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  • Big-Lipped Alligator Moment: When Kable/Tillman finally confronts the Big Bad, Castle breaks into a choreographed dance number.
  • Complete Monster:
    • Ken Castle is a billionaire technology magnate in a dystopian future. He develops an indulge-every-depravity-you-want-short-of-murder game called Society using brainwashed, destitute people as the players' avatars. His second game, Slayers, is a death match where condemned prisoners kill each other in an enclosed warzone. If they're running low on participants, Castle will frame them if necessary. If a prisoner can survive 30 rounds they'll be released, but he has no intention of honoring this arrangement and plans to kill anyone who makes it that far. He ultimately wants to brainwash most of the planet to be his slaves and rob them of anything even resembling free will. He takes over Kable's body to force him to slit his little girl's throat. Completely lacking empathy for anyone, he sees people mostly as toys to play with and destroy as he sees fit.
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    • Hackman is an enormous inmate in Kable's prison who went on a massive killing spree just so he could be locked up and personally participate in the carnage in Slayers. He arranges with Castle to remove the mind control on himself so he has an advantage over the other prisoners and can kill Kable himself. He kills another prisoner for no reason than to show Kable the resulting blood on his hands, and threatens to kill and/or rape Kable's wife and daughter. Through the rest of the film, while working with Castle, Hackman just keeps murdering people, especially innocents, left and right, clearly deriving sadistic joy from all the crimes he commits with his own hands.
  • Crazy Awesome: The dance number/fight scene in Castle's mansion. It almost redeems the movie of wasting a perfectly good plot.
  • Darkness-Induced Audience Apathy: The characters in this movie are either sociopathic monsters, obnoxious jerkasses, or people who are so one-dimensional that it's very hard to care for them. Kable isn't safe either, as he too is a psychopath even outside of "Slayers", willing to kill random people, and snaps Rick Rape's spine just because he was hitting on his wife, even though Rick wasn't in control of his actions. The only real likable character is Ken Castle, mainly because of Michael C. Hall's gloriously silly performance. And he's the friggin' villain.
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  • Designated Hero: As listed above, it's a little hard to root for Kable when he's just as willing to mindlessly slaughter people outside of being mind-controlled as inside. A key moment is when he kills Rick Rape (or rather, whichever poor bastard the guy with the "Rick Rape" screenname is pupeetering) by snapping his spine, even though "Rick" is just as much a victim of the Society programming as Kable's wife.
  • Fetish Retardant: Everything that happens in "Society". Everything.
  • Ham and Cheese:
    • Michael C. Hall as Ken Castle is just a joy to sit through.
    • Terry Crews' performance as Hackman also qualifies, especially when he starts Shatnering his way through "I've Got No Strings On Me".
  • Narm: Everyone gratuitously swearing all the time is obviously meant to convey how desensitised and degenerated society has become note  , but chances are that you will pressed not to find it utterly hilarious for all the wrong reasons.
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  • Nightmare Fuel: Aside from having this stuff in your brain that lets others control you against your will, there is a scene early on where an Avatar can hear an enemy approaching from somewhere behind him, but his player has him camping at a window and won't let him turn around.
  • One-Scene Wonder: Keith David as federal agent...Keith.
  • Spiritual Licensee:
    • This movie could easily be a remake of The Running Man.
    • The movie is also the closest thing we'll ever get to Unreal Tournament: The Movie. Condemned contestants being forced to kill other people for their enjoyment, as well as some of them being promised freedom should they won? Check. A multimillionaire leading a Mega-Corp who is behind the game and makes everyone fight for their lives for his and everyone else's enjoyment? Check. The only missing thing, aside of the Second Life shenanigans? A robot or armored human as the Final Boss.
  • Squick: Kable's wife is being controlled by a sweaty, morbidly obese man with no shirt.
  • They Wasted a Perfectly Good Plot:
    • So you've got this "Society" concept. Here are some things you could do with that:
      • You could explore how government might legislate what you're allowed to do with somebody else's bodies; after all, a contract selling yourself into slavery is not a legal, binding contract in most countries. What changed in the culture that would even allow such a thing? Or is it an illegal service, like prostitution, that is available in the darker corners of the populace?
      • You could explore what happens to a society when poor people are timesharing their bodies with the rich. What you have here is the very personification of the wealthy fucking the lower classes, that concept made manifest.
      • What about the disabled? Would you get a lot of crippled people taking other people's bodies just to experience walking again? Would the blind be able to see through someone else's eyes?

        The possibilities are endless. So what do they do with it? Stage a bunch of hyperactively-edited action sequences, which ultimately ends in a villain who's too stupid to live.
    • Same goes with "Slayers", the game that the movie focuses on before shifting attention over to something else. It would be better to know a little bit more about the game.
  • Values Resonance: Ed Zitron, writing for The Concourse, described the film as being "a decade ahead of its time" in its portrayal of its tech industry villain (before public opinion had truly soured on Silicon Valley), as well as its dystopian depiction of the "gig economy" as manifested in Society.
  • The Woobie: Society is full of them.


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