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Edited by Mrph1 on Jul 29th 2024 at 3:09:00 PM
That should be the tie-in game.
"Loki vs. Grandmaster. FIGHT!"
My Tumblr. Currently side-by-side liveblogging Digimon Adventure, sub vs dub.They should partner with Capcom and have them release mini-fighting games using characters from the movies and movesets, animations, and modified models from Capcom's existing games. Cash-in it might be, but it obviously always is. Sell it for cheap and market it as a demo of sorts for Capcom's other games. I bet they could make a ton of money doing that.
I'd rather Netherrealm Studios but since they're owned by Warner Bros., that's never going to happen. Grumble grumble DC grumble.
edited 9th Aug '17 8:50:09 PM by TobiasDrake
My Tumblr. Currently side-by-side liveblogging Digimon Adventure, sub vs dub.That's false. Otherwise the best character of the Marvel roster would be here.
I'm talking, of course, about MODOK.
"All you Fascists bound to lose."Jokes aside, Modok is a Love It or Hate It kind of character, but I don't know anyone who has strong feelings towards Marrow.
No, it isn't. That's why of the 32 characters revealed thus far, only six of them are new (Captain Marvel, Gamora, Black Panther, Ultron, Jedah and Mega Man X). It's by far one of the biggest complaints people are having about the line-up.
Anyway, Jaimie Alexander is indeed coming back as Sif in Ragnarok
.
edited 10th Aug '17 1:23:01 PM by comicwriter
Okay? Not sure how that goes against what I just said.
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I'm guessing not big. There is a very brief shot of Hogun in the teaser, so I'm guessing Sif and the Warriors 3 show up at the beginning and face Hela so The Worf Effect can ensue.
edited 10th Aug '17 3:28:32 PM by comicwriter
It goes against in the sense you interpreted a joke about the fact MODOK is the best character in the history of comics as a literal statement about Mv C infinite's rather repetitive roster.
MODOK who, in fact, should be in Ant-Man II.
Do it Marvel.
You know you want to.
"All you Fascists bound to lose."Between the two, I've decided that Guardians 1 is the better film in my opinion than Guardians 2. I've talked in the past about the importance of a unifying narrative. Winter Soldier got away with having five, FIVE f*cking villains where other superhero movies couldn't even manage three because it understood that not every villain had to be equal to the others and that they should all be united by a single narrative.
Guardians 2 had a few different narratives, but it still managed to pull them off with a unifying theme. Despite being made up of a handful of short stories fused together not unlike Amazing Spider-Man 2, each of those stories emphasized one singular theme: family.
Peter and Ego's story is about family. Gamora and Nebula's conflict is about family. Drax and Mantis's weird bonding is about family. Baby Groot is about family. Even Rocket and Yondu's mutiny is about family. Five stories - well, four and a half - that are mostly divorced from one another, but all revolve around that same singular theme of family.
And then there's the Sovereign.
These assholes are a complete waste of screentime, contribute nothing to the central themes, and exist only to cause problems where problems need to be caused. They are a creatively lazy plot device utterly disconnected from everything that's happening. Their only purpose is to provide nameless mooks for the Guardians to fight in a film that, between the Ravagers and the fact that Ego can create life, never had any great need for a source of mooks in the first place.
Marvel Studios has often wrestled with the need to set up future films without having them distract from the present one. There have been many times in which they've been brilliantly successful at this and a few times where the story has suffered. In my opinion, this is one of those. The Sovereign only exist to provide Adam Warlock with foreshadowing for the next film and it's really noticeable.
My Tumblr. Currently side-by-side liveblogging Digimon Adventure, sub vs dub.I can agree with that, though I do think the Sovereign still works as a cold open thing that kickstarts the plot. Like, around the part Ego shows up would be where they no longer needed to make their presence known. You can still have the Adam Warlock setup stinger with just that, and like you said Ego's ability to create life could have provided a distraction to the team during the final battle.
...I had honestly never considered how filler-y the Sovereign's appearance at the end was.
I mean, I'll agree that they're kind of filler-y, but I thought they were fairly charming in and of themselves, what with their whole shtick where they pilot their drones like they're at an old school arcade. That, at least, made them worthwhile to me.
Oh God! Natural light!Anarchic setpieces being a large part of the appeal of this subfranchise, I'd say the Sovereign serve their purpose and don't overstay their welcome. Subject to personal taste, of course, but I think if absolutely everything in the plot happens to sync up with a theme as personal as family, the story would feel smaller, less galactic in scale. The Sovereign provide texture and strangeness— they're a wrench in the works, and the fact that they're so unrelated to the main plot and ultimately completely out of their depth is the joke, pretty much.
So I'm glad they're there. The Ravagers' mutiny has a great, great payoff, but it's awfully convenient for them to show up when they do, even if it's employed that Yondu's Ravagers are specifically employed because of their connection to Peter. But again, it makes the galaxy feel smaller. Winter Soldier could get away with everything being connected because it was an organized conspiracy. GOTG 2 is much more a case of happenstance. Things could have panned out very differently if things with Yondu, Nebula, and yes, even the Sovereign hadn't come to a head when they did.
edited 10th Aug '17 5:32:14 PM by Unsung
I think the intention was for the Sovereign to be the recurring obstacle/threat that keeps the plot going. Who they are as characters isn't really important, just that they're always around forcing the characters to move forward into the other plots.
Like Jabba the Hutt in regards to Han Solo, or Norrington and the navy in the first Pirates of the Caribbean movie. "Guys the characters annoy in the first five minutes, coming back amidst the climax to complicate things" should be a trope: it's a cheesy move, but something I definitely recognize.

edited 9th Aug '17 8:29:06 PM by Unsung