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YMMV / The Princess and the Pea

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Tropes from the original fairytale

  • Esoteric Happy Ending: Due to the below-mentioned Values Dissonance, you have to wonder just how Happily Ever After the Prince going to live with such an absurdly high-maintenance gal for his wife.
  • Fridge Logic: If the girl is SO sensitive that even a pea through 20 mattresses will leave her bruised in the morning, how did she get far enough in the storm to even make it to the prince's castle in the first place? Shouldn't she have arrived a broken and bloody half-dead mess from the rain? (For that matter, how is she gonna have kids?)
  • Values Dissonance: One would think that a much better demonstration of good character would be not to complain about your sleeping arrangements after being freely offered shelter in another person's house.
    • No one said she must be a good person. The task is made for Spoiled Brats.
    • The Live-Action TV version featured in Faerie Tale Theatre attempted to "civilize" the morning conversation. She was being polite at first and denied the sleepless night when questioned, until challenged to tell the truth, and then she spilled the beans in a more woobieish fashion (especially considering that this version also showed exactly what she went through that night).
      • Expanding on this point, some later adaptations of the story have the princess be polite and deny that there was a problem the first one or two nights. Then she either admits that there's something wrong with her arrangements, or the prince and his family come in to actually see the troubles when she fails to come in for breakfast.
    • One possible interpretation is that it is better to be honest. Though let's face it; the moral is "it is really good to be a princess." Which sucks for the rest of us.
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    • The main moral of the story is that "Appearances Can Be Deceiving," when the princess first arrives at the castle, she looks like anything but a Princess. The narrator describes how the water ran down from her hair and clothes; it ran down into the toes of her shoes and out again at the heels. This is not exactly the elegance that we usually associate with royalty. Naturally, the queen is suspicious and wants some form of proof that this stranger is the 'real princess' she claims to be. After passing the sensitivity test, it's revealed that the girl is who she says she is and the Queen herself learns a valuable lesson on appearances.
    • Also in another version, when the princess is questioned the following morning, it's clear from her appearance that she didn't get any sleep, but she politely says she slept fine until the Queen presses the issue enough to get the Princess to admit that she had difficulty sleeping.
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    • In one film version, the prince and his family check on her, only to find her sleeping on a nearby chair. The Queen deduces she must have been uncomfortable on the mattresses...or that she was too worried about losing the prince to fall asleep...and gives her blessing either way.

Tropes from the film

  • Alternative Character Interpretation:
    • Is Heath a noble soul who truly deserved to be king, or is he an idiot who happened to be in the right place at the right time?
    • Is Daria a pure-hearted true princess, or is she just as arrogant and self-serving as the other princesses?
    • Does Rollo love Daria for her personality, or just her looks? His willingness to declare "she's the one" immediately upon meeting most of the other princesses suggests the latter.
    • Was Laird really evil from the beginning, or was being denied his birthright just the point where he snapped?
    • How did Hildegard become evil? Is it a result of Villainous Lineage, or just the way she was raised? Would Daria have turned out any different if the switch had never happened?
  • Ensemble Dark Horse:
  • Fashion-Victim Villain: The shoes Laird wanted to wear to his coronation are hideous, and he vowed not to take them off until his vengeance was complete.
  • Narm: By the truckload. Standout scenes include the awful CG effects when the stained glass figures come to life and at the end when Daria runs into Heath's arms, he spins her around, and then sparkles come out of nowhere as a scene transition.
  • Strangled by the Red String: Rollo and Daria don't have a ton of chemistry or very much screentime spent with each other, and even when they are together, Daria spends more time talking to her pigs than to him. It doesn't help that Rollo is already lacking in the personality department, and that his admitted reason for falling for Daria is due to how "good and kind" she is, which are pretty superficial things to base a relationship off of, let alone a marriage.
  • They Copied It, So It Sucks!: The entire plot is lifted from Harold MacGrath's "The Goose Girl", which is ironically based on another fairy tale entirely, albeit the film is a bit more Disneyfied. For example, Hildegard is not a villain in the original book, which makes sense considering the whole being a baby when the switch occured.
  • They Wasted a Perfectly Good Plot:
    • During the beginning of the film, Helsa shows compassion towards her infant niece, and mentions how similar both her and Daria are (both not having mothers). She also shows hesitance over going through with Laird's plan and asks that he not harm Daria. After this scene, she's just as evil and irredeemable as her husband, and any hidden depths she might've had were forgotten.
    • Hildegard turns out to be just as evil and heartless as both her biological parents. Even though Laird uses it as a way to get Rollo to sympathize with her, his (false) explanation for Hildegard being so cruel is because she has to live up to everyone's expectation of being just like her "mother", which would've actually worked as a real reason for her attitude. Her "father" Heath constantly tries to get her to act similar to her "mother", and even told his infant daughter he hoped she'd grow up to be just like her mother, so she would've had this pressure on her since she was a baby. There's also the fact that she was raised by both Helsa and Heath, with one teaching her to be kind and selfless and another teaching her to be vain and selfish. This could've lead to her being more a more conflicted person, trying to figure out right and wrong.
  • The Woobie: Daria has it pretty hard throughout the film. She's taken from her loving father and raised by mean, lazy pig farmers who she has to take care of, she does all the chores on the farm, sleeps in a chicken coop, has the guy she's in love with ditch her, an angry mob tries to kill her, everyone ostracizes her when she goes back to town, and then her uncle and cousin try to kill her.

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