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    A 
  • Alternate Character Interpretation: The World Government is either a necessary evil that in order to maintain order in a world populated by criminals with insane powers and monster strength has to Shoot the Dog more times than it would like or is a hopelessly corrupt organization that hides its flagrant abuse of power behind the pretense of justice for the sake of maintaining the status quo. Even Oda can't seem to make up his mind on the matter.
  • Americans Hate Tingle: In Japanese polls, the princess characters are popular in their home country, but they are widely disliked in the West (particularly Shirahoshi and Rebecca).
  • Arc Fatigue: Possibly the series' Achilles' Heel, with readers noting its tendency to add too many elements in its arcs, causing them to last very long.
    • The Marineford Arc in particular ended up being this in the anime due to the show's slower pacing. Particularly, the large string of episodes where it felt like Luffy was forever running across the ice trying to reach the platform where Ace was being held captive.
    • The crew-separation saga which went on for almost a hundred chapters before finally deciding to continue the journey with the 2-year Time Skip. While the arcs that took place here are generally well liked, many fans just wanted to see the crew together again.
    • Skypiea and Fishman Island are both especially long Story Arcs and have relatively low stakes due to feeling disconnected from the rest of the setting.
    • Oda's love of multi-chapter flashbacks, Loads and Loads of Characters, Call Backs, and all tropes Chekhov come to a head in the Dressrosa arc, the longest arc of the series to date. To wit: 2 and a half years in real life spent on the same island, about 10 individual flashbacks, a little over 50 named new characters, the reintroduction of several old characters, and 102 chapters of content. The anime was even longer, with 118 episodes aired in total, 16 more episodes than there were chapters (that's what using about 1/3 to 1/2 of one chapter's content for each episode will do). Skypiea, the previous record holder for longest arc, only had 66 chapters. Though, technically, the longest arc is, if not considered separately, the Water Seven-Enies Lobby arc, at 108 chapters.
    • Whole Cake Island fell into this after the wedding fell apart. The Straw Hats had already accomplished all their goals of obtaining Big Mom's Poneglyph, retrieving Sanji, and saving Sanji's family from an assassination attempt, and the story had already established that Luffy wasn't ready to take on Big Mom yet. But there are still about three volumes of contents as the Straw Hats on the Thousand Sunny struggle to face obstacle after obstacle in their way while Luffy fights Katakuri, and Sanji bakes a cake for Big Mom.
  • Archive Panic: As of March 2018 the manga has reached chapter 900, with no end in sight. Viz Media put out omnibuses that collect three volumes each, but not only do they have lower quality paper than the single volumes, even if you're willing to look past that, it's still difficult to catch up even with them.
  • Ass Pull: Because of Oda's mastery usage of Foreshadowing, there's relatively few instances of this:
    • The most infamous is the classic "Pell surviving a city-destroying bomb with absolutely no justification."
    • Less infamous, but perhaps even more blatant - Pagaya, a completely untrained civilian, survives Enel's Bolt of Divine Retribution with nary a scratch when even Made of Iron badasses like Zoro and Wiper were left half-dead from it.
    • In the anime fillers, Luffy's defeat of Don Achino was easily this because Don Achino had the power to generate craptons of heat, enough to take casual lava baths. In the final moments of the fight he tries to ram right into Luffy, who grabs him with his bare hands, shouts a few times, and throws him across the battlefield, ultimately suffering only a few minor burns from the ordeal.
  • Audience-Alienating Premise:
    • When he started the series, Oda had concerns that the series' unusual, cartoony art style might turn away potential readers. While many consider it one of the series' selling points, there are indeed some people who consider the art style a turnoff.
    • Concerning the television run of the show in America, the English dub got heavily delayed, switched hands between 4Kids (who severely edited it from the original per Toei's demands) and FUNimation (who started with a watershed-friendly TV-PG edit before gaining the rights to fully dub the whole series from the top with TV-14 content) in a messy and lengthy contract dispute that stalled out the release of a faithful dubbed version, and fell very behind the Japanese releases of new episodes, and the series never got to air in complete form on American television. When it came back on Toonami, it started in an odd place because they had no access to the episodes before the switch to high-definition (up to the Skypiea Arc, virtually all of which were in dispute with 4Kids until it went bankrupt in 2012), so they began broadcasting the Long Ring Long Land Arc (repeatedly cited to comprise a Breather Episode in arc form that is often balked at as a feeble moment of/entry point into the series for being too comedy-driven instead of plot-driven), nowhere near the most recent point of the series, while the majority of the series's more dedicated viewers were far, far ahead. This ultimately killed its chances to pull in sufficient ratings and got it jolted off the block after the Thriller Bark Saga concluded.
  • Author's Saving Throw: Downplayed since ODA NEVER FORGETS. However, as mentioned in Americans Hate Tingle, the princesses post-Vivi all were criticized for being naive, whiny loads and Ms. Fanservice taken too far. The princess of the Wano arc, Hiyori aka Komurasaki dressed conservatively despite being the equivalent of a High-Class Call Girl. She's also One Piece's best Heroic Seductress, taking down an arsonist's ring with nothing but her beauty and feminine wiles. A far cry from the likes of Shirahoshi and Rebecca.
    • Following some criticism for the handling of Ivankov and the okamas, particularly the repeated insistence from other characters that they "aren't real women", the reveal that O-Kiku in the Wano arc is a trans woman is a welcome change.
  • Awesome Art: While the art quality per se has been quite inconsistent, especially in later chapters as Oda's health declined, the panels where he shows off the absurd and creative places the Straw Hats visit fits perfectely with the series's cartoony style and are filled with details. Since the beginning, Oda has consistently received praise from critics for his paneling skills and the ability to make the pages enjoyable to read, being regarded as one of the best in the industry in that field.
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    B 
  • Base-Breaking Character:
    • Usopp. Some like the angle Oda intended on making Usopp a relatively normal character in terms of strength who often has to use his wits to pull a victory, while others view him a nuisance for his cowardice and dead weight. This reached a head during the Water 7 arc, in which he temporarily parts ways with the crew out of a refusal to accept that the Going Merry is beyond saving. Some were sympathetic to his attachment, while others viewed him as an idiot who the crew would have been better off without.
    • Nami is liked by some for being the crew's voice of reason and Ms. Fanservice, but disliked by others for her often violent behavior toward her crewmates and being the poster girl for the controversial female design. There's also the question of how useful she is; her official job as navigator is vital but happens mostly while travelling from island to island, which are short moments between story arcs, while she rarely gets into a major fight.
    • Sanji's immense love of women is either endearing or annoying, particularly post-Time Skip when his perversion is amped up after spending two years with transvestites. There's also controversy regarding his battle performance in the New World, with some claiming he's been fine and the focus he's had doesn't need to be on his battles while others believe he's had Badass Decay and should actually get to fight someone properly.
    • There's quite a bit of controversy surrounding how Pudding was handled. While her reception was fine even after she dipped into a Hate Sink following the reveal of her true colors, the issues start at the wedding. Sanji, unable to keep his lust down even for a woman he knows is eager to kill him, blurts out a compliment toward her Third Eye once he finally sees it, pacifying Pudding due to her Freudian Excuse regarding the discrimination she's suffered for it. For some (see Jerkass Woobie below), this redeemed Pudding. For others, the Freudian Excuse feels too sudden and contrived (especially regarding the criticism her eye apparently got from Big Mom, which is extremely out of character given her established love of her exotic and lifelong goal of creating a discrimination-free utopia) to take seriously, and simply allowed Sanji to dance around the lesson of being too weak-willed around pretty women. Her later Tsundere characterization is either hilarious, or a waste of time during the final period of the arc that has dragged on for too long.
  • Better on DVD:
    • One Piece is a manga planned more with a volume basis than with a weekly basis, resulting in some arcs appearing to be too long and dragged out if read chapter by chapter every week. However, many fans say that, if read in its entirety, the pacing problems are absent. This results in many arcs to be re-evaluated much more positively after a complete read.
    • The anime has over 800 episodes as of this writing, and the manga has over 900 chapters so far. With the manga, you can easily get the volumes to read at your own pace, but the anime has long arcs, some of them filler, that started off with adapting the chapters at a good pace, but after a while has resorted to adapting either one chapter per episode, or less than even that, so knocking out dozens of episodes by binging the show is the best way to watch it, especially when Oda loves to use Continuity Porn, Continuity Nods, and likes to bring back older characters after they previously appeared in earlier arcs. It's much more rewarding to binge the show in short bursts than it is to watch week to week.
  • Big-Lipped Alligator Moment:
    • The Davy Back fight that takes place between the Skypiea and Water 7 arcs is this. The battle against the Foxy Pirates left no impact whatsoever on later events, and Foxy only ever reappears in irrelevant Filler. This is a case where Tropes Are Not Bad, however, since the arc was short and served as a Breather Episode between Skypeia (which was fairly long) and Water 7 (one of the most intense, dark, and emotional arcs in the series).
    • The magnificently bizarre "EVERYBODY! ZOMBIE NIGHT!" scene, where a bunch of zombies from Thriller Bark break into dance.
    • Shiki's introduction in the 10th movie is to perform a bizarre dance number with his crew for the captive Nami. The film began In Medias Res just a few moments before that, by the way, making the scene even more bewildering.
  • Bile Fascination: Some people actually want to watch the 4Kids dub (which is becoming increasingly difficult) just to see how awful it is.
  • Broken Base:
    • The increased sexualization of female characters post-Time Skip; while Fanservice was originally just limited to occasional skimpy outfits, most prominent female characters now share an Impossible Hourglass Figure. Some obviously enjoy the change, while others feel that the figures are too unnatural to the point of Fetish Retardant. The anime drives this further, often ramping up bust sizes as well as giving them more attention.
    • There's controversy regarding the quality of female characters in general. The series does its fair share of Action Girls, and the ladies among the main characters have remained fairly competent both in and out of battle. However, complaints arise from perceptions of Oda going easy on attractive female characters if there isn't room for a Designated Girl Fight, as well as overuse of Females Are More Innocent. Also related to the female design is the complaint of Only One Female Mold amongst relevant female characters who aren't outright Gonks (something that Oda has acknowledged getting flak for, but some would argue has improved over time).
    • The reception of the Dressrosa arc. Many love it for having Doflamingo as the main villain, introducing many new characters and the great moments they brought, staying climatic for dozens of chapters and with the reveal of the Gear Fourth and the Straw Hat Grand fleet. Others dislike it for being incredibly long and bloated, with far too many uninteresting characters to the detriment of half of the crew that goes missing, and the action that is too confusing to follow.
    • 4Kids' infamous Theme Tune Rap. Some enjoy it for its catchy tune, even calling it one of the few redeeming qualities of their torrid run with the show, while others lambast it for being an over-the-top Piss-Take Rap.
    • Toei Animation's handling of the anime as a whole (especially from Fishman Island onward). Many manga readers consider it a terrible adaptation thanks to lackluster animation (especially of the female characters), bad pacing, use of sound effects (the sound of running is the same regardless of speed or terrain, for example) and poorly handled fights. Some even say that it gives the manga a bad name. Other fans, while acknowledging its flaws, think that it's still enjoyable thanks to great music, voice acting, and how well it handles certain key moments.
    • One of the most easily noticeable schisms in the fanbase, however, is whether a One Piece fan follows the official translations and prefers the translated names and reworked puns; or the scanlations, who leave a lot of things in Japanese and have very literal and plain translations. There are heavyweights on both sides, with the Unofficial One Piece Podcast on the official side and the One Piece Wiki on the scanlation side. It is evident on this very site too, in the lack of consistency between terms, such as Gum-Gum Fruit vs. Gomu Gomu no Mi, Seven Warlords of the Sea vs. Shichibukai, Four Emperors vs. Yonko/Yonkou, Cat Viper vs. Nekomamushi, etc. Tensions remain high because the scanlation sides, thanks to the speed translators, release chapters almost 3 days ahead of the intended street date (due to some of them being inside the distribution system and thus can get them early) and tend to behave as if every fan reads them on that day, forcing the people on the official translation side to avoid communication with the rest of the One Piece fandom until the official release. Of course, this means there can only be about half of the week when both sides are united and on the same page.
    • The mere idea of a Live-Action Adaptation, especially after it became official with Oda's blessing and heavy involvement as per the man himself in 2017. Some are willing to give it a chance given Oda's direct involvement, the fact that series producer Marty Adelstein is a big fan of the manga and the extremely large budget the series is meant to have, with Adelstein saying that it could be one of the most expensive TV shows in history. Others, however, simply view One Piece as unadaptable no matter the budget, while pointing out other less than stellar live-action adaptations of anime and manga.

    C 
  • Cant Un Hear It: It's nigh-impossible to listen to the opening of the 4Kids dub without thinking of either Brock or Seto Kaiba, due to Eric Stuart narrating it.
  • Captain Obvious Reveal:
    • Sabo being alive. Almost no one believed Oda would suddenly introduce a "brother" of Luffy and Ace during their childhood Story Arc only to suddenly kill him off at the end of it.
    • Most One Piece fans were able to correctly deduce that the Soldier toy was Rebecca's father given the scenes they were shown together in before the reveal.
    • Many One Piece theorists and readers were sworn to the idea that Lola is one of Big Mom's daughters long before her parentage was explored in full, because Oda didn't try to hide it and even hinted at her "mama" being a very powerful pirate as in Big Mom.
  • Complete Monster: See here.
  • Continuity Lockout: So very, very much. It is a true test of character to try to describe the series to a person who has never heard of it. It's especially one of the reasons why the 4Kids dub is despised since the dub had a tenancy to skip entire story arcs, creating a lot of continuity-related plot holes.
  • Crazy Awesome:
    • Luffy. Sailing up a geyser and once absorbing a hundred souls (when most badasses can only hold two or three), are some of his saner plans.
    • Franky. Take a guy, dress him up in a Hawaiian shirt and speedo, then watch as Oda consistently (and successfully) challenges himself to make that the least bizarre thing about him.
    • Brook's first appearance convinced Luffy this guy needs to be brought into his crew, due to this.
    • Kaido also deserves special mention. His debut involves him climbing up to Sky Island and fricking BODY SLAMMING his way down to the earth. He doesn't do this to attack, mind you, he does this to see if he can handle it.
  • Creator Worship: Eiichiro Oda has been mentioned at least three times on this site as being awesome, crazy prepared and an author who never forgets. Fans also deem him the "Jesus" of Shonen (when Akira Toriyama is the "God"). Oda himself acknowledged this: In one SBS, when one fan asks him what his greatest treasure is, he answers "of course, it's ALL YOU READERS."
  • Critical Research Failure: Strangely from a man who usually prove to have made lot of research for his story, when asked what nationality each of the Straw Hats would have if they lived in the real world, Oda said that Usopp would come from Africa, a continent. Considering he later says that Blackbeard would be from Somalia, it was probably intentional.
  • Cut-and-Paste Translation: The 4Kids dub lay in a pool of its own digitally erased blood, before FUNimation came along to give it a proper burial. Most people unanimously declare it a Macekre.

    D 
  • Draco in Leather Pants:
    • If the fanart is any indication, the Vinsmoke boys (other than Sanji, of course) have been getting this treatment from some fangirls (no doubt due to their appearance).
    • To a lesser extent, almost all of CP9 gets this but especially Kaku, Lucci and Kalifa. They're all assassins and rather unapologetic about the fact (Lucci even said that the main perk of their job is legally-sanctioned killing), including attempting to kill both Iceberg and Paulie immediately after their reveal. Lucci and Kaku are even revealed to have gone back to the government and joined CP0 during or after the time-skip and even assist one of the Celestial Dragons into preventing people trying to save Princess Shirohoshi from being enslaved with no arguments. But there's plenty of people who would love to see at least one of them join the crew or become allies.
    • Caesar Clown, despite being an unrepentant Mad Scientist specializing in WMDs, has gotten plenty of readers sympathetic toward his plight since his capture at the end of the Punk Hazard arc to actually want him to join the crew. It got to the point where Oda had to remind readers of his actions in Punk Hazard when a fan in the SBS wondered why Nami insulted and wished death upon him at every opportunity.

    E 
  • Ear Worm:
  • Ending Fatigue: The Dressrosa arc, already suffering from Arc Fatigue, fell into this as the final blow was stalled off for several chapters, putting focus on random citizens running and the protagonists trying to slow down the Birdcage.
  • Ensemble Dark Horse: See the page here.
  • Evil Is Cool: Too many to list. It's easier to name the villains who aren't awesome, and many of them that aren't that impressive to begin with get better as the series continues.

    F 
  • Fandom Rivalry: With Naruto (especially with the Dueling Shows dynamic), Bleach and Fairy Tail.
  • Fan Wank: Oda often offers cryptic explanations on things (with intentions of fully explaining them months or possibly years down the line sometimes) or doesn't bother to explain things at all, leading to quite a bit of this among the fandom. Common topics include explanations for Pell surviving a nuke, Blackbeard's two Devil Fruits, or how exactly some of the abilities work (E.g. How Zoro can create illusions, how Luffy can spontaneously use fire or electricity, etc.).
  • Fetish Retardant: The overly hourglass-shaped proportions of female characters (especially post-Time Skip) comes off as too unnatural to be sexy to some people. The anime tends to exaggerate their proportions further (particularly with much larger breasts) as well as upping the Male Gaze, further pronouncing this trope.
  • Fight Scene Failure: Ever since Toei became adamant toward not going any farther than adapting one chapter per episode, the action-scenes, for the most part, have been showing an obvious drop in quality in an attempt to pad each episode out. Fights are painfully extended through the use of opposing stares and reaction shots, as well as the action itself coming off extremely slow-paced. Laziness will also crop up from time-to-time when all Toei will animate is a single still-frame, or even repeat the same scenes, most notable in the battle between Zoro vs. Pica when the anime took an entire episode for Pica to lumber all the way over to the King's Plateau and the exact same stomping motion of his foot was used at least three times. Worse, some adaptations will stagger at half-chapter pacing, causing certain scenes to be dragged out so badly that if Toei doesn't add new scenes to fluff things up a bit, the story will completely stall out.
  • Foe Romance Subtext:
    • Surprising absolutely no one, we have Doflamingo, who jokes about how Crocodile siding with the pirates instead of the World Government is "making me jealous".
    • Nami's fight with Kalifa. At one point, Nami admires how smooth Kalifa's skin must be and how she would want her to be her own Sexy Secretary. Lampshaded when she reminds herself that she isn't a Dirty Old Man.
    • Shiki and Roger. Shiki initially wanted Roger to join him (Roger fought back because it meant subordination), went on a rampage in Marineford to prevent Roger's execution, and the driving force behind his actions in the present is disappointment in how the seas without Roger have become.
    • Zoro and Tashigi. They seem impressed (to varying degrees) by each other's knowledge and commitment to swordsmanship when the first meet. Tashigi's resemblance to Kuina, Zoro's unwillingness to kill her, her mistaking this for chauvinism, and her subsequent The Only One Allowed to Defeat You attitude give their relationship some romantic subtext.
    • Trafalgar Law and Doflamingo, although it's mostly one-sided from Doffy's part. Law wants him dead, while Doffy wants him to be one of his subordinates... and he even chained Law to the heart seat of his castle. The fact that he saw Corazon (Law's idol)'s name on Law's shirt and spitefully shoots Law's back for it is often interpreted as jealousy.
  • Foe Yay Shipping: Eustass Kid and Trafalgar Law, despite being introduced relatively late to the One Piece fandom, have quickly become one of the most popular pairings of the Supernovas due in part to their position as reluctant and snarky Enemy Mines.
  • Friendly Fandoms:
    • In general, fans of Dragon Ball are usually fans of One Piece, due to the similar art style and tone. It helps that Eiichiro Oda practically idolizes Akira Toriyama.
    • There is pretty strong overlap between fandoms for One Piece and JoJo's Bizarre Adventure, primarily on the basis that they both have very distinct art styles, that Eiichiro Oda and Hirohiko Araki are extremely pop culture savvy in regards to both Japanese and western media and flaunt it in their work whenever they can, and that both series are Long-Runners whose stories have only gotten wilder and wilder since they began.
  • "Funny Aneurysm" Moment:
    • In the Volume 15 SBS, Oda explains sailing ceremonies, where a bottle of liquor is broken against the bow of a new ship to celebrate its completion. If the bottle doesn't break, the ship is cursed with bad luck. Right after that, Oda drew a short scene where Kaya is performing the ceremony for the Going Merry. The bottle doesn't break.
    • In the Post-Enies Lobby arc, Zeff and co. of Baratie say that they will hang up the badly-drawn poster of Sanji and say that he lived and worked there. Much later on, Judge blackmails Sanji with a picture of Zeff, and reveals he knows all about the Baratie. The chefs' flaunting may have been what caused Big Mom's intel network to link Zeff and Sanji.
    • In the Sabaody Archipalego Arc, Duval wears an iron mask to hide his face because it looks exactly like the drawing used for Sanji's wanted poster. Turns out, Sanji was forced to wear an iron mask during his childhood because his father didn't want to see his face (both figuratively and literally).
    • In the Punk Hazard arc, when Momonosuke first encounters Luffy, he says that Luffy can't be a pirate because pirates are giant men, weighing 400 kg, and are more fierce looking. The man who best fits that description is Kaido, who we later find out, killed both of Momonosuke's parents.
    • In the Thriller Bark arc, Lola kept asking men (particularly strong men) to marry them, and the caption revealed that she did this over 4,000 times. The Totland arc reveals that by running away from an arranged marriage her mother Big Mom set up, she screwed up a very important political union that could have given her enough power to defeat her rivals and become Pirate King. In any case, Big Mom is still very sore about this, and Lola could be trying to make it up to her with her casual marriage proposals, unaware that her mother has disowned her and plans to kill her for her disobedience.
    • From the Thriller Bark arc, Sanji's claims that he wanted the Clear Clear Fruit to become a Super Hero/Peep on women in the bath become a lot less funny come the Totland Arc and The Reveal of Sanji's past and Germa 66. It's very likely that the idea of becoming invisible was very appealing for young Sanji for a completely different reason.
    • The Straw Hats find out in the Dressrosa Arc that women in Dressrosa are notoriously "passionate" and it's a common occurrence for them to stab men who cross them or just stab them in betrayal. Zoro comments that a Chivalrous Pervert type like Sanji will "get stabbed for sure" to which Sanji remarks that he wouldn't mind. It's funny at the time, but two arcs later Zoro's words echo when Sanji's chivalrous nature and soft spot for women ends up getting him metaphorically stabbed in the back by a very sadistic Bitch in Sheep's Clothing.
    • In the Enies Lobby arc, Kalifa would say "that's sexual harassment" when her superior, Spandam, did or said almost anything. Following the Harvey Weinstein incident in 2017 along with victims of sexual harassment coming forward with the #MeToo movement, this quirk is suddenly no longer funny.
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    G 
  • Gateway Series: Regardless on how bad the bowdlerizing is, at least the 4Kids dub had made some viewers to become a fan of the manga before or after they found out the source material.
  • Genius Bonus: There are dozens of characters Named After Someone Famous, mostly pirates, but most are only famous if you're a historian and/or a fan of real-life pirates of the past. Many readers may recognize Edward "Blackbeard" Teach and the One Piece characters named after him (Edward Newgate and Marshall Teach), or Anne Bonney and her One Piece counterpart Jewelry Bonney. There are way fewer readers who will know Roronoa Zoro is named after François l'Ollonais, Cavendish is named after Henry Cavendish, or Scratchmen Apoo is named after Chui A-poo. Trafalgar Law gets a reference in both parts of his name: He's named after English pirate Edward Low and the Trafalgar-class submarine.
  • Growing the Beard:
    • Many fans note that One Piece really started coming into its own during the Arlong Arc (the first arc where Luffy and company profoundly stuck their noses out for someone who had been badly hurt and oppressed), and even after a few hundred chapters, simply hasn't stopped delivering in entertainment.
    • As for the anime, it really came to be its own series with the greater animation budget, fighting scenes and overall story with the beginning of the Water 7 Arc.
    • For many, Ace and Whitebeard's deaths during the Marineford Arc serves as a Growing the Beard for Oda since it's the moments where he finally broke away from his Nobody Can Die rule that the fans believed he had. Especially when it comes to people that are on the side of the protagonist.

    H 
  • Harsher in Hindsight:
    • In the Jaya arc, Sanji, and later on, Zoro both bring up the possibility of getting a new ship, which Usopp yells at them for. Anybody who knows what happens to the Merry later on will find that brief moment to have a much stronger impact. This is compounded when Luffy reassures Usopp by calling Merry an irreplaceable member of the crew after Zoro suggests it. Makes the future event of Usopp leaving the crew, and dueling Luffy even more heartbreaking.
    • Zoro mocking Sanji's Ball on his head as a crown of "Moronica" from the Long Ring Long Land arc has became harsher after the reveal of Sanji's past as a Vinsmoke family in the Germa Kingdom.
    • The Marineford scenes where Blackbeard gains Whitebeard's quake powers and unleashes them on Marineford, causing Tsunamis to head towards Sabaody was aired shortly before the 9.0 Quake and Tsunami disaster in Japan.
    • Pedro's involvement in the siege of Zou, wherein both rulers got dismembered, becomes a whole lot worse to look back upon when you realize that wasn't the first or even worst near-death situation he got involved in. After failing to steal Big Mom's Poneglyphs, he suffered the loss of a comrade, 50 years of his life, and his eye.
  • Heartwarming in Hindsight:
    • Fisher Tiger and Koala. Even after the ambush from returning Koala to her village by the Marines, he declared on his deathbed that she, not knowing of the hatred between humans and fishmen, represents the hope for a better future. Skip to fifteen years, and find out that Koala has joined the Revolutionaries, and when she's not starting uprisings against oppressive governments, she teaches Fishman Karate. She's also a good friend of Hack, a fishman who's an acquaintance of Jimbei's.
    • After Sanji's tragic past that was revealed in Totland, any scene between him and Zeff could qualify for this, especially in the wake of Koji Yada's death.
  • Hilarious in Hindsight:
    • Very early on, at the end of the Arlong Park arc, as the doctor is patching up Zoro after the battle, he wonders if they don't have a doctor in the crew. Luffy retorts that they could use one, but a musician is more important since "pirates need to sing". They ended up getting Chopper (doctor) long before they even met Brook (musician).
    • The correct spelling for Eneru's name is "Enel". Which is also Italy's biggest manufacturer and distributor of energy, especially electricity. The Italian dub went with "Ener".
    • The Big Bad of the Long Ring Long Land arc is a pirate named Foxy.
    • At the beginning of the Sabaody Archipelago arc, Sanji kicks Duval's face enough to rearrange his facial structure and turn him into a Bishōnen. Duval becomes incredibly narcissistic over his newfound appearance and drops a line about possibly riding a white horse. Several arcs later, we are introduced to Cavendish, an even more narcissistic Bishounen who does in fact ride on a white horse.
    • The Return to Sabody Arc which features fake Straw Hats impersonating the crew to obtain minions becomes this when you realize Disney released a movie about their own version of pirates which involved a similar plot.
    • One early post-Time Skip SBS was a reader jokingly asking if Sanji's new character design, which puts his Peek-a-Bangs on the other side of his face, is actually "Sanji's long-lost brother Yonji". Come the Germa 66 Arc, and turns out, Sanji does have a brother named Yonji! Furthermore, it's revealed on the cover of Volume 84 that Yonji has green hair, and considering how much Sanji hates him, it suddenly makes a lot sense why he constantly mocks Zoro for his green hair. And it is hilarious.
    • In the Punk Hazard arc, Brook was angry at a dragon because it was disappointed at the fact that Brook was just bones. Come Zou, and Brook is being chased by dog minks because he is just bones.
    • A character from the anime's Filler G-8 arc was called "Commander Shepherd". Different spelling, yeah, but still, this was 3 years before Mass Effect.
    • In Thriller Bark, Nami pretends to be a man named "Namizou". Some time later, Nami is on Zou.
    • While Toei Animation was trying to sell the broadcasting rights to the anime in North America, Funimation produced a test dub with Eric Vale as Luffy. This becomes quite amusing when Vale, who ended up playing Sanji instead when Funimation got the rights after 4Kids, would eventually go on to voice Demalo Black (a Luffy impersonator) when the dub got to that point in 2017.
    • 4Kids Entertainment censored Sanji's cigarette by making it look like a lollipop many moons ago. Come Episode 791 some decades later on Whole Cake Island and a Sanji lookalike really is seen sucking on one!
    • This is what Sanji imagined Big Mom looked like when he first heard she's a female Emperor, way back during the Fishman Island arc. Now, it was already hilarious that she actually turned out to be an enormous, utterly horrifying behemoth. It became even more hilarious when an SBS revealed what Big Mom looked like she was 28, showing that Sanji actually wouldn't have been too far off if only he had met her 40 years ago.
    • After their shadows are stolen on the Thriller Bark, how does Usopp manage to wake the Monster Trio up? By telling them that there's a "beautiful female swordsman bringing some meat". Fast forward to Dressrosa, where the Chain Mail Bikini-wearing gladiator girl Rebecca gives Luffy a lunch box. The Running Gag of Usopp's lies becoming true continues.
  • "Holy Shit!" Quotient: Tends to rise the farther along the Grand Line the Straw Hats sail, with a very sharp increase ever since Amazon Lily, and especially since the start of the Marineford arc. Post-timeskip? Off the charts.
    • The Marineford Arc in its entirety. Also know as "The Paramount War", the "War of the Best", and "The Holy Shit! Arc".
    • Dressrosa Arc becomes about as big as the Marineford arc for this. Loads of fighters, thus loads of fight scenes, and no less than 3 Dark and Troubled Past (prominently Law's, in which it's revealed that he's a D) are shown here.
    • The Zou Arc marks the first time pirate bounties break into the billions. Not only that, but the highest revealed bounty to date was only about half as high- Ace's 550 million berries, who himself was one of the most infamous names of any pirate alive at the time simple due to his lineage. There is also the fact that this arc introduces a new kind of Poneglyph which are mission-critical to finding Raftel, and reveals that two are in the hands of an Emperor apiece, meaning that if the Straw Hats want to make it to One Piece, they MUST confront these Emperors and their forces on their home turf, and almost certainly will have to engage in fights against the Emperors themselves.
    • Totland Arc, seeing the very first time the Straw Hats are in a serious head-to-head confrontation against a Emperor, featuring much more explicit and repeated instances of death, and showcasing a villain with the power to instantly murder people, a gigantic family of equally capable pirates, three of which are on Jack's level, if not higher, a villainous organization of mercenaries threatening to conquer the North Blue that is being deceived, and at least three groups of people plotting to take down a common enemy. On top of all this, the unspoken bits of Sanji's past come into light and actually dwarf the Dark and Troubled Past he was first seen suffering in the Baratie Arc- in fact, they're a lead-in to this suffering that makes his ordeal of being marooned look like a gleeful walk in the park!
  • Ho Yay: Has its own page now.

    I 
  • It's the Same, Now It Sucks!: In general, most One Piece arcs tend to follow the same formula and, while each arc manages to have its own identity and different feel, some people claim to have gotten sick of the formula and the series has gotten too repetitive. Particular examples are the "deposing the tyrant and crowning a good king of the people" plot.
  • It Was His Sled:
    • Going Merry gets replaced by the Thousand Sunny.
    • The identities of the 9 Straw Hat crewmates.
    • Ace being the son of Gold Roger himself.
    • Both Ace and Whitebeard die.
    • There's a 2-year Time Skip.
    • The identities of Luffy's two "brothers."

    J 
  • Jerkass Woobie:
    • Nami, the self-centered, mood swinging, thieving Insufferable Genius of the Straw Hat Pirates. However, her personality, in particular, her obsession with money, is explained as a result of being an orphan raised by the Marine officer Bellemere, along with another girl Nojiko. The family was too poor to afford the things Nami wanted, and when Arlong came along and imposed a tax on the people in her village, with the penalty for not paying as death, Bellemere only had enough money to either pay for herself and hope they don't find out about Nami & Nojiko or pay for the two of them; she chose to save her children rather than herself, and was shot in front of her children's eyes. Arlong then forced Nami to be a part of his crew, even going so far as to forcibly tattoo her, and said that if she manages to get 100 million belli, her village will be freed as well as herself. Even worse is that Arlong had no intention of keeping his end of the bargain, and wanted to enslave her for the rest of her life. Good thing she met Luffy and the other Ragtag Bunch of Misfits who dealt with Arlong personally.
    • Kuina, Zoro's childhood friend/rival, came off as rather arrogant and insulted Zoro a lot but she was covering up her huge self-esteem issues about her gender and being a swordswoman, being told that despite her talent, she will not be able to pursue being the best swordswoman in the world. Her father's suggestion that she might just have overcome her own limitations if she hadn't died makes her sudden and pointless death in an accident that much more tragic.
    • Montblanc Cricket had to deal with the shame of his heritage because of the legacy left behind by Norland. His own (original) crew abandoned him when he decided to resolve his issues with the shame placed upon his ancestor. He initially was annoyed with the Masira and Shoujou for being fans of the tale. But came to love them and admitted he was glad they came along as the loneliness after being abandoned by his original crew was unbearable.
    • Boa Hancock was introduced as a puppy-kicking Vain Sorceress. She showed herself to be an aloof, arrogant, complete Jerkass who wasn't above defenestrating her grandmother for giving the sincerest of warnings and petrifying her subjects for allowing a man (Monkey D. Luffy) onto their island. She was even complacent with her two younger sisters, Marigold and Sandersonia, breaking them in their petrified state just to mess with Luffy - just a hair's breath of crossing the Moral Event Horizon. However, when Luffy defeated the sisters and spared their pride by hiding their tattoos, this brought to light another side of Hancock unseen before: as she explained to Luffy, the tattoo was forced upon Hancock and her sisters (sensing a pattern here...), and is an eternal source of shame from slavery under the World Nobles, descendants of the founders of the World Government and, as shown in the previous arc, a whole 'nother ball of the MEH wax, known for kicking, shooting, and blowing up their slaves if they get frustrated or bored with them. The 3 sisters, who were just pre-teenage girls back then, spent 4 whole years enslaved to those bastards and were force-fed a Devil Fruit strictly for their entertainment. Hancock's own experience was such that she couldn't even talk about it without being reduced to tears. The very fact that she kept the law of her island to the letter could be explained due to her personal experience with one particular World Noble who was in her words "the very object of terror itself", which jaded her view on the opposite gender. It's only that Luffy didn't care that she and the other two were slaves, and hates the World Nobles anyway (for shooting a friend of his, who wasn't even one of their slaves) that caused her icy persona to warm up a bit, and even fall in love with the guy.
    • The Whole Cake Island arc shows that Charlotte Pudding is one. She spent years being abused by her family for her Third Eye, Big Mom included, until she snapped and became the sadistic actress we see in the present. Even after she earned her keep Big Mom still antagonizes her about not unlocking her eye's potential, and her role as the family's Honey Trap doesn't seem to help her sanity much either. When Sanji says her eye is beautiful, she breaks down on the altar and has her first real case of Inelegant Blubbering in the story.
    • Arguably, Gecko Moria is this. Losing all your crew to someone like Kaido would fuck anybody up; he’s lucky to even be alive! Yes, he does attempt his take on a Zombie Apocalypse, but given his desire for a crew that’ll never die, you almost feel bad for the guy; especially since he barely made it out of Marienford alive.
    • Eustass Kid is a Jerkass to the nth degree, and his first mate Killer isn't exactly all that nice either, but it's hard not to have at least some sympathy for everything that happened to them since the end of Dressrosa. It turns out that one of their allies, Apoo, completely screwed over them and their other ally, Hawkins, as he was working for Kaido all along and him joining the alliance was a trick from the start. Hawkins, despite not being in on this deception, chose to save himself and bend the knee to Kaido, and did nothing at all to help Kid and Killer when they fought Kaido, lost, and were beaten up and imprisoned. Kid later finds out that, while he was in jail, Killer (his best friend since childhood) was forced to eat a faulty SMILE fruit that made him laugh all the time (even though Killer deeply hated his laugh) and work for Orochi, and Hawkins speculates that the rest of Kid's crew was forced to work for the shogun as well. Apoo's and Hawkins's respective betrayals, and what happened to Killer in the aftermath, seems to have deeply jaded Kid, who states that the only people he'll trust from now on are his own crewmates.

    L-N 
  • Launcher of a Thousand Ships: Obvious joke aside, several major characters get this treatment, such as Luffy, Zoro, Sanji, Usopp, Robin, Ace, Nami and Law.
  • Macekre: The 4Kids dub gets a lot of flak for skipping entire arcs, unnecessary character name changes (Smoker gets Bowdlerized, which makes sense, but Ace is a problem?), bizarre whitewashing, and a host of other problems that are associated with the company. Though to be entirely fair, 4Kids themselves wanted nothing to do with the show, as they were well aware of how un-family friendly it was, but they were forced into dubbing the show by Toei themselves, as they wanted to get it into foreign markets as soon as possible and would only license other shows to 4Kids as part of a packaged deal, so they were basically forced into dubbing One Piece against their will, hence why they dropped it after a year.
  • Magnificent Bastard:
    • Crocodile, one of the Seven Warlords of the sea, is the brilliant master of the Baroque Works syndicate. Playing himself off as a public hero while running the aforementioned criminal organization, Crocodile manufactures a drought and a rebellion to weaken the Nefertari family in Alabasta, while plotting a takeover himself. Showing contingency after contingency, Crocodile manipulates countless people, including his right-hand woman, Nico Robin, with whom he intends to seize the superweapon Pluton in order to cow the World Government into recognizing his authority. Even after defeat, Crocodile later returns in Impel Down and helps organize the jailbreak with his enemy Luffy.
    • Sengoku the Buddha is the most brilliant of the Marine Admirals. The top Fleet Admiral of Marineford, Sengoku leads the execution of Portgas D. Ace, revealing to the world that Ace is the son of Gol D. Roger, the former Pirate King. With the arrival of Ace's captain, Whitebeard, Sengoku reveals a major trap for Whitebeard, sapping the morale of his forces with a carefully planned lie, trapping the pirates and closing in Marine forces, turning a near loss into a total rout for the strongest man alive with his own cunning.
  • Memetic Badass: Buggy, both in-universe and out. He's a goofball who was defeated early on, but his history as a former cabin boy on the Pirate King Gol D. Roger's crew, as well as several coincidences during the Marineford War, leads to many lauding him as one of the most powerful pirates of all time.
  • Memetic Mutation: Has its own page.
  • Misblamed: Those who don't like the Hotter and Sexier post-Time Skip female design often criticize Oda. While Oda is a self-admitted pervert and women have gotten curvier over the course of the story, he actually still does draw his women's breasts to be much smaller and at a more consistent size than Toei, who are the ones really responsible for ballooning up bust sizes.
  • Mondegreen: The opening to the 4Kids dub has the singer say "Ya-yo" throughout the song, but says it so fast that it sounds more like "ga-go" or "gotta go".
  • Narm: Now has its own page.
  • Narm Charm: You know how in Eragon everyone cries "a single tear"? Yeah, just try that with One Piece and see if it works. Oda has an uncanny ability to make Inelegant Blubbering work.
  • Never Live It Down:
    • Between the editing, the voice acting and much of what Toei forced them to do, One Piece certainly served as this to 4Kids Entertainment as a whole.
      • The voice acting, in particular - back in the day, virtually every dub voice was bashed to some extent (not in the least because of all the Unexplained Accents flying around), but nowadays, fandom seems to have collectively agreed that Sanji's was the worst of the bunch.
    • One Piece, and to a lesser extent, Oda, will always be known for ruining a perfectly established sacrifice by allowing Pell to somehow survive a nuclear blast despite last being seen carrying the bomb to a safe distance, and having it explode in the sky along with him. It's because of this particular incident that Nobody Can Die became relatively well-known throughout the series, and is described to be the worst Ass Pull that Oda ever wrote throughout the entire manga.
  • No Problem with Licensed Games: While most One Piece games haven't seen a release overseas, they're genuinely fun to play regardless, ranging from role-playing games, mini-game mashups, and even a dungeon crawler with Tony Tony Chopper as the main character is on the Wonderswan Color. Additionally, Unlimited Adventure was a pretty good Survival RPG/Beat 'em Up, with its own unique level up and item creation systems. And Unlimited Cruise (1 and 2) isn't just a good licensed game, it's a good game overall, with ratings ranging from 7 to 10.
  • No Such Thing as Bad Publicity: As hilarious/awful as the 4Kids dub was, it still attracted people who eventually became fans of the Japanese dub, the Funimation dub, or the manga.
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    P-S 
  • Padding:
    • Since Toei Animation has pretty much abandoned all usage of long Filler Arcs ever since the Straw Hats separated, which previously allowed for the manga content to space itself out from the anime, this trope is Toei's current day answer to make sure that their anime adaptation never overtakes the manga. As a result, a single anime episode will go to great lengths to extend the content as much as possible to fit in one manga chapter's worth of content. Sometimes even less, which has resulted in the later Story Arcs of the series having more episodes than there are chapters. While this Padding technique can be looked at as completely justified, it can be grating as well since it causes the pace of the story to drop drastically. Even though Toei still adds filler arcs, they tend to be short-lived and not too ambitious unless a really good idea comes up or Oda gets on board with production or they tie in to a movie.
    • For the Whole Cake Island Arc, Luffy, Nami, Chopper, and Carrot getting lost in an enchanted forest was used as a means to simply keep them preoccupied while Oda used that time to develop Sanji's current problem regarding his Vinsmoke family joining up with Big Mom. It's especially bad in the anime, which adds scenes from Luffy's ten-hour battle with Cracker to pad things out in the middle of episodes focusing on Sanji and the Vinsmokes.
  • Periphery Demographic: In Japan, One Piece is most often read by people who don't normally read manga. For very obvious reasons, it is especially popular with middle-aged housewives. Whole families read One Piece together. It helps that it's a notable Long Runner (over 20 years old!); people who started reading One Piece as kids might now have families of their own. Of course, it says something about the quality of One Piece that they are still reading.
  • Ron the Death Eater:
  • The Scrappy: Hody Jones, who many view as a poor rehash of Arlong. His misanthropy by his admission, has no personal basis; he simply grew up in an environment filled with like-minded Fishmen. His performance in battle was also miserable, losing in a Single-Stroke Battle to Zoro while underwater, and his drugged-up form was little more than a punching bag to Luffy.
  • Shocking Swerve: Blackbeard stealing the Tremor-Tremor Fruit from Whitebeard's corpse near the end of the Marineford Arc. The story had previously established that nobody can handle more than one Devil Fruit power, and Blackbeard ignoring this rule got no explanation other than Marco calling his body abnormal. It's not as bad as other cases, as it has the promise of being built on given that Blackbeard is stealing more.
  • Signature Scene: One Piece has a ton of these. The more notable ones being:
    • Gold Roger's execution, especially since his last words are what instigate the plot.
    • Shanks losing an arm, and passing down his straw hat to Luffy is easily a cover shot for the series.
    • The finale of the third Luffy vs. Crocodile fight, especially in the anime with the fourth movement of Antonín Dvořák's Symphony No. 9 playing during the confrontation.
    • Luffy's final Jet Gattling against Rob Lucci.
    • Zoro standing tall, his body completely destroyed after fighting Ryuma, Oars with Moria, Kuma, and then taking all of Luffy's damage taken from all his previous battles. It marked the first time in the series Luffy didn't fight with the strongest villain of the arc, and one of the other Straw Hats surpassed him in feats.
    • Nami's breakdown leading her to finally ask Luffy for help, to defeat Arlong.
      • The subsequent Power Walk to Arlong Park - if one could ascribe a single signature soundtrack to One Piece, "Overtaken" would be a top contender.
    • Robin's declaring to the rest of the crew she wants to live, at Enies Lobby.
    • The crew departing from Alabasta, holding their arms up with the X mark towards Vivi.
    • Luffy's Gear 2nd pose.
    • Going Merry's funeral, the crew watching the ship burn as to remember their adventures with her.
    • Ace tearfully dying in Luffy's arms at Marineford.
    • Whitebeard's Dying Speech and the moment he Died Standing Up.
    • Luffy's first Gear Fourth transformation, and the defeat of Donquixote Doflamingo with the King Kong Gun.
  • So Bad, It's Good:
    • The Singaporean English dub by Odex. There's a particular moment you can hear the Japanese voice track (around 1:44 in the video), but with the volume turned down.
    • The 4Kids dub is this for some as a way to heckle at, and the addicting rap.
  • Superlative Dubbing: Needless to say, Funimation did a much better job dubbing the show than 4Kids.

    T 
  • They Changed It, Now It Sucks!: There was a lot of outcry after Toei forced 4Kids to edit the series as part of a licensing package deal in 2002; even 4Kids wasn't happy with the result. When Funimation acquired the license to the series in 2007, a different section of the fanbase criticized the Funimation voices for not matching the ones 4Kids used.
  • They Wasted a Perfectly Good Character:
    • Depending on who you ask, you'll get this complaint about any character that the fans wish had become a member of the Straw Hats to follow along on the journey. The list could go on for awhile due to One Piece's Loads and Loads of Characters. Perhaps the earliest example of this was Vivi where some people wish that she went through with ditching Alabasta for the Straw Hats once it was time to sail to the next island. Other examples include the Skypieans, such as Conis or Wyper, since despite the potential of possibly having a unique Skypiean character join the crew, such a case ended up not happening.
    • When it comes to the Straw Hats being given the spotlight for important fights, some people tend to complain that Robin has gotten the worst treatment since any time she shows off her abilities are usually when she's in the support role, and not as the main fighter. Her only standout duels are against Yama during the Skypiea arc and Hammond in Fishman Island, both of which are very short. Some people may argue that Robin has fallen behind the others, due to mainly being reliant on her Devil Fruit powers, while others argue that as a formerly powerful antagonist who gained some new moves over the course of the Time Skip, she should be a capable fighter.
    • Whenever there is a discussion about a Straw Hat who hasn't received much screentime recently, the one most frequently brought up is Chopper who, since Thriller Bark, hasn't received a moment which showcased his abilities and only served as device to heal the crewmembers or as a mascot.
    • There are instances of characters being introduced with hints of backstories, intriguing designs, and character quirks only to be completely dropped soon after. The most egregious example are the General Zombies of Thriller Bark, who literally had a bridge dropped on them. Well, bits of a bridge, anyway. The same goes for the many pirates introduced in the Marineford Arc. But there's plenty more where that came from.
  • They Wasted a Perfectly Good Plot:
    • The Punk Hazard arc could have made for a decent character arc for Chopper if Oda had delved deeper into the opposing doctors relationship between him and Caesar Clown taking care of the giant kids, but was completely thrown out the window after Mocha survived the "candy" overdose. It instead had to wait until the Zou arc when Caesar's lack of cooperation would have meant the death of the Minks, and Chopper finally took a well-deserved swing at him.
    • In the Dressrosa arc, when Rebecca reaches Diamante, the man who killed her mother, instead of fighting him, she flees from Diamante and cries until Kyros saves her and hijacks her revenge arc (In fairness, Kyros had his reasons to fight Diamante as well), while Rebecca ends the Dressrosa arc without getting any meaningful fight.
    • The Barto Club parting ways with the Straw Hats at the start of the Zou arc was mainly a thinly-veiled excuse to get a group of superfluous characters away from the main plot, who by their own admission felt they were getting in the way of things, but one can't help but wonder what would have happened had they stuck around.
  • Took the Bad Film Seriously: While the dialogue left a lot to be desired, even detractors of the 4Kids dub agree that Marc Diraison took his role as Zoro seriously, to the point where some like it better than Christopher Sabat's performance in the Funimation dub.

    U-W 
  • Unfortunate Implications: While there has always been some controversy about Oda's portrayal of female characters (like their near homogenized designs compared to the wide variety of male characters and Oda's alleged protectiveness from serious injuries since his daughter's birth), complaints have reached a head during the Dressrosa arc.
  • Values Dissonance:
    • As per typical of most Shonen series, an uninitiated American might be surprised that such a bright, colorful show that's ostensibly "made for kids" (according to Oda himself) features swearing, alcohol use, heavy tobacco use, scantily clad women, and the occasional Family-Unfriendly Violence like bloody mid-combat amputations- all of which have increased over the series' run. The most dissonant value though would probably have to be the buxom, Stripperific, and Male Gaze prone Rebecca (among a few other teens like Vivi and Shirahoshi, who often had the 19/21 year old Sanji hitting on them) who's only 16 years old, which would be a major no-no on a kid's network in the West. So it's no surprise that, aside from Funimation, this show has largely been Bowdlerised whenever it's green-lit for America.
    • It's not uncommon in One Piece to see a loving parental figure hit their child at least once or even actually beat them frequently, such as Garp, Zeff, or Bellmere. Disciplining through violence in Japan, however, is largely seen as perfectly acceptable as long as it's warranted and done to make the kid a better person. Out West, however, this depiction of parenting is far more likely to be scrutinized as child abuse regardless of the preceding circumstances.
  • Vindicated by History:
    • The Dressrosa Arc wasn't exactly well received at first because of its incredible length and its refusal to end but, once it ended, many fans noted that most of the pacing problems are absent if read or watched without having to wait a week for every chapter and it is now mostly regarded along the best story arcs. This is moreso in the manga, as the anime is still considered painfully slow.
    • Thanks to Funimation's dub of the anime series, it really helped fans who loathed the original 4Kids dub to like them a lot more than the original dub.
  • Visual Effects of Awesome: Any scene animated by Naotoshi Shida, like Luffy kicking Hody to save Neptune, or his first transformation into Gear Fourth.
  • What an Idiot!: Has its own page here.
  • What Do You Mean, It's for Kids?: This is a show meant for all ages, but the high amount of violence wouldn't pass for a kids show in the States. The U.S. version of the series tried playing it straight by reducing most of the violence and language for any kids channel, including Cartoon Network, but after 4Kids dropped the license, Funimation averted this trope when they released it in its uncensored form and now has a rating of TV-14.
  • What Do You Mean, It Wasn't Made on Drugs?:
    • The Punk Hazard arc, full stop. Giant skulls. Dragons. Flying bird lady things. Gas mask men who are lamb people underneath. Centaurs. Giant kids in a nursery. Moving, talking blob who is the leader of said lamb people. Giant, frozen corpses. Franky's beetle-jaw hairstyle?
    • There have been islands in the sky (a habitat for giant birds with key-shaped beaks, along with bizarre fish such as "Skysharks"), a hypnotist that moonwalks everywhere he goes, a man who tried to turn the main characters into a giant wax sculpture, and snails as long distance communication. Our heroes include a rubber man, a skeleton with an afro, a Speedo-wearing cyborg, and a reindeer doctor. Many of these individuals gained their powers by eating a mystical fruit, which has also been shown to be able to be "eaten" by things like guns and swords.
  • Win Back the Crowd:
    • Many fans were feeling downbeat about the series given the negative reception of the 4Kids adaptation. However, they were delighted when it was revealed by Funimation licensed the series in 2007 and made a more faithful adaptation. Even better received was the revelation nearly eight months later that they would actually re-release the first 143 episodes of the anime in their unedited version with a new dub.
    • Or at least quell the riot. Several veteran animators returned partway into Totland, bringing back a bit of the quality seen in the first half of the series. While the quality's still nowhere near what is was and the pacing is still a nightmare, it's starting to cool down the fans complaining about the state of the anime.
  • The Woobie: Sail here for details.
  • WTH, Casting Agency?: Many of the fans and critics mercilessly questioned the choices of the voice actors/actresses for the 4Kids dub, particularly David Moo/Sanji.
    • In Marc Diraison's case, the fans pitied him for being chosen to voice Zoro.


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