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  • Accidental Innuendo:
    • Best line ever when taken out of context: "And now I'm licking myself!"
    • When Hunch breaks into Pinky's aircraft while the good guys are trying to escape, he jumps down from the aircraft's entrance, hangs from a rope and, for a brief second, stares at Goldie's breasts before she slaps him away. Made funnier with Charles Nelson Reilly's signature "Hur hrrrmmm" laugh (and even funnier when one realizes that Reilly was gay).
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    • When Goldie sullenly complains that she's too good to be just a chorus girl, Pinky snidely suggests that she could "give up show biz." Whether she's appalled at the general idea or at the, ah, other implications of that suggestion, well...
      • In fact, after Pinky makes that suggestion, Goldie falls to her knees and covers her chest, gasping "Pinky!" with a scandalized expression.
    • Some of the lyrics to the song Rock-a-Doodle, such as "Well, it ain't right to rock alone. It takes two, I do believe. I wanna rock-a-doodle doodle to you (To you). Like you rock-a-doodle doodle to me." Is Chanticleer singing about dancing or...?
    • While The Grand Duke was a tornado, a book flies around and on one of the pages, there is a message that says “Chapter 17, Chocolate Bunnies from He**.
    • The second time the Duke morphs Hunch with his evil breath, after having accidentally sent the heroes down an aqueduct pipe, the shape of his oblong-shaped head has a......rather unfortunate design. Especially if you view it from the back.
  • Adaptation Displacement:
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    • This movie is very loosely based on a little-known play called Chanticler written by Edmond Rostand. In the play, a rooster named Chanticler is the protagonist, the Goldie character is a non-anthropomorphic pheasant, Edmond and the magical elements are completely absent, and both Patou and the Grand Duke of Owls appear (although both have significantly smaller roles than they do in the movie). Most significantly, Chanticler's crowing does not make the sun rise, and he accepts that.
    • The play, in turn, was based on Chaucer's "The Nun's Priest's Tale," which in turn was based on a popular medieval fable about a rooster named Chanticleer and his run-in with a fox (usually Renard). In that one, Chanticleer really was The Ace, really did think his crowing brought up the sun, and when he was kidnapped by the fox the farm really did mourn his loss.
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  • Alas, Poor Scrappy: As unpopular as Edmond is with some viewers, it's hard not to feel sad when he gets strangled almost to death by the Grand Duke of Owls.
  • Animation Age Ghetto: Although Siskel & Ebert mostly pointed out the flawed plot, they both griped about the amount of violence and darkness in the film, saying that violence does not belong in a children's film. One has to wonder what made them think this was strictly a children's film. Maybe because it's animated. They made the same complaints for most of Don Bluth's previous films as well. Incidentally, this is actually one of the least dark of Bluth's films.
  • Ass Pull: Where exactly was Peepers able to find and commandeer Pinky's helicopter after her close call in Pinky's trailer?
  • Awesome Music: In the Swedish dub there are the songs "Sun on Me" and "Rock-A-Doodle". Even the music playing over the end credits manages to somehow be both bittersweet and charming at the same time.
  • Audience-Alienating Premise: Nothing says "box office smash hit" like "animated musical adapted from an obscure French play, featuring an Elvis impersonator chicken, and directed by Don Bluth." Because seriously, nothing says that. Although considerably less trippy and dark than some of Bluth's earlier work, it was still too dark and weird for many non-fans and preview audiences, while devoted Bluth fans considered the Lighter and Softer tone to be a betrayal of what made his style so unique, and the resulting film became his first to be savaged both critically and commercially.
  • Best Known for the Fanservice: "Rock-a-Doodle? You mean that weird cartoon movie that has the pheasant with tits?"
  • Big-Lipped Alligator Moment:
    • The Don Bluth staple. Especially weird is where Edmond apparently runs into his own brain after Peepers' Disney Death, to resolve a minor character flaw.
    • While most of the songs do actually serve the plot, there are a handful of very short and completely unnecessary ones. The most notorious of these would have to be the bouncer's song and the Duke's "They're Running Out of Batteries" song.
  • Cult Classic: Despite its flaws, it still has a small nostalgic fan following for being a decent children's film that tries to tell an interesting story. (Emphasis on tries.)
  • Dork Age: After a long string of financial successes and runaway hits through the eighties, this film proved to be the start of one for Don Bluth, not helped by its baffling premise or its part in killing the studio of which he was the head at the time.
  • Ensemble Dark Horse:
    • The people who like this movie tend to like the Duke's hilariously psychotic nephew, Hunch. Let's be honest, though, did you really care about how this boy who got turned into a kitten was going to find this big rooster so he can bring up the sun again, or did you wonder why the nutty little owl is so desperate for his uncle's affection? Also the Duke.
    • Snipes, although being Eddie Deezen helps a lot.
    • Goldie Pheasant is ridiculously popular with fans of the film; her popularity in the Furry Fandom certainly lends itself to this.
  • Fetish Retardant: Goldie was meant to be attractive-looking to compete with Jessica Rabbit. However, the combination of a beak and breasts just looks squicky to many viewers.
  • "Funny Aneurysm" Moment: The gag where Patou accidentally bashes Chanticleer on the head might be awkward for some people now, given how Glen Campbell developed and later died from Alzheimer's Disease.
  • Harsher in Hindsight:
  • Hilarious in Hindsight:
  • Jerkass Woobie: Hunch, the Grand Duke's much-abused nephew.
  • Memetic Mutation: "Jeepers...I'm a furry!"note 
  • Moral Event Horizon: The Grand Duke of Owls has done a lot of nasty Kick the Dog moves throughout the film. However, he finally crossed it when he tries to kill Edmond by strangling him and even mocking him for his loss.
  • Narm: A pageful!
  • Never Live It Down:
    • Understandably, its bewildering plot and often incoherent narrative led to it being a box office bust and in turn the end of Don Bluth's studio. Edmond's voice in particular is a frequent target for mockery even among legitimate fans of the film.
    • The entire film was this for Glen Campbell, who saw his career decline sharply for the better part of the Nineties in part due to how far his singing here strayed from his usual style. Tellingly, Campbell largely stayed away from filmmaking from that point onward.
  • Padding:
    • The subplot surrounding Patou struggling to tie his shoes. It has no bearing on the plot whatsoever and serves as little more than a rather weak Running Gag.
    • One could easily make the argument that the live-action segments were unnecessary and simply convoluted the plot that much more for it.
  • Retroactive Recognition: You may find yourself expecting Snipes to break out into a hammy evil laugh at some point.
  • Rooting for the Empire: Edmond's speech impediment and behavior make it incredibly difficult to enjoy his character, so to some viewers, seeing the Duke strangle Edmond is a Moment of Awesome. The Duke himself is also far more interesting as a character.
  • So Bad, It's Good: The storyline and everything about it is silly and ridiculous, but it still has its share of fans who enjoy it for how silly and ridiculous it is.
  • Special Effect Failure:
    • The sequences with the live-action Edmond in the animated world fall brutally short of the standards set by Who Framed Roger Rabbit just three years prior.
    • The film has many noticeable animation errors, and overall feels like a downgrade from the Bluth movies of the Eighties.
  • Superlative Dubbing: The Latin American Spanish dub improves the voice acting in many, many levels. Special mention to Edmond, who in this version doesn't suffer of the same problems with his voice, partly because his voice actress, Diana Santos, is a veteran voice actress with decades of experience voicing either cute little girls or boys and she does an outstanding job on voicing him.
  • Tear Jerker: Seeing the other animals mourn for Edmond after he is strangled by the Grand Duke of Owls is truly saddening, especially when they see him transform into a real boy the entire time. Peepers is especially moved by this, and tries to wake him just as he seemingly returns to the real world.
    • Even the music playing over the end credits becomes surprisingly somber the longer they go, which may make some just a bit misty-eyed before they finally close out.
  • Tough Act to Follow: Compared to Don Bluth's previous films, the films afterwards never became successful nor memorable as their predecessors. It also had to try to do this with Disney and Spielberg.
  • What an Idiot!:
    • The Grand Duke of Owls sending Hutch to deal with Edmond and his friends. In all honesty, he probably hoped to just get him off his back due to his incompetence, but having already contracted Pinky to keep the group away from Chanticleer, sending Hutch after them as well actually only serves to completely screw things up when Pinky has already gotten a hold of them. Without Hutch's overzealous interference, Pinky might've stood a better chance of stopping Chanticleer from reaching his friends.
    • The animals at the farm for not using their flashlight more sparingly in keeping the owls away. They could not have known when the Grand Duke and his flock would try to strike, but having their only means of defense on nonstop with almost no batteries to spare very nearly has them at the Duke's mercy before Edmond and his friends finally return.
  • WTH, Casting Agency?: Glen Campbell seems like an odd choice for Chanticleer as Campbell's music was hardly Elvis-esque. As it turns out though, when Glen was much younger, he actually worked as an Elvis impersonator, so that may have had something to do with him being cast. It didn't do his career any favors in the end however.
  • The Woobie:
    • Edmond. First he's turned into a kitten, then he nearly drowns, and is eventually almost strangled to death by the Grand Duke of Owls. Could even qualify as an Iron Woobie.
    • Let's not forget Chanticleer, who was laughed off the farm by his friends and family and abandoned his former life to find a new purpose in the city, where despite his incredible fame as a singer he is wracked with loneliness and depression. Then he finds out his employer is working against him and trying to keep him from reuniting with his friends, resulting in a harrowing journey to get back home where he is completely helpless to save it from the flooding. By the end, you will be crowing just as loudly as he does when he finds his true calling again.
  • Woolseyism:
    • The creative and lively Norwegian and Swedish dubs tend to improve character likeability, especially in the case of Edmond, a fair deal. The movie's still what it is though.
    • The Norwegian version featuring the popular band Vazelina Bilopphøggers and the Swedish version having The Boppers and The Jordanaires certainly helps; the music went from awkward and dorky to Awesome Music thanks to Viggo Sandvik's and Jerry Williams brassy vocals.
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