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Edited by Mrph1 on Jul 29th 2024 at 3:09:00 PM
Yeah, I noticed, except that some of Marvel's more mediocre movies were done in Phase 1 (and early Phase 2...I wonder if Disney actually had a positive effect on the studio since the first movie which was made under Disney from start to finish should be The Winter Soldier), while the Defenders is still going strong. I actually think that the first four episodes of Daredevil season 2 is way stronger than the rest of the series, even if it kind of goes downhill in the end (honestly, I am not sure what they were thinking with those scripts...), Jessica Jones won a Peabody Award (who would have ever thought that a Superhero show would be honoured in this way?) and now it looks like Luke Cake will be another smash hit...to be honest, the show is so relevant to what is currently happening out there, it most likely only needs to be mediocre in order to be praised, but I think Marvel will aim higher than that.
I admit, though, I kind of look forward to Iron Fist the most....though that is most likely because I am curious. He is, after all, the only defender we haven't gotten to see yet.
Something occurred to me concerning Jessica Jones btw: the emphasised so often that Trish would like to do more "serious journalism" instead of lifestyle....can you imagine her eventually becoming some sort of serious reporter and/or spokesperson for superpowered people, with Jessica digging up the dirt and Trish the one who reveals it?
I wanna see Iron Fist to check and see if it eases people's worries about Marvel Netflix's treatment of Asians. The whole controversy of Daredevil Season 2 and the failed campaign to get Iron Fist an Asian race lift make me really nervous about it, but I still have the feeling it'll surprise me.
Have you any dreams you'd like to sell?The guy behind Dexter's Seasonal Rot. According to the YMMV page he was also the one who vetoed giving Iron Fist a Race Lift when Marvel themselves were willing to do it. There's no source on that statement, but if it's true, that's pretty damning.
edited 8th Sep '16 6:26:37 PM by AlleyOop
Scott Buck
is a TV writer who was the showrunner for the later seasons of Dexter, also known as "the bad seasons of Dexter." He's not a completely bad writer, though, and he did inherit a lot of bad stuff from the previous showrunners. He's also written for Rome and Six Feet Under, so that's good.
Melissa Rosenberg
was the head writer for the first four seasons of Dexter, i.e. "the good seasons of Dexter." But then again, she also wrote all of the Twilight movies. She was still able to make Jessica Jones into a great show.
What episodes of Rome and Six Feet Under did he write? If they're good ones, my faith might go up a bit.
Also, if we're going to be fair here, Marvel does have a track record of hiring people with previously not so good credits and they've made great stuff. John Favreau, James Gunn, and Peyton Reed don't exactly have good track records before Marvel.
Have you any dreams you'd like to sell?Wasn't Movie 43 an anthology? He wouldn't have been the only writer on that. And I can't really comment on Super without having seen it— a mediocre RT score can mean it's not that great, or it can mean it's just a love it or hate it kind of thing. Either way, GOTG was great, so that gamble paid off.
The Russos, too. They were directors on two of the greatest sitcoms ever, but who knew they'd be a good fit for superhero movies?
edited 8th Sep '16 8:46:04 PM by Unsung
Wasn't Movie 43 an anthology? He wouldn't have been the only writer on that. And I can't really comment on Super without having seen it— a mediocre RT score can mean it's not that great, or it can mean it's just a love it or hate it kind of thing. Either way, GOTG was great, so that gamble paid off.
The Russos, too. They were directors on two of the greatest sitcoms ever, but who knew they'd be a good fit for superhero movies?
edited 8th Sep '16 8:46:04 PM by Unsung
Basically one of the Farelly brothers got a bunch of people roped into a movie that they didn't want to be in full of disgusting gross out stuff that took nearly 7 years to be made and caused Richard Roper to call it "the Citizen Kane of bad movies".
I looked up the plot on Wikipedia once, and I felt physically sick reading it.
Have you any dreams you'd like to sell?The odd thing with the second Scooby movie is that it is one of the very, very rare cases in which a script is actually not bad at all and I can certainly see it working just fine in the hands of a different director. Usually it is the other way around, that a director is working with subpar material, which is why I was for the longest time convinced that you have half won if you start out with a good script...some of the movies Gunn wrote but didn't direct taught me otherwise, though.
This is kind of the problem...film is such a collaborative thing that it is often impossible to say who in this mix-up actually had the good ideas and who was the one responsible for bad ideas prevailing. When I look at the credits of the writers for Doctor Strange I get very, very nervous, but I hope that Marvel did see something in them. I mean, they put a lot of effort into their writers program, don't they? And it seems to pay off.

The Man Behind CW's DC TV Universe Once Pitched Marvel a Much Darker Iron Man Movie
http://io9.gizmodo.com/the-man-behind-cws-dc-tv-universe-once-pitched-marvel-a-1786343947