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Ahah, there's nothing more that I love than my love's sweet, sweet voice...

  • Britney Spears:
    • The song "Toxic" may be a good example.
      Baby, can't you see
      I'm calling
      A guy like you should wear a warning
      It's dangerous
      I'm falling
      There's no escape
      I can't wait
      I need a hit
      Baby, give me it
      You're dangerous
      I'm loving it
      Too high
      Can't come down
      Losin' my head
      Spinnin' 'round and 'round
      Do you feel me now?
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    • "Perfume" may count as well, especially the chorus.
      So I, wait for you to call
      And I try to act natural
      have you been thinking 'bout her or about me
      And while I wait I put on my perfume, yeah I want it all over you
      I gotta mark my territory
  • The song "Black Dahlia" by Hollywood Undead shows shades of this, it's sung by a male yandere to his ex-lover and its implied that he kills her.
    Seems like all we had is over now
    You left to rest
    And your tears are dried up now
    You just lay without a sound
  • Porcelain Black:
    • "Pretty Little Psycho".
      And once I've got you it's a fact
      Baby there's no turning back
      Make me, make me impressed
      Make me, make me OBSESSED
    • Her song "Swallow My Bullet" is pretty yandere too.
      You know I'm gonna gonna get you
      The world's a tiny place, there's nowhere you can hide
      I know you're gonna gonna love me
      My guns are loaded and I got you in my sight
  • Alexander Rybak's "Leave Me Alone" revolves around a male victim of a Stalker with a Crush. He starts getting calls from a girl who got his number from his dancers and he notices her following him around. The girl has caused so much trouble for him that his parents are getting scared and his relationship with his girlfriend is suffering. Alexander also admits that he really was stalked by someone and this became his inspiration for the song.
  • The narrator of "Du Riechst So Gut" (German for "you smell so good") by Rammstein. He stalks his crush like a wolf stalks its prey. Then, when she's all alone, he ambushes and rapes her (or at least wants to do so, it isn't quite clear if he manages to do it).
  • Sound Horizon:
    • The character codenamed "Soror" from the song "Ark", who kills the boy she loves (who's also her brother) for some "betrayal" unspecified in the song.
    • The girl from "Baroque" from the same album is a Psycho Lesbian yandere nun (going by her costume in the live version, anyway) who also kills the girl she loves for rejecting her.
    • In "Stardust", Stella, an actress who's implied to be a White-Dwarf Starlet, shoots her lover after catching him with another girl. "The bouquet in my left hand can't stop the impulse [read: gun] in my right..."
    • There's also the song "Yield", which is more or less about a girl living at a farm who is in love with her father, and when he doesn't return these feelings, she murders both him and her mother.
  • A common theme in Vocaloid songs:
    • Male example - "Kaito ga UNINSTALL" involves Kaito going yandere for his "Master" and killing all the other Vocaloids out of jealousy.
    • Miku and Luka's "Scissoroid". Miku is jealous of the attention Luka is getting from "Master", so she tries to kill her in her sleep. Then while Miku is hesitating, Luka wakes up, sweet-talks Miku, then stabs her with a pair of scissors. Luka reveals that she also loves “Master” and kills Miku out of jealousy.
  • "RIP=RELEASE", Luka's jealous response song to Len's "SPICE!". However, it focuses more on her feelings of betrayal by Len himself, as opposed to determination to destroy others. Nonetheless, her sentiment is still pretty yandere, as expressed in the lyrics "Maybe I should just slice open your throat and make you all mine...". Rockleetist's English fan cover sort of tones down the yandere implications (i.e no mention of slicing throats), but the themes of obsession and madness are still very noticeable.
    So don't tell me promises that you and I know that you'll never keep
    And don't tell me lies when we both know that over you I'm losing sleep
    Am I crazy for believing that if I could turn back time
    I'd be the only one and you'd be only mine?
  • Rin Kagamine's "Daughter of Evil" gives us Princess Riliane. Unable to figure out which green-haired woman her fiancee dumped her for, she orders her army to invade their country and slaughter them all.
  • Mayu is the only Vocaloid3 who has been confirmed to be a yandere. Her character item is an axe. Her two songs from The Happiness Series show this well; The songs "An Earnest, Unrequited Love" and "You're Seriously Mad? I'm Not Mistaken Here" are about a school girl who stalks her crush and monitors every aspect of his life at all times. When she discovers he's been talking to other girls, she claims she's going to kill them all, either by plain old murder or bullying them into suicide. She then reveals she's lying and says it's the crush she'll kill. Fans debate whether the second song is about her killing him, and then disposing of his body and the evidence and then being caught by the police or about him discovering the stalking, and then her trying to kill him for rejecting her before being caught by the police.
  • Justified and deconstructed in "Gothic and Loneliness". Justified in that, Rin's character in the song, when she's granted immortality, is made to live in a mansion all by herself for centuries, leading her to Go Mad from the Isolation, and was even ridiculed (and presumably ostracized) for it. Deconstructed in that it showcases how Rin rushing into a relationship, especially after being deprived of social interaction for so long, is only going to end in her downfall; as soon as someone with no ill-intent shows up at her mansion, she immediately falls in love with him, then she slips an aphrodisiac in his drink, attempts to monopolize him and keep him from ever leaving - she even begs him to save her from the life she's been leading. It gets so bad that she starts threatening violence on him, and then consumes his arm!
  • "Sweet Shackles" is a song featuring GUMI, about a Creepy Housekeeper vying for her master's affections. Realizing her master is engaged and soon to be wedded, the maid closes off the entire mansion, holding her master hostage in his own household. By the end of the night, she forces him into marriage, and it's heavily implied she'll be ravishing him against his will.
  • The aptly named "Yandere Love Song" by Lelele-P features Len as a yandere who's painfully aware of how destructive his feelings are. He knows his romantic feelings are unrequited and he just wants his emotional agony to end, but he can't help but give into his hallucinations telling him to destroy everything, and it's implied he accidentally murders his love interest in a fit of passion.
  • "Two Sisters" by Clannad is about this.
    Sister I'll not take your hand
    And I'll have Johnny and all his land
    And I'll be true, unto my love!
    If he'll be true to me
  • "Two Sisters" is a version of the English traditional song "The Miller and the King's Daughter", aka "Twa Sisters", aka "The Bonny Swan" and probably a dozen other names. The elder drowns the younger "all for the sake of a man". In some versions, the younger gets her revenge from beyond the grave with the help of a musician. In others, the elder sister gets away scot free with the boyfriend and an innocent man is hanged for murder. In some versions, the boyfriend is not mentioned to have any particular wealth and the girls come from a royal family, so greed can be eliminated as a motive, leaving nothing but jealousy.
  • The Blake Robinson Synthetic Orchestra’s “Unhealthy Obsession”. The singer talks about stalking someone they love and knowing everything about the person, including their family and their weekly routine. In the chorus, the singer believes their victim loves them and talks about how they will get married and be together forever.
  • "Child's Play" by Yura Hatsuki, has the one singing the apparently the victim of one, though the official video doesn't show exactly what happened and the story is overall very vague. However, a few stories go like this:
    "There was Red Cap (Kairi) and Black Cap (Namine) and they were best friends. But Black Cap started to notice that Wolf (Sora) paid more attention to Red Cap than Black Cap. [...] Black Cap started to become jealous of Red Cap. Red Cap remembered all the times they laughed together, and was puzzled about why Black Cap would do this. Red Cap had died of losing too much blood. Black Cap had another idea. Wolf would come looking for Red Cap. Black Cap took out her own eyes, lips, and hair and replaced them with Red Cap's. So this way Wolf wouldn't notice that Red Cap had been killed. Black Cap appeared in Red Cap's and Wolf's special place. Black Cap saw all the drawings they made together, but it didn't matter because Black Cap is Red Cap now, and Wolf will never know the difference."
  • "Angel's Fuck" by Jack Off Jill.
    I'll bask in your forever, you just waste my time, I wanted to help, to help destroy the world, I wanted to be that, to be that special girl...
  • The Police:
    • "Every Breath You Take", a song about someone who really, really wants to get back with a previous flame, to the point of extreme obsession. The lyrics make it clear that our singer is pretty far gone mentally.
      Since you've gone I been lost without a trace
      I dream at night I can only see your face
      I look around but it's you I can't replace
      I feel so cold and I long for your embrace
      I keep crying baby, baby, please
    • The protagonist from "Can't Stand Losing You" is a passive-aggressive version, what with his threats to kill himself over a bad breakup so the ex feels guilty for the rest of her life.
      I called you so many times today
      And I guess it's all true what your girlfriends say
      That you don't ever want to see me again
      And your brother's gonna kill me and he's six feet ten
      I guess you'd call it cowardice
      But I'm not prepared to go on like this
    • "Wrapped Around Your Finger" is hot yandere-on-yandere action — pretty messed up for something that sounds like Sting was noodling around with a rhyming dictionary one day.
      You consider me the young apprentice
      Caught between Scylla and Charibdes
      Hypnotized by you if I should linger
      Staring at the ring around your finger
  • Her Reputation album has shades of this in many of its songs, but most blatantly in "Don't Blame Me":
    Don't blame me
    Love made me crazy
    If it doesn't
    You ain't doing it right
  • Played with in P!nk's "Please Don't Leave Me", which starts off with the singer portrayed as a standard issue The Woobie trying to keep her boyfriend from dumping her. Until he slips on marbles at the top of the stairs. The robotic head tilt she does looking down on him seals it. Madness, violence, and cute little hats ensue. It's all very "Harajuku goth" with so much pink, and stuffed animals. And a kinky nurse outfit.
  • Depending on its interpretation, "A Little Piece of Heaven" by Avenged Sevenfold. Here, the male singer either kills his girlfriend because he is afraid she'll reject his marriage proposal or because she does reject him (video and song have some disparity), then proceeds to preserve her corpse so she'll always be with him. Warning: Loads of cannibalism and necrophilia.
  • Murder Ballads by Nick Cave and PJ Harvey:
    • "Henry Lee" is about a woman trying to seduce a man, only for him to tell her that he has another girl back home that he loves more than her. So, she stabs him to death out of jealousy and throws his body down a well.
    • Loretta "Lottie" from "The Curse of Millhaeven" (though arguably just Axe-Crazy), and to a lesser extent, almost everything else in Murder Ballads... and to an even lesser extent, half of all of Nick Cave's works. The line "I got a pretty little mouth under all this foamin'" is what brings the Yandere part past just that.
  • "Porcelain" by Better Than Ezra.
    I wish I could kill you, savor the sight
    Jump into my car, drive into the night
    Then lie as I scream to the heavens above
    That I was the last one you ever loved
  • Sonata Arctica:
    • "Don't Say A Word" deserves special mention as a Deconstruction of this. The song is narrated from the perspective of a male yandere who discovers his wife has been cheating on him and rapes her and kills her. It's an interesting look at what a yandere could possibly be thinking. He sees his usual, calmer persona as an alter ego which he tells to step down using a variation on an old Latin exorcism ("Vade retro, alter ego") and ceases to recognise himself early in the song. Later he starts thinking some really weird stuff, claiming that what he's doing is to help her uphold her part of the deal (their marriage vows) and that he's helping her be a moral person ("I'll help you follow through / Remember this? Pacta sunt servanda"); he compares their love to a romance novel, making note that as there is now no love between them they should die like the lovers in the novel ("You read the book now / The part: ashes to ashes, dust to dust"); and eventually starts considering himself her god, being divine and able to pass judgement, as she blasphemed against him ("Unfortunate for you, this makes me your god") He truly believes that what he's doing is best for their love and the right thing for both of them. He thinks she doesn't know that he's right so tells her to sit back and take it as he "does the right thing" ("Cannot keep your part of the deal / So don't say a word... Don't say a word"). Scary stuff.
    • Played a little more straight with their "At the End of This Chapter", which opens with a terrified woman answering a call from her stalker.
  • Bad Company's "Burnin' Sky", sung from the point of view of a convict who keeps trying to escape to see the woman of his dreams, though it's implied his obsession with her is the reason he's in prison in the first place.
    The judge said, "this man's a danger to humanity,
    We're gonna lock him up and throw away the key."
    Now, baby, your love has sent me to jail
    But I'd rather die than see you with another man!
  • Ludo's "The Horror of Our Love" embodies this. "I've been inside your bedroom / I've murdered half the town / Left you love notes on their headstones / I'll fill the graveyards / Until I have you"
  • Garbage:
    • "No. 1 Crush".
      I will lie for you, beg and steal for you
      I will crawl on hands and knees until you see
      You're just like me
      I would die for you
      I would kill for you
      I will steal for you
      I'd do time for you
      I will wait for you
      I'd make room for you
      I'd sail ships for you
      To be close to you
      To be part of you
      'Cause you believe in me
      I believe in you
      I would die for you
    • Admittedly, "Vow" from their first album is even worse — pure, seething, raging, unhinged vengeance from a yandere spurned. It goes well beyond If I Can't Have You... territory into psychosis.
  • "If You Love Me", by 80s band Scandal (with lead singer Patty Smyth):
    'Cause you can't leave me
    And you can't tell me that it's the end
    You can walk away
    But you can never look back again
    So if you leave me
    I will hurt you if I can
    Yes, I will hurt you in the end.
    It's sung nice and sweet and softly, and essentially promises death if the guy tries to leave, even saying "You can't run and hide away".
  • The narrator in Falco's "Jeanny" is a Serial Killer and rapist who sounds very much like a yandere as he sings about his next victim.
    They're coming! They are coming to get you
    They won't find you. Nobody will find you
    You're with me!
  • "My Rival" by Steely Dan seems to be about a plan to Murder the Hypotenuse.
    Sure he's a jolly roger
    Until he answers for his crime
    Yes I'll match him whim for whim now
  • Morrissey in "Jack The Ripper", if you consider the unsettling but romantic lyrics and the title.
    Crash into my arms
    I want you
    You don't agree
    But you don't refuse
    I know you
    And I know a place
    Where no one is likely to pass
    Oh, you don't care if it's late
    And you don't care if you're lost
    And oh, you look so tired
    (But tonight you presume too much)
    Too much, too much
    And if it's the last
    Thing I ever do
    I'm gonna get you
  • The Birthday Massacre are good at making fucked up love songs.
  • There's "Violet", which seems at first glance to be an ordinary break up song, until Chibi starts singing about "violent visions" of "scarring faces once adored", and "staining red the wasted metaphor".
  • "Waterfall" by Sweetbox, told from the point of view of a woman stalking the object of her obsession (whom she makes clear will belong to her), ending with the following lines spoken in a chillingly sweet tone:
    I told you I'd be watching you
    In everything that you do
    But don't worry, now...
    'Cause I'll take care of you
  • Fiona Apple's cover of "I Want You" (originally by Elvis Costello) captures awesomely creepy love from the point of view of the yandere. Costello's performance of it counts too, but one of the YouTube commenters said it best: "Fiona wailed her tiny ass off, and scared me even more than EC did in the original. Didn't think that was possible."
  • "Weird Al" Yankovic's "Melanie" is a parody of 80s stalker songs, and despite being Played for Laughs it's still one of the creepier things Al's ever done, and he's written humorous songs featuring serial killers.
  • Avril Lavigne's "Girlfriend".
    Hey, hey, you, you, I don't like your girlfriend
    No way, no way, I think you need a new one
    Hey, hey, you, you, I could be your girlfriend
  • a-ha:
  • Shakespears Sister's big hit "Stay" is as pure a demonstration of the concept as you'll find in pop music — former Eric Clapton sidedwoman/songwriter Marcy Levy as an ethereal, clingy dere, and former Bananarama pop princess Siobhan Fahey as her violent, menacing Ax-Crazy subconscious. The video bends it into a battle between life and death for a dying man, and between the lanky, keening Levy and Fahey's corrupted, uber-creepy succubus/troll angel of death.
  • Empires' song "I Want Blood" is a male example.
    I want blood, I want blood from you
    If it ain't your love, I want blood from you
  • The Legendary Pink Dots play with the "Love Makes You Crazy" trope fairly often, usually as Black Comedy, although on occasion one finds oneself laughing a bit more nervously. "Thursday Night Fever" in particular involves each verse detailing something utterly horrific and concluding with:
    'Cos you know how jealous I get
    I'm just a jealous boy
  • "Last Rites/Loved to Deth" from Megadeth's first album. It's about a guy who's so in love with his girlfriend that he kills her so that she will go to Heaven ("loved [her] to death" in his terms) and then commits suicide... only to discover that they both go to Hell because she cheated on him.
  • The Beatles:
    • "Run For Your Life":
      I'd rather see you dead, little girl
      Than to be with another man
      You better keep your head, little girl
      Or you won't know where I am...
  • Maxwell Edison of "Maxwell's Silver Hammer" asks science student Joan if he can take her out to the pictures before he bashes her to death:
But as she's getting ready to go, a knock comes on the door:
Bang, bang! Maxwell's silver hammer came down upon her head,
Bang, bang! Maxwell's silver hammer made sure that she was dead.
  • The Nickel Back song "Follow You Home" is an inversion, as the lyrics detail how the song's narrator would still follow his object of obsessive affection to (presumably) her house even if she were to have him abused, beaten, tortured, and killed.
  • "Gimme Gimme" by Lords of Acid is possibly the only Lo A song that's even remotely playable on US radio). It's also a song about a star (apparently a cheesecakey pop star à la Britney or Christina) who has fallen obsessively in love with her biggest stalker.
  • Gothic metal band Mortal Love built a trilogy of three concept albums around this: All the Beauty, I Have Lost, Forever Will Be Gone. In the first one, the singer is completely worshipful ("All the Beauty") until her lover leaves her for someone else and she just falls to pieces ("I Want to Die"). The second album follows her slow descent into madness, and by the third she's bordering on pure evil territory ("Still it Has Only Just Begun", "To Choke You Now"). The target of her love/hate is dead by the end, and it's strongly implied that she killed him.
    With every look I crushed you whole
    With every smile I grained your bones
    The darkness makes me stronger
    And I can swallow it no more
    Evil in all shapes
    In my case it's cold and hollow
    Darkness, it wakes nor sleeps
    And this pain you're forced to swallow
  • The band August Burns Red was named after a run-in their original singer had with one of these. After he broke up with his girlfriend August, she set his dog Red on fire in his doghouse. The actual name was the title of the story that ran in the paper the next day.
  • Interlude With Ludes, by Them Crooked Vultures, is this mixed with Stalker with a Crush:
    If you want me I'm yours
    And even if you don't want me
    I'm trained and licensed and armed to the teeth
    I think you'll agree
    It's so hard to apologize
    So I'm just gonna skip it
  • "Kim" is what happens to a male Yandere just after he snaps. It is not pleasant to listen to. It's about his relationship struggles with his wife. He played it for her before it was released; she was understandably freaked out.
  • From the same album (The Marshall Mathers LP), Eminem gives us the song "Stan" about a yandere stalker's descent into madness.
I love you Slim, we coulda been together, think about it
You ruined it now, I hope you can't sleep and you dream about it
And when you dream I hope you can't sleep and you scream about it
I hope your conscience eats at you and you can't breathe without me
  • Have you heard "Starbound"? He snaps his girlfriend's neck and then kills himself.
  • For Axis Powers Hetalia, Belarus and Ukraine's character song Carrots and Sticks aims for this and plays it for laughs. While Belarus is a canon yandere, the shocking thing is that Ukraine has the same feelings for the person they are singing for. That person is their brother Russia... who is also a Yandere. Their Yandere types, however, are very different: Belarus is about the possessive and scary side, whereas Ukraine is more about sweetness and subtle manipulation. Ukraine actually sends Belarus into a screaming fit by sort-of getting Russia into promising to "marry her" or at least make enonomic/political deals with her, and reacts via speaking softly and calmly about being "such a bewitching sister"note .
  • Portishead's ''All Mine'' begins as a typically sweet love song
    "When you smile, Oh how I feel so good",
    • but gradually becomes more obsessive and creepy, eventually working up to
    "Tethered and tied. There's nowhere to hide from me. All Mine."
  • Björk's "An Echo, A Stain" lands somewhere inbetween Stalker with a Crush and this:
    don't say no to me, you can't say no to me...
    I'm sorry you saw that...
    • This also applies with Army of Me
    You're alone
    we won't save you
    Your rescue squad is to exausted
  • ''Goin' Down'' by The Pretty Reckless is written as a confession from a textbook possessive yandere who's just discovered the downside of not having a boyfriend any more.
    "But I caught him with another woman in the bed I made him, So I put him in a grave"
  • Evanescence's Taking Over Me seems like a nice song...until you realize it's really about obsession. Romantic huh? This masterpiece shimmers with precious jewels such as...
    (chorus)"I have to be with you to LIVE, to BREATHE, you're TAKING OVER ME,"
    (verse 2)"Have you forgotten all I've known, and all we had? You saw me mourning my love for you, and touched my hand... I KNEW YOU LOVED ME THEN."
    (bridge) "I look in the mirror and see your face, if I look DEEP ENOUGH. So many things inside that are JUST LIKE YOU ARE TAKING OVER!!!"
  • Surrender is also has lovely lyrics such as "You can't abandon me... You belong to me...", Darling, there's no sense in running/You know I will find you/Everything is perfect now/We can live forever" and "There's no escaping me, my love... surrender..."
  • Kesha's "Stephen". Just read a few lyrics:
    'Cause you're my object of affection
    My drug of choice
    My sick obsession
    I want to keep you as my pet to play with
    And hide under my bed forever
  • The Bravery's song "Hatefuck"
    If I put my hands around your wrists, would you fight them
    If I put my fingers in your mouth, would you bite them
    There are so many things I'd do
    If I had my way with you
  • The Shadow's song Shooting Star. You heard me. It might sound innocent at first, but if you really listen to the lyrics,
    A shooting star will shoot you, and mars will go to war
    The man in the moon will jump on you if you don't love me no more
  • "Abracadabra" by Brown Eyed Girls has these...undertones:
    Every night, I'll be with you
    Do you love her? do you love her?
    Do you love me? Do you love me?
Let's go somewhere where there are no people,
It's just that I want to be alone with you,
Now you can't go anywhere.
  • The Yandere sasaeng "fan" from Epik High's "Fan" kidnaps her favorite idol and keeps him locked up to keep him all to herself, stubbornly ignoring his blatant despair. She ends up inadvertently killing him.
  • "Poison" by Alice Cooper — "I wanna hurt you just to hear you screaming my name"
    • "Millie and Billie" is about two insane lovers.
    And I liked your late husband Donald
    But such torture his memory brings
    All sliced up and sealed tight in baggies
    Guess love makes you do funny things
    • Love's a Loaded Gun is a song about a man who is a little bit too attached to a prostitute and is heavily implied to have killed her and one of her clients.
  • ''My Bloody Valentine'' by Good Charlotte embodies the viewpoint of a male yandere who has the intense desire to Murder the Hypotenuse.
    He dropped you off I followed him home.. Then I stood outside his bedroom window..
    Standing over him he begged me not to do what I knew I had to do,
    'Cause I'm so in love with you!
  • Marianas Trench 's Toy Soldiers. It at first sounds like a nice song about a guy meeting someone. But after the first verse, he slowly slips into madness. In the final verse, he literally says If I Can't Have You..., no one can. The second verse even contains some concerning lines:
    Don't you want love?
    Don't you fight back!
    This will hurt less
    If you just submit
  • In the most popular versions of folk song The Female Highwayman the titular woman (Sovay/Silvy/Janie/Priscilla) disguises herself as a highwayman, robs her fiance blind on the road, and orders him to give her his gold engagement ring. When he says he'd rather die than give away the ring his beloved gave to him, she lets him go free and the next day reveals what she did by "accidentally" letting him see the watch she stole the day before, telling him that it was a Fidelity Test and that he passed with flying colors. However, in one version of the song, she also adds that if he had given up the ring when she robbed him, she wouldn't have just refused to marry him — she would have shot him dead on the spot.
  • "Liar" by Emilie Autumn:
    I want to mix our blood
    And put it in the ground
    So you can never leave
    I want to earn your trust
    Your faith your heart
    You'll never be deceived
    • Becomes interesting when it was revealed that these are not just lyrics, but what Autumn's boyfriend spoke to her at one point. Verbatim.
    • Also, "I Know Where You Sleep".
  • The Irish folk song, Bean Pháidín. Just look at the lyrics.
    May your legs, your legs be broken
    May your legs be broken, Páidín’s wife
    May your legs, your legs be broken
    May your legs and your bones be broken.
  • "I Love U" by Tila Tequila which opens with "you know, I just want to let you know that I never felt this way about anyone else...I...I think I love don't think I'm crazy when I tell you this...but if you ever hurt me...I'll fuckin' kill you," and gets progressively more possessive.
  • No doubt's "In my head" is about a yandere who is well aware her obsessive jealousy is only in her head.
    And all it takes is one word or idea to send me in the deep.
    So if you think you're clever, use the right words when you're talking to me.
  • Wake Up Call by Maroon 5 is a prime example of a male yandere who found his lover in the bed with another man, so he shot him dead.
    I'm not kind if you betray me..
  • The singer in "Tie Your Mother Down" by Queen will do anything to be alone with his lover- Including tying her mother down, locking out her father, and drowning her little brother.
  • R.E.M. love this trope. Be Mine, High Speed Train, Star 69, You, and Strange Currencies all fit one type or another.
  • Space have a good few songs about yanderes, both male and female. Tommy Scott's defining yandere song is 'Drop Dead', while Jamie Murphy had 'Bastard Me Bastard You'. Possibly 'Piggies' as well, depending on how you interpret it. There's also 'Diary Of A Wimp', in which it's implied that the 'wimp' is stalking the girl and is perfectly happy to off her boyfriend.
  •'s "Don't Believe You're Leaving" is a warning from a psycho girlfriend that her boy had better be true, because there's no way she's letting him go. And, like so many of the rest of their songs, it is unbelievably happy.
  • Picture Me Broken's "Forevermore" is a not-so-subtle song from a yandere. Throughout it, she begs her love interest to stay with her. If he tried to leave, she'd never let him. She won't let him be alone as long as she's awake. Nice.
  • The White Tie Affair's "Watching You" is an Obsession Song from the POV of the guy being stalked by a Yandere:
    Help me help me, somebody save me,
    I keep running she keeps on chasing,
    Reminds me all the time, "No matter where you go I'll always be watching you."
  • The Dark Lady by the Bedlam Bards is about a yandere pirate ship. When her captain falls in love with a captive girl, the titular Dark Lady steers herself into a storm, the girl falls overboard, and the everyone else on board is killed. This leaves them as ghosts, doomed to never leave.
  • Killer by Dev
    I'm gonna make you love me
  • Bust Your Knee Caps - Pomplamoose, Threatens johnny to not leave her or her family business will bust his knee caps. In an endearing way.
  • Vienna Teng's 'My Medea' is told from the POV of a possessive yandere.
    So, come to me, my love
    I'll tap into your strength and drain it dry
    And never have enough
    For you I'd burn the length and breadth of sky
    For it's my thoughts that bind me here
    It's this moment I most fear
    And this child I would destroy
    For I hold her pain most dear
  • This parody of Justin Bieber's "Boyfriend" and its accompanying image macros:
    I'll always be checking up on you
    Hey boy, who you talking to?
    If I was your girlfriend
    I'd never let you leave
    Without a small recording device
    Taped under your sleeve
    And you'll always look your best
    Shave your face for me
    Don't hide secrets in your house
    'Cause, boy, I stole the key."
  • Here We Go Again by Captain Tractor is about a girl who expresses her love for the singer by inflicting life-threatening injuries on him.
    In the ambulance that day as they were taking me away
    You looked into my eyes
    You said you were in love, but then it struck you from above
    As you learned of my demise
    Is it me or is it you with a sense of Deja Vu
    As I brush with death again?
    And it's really no surprise as the tears filled up your eyes
    You're in love with me in pain
    Here we go again!
  • The Veronicas in their song "Lolita"
    Your my possession, I'm your obsession, don't tell me never, you'll love me forever
    Always stay close to me, don't tell me you're leaving now
  • The woman in the Knife Party song, "Internet Friends" is a Yandere through and through. When the unnamed protagonist blocks her on Facebook, she resorts to tracking him down to his own home, ringing the doorbell, knocking on the door, and even calling him on his smartphone before ultimately smashing through his window and delivering this legendary line:
    "You blocked me on Facebook, and now you're going to die!" (cue "Psycho" Strings and then bass drop time.)
  • Text Me Back by Your Favorite Martian is as yandere as it gets. Just listen to the lyrics. It also doesn't help that one of the band members is in prison while the other three are in a mental institute, and the entire chorus is just the words "I wasn't crazy until I met you" over and over.
  • "I Never Knew You" by Cage is a song from the perspective of a stalker.
    Perish the thought, you should cherish the words that I got in my mouth
    The only words that can truly explain how I got in your house.
  • "My Mind's Eye" by the gothic metal band Sirenia is about this.
    If you are down
    I'll be there to chain you to the ground
    And penetrate your mind
    If you are lost
    I'll be there to break your trust
    And ravage all your lust for life, my love
  • Dirty Little Rabbits' "Professional Hit", in which the singer has clearly been driven insane and angry from a one-time fling of what she believed to be was a starting relationship, ending with may be Murder the Hypotenuse. Careful with That Axe and Precision F-Strike abound.
  • Coheed and Cambria's concept album "Good Apollo I'm Burning Star IV, Volume One: From Fear Through the Eyes of Madness" is narrated by a Yandere:
    You could've been all I wanted
    But you weren't honest
    Now get in the ground!
    Do you remember why you did it?
    Do you remember why she left?
    No, I hope you die right now,
    Will you drink my chemical?
    And if you cry out loud,
    It'll only make me feel too good
    I'll do anything for you, / Kill anyone for you.
    Here wait, so I guess that you knew
    That you're a selfish little whore
    I'm the selfish little whore
    If I had my way, I'd crush your face in the door.
  • Creedence Clearwater Revival: They did a cover of "Susie-Q". Given John Fogerty's vocals, (piping his voice through a guitar amp on these lyrics), coupled with the banjo and electric guitar makes this a very creepy song.
    Well, say that you'll be mine
    Well, say that you'll be mine,
    Well, say that you'll be mine, baby all the time, Susie Q
  • Marilyn Manson's "Mr. Superstar":
    hey mr. superstar,
    I'll kill myself for you
    hey mr. superstar,
    I'll kill you if I can't have you.
    • Also "Deformography":
    I make myself sick just to poison you
    If I can't have you then no one will
  • "This Little Girl" by Cady Groves lives and breathes this trope:
    Every girl is capable of murder if you hurt her
    Watch out you don't push me any further, any further
    You're not the only one walking round with a loaded gun
    This little girl is capable of murder cause you hurt her
  • "The Phantom Opera Ghost" by Iced Earth which is about the The Phantom of the Opera.
    No this can't be I'd rather you die than spoil my dream.
    Myself I'll kill if I can't have you no one will!
  • "I Never Told You What I Do For A Living" by My Chemical Romance— a song about a Serial Killer that's rife with Double Entendre.
  • Tom Lehrer wrote a sweet and lovely ballad, named I Hold Your Hand In Mine:
    I'm sorry now I killed you,
    For our love was something fine,
    And till they come to get me
    I shall hold your hand in mine.
  • Super Psycho Love by Simon Curtis. The lyrics just scream of this trope (so much that it has become one of the unofficial anthems for Yandere Characters.)
    Say that you want me every day
    That you want me every way
    That you need me
    Got me trippin' super psycho love
    Aim, pull the trigger
    Feel the pain getting bigger
    Go insane from the bitter feeling
    Trippin' super psycho love
  • The psycho-obsessive Serial Killer narrator of Disturbed's "The Game" has shades of this:
    I kind of like / the misery you put me through.
    Darling, you can trust me / completely.
    If you even try / to look the other way,
    I think that I could kill this time.
  • "Better Dig Two" is about a wife who threatens suicide if she outlives her husband and murder-suicide if he ever leaves her.
  • The song "Gop-Stop" (Russian criminal slang for small-time street robbery. This song is often credited with popularizing the term "gop-stop" among the broader Russian-speaking public outside of the criminal scene) by the famous Jewish-Russian singer Alexander Rosenbaum is about a criminal, who's girlfriend left him for richer lovers from the higher echelons of the military. How he coped with the break-up? He ambushed her with some criminal friend of his and stabbed her to death, apparently not quick and clean, but slow and messy.
  • "The Nameless" by Slipknot features a real controlling male yandere who thinks he's God:
    Obsession, take another look.
    Remember, every chance you took.
    Decide - either live with me
    Or give up - any thought you have of being free
    (Don't go) I never wanted anybody more than I wanted you
    (I know) the only thing I ever really loved, was hate.
  • Five Finger Death Punch's "Diary of a Deadman" which is written like a letter from the male victim to the yandere.
    Looking back I still have so many questions
    So many things unanswered
    Like what did I do?
    What could I do?
    Was there ever a moment you cared?
    Was I always ugly and abandoned
    Remember all the times you wished me harm?
    You wished me dead
    How can I have changed to make it better?
    And would I?
    • Also "Succubus" which seems to feature the Destructive Romance of a pair of yanderes and contains such lines as "I never had the chance to thank you / (FOR RIPPING OUT MY HEART)" and "You've got a gun / I've got a gun / Let's write a tragic ending."
  • The lyrics make it a bit difficult to tell but the song Switchblade Serenade by heavy metal band Sister Sin is how the singer loves a man, and in order to make sure that he never leaves her she stabs him and watches him bleed to death. Or maybe she just stabs him and watches him bleed to death as an expression of her love; at one point, she describes her love as being a guillotine.
  • Iggy Azalea's ''Black Widow'', with lyrics such as: "I wanted all or nothing for us ain't no place in between" and "I'm gonna l-l-l-love you until it hurts"
  • Amanda Palmer's song ''The Killing Type'' — in true Amanda Palmer style, the lyrics run in giant circles around Yandere ("But I would kill to make you feel / I don't mean kill someone for real" or "I wanna stick my fist into your mouth and twist your arctic heart"). The video, however, leaves little doubt...
  • The narrator of "Our Wedding" by Crass comes across as one.
    "I am yours to have and hold, I'm giving you my love...
    Never look at anyone, anyone but me
    Never look at anyone, I must be all you see
    Listen to those wedding bells, say goodbye to other girls
    I'll never be untrue my love, don't be untrue to me
    Don't be untrue to me, don't be untrue to me..."
  • "Pulling Teeth" by Green Day is sung from the perspective of the protagonist, singing about how he's being being held captive by his love.
    I'm all busted up
    Broken bones and nasty cuts
    Accidents will happen
    But this time I can't get up
    For now I'll lie around
    Hell that's all I can really do
    She takes good care of me
    Just keep saying my love is true~~
  • A non-romantic example is presented in the "My Adventure with Green Day" story in the sleeve notes of the eponymous band's album Kerplunk!. The protagonist sees little wrong with murdering her parents if it means she gets to meet her favorite band.
  • "Nothing Without Me" by Markus Schulz is sung from the perspective of a very obsessive lover who states her love is nothing without her. Real Life Writes the Plot in this case - the song was written as a "dedication" of sorts to the stalkers Markus has dealt with in the past.
  • "Smoke and Mirrors" by Jayn is an original song written specifically with the yandere genre in mind. The lyrics are explicitly about a girl kidnapping her childhood friends wife and threatening to murder her if he refuses to be with her. She kills her.
    I'm not asking much
    Just give me your heart
    and put no one else above me
    Go on, say you love me!
    Take my hand in yours and tell me that I'll always be the one
    Without you my life means nothing
    So just say you love me tonight!
    And if you lie, this poor girl will have to die
  • "Closer" by Burn Season contains the following lyrics which imply this:
    Don't say that its over
    I'd kill to be closer
    A moment I'm passing to you
    But to me
    I will wait
    And I'll take
    Anything with your name
    Don't say that its over
    You can't live without me

    You say there's something wrong in my head
    So I like to bleed
    You say I'm scaring you now but I'm tired
    From watching you sleep

    I'd erase what you say
    Scramble words in the way
    But you can't take away
    Turn away
    Run away
    Fuck with me
  • Filter's version of Happy Together has this vibe. While the original song is light-hearted and happy-go-lucky, this rendition is sung in angrier and more passionate tones along with darker rhythms and riffs. It's also played in the trailer for the 2013 Great Gatsby film to help illustrate Gatsby's unrequited passion for Daisy.
    I can't see me lovin' nobody but you
    For all my life
    When you're with me baby the skies'll be blue
    For all my life
    You and me!
    Me and you!
    You and me!
    Me and you!
    You and me!
    Me and you!
    You and me!
    Me and you!
  • "My Clingy Girlfriend" by Psychostick.
    I made her a cupcake to soften the blow when
    I told her "I'm not ready for this level of commitment"
    She grabbed for a fork then stabbed me in the arm and
    began to pull my hair out while
    expressing her resentment
    And then she told me she would murder my whole family, my coworkers, and the girl who took my order that day at Wendy's. And she set the house on fire and ran screaming right outside; and I felt guilty as the flames reflected off her teary eyes.
  • "One Way Or Another" by Blondie is inspired by a real-life stalker of frontwoman Debbie Harry.
    I'll walk down the mall
    Stand over by the wall
    Where I can see it all
    Find out who ya call
  • The song "Get Over Me" (a collab between Nick Carter of the Backstreet Boys and Avril Lavigne) is told from the perspective of someone who found out the hard way that their ex is one of these, and is trying to get them to accept that they've broken up.
  • Baby, Let's Play House by Elvis Presley has elements of a possessive relationship.
    I'd rather see you dead little girl than to be with another man.
  • Hombres G's Devuelveme A Mi Chica (Which translates to Return My Chick) is told by the narrator's point of view about how his chick was stolen by a more dapper looking man and how he's going to get revenge, mostly by burning down his house and his beloved possessions while calling him very vulgar things.
  • Jackknife Stiletto's "Dear Jane" is very probably this, though it's hard to tell in the last lyric if the Stalker with a Crush is stabbing Jane or Jane is stabbing them in self-defense...
    PS I took your cat.
  • Fleetwood Mac's "Silver Springs":
    Time cast a spell on you, but you won't forget me
    I know I could have loved you, but you would not let me
    I'll follow you down til' the sound of my voice will haunt you
    (Give me just a chance)
    You'll never get away from the sound of the woman that loved you
  • The narrator of Short Stack's "Sway Sway Baby" is an incel who boasts that "I'm such a gentleman", whilst repeatedly thinking of how he'd like someone to Murder the Hypotenuse.

Or the sound of Alice's screaming...!!

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