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  • Difficulty Spike: While the game is never all that difficult, the Viennese Waltz songs are far tougher than the songs that come before it. A lot of the patterns are either the larger, more complex ones (including your first figure-eight pattern), or will suddenly go very fast.
  • Fridge Horror: Well, more like Fridge Depression. Getting Tony's ending may leave you feeling bad about dancing with him while wearing the witch hat.
  • Fridge Logic: In Tony's ending, he said the only way to break the spell was to dance with a princess at the Ball in Saint-Lyon and win first place. But you're not really a princess, so how did the spell break, exactly...? Maybe because it doesn't have to be a princess by birth; a princess by official title works just as well.
  • Narm Charm: Courtesy of CAVE's story representation, even in a genre that's more story-oriented than their usual Bullet Hell regimens.
  • Periphery Demographic: The game is most likely directed at younger girls, but it's one of very few Dating Sim games in the U.S. before Katawa Shoujo made publishers realize there’s a market, so... Given that the guys behind this game make Bullet Hell games alot.


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