That's not the same thing at all.
Right, but he was already automatically gonna be jealous of any man who went near Lupa, no matter how many dimensions he had
I gotta say, I'm really enjoying these new Todd reviews. I'll be honest, his old style was starting to get a little stale for me. It was still funny sure but it felt like he was getting into a rut. I love this new series and the fact his normal reviews have become a more documentary style series.
Remember! Hyperbole is an exaggeration made for comedic effect, and shouldn't be taken literally!Back in the day, Todd reviewed a song by Willow Smith entitled "Whip My Hair". During the review, he says that although it actually does follow a verse-chorus structure, he could have sworn the first time he heard it that the entire song was nothing but over three minutes of "I whip my hair back and forth".
Why do I bring this up now? Because between several of Todd's more recent reviews, including the latest, and Nostalgia Chick's review of "What Women Want", I keep hearing clips of a song by Big Sean that I have yet to hear in any other media.
They really do make it sound like it's just a guy saying "Ass ass ass ass" for over three minutes.
(Wow, I expected a bit more coverage of Mix-A-Lot's version of "Jump On It".)
Paw does grace us with a dramatic readinng
of the full lyrics of the song.
And here's the original video: https://www.youtube.com/watch?v=pn1VGytzXus
NO. I have heard that song enough. I've been hearing it since before people even started making fun of it, since the people at my college seemed to love it so much when it first came out, and I'm sick of it.
Insert witty and clever quip here. My page, as the database hates my handle."Because long distance relationships never work"
edited 8th May '12 2:44:23 AM by JethroQWalrustitty
man at the exact time this posted I had to analyze a katy perry song for my English class. The whole thing sounded like a Todd review. Which is weird because he specifically didn't review that song because he couldn't come up with any jokes for it.
Remember! Hyperbole is an exaggeration made for comedic effect, and shouldn't be taken literally!
Well, at least these kids like the song:
Granted, they still don't get the real meaning of the lyrics, but one heartbreaking day they will.
Also, does anybody else thinks there are parts of the song where Gotye sounds like Sting?
edited 8th May '12 7:22:10 AM by Dream_Huntress
I can't have you close, so I become a ghost and I watch you, I watch you.Hmm. Yeah it really is funny how Gotyle and fun. are topping the charts.
Ohahahahaha. Long-Distance Relationship gag. Why do I find that doubly hilarious now?
So this makes two Kelly Clarkson (current, kinda) reviews in recent history. Hmm...
edited 8th May '12 8:02:25 AM by phoenixdaughterAM
I've honestly listened to some of .fun and Gotye's music recently. They are both pretty inconsistent, that much I can say. And both of those big hits have choruses that either work perfectly, or are painfully annoying. I go with the former personally.
also Todd summed up my thoughts pretty well, who are these people? I mean, I am glad that my decision to actually listen to popular music again was a good idea after all.
Wait, "We Are Young" was on Glee? I knew "Somebody That I Used to Know" was (and let's be honest, that song would vacuum have* never even made it onto the charts if not for that), but I never knew "We Are Young" was. It seemed like more of a typical radio song though, and I really wasn't too surprised by that song's success (the shadowy origins of the band aside). It's catchy, and people (myself included) love catchy things that aren't diseases.
EDIT: Wikipedia on "Somebody" says that Gotye is some Aussie who wrote and recorded the song in his parents' barn, that it's the number one song of all time in the Netherlands, and this interesting tidbit:
edited 10th May '12 5:13:04 AM by 0dd1
Insert witty and clever quip here. My page, as the database hates my handle.That was my reaction too Odd1.
This song has been on airplay here since 2011. It's the kind of song that is strangely popular with Australian Pop radio. (I swore that when I first heard the song in 2011, that I heard it sometime between 03-05 when World Beat and Indie was at it's peak here. I was shocked to learn this was an 11 song) And I found it to be insanely catchy. Everything about the song resonates at the right mode to pull of my :D triggers that I haven't felt since I listened to "Straight Lines" by Silverchair. Then again, I am a sucker for this kind of music (As the only person in the world who likes Viva La Vida by Coldplay.)
I'm having to learn to pay the priceOdd, either American pop radio is set up so that every popular song is suitable for the dance floor, or the "hot dance club songs" are based on mainstream D Js that do remixes of what's on the radio. Both explanations are the only reasons I can come up with to explain how it's possible for a group of girls I know to grind to Taylor Swift (also, the recent overpopularity of grinding in my area is making me regret my rejection of Jersey Shore-style fistpumping).

We kinda got a glance of that when Todd threatened Stick Boy for showing interest in Lupa.
I can't have you close, so I become a ghost and I watch you, I watch you.