Garbage's theme, which is widely considered the best Bond theme from Brosnan's tenure (and among a few, the best since at least A View to a Kill). It would also appear to be the only Bond theme song sung from an in-universe perspectivenote Until Chris Cornell's "You Know My Name".; it's Elektra's Villain Song.
From the soundtrack, Only Myself to Blame by Scott Walker. It was to be used in the film's end credits, but was unfortunately decided to be too glum a note to go out on.
Contested Sequel: One of the more polarizing Bond films, certainly moreso than Tomorrow Never Dies. It's not uncommon to find The World Is Not Enough ranked anywhere from the bottom to the top in fan's rankings. Some hate it, some think it's okay, and some love it.
Ensemble Dark Horse: Say what you will about this film's faults, but few can deny it created a fantastic character in Elektra King. She's typically found near the top of people's Bond woman and Bond villain countdowns, and amazingly enough accomplishes this without really having any "iconic" scenes like Ursula Andress or Honor Blackman did.
"Funny Aneurysm" Moment: This was Desmond Llewelyn's last appearance as Q in the Bond movies. He died in a car accident shortly after the movie's premiere, and his last scene shows him descending through the floor on an elevator with a car. VHS home editions, DVDs and Blu-Rays of the movie lampshaded this with a tribute to Desmond Llewelyn.
The video game features a mission called "Underground Uprising", where James has to foil a hostage situation and bomb threat in the London Underground. Five years after the game was released, the London Underground was bombed in real life by terrorists.
The entire Evil Plan with the villains embarking on an enormous terrorist attack to massively drive up oil prices. Two years after the film came out, the September 11th terrorist attacks on the World Trade Center and the Pentagon plunged the world into The War on Terror, a war immensely controversial for, among other things, the role of oil companies in profiteering off of the chaos - including numerous conspiracy theories that the war was waged only for this purpose.
He's Just Hiding!: Valentin, not helped at all by the DVD commentary saying on the subject, "It's only a flesh wound!" Of course, since the character did not appear in Die Another Day, and since the series was subsequently rebooted, it will never be known if Zukovsky in this continuity could have ever come back.
It Was His Sled: Elektra King being the villain was supposed to be a surprise but she's possibly one of Bond's most memorable enemies, spoiling the surprise.
"That era of the franchise addressed the anachronistic aspects of the character, portraying Bond as a flawed, morally ambiguous throwback to an older era, almost a man out of time. This approach of self-awareness had mixed results. It certainly helped give older fans a taste of what theyd been missing in their Bond movies, but it wasn't very forward thinking, as it did little to adapt the franchise to its modern setting. It was merely a stall tactic."
Jerkass Woobie: Renard, even more than Trevalyan and Silva. Just try and read his character profile without tearing up for the guy.
Magnificent Bitch: Elektra King has her own father assassinated and his oil pipeline attacked to deflect suspicion and set up her own plans. Having once been abandoned to the terrorist Renard, Elektra seduced him to the point he is utterly loyal to her, using him to sow chaos while she remains behind the scenes. Intending on causing a nuclear meltdown to enrich her own pipeline, while also gaining revenge on those who abandoned her, Elektra easily outwits the heroes throughout the film, constantly a step ahead of all MI-6.
As listed in the Funny section, the scene where Bond learns from Renard that Elektra just might be behind it all would probably be a bit more dramatic if Bond didn't audibly say "HUH?!" with a hilariously dumbfounded look on his face.
Brosnan's overstated performance in other scenes gets it fair share of mockery as well. The scene where he confronts Elektra, specifically his lines, "Knew all about my shoulder; knew exactly how to hurt me," stands out, as does his "pain face" when being garroted by Elektra.
Denise Richards playing a nuclear physicist. Her name, ensemble, and many of her lines simply don't lend themselves to whatever credibility she might've had. It also doesn't help that, in addition to 28 being barely old enough to be a project lead on a nuclear facility, she looks and sounds even younger—only a year earlier, she had convincingly played a teenager in Wild Things, and in the same year as TWINE, she played a high school student in Drop Dead Gorgeous. Especially narmtastic are any moments when someone comments on her first name, Christmas.
Nausea Fuel: Elektra plucking a large glass shard out of Renard's bleeding hand.
Never Live It Down: Casting Denise Richards as a nuclear physicist by the name of "Christmas Jones", a decision that had the dual effect of making TWINE the first film in the franchise to earn a Razzie Award and shooting down Richards' acting career.
One-Scene Wonder: The Cigar Girl assassin. The director actually wanted her actress to be Elektra King, but upon realizing that her English wasn't up to par, he gave her this part instead which she happily accepted. With only a few minutes of screen time and exactly two lines, she manages to be one of the more memorable minor Bond Girls—her panicked, terrified response of "Not from him!" (when Bond promises that he can protect her from Renard) just before she kills herself is enough to provide an intriguing hint about just what kind of monster Bond is dealing with.
Christmas Jones, due to being an uninteresting character in her own right, Denise Richards's acting and obvious miscasting, and getting in the way of the much more compelling relationship between Bond and Elektra. Fans almost invariably rate her as the absolute worst Bond Girl in the whole series, since she seriously harms the credibility of the plot, whereas the other widely disliked Bond Girls (Mary Goodnight, Holly Goodhead, Stacey Stutton and Jinx) appeared in films that would have been underwhelming regardless.
Mr. Bullion, who is played by Goldie, a British DJ whose limited acting experience becomes glaringly obvious on-screen. He doesn't get as much hate as Christmas Jones due to her attracting most of the vitriol and Bullion's lesser role in the plot, but he has similar issues as a character.
So Okay, It's Average: Often considered either slightly better or slightly worse than Tomorrow Never Dies. To most fans, it either has the edge over TND thanks to its larger scope and more involved plot, or is an otherwise-okayish film torpedoed by Denise Richards.
After Bond sabotages and escapes the submarine as it is left to explode, it comes apart rather unimpressively like a toy.
When Bond pursues the Cigar Girl in Q's speedboat, he clearly fires the bottom missile first, but the immediate close-up shot shows the top missile gone first with the bottom launching yet again; how such an obvious error got by is anybody's guess.
When Bond flees the attacking choppers at Zukovsky's oil factory, the pipes visibly wobble as Bond takes cover.
Strangled by the Red String: While one can hardly expect a relationship between Bond and his current Bond Girl to have any real substance, his fling with Christmas Jones is a glaring example of this. They have absolutely zero romantic interaction or flirtation (shockingly absent for a Bond film) before hooking up in the movie's final scenes. Her sole purposes in the film seems to be to completely botch Bond's first attempt to stop Renard's plot (making the second half of the movie her fault alone), and for Bond to have a warm body to be in bed with once Elektra is revealed as the villain and Bond kills her. Made all the more jarring by the fact that he does have chemistry with Elektra, and it's even implied that she's one of the few women he's considered settling down with which unfortunately ceases to be an option by the end.
Also Q's farewell on a meta-level. It doesn't help that Bond, for a split second, looks positively grief-stricken as he asks Q if he really plans to retire soon.
That One Level: "Night Watch" in the video game. You have to sneak around Elektra's villa and you're not allowed to kill anyone. Sure, you can use darts and punch people's lights out all you want, but it does seem foolish running up to hit people armed with assault rifles and only being allowed to use said assault rifles to shoot locks and surveillance cameras. If that's not enough, Gabor has an annoying habit of showing up when you'd least expect him, and you automatically fail the mission if he detects you.
They Wasted a Perfectly Good Plot: Bond and M going up against a Machiavellian villain bent on revenge for failing to help them? Bond being pushed to the limit of his emotional and physical capacity, questioning his choices as an agent? If the movie had been braver, ditched Christmas Jones, and not gone for the typical Bond cliches (campy or otherwise) we could have had Skyfall 13 years early. As it is, "The World Is Not Enough" is a big ball of missed potential for some fans of the Bond franchise.
What The Hell, Casting Agency?: Denise Richards as Christmas Jones. In fairness to Richards, the character would likely have been very unpopular anyway for the other reasons described under her The Scrappy entry, but her completely unconvincing performance helped propel her to being one of the most universally hated Bond Girls ever.
Vindicated by History: It's actually very difficult to find people nowadays who hate this film. With the exception of Denise Richards' casting, people have largely warmed up to TWINE. It's also fondly remembered by people who miss the Brosnan era, and regret that it ended with the inferior Die Another Day. It probably helps that the highly-acclaimed Skyfall recycled a lot of ideas from TWINE (as seen in this post), so there's a greater acknowledgement that the latter had the potential to be a great Bond movie, but it got hampered for some people by some of its more campier elements and a few questionable casting choices.