Fans have questioned and debated for decades as to whether or not the vicar is in on Blofeld's plot to kill Bond, given the omnious sign of the cross he gives towards Bond as the helicopter takes off.
Bond talking Melina out of revenge makes him look like a hypocrite in the wake of Licence to Kill (and even his killing of not-Blofeld and Loque). Or is he trying to avoid her going down his path?
Author's Saving Throw: Following complaints that the previous film had been a step too far, the filmmakers went for a more gritty and realistic approach reminiscent of the original books and the early films with less reliance on gadgets.
The death of Blofeld. Particularly if you have watched the movies in order and have seen all the atrocities he commits yet gets away with every time, as well as him just disappearing from the movies for a decade due to legal issues.
The death of Locque also counts, particularly after what he did to Ferrara and Lisl.
Contested Sequel: The film is often regarded as a step up from the over-the-top Moonraker, if you're in the "realistic Bond" crowd. To fans of the more bombastic and humorous style, however, For Your Eyes Only is sometimes regarded as one of the more average Bond entries, or at least suffers a bit from Tough Act to Follow compared to The Spy Who Loved Me. Take your pick.
Ensemble Dark Horse: Melina Havelock is considered one of the best Bond Girls in the franchise: an independent and strong woman who manages to save Bond on several occasions (and she doesn't have to be saved by him at the climax, unlike Anya Amasova in The Spy Who Loved Me), and who only romantically engages with him at the end of the movie, after her parents' murderer was finally punished.
Countess Lisl was played by Australian actress Cassandra Harris, married to an up-and-coming television actor named Pierce Brosnan (who came to visit the set). She always wanted to see him play 007; unfortunately, by the time that happened Harris had died of cancer (in 1991).
The scene where James Bond climbs up a cliff and almost falls to his death can seem like this, since it would later be revealed in GoldenEye that, like in the books, his parents died in a climbing accident.
When settling down after their (hectic) first meeting, James tries to talk Melina out of taking revenge. Melina tells Bond, "I don't expect you to understand. You're English. And I'm half-Greek. And Greek women, like Elektra, always avenge their loved ones." Another woman named Elektra takes Melina's sentiment to heart in The World Is Not Enough.
Speaking of Dance, as mentioned above, he plays a henchman in this film. Eight years later, he would feature in the made-for-television biographical film Goldeneye...as Ian Fleming himself.
Anime fans might look at the high-pressure diving suit which menaces Bond and Melina and be reminded of D-type Evangelion armor.
At a certain point in the film, Bibi tries to seduce Bond, but Bond gently rejects her for being much older than her. Actress Lynn-Holly Johnson was 23 at the time of production, only one year younger than Carole Bouquet, the actress who plays the film's main Bond Girl, Melina, with whom Bond gets involved at the end. And yes, they were both 30 years younger than Roger Moore.
The situation gets even more hilarious two films later in A View to a Kill, where the main Bond Girl in the film, Tanya Roberts, was also 30 years younger than Roger Moore.
Ho Yay: Locque and Kriegler look and behave vaguely similar and Bibi mentions that Kriegler never shows any interest in women. Might not sound like much to go on, but that's not prevented a slightly shocking amount of slash fiction involving these two.
Magnificent Bastard: Aris Kristatos presents as a war hero of Greece and ally of the British in James Bond's question to recover the ATAC targeting machine. Kristatos is actually a ruthless heroin smuggler and double agent who betrayed the Greek resistance and now works for the Soviets. Taking advantage of the murder of the Havelock archaeologists to recover the ATAC, Kristatos manipulates Bond into believing his former friend and rival Milos Columbo is the true "Dove" of the underworld, having an Italian agent murdered to frame him. After Columbo tells Bond the truth, Kristatos simply allows him to recover the ATAC for him, stating to Bond he never goes back on a deal when Bond offers more money from the British.
"Blofeld" pleading for his life, as Bond dangles him from a helicopter, saying "Please, Mister Bond! I'll buy you a delicatessen! In stainless steel!" note Albert R. Broccoli came up with that line, which is supposed to be based on Mafia slang he picked up during his youth in New York City - back in the day, a delicatessen with easily-cleanable stainless steel fittings was a top-of-the-line cash cow and status symbol for its owner, and hence a worthy bribe or reward for a fellow gangster before plummeting down the chimney while emitting a Bomb Whistle.
Bond giving Melina the classic "dig two graves" speech is pretty silly when you consider she kills several other people throughout the film, so it's not like he's protecting her innocence at all. So why shouldn't she be able to kill the guy it was actually all for?
Bibi Dahl is usually regarded as rather off-putting, being a teenage girl who comes on to much older men. She is also unnecessary in the plot, and it doesn't help that Melina Havelock and the Countess Lisl are much more interesting and complex Bond Girls.
Eric Kriegler is often derided as being a dull "Red" Grant ripoff with very little characterization.
The Big Bad Kristatos is not hated by the fandom, but is generally considered a forgettable villain. The reveal of him as the villain is no longer as shocking as it once was, and he isn't particularly eccentric or memorable otherwise.
"Seinfeld" Is Unfunny: Up to this film, the Bond series had entirely straightforward stories where he's given a villain to defeat and keeps fighting until he does it. The reveal that this time he's been going after the wrong guy while his supposed ally is the true Big Bad was mind-blowing at the time, while nowadays this kind of plot twist is entirely expected in an espionage thriller.
Special Effects Failure: In the climbing scene, where Apostis (a henchman of the Big Bad) attempts to drop Bond off the cliff by loosening his hooks, the moment where Apostis starts falling off the cliff himself after Bond throws one of his hooks at him, right behind him "on top" of the cliff a part of the actual filming room can clearly be seen.
The gunbarrel sequence, in the bit after the bloodied barrel scrolls around the screen, doesn't "open up" to reveal an establishing shot; it just vanishes.
While the chase through the bobsled course still looks very good, the rear projection on Bond's close-ups during it does not.
When Bond is climbing up the cliff and gets kicked down by Apostis, as he's rolling down the side, there's a noticeable black line in the background, like there's a hair in the lens for the background projection.
Vindicated by History: The film did not appear to have had a strong first impression among fans and critics at the time of release. Today, it is considered by many to be one of the best films of the Roger Moore Era, and is praised for its emphasis on a more realistic and serious plot.
Visual Effects of Awesome: A medical condition meant that Carole Bouquet could not film scenes underwater. All the underwater close-ups of Bouqet and Roger Moore were dry-for-wet faked, using a combination of lighting effects, slow motion, wind and CGI bubbles.note The longer distance shots were stunt performers in wetsuits. The effect is convincing enough that even today, most viewers would never guess unless they were told that they weren't really underwater.
What Do You Mean, It's Not for Kids?: An innocent woman is brutally run over by a goon who wasn't even aiming for her. Bond also kicks a man inside a car off a cliff, in cold blood.
Win Back the Crowd: Widely regarded as a return to form after the exaggerated silliness of Moonraker, opting for a much more down-to-earth plot against the backdrop of the Cold War.
Values Dissonance: In "The Hildebrand Rarity", Bond muses that "the only trouble with beautiful Negresses is that they don't know anything about birth control." Admittedly, he was having a conversation about Nigeria at the time, where contraception is indeed less prevalent, but the line's still jarring.