“There’s No Business Like Show Business” from The Ethel Merman Disco Album also comes to mind.
No, you're lying. THERE CANNOT PHYSICALLY BE AN ETHEL MERMAN DISCO ALBUM! What. the. actual. FUCK.
Back on topic, this cover of Bring Me To Life by a band called Wykked Wytch:
edited 30th Apr '12 3:39:26 PM by ithinkabouttrees
ADHD? Bitch please, those are battle instincts!I always try to keep bringing this up, but his screams (or attempts at screaming) are so goddamn hilarious that it deserves it. Oh, how the mighty have fallen. He's gotten better recently, though.
edited 30th Apr '12 6:26:05 PM by x86x2
Someone wake me from this nightmare, I've become my darkest fear...Oh, it exists. Read what The Other Wiki has to say
. And yes, it’s actually entitled The Ethel Merman Disco Album.
Disco actually pretty much jumped the shark long before that, when stuff like the aforementioned “Disco Lucy” and, well...this
started cropping up. The genre was on life support when Saturday Night Fever came along and extended its lifespan by a few years.
Oh, and also (nothing to do with disco):
Gary Marston – Late Night Dinners and Jackpot Winners
A teenager who can't sing, a distorted breakbeat, some country music sample, and guest vocals by none other than Adolf Hitler.
The 5 geek social fallacies. Know them well.Hey, if you want a big name to sing your hook, might as well go for the biggest.
Insert witty and clever quip here. My page, as the database hates my handle."What's Up?" by 4 Non Blonde. Can't be bothered to find a video of it, but the chick sounds like a bad Alanis Morissette impersonator. I thought it was an Alanis song until I read a Cracked article that mentioned it.
edited 2nd May '12 5:28:44 AM by MasterInferno
Somehow you know that the time is right.
Although that song actually came out when Alanis Morissette was pretty much unknown outside of Canada and only had a pair of now-Old Shame pop albums out. But yeah, the vocal affectations in that song are pretty ridiculous.
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I always liked the remix of that song—I'd never actually heard the original until a year or two ago, so I'd never actually paid attention to the vocals too much. I always thought it was sung by a black man rather than an angry woman, though, I dunno why.
Behold... The Arctopus are pretty failtacular
but amusing if you can stand all the unnecessary instrumental fellation.
Graal
is the problem with most "experimental" or "avant-garde" music personified - everything smushed together for the sake of merely sounding "lolrandum" and creating little more than a merry-go-round of assembled disorganized influences - showboating of personal tastes at its worst. Still, it is amusing in a sort of amateur-ish way.
@That Graal track: Wow, it's like the best parts of "Tomorrow Never Knows" ruined by a severe misunderstanding of "Revolution 9" with a dash of Nickelback on top of it.
Artognou 2 months ago
Keep dreamin', hipster.
edited 7th May '12 8:43:18 PM by 0dd1
Insert witty and clever quip here. My page, as the database hates my handle.That Graal song sounds like Ved Buens Ende fell down a flight of stairs and suffered severe brain damage.
And as for the Arctopus...they need to listen to Watchtower. They need to listen to Watchtower many times. They need to take notice of how Watchtower do all those cool time signatures and changeups without losing the momentum or energy of the song.
edited 7th May '12 10:10:58 PM by WoolieWool
Out of Context Theater: Mike K "'Bloody Pussies' cracked me up"

Because this will be a hilarious thread.
It's not my first choice when it comes to this kind of music, but I certainly need to nominate Xaveria Hollander's version of The Beatles' "Michelle"
.
No, my first choice will forever be Black Out Band's "Video Games". Can't get enough of this nasally kid's singing.