after their movie debuts.
- The events of Zyuden Sentai Kyoryuger's summer movie are shown in flashback in episode 29 of the series and later explicitly followed up on in episode 39. Ressha Sentai Tokkyuger Vs Kyoryuger: The Movie fulfills a plot point mentioned only in the finale: The appearance of the villain behind the Deboss Army, whose existence Deboss revealed to Daigo during the final battle.
- Ressha Sentai ToQger's movies don't get mentioned in the series, but they do share a common plot element in the Galaxy Line, a cosmic analogue to the Rainbow Line.
Good grief, that's a lot. Right, I've seen a good few of those and just judging from what the example says otherwise:
Cannon: first Den-O, Decade, Double, Fourze, Gaim, Drive, Ghost, Ex-Aid, Build, Zi-O, Zero-One Non-Cannon: Faiz, Blade, Kabuto, Heisei Generations Forever (the example is correct; this is one of the few where we got Word of God and it was "the movie is non cannon, but something like it did happen in the main continuity") Possibly Non-Cannon but only because of poor continuity: A large portion of the movie wars, Hibiki, Kiva, OOO, Wizard, Not explicit either way: Agito Weird: Ryuki, later Den-O
And the Sentai ones since you threw them in:
Cannon: Abaranger, Go-Onger, Gokaiger, Gekiranger, Dekaranger, Go-Busters, Kyoryuger, Possibly Non-Cannon but only because of poor continuity: Hurricanger, To Qger
I don't think any of the cannon ones are relevant enough to count as notable aversions. If we listed every movie that was serial the examples would get a bit silly. I'm also not really sure if the "possibly non-cannon but only because of poor continuity" ones should be included.
This was added to Justice League: The Flashpoint Paradox:
- Early-Installment Weirdness: Kevin Conroy and Justin Chambers voiced the post-Flashpoint versions of Batman and the Flash at the end in addition to the pre-Flashpoint incarnations. In the characters' other DCAMU appearances, Batman is voiced by Jason O'Mara and Flash by Christopher Gorham.
Is this correct usage of the trope? The example is about a change in voice actors, not in the work's tone or narrative, so it only looks like trivia.
This is on Sesame Street:
- WTH, Casting Agency?: Max Headroom was a guest star in one episode
. Let that sink in for a bit. To make matters worse, they have him talk down to the audience at the end. While that's completely in-character, that's something you'd never see on this show otherwise.
- One 1990 episode featured an Indiana Jones Expy, played by Jeff Goldblum of all people.
- Groogle/Phoebe Monster was first played by Alice Dinnean, then John Tartaglia.
- Near the end of Caroll Spinney's career, he found an understudy on Oscar the Grouch in, of all performers, Eric Jacobson! Yes, the same Eric Jacobson who has taken over most of Frank Oz's characters! Thank goodness he can do a near-perfect Oscar, though.
- As mentioned before, Frank Oz entrusted most of his Muppet characters to Eric Jacobson as the former was slowly retiring from his Muppeteer duties to focus more on a career as a Hollywood director. The lone exception was Cookie Monster, who was recast to David Rudman of all people (remember, before landing the role of Cookie, Rudman's main character was Baby Bear, and he didn't have too much on his resume besides minor or one-shot characters on the Street and other Muppet productions).
- When it came time to bring back long-retired character Lefty the Salesman for the show's 50th anniversary special, he, memorably originated by Frank Oz, was recast to...Ryan Dillon (the man currently playing Elmo)?
- The same can be said for Hoots the Owl; the character was retired shortly before his original performer, Kevin Clash, resigned from Sesame Workshop. When he returned for Sesame Street's 50th anniversary in 2019, Hoots was now performed by a near-unknown actor and puppeteer named Chris Thomas Hayes, who is also part of the "Sesame Street Mentorship Program" alongside the likes of Tau Bennett (a puppeteer who was once a protege of Clash) and Haley Jenkins (wife of Sesame assistant puppeteer Paul Mc Ginnis). While Hayes makes for a decent Hoots, one can't help but wonder why he was trusted in reviving a classic Muppet so early in his career (Hayes started performing on the show in 2015).
Does this example from YMMV.Mrs Doubtfire count as Designated Villain?
Designated Villain: Stuart is the closest thing the film has to a villain, and to all evidence, he's a perfectly Nice Guy who genuinely cares for Miranda and her kids. Daniel resents him for stealing his family's affections, but he was already divorced with limited custody rights before Stuart entered the picture. In the original screenplay, he was supposed to turn out to be a jerk, and Miranda would have dumped him and reconciled with Daniel, but it was decided to portray the reality that divorce is usually permanent, and parents moving on to new relationships isn't a bad thing.
It doesn't say anything about how he could be seen as a villain. Isn't the whole point that Daniel is in the wrong?
Edited by nw09 on Mar 7th 2021 at 4:47:44 AM
Designated Villain means the supposed villain doesn't actually come across as antagonistic. I think the entry explains that well, as long as the character is intended to be a villain, which I'm unsure about due to the mention that they changed the script to avoid him looking like a bad guy.
I do some cleanup and then I enjoy shows you probably think are cringe.The disco example in CondemnedByHistory.Music is still extremely bloated. I think it should be moved to the Analysis page of Disco Sucks and a new, much more concise example be moved into its place.
Edited by Albert3105 on Mar 7th 2021 at 10:58:35 AM
What medium would The Abridged Series fit under on the source material's Referenced by… page?
Cave Johnson, we're done here.Found this on Ashcan Copy. Is it really an example of that trope?
- Disney started doing this over time with adaptations of its animated classics, Beauty And The Beast, Aladdin, The Lion King, Mulan, and more to come.
"Started doing this" doesn't mean anything. It has been speculated that the wave of CGI/"live-action" remakes is due to keeping licenses in place, but I don't recall it being actually confirmed.
Suddenly I'm... still rotating Fallen London in my mind even though I've stopped actively playing it.The live action remakes are definitely not cheaply-made. Poorly made? Maybe. But I'm pretty sure most of them have very high budgets, especially The Lion King (2019).
I do some cleanup and then I enjoy shows you probably think are cringe.Disney remaking its films in live action doesn't extend their copyright for the animated versions
. (They do that the old-fashioned way, ie. lobbying copyright law things.)
Edited by Synchronicity on Mar 8th 2021 at 5:01:54 AM
Are the following examples from War On Everyone being used correctly?:
- Hidden Depths: Terry occasionally demonstrates that he is smarter than he seems at first glance.
- Refuge in Audacity: The film's humor runs on this trope. For instance, how easy is it to find a black guy hiding in Iceland?
Bob: Oh, there he is!
- Sissy Villain: Birdwell, The Dragon to Lord James Mangan, is a complete pussy who gets a No-Holds-Barred Beatdown from Terry (costing him an eye) and is obviously scared of his boss. He deserves all of it, though.
Hidden Depths is fine. Refuge in Audacity is failing to explain itself. Sissy Villain seems incorrect; "sissy" in this context is intended to mean "girly man", not "wimp".
Suddenly I'm... still rotating Fallen London in my mind even though I've stopped actively playing it.The fandom dislikes a musician that joined a band, but The Scrappy is No Real Life Examples, Please!. Which one is it, then?
Ultimate Secret WarsI added these to Series.The Arrangement 2017 but do these fit the definitions from Shades of Conflict:
- Grey-and-Grey Morality: Although there's no truly evil character here (not one Complete Monster), no-one is completely good or bad, and this is part of the show's Central Theme about Hollywood being "all that glitters is not gold".
- White-and-Grey Morality: Yes, it's meant to be a Darker and Edgier take on Hollywood, but there are more Jerkass characters than anyone extremely evil and psychotic; at best.
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Surely Ashcan Copy can't apply to things based on Public Domain works but it can apply to interpretations of things - like Marvel's copyright of Thor, for instance?
Edited by Merseyuser1 on Mar 8th 2021 at 11:00:42 AM

I created WesternAnimation.Seven Manly Men And The Kid 1995, are these tropes used correctly: