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Ant-Man and the Wasp: Quantumania

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  • Angst? What Angst?: Darren is weirdly smiley, considering his horrific new body and the fact he's reunited with the guy who caused it. Then again, he is pretty much insane.
  • Ass Pull:
    • Cassie Lang suddenly becomes a Teen Genius who is an expert at Quantum Physics, being able to build a satellite that can traverse the Quantum Realm. While pretty insightful for a girl her age, none of Cassie's previous appearances has established her as someone with a genius-level intellect. The movie tries to Hand Wave the issue by explaining that she read Hank's notes and he himself gave her some pointers, but it is still quite a stretch and comes off as a contrived way to kickstart the movie's plot.
    • Janet's whole history with Kang and the Quantum Realm. Not only does it raises the issue of why she never brought them up when reuniting with her family (especially considering the danger Kang poses), but it also runs in contrast with her characterization in Ant-Man and the Wasp where she treated her experience as wonderful and how she had no problems allowing Scott to venture inside the Quantum Realm in the post-credits scene. It also brings the idea of traveling through the Quantum Realm in Endgame into question now that Kang is there, especially as that travel is also integral to another Kang's rise.
  • Awesome Music: Christophe Beck returns as composer, completing the Trilogy and making him the second MCU composer to remain on a sub-franchise for all its installments (Michael Giacchino precedes him on the Spider-Man Trilogy). The "Theme from Quantumania" sounds both like a natural extension of the previous Ant-Man scores while embracing the psychedelic nature of the Quantum Realm. The new theme also feels more mature and epic, musically underscoring the stakes of this third installment and the threat Kang poses.
  • Base-Breaking Character:
    • In contrast to how well-received she was in her previous appearances, Cassie Lang's characterization in this movie has left viewers divided. There are some who enjoyed her Rebellious Spirit and her getting to become a superhero alongside her father, while there are others who found her attitude self-righteous and insufferable, particularly towards Scott over his decision to retire from heroics. Kathryn Newton's performance contributed to the divide, with some either arguing that it's a step down from Abby Ryder Fortson and Emma Fuhrmann's while others believe she gave a strong performance that was only undermined by the writing.
    • Kang the Conqueror tends to divide fans on whether he was the best part of the movie or if he was a huge let-down. Some fans enjoyed Jonathan Majors' performance and liked how he was a much more serious and deadly opponent for Ant-Man, as well as his past relationship with Janet giving him some emotional depth. Other fans were disappointed, often citing how Kang came across as a rather generic Multiversal Conqueror and felt out of place when pitted up against the Ant-Man cast. This often leads into arguments about whether the film properly set Kang up as the next big villain for the Avengers to face; with some being excited to see him and variants return, while others felt he came across as rather pathetic for losing to Ant-Man despite bragging about killing multiple Avengers teams across the multiverse. This last part has been rendered moot since Kang was officially replaced by Doctor Doom as the next Big Bad for the Avengers.
  • Broken Base: The ending was changed a month prior to the premiere, and it was revealed that, originally, Kang was going to escape the Quantum Realm and leave Scott and Hope stranded. When the writers were asked why this was decided against, they said that they didn’t want to retread the mid-credits scene of Ant-Man and the Wasp. There are two sides to this explanation:
    • It's accepted as a legitimate reason and the reshot ending, while sweet and genuinely happy, has a creepy undertone and heavily implies a Pyrrhic Victory for the Langs and Pym-Van Dynes. Not only that, but had the original ending been used, Scott and Hope would eventually escape anyway, since Cassie, Hank and Janet can find them using the Quantum Telescope.
    • It’s seen as a highly poor excuse and completely botched the potential the movie had to introduce Kang in a Wham Episode. Taking two Avengers out of action and unable to help everyone else would have been the perfect way to set Kang up as a legitimate threat. Therefore, the new ending is just anticlimactic and contributed to demoting Kang - along with He Who Remains from Loki (2021) - to an Arc Villain for Phase Four and early Phase Five prior to the buildup to the actual big threat for the Avengers to face ocurring in films much later.
  • Complete Monster: Kang the Conqueror, the "Exiled One", is a brutal tyrant who seeks to enforce his idea of control and order across all of existence. Having discovered endless timelines and variants of himself, Kang became a Multiversal Conqueror, destroying countless timelines, killing trillions each time. After being defeated and exiled to the Quantum Realm by his variants, Kang tricked Janet van Dyne into helping repair the engine core to his ship so he could escape his exile. After Janet disabled the core, Kang started his conquests of the Quantum Realm, slaughtering and subjugating any who resisted him, with him turning Darren Cross into M.O.D.O.K. to lead his crusades. Eventually capturing Scott and Cassie Lang, Kang forces Scott into retrieving his core for him by threatening to kill Cassie in front of him and force him to rewatch it forever. After getting the core, Kang plans to escape the Quantum Realm to resume his genocidal conquests of the multiverse and exact bloody revenge on those who exiled him.
  • Evil Is Cool: Kang the Conqueror is performed very compellingly by Jonathan Majors. He is an imposing antagonist, with most every scene of his emphasizing his strength and intimidation.
  • Fan-Preferred Cut Content: Many fans felt that film’s original ending of Kang winning and escaping the Quantum Realm while leaving Scott and Hope trapped there was much stronger as it would have made Kang a more credible threat while setting up his original role as the main villain of the next Avengers. Then again, having his actor's arrest & exiling from the MCU left a considerable dent on the fans considering that ending.
  • Fandom Rivalry: With Cocaine Bear due to being a more quirky film released around the same time that received higher critic scores than this movie.
  • Franchise Original Sin:
    • The biggest complaint regarding Quantumania is how it felt that the stakes were raised significantly higher than the previous Ant-Man movies, despite the titular hero's films being Lighter and Softer within the MCU. This has actually been rather common with some of the later installments for Marvel's solo heroes, like Spider-Man: No Way Home, a prominent and critically acclaimed example of trilogy capper that had massive stakes to match. The same can be said about Avengers: Infinity War, which had higher stakes, a Downer Ending, and was preceded by the lighthearted The Avengers and the slightly darker, but ultimately optimistic Avengers: Age of Ultron. That said, the Serial Escalation regarding those films was accepted at the time, as the conflicts felt natural and justifiable for each of the protagonists to face, challenged the way their respective heroes perceived the world. By contrast, Quantumania was criticized for having the stakes raised simply for the sake of introducing the next Arc Villain for the franchise, while also doing little to develop the main characters that people were invested in.
    • Another thing that audiences groused about regarding this film is how Scott essentially is dragged into the conflict regarding Kang and the Quantum Realm for no reason, making him stick out like a sore thumb in what’s going on. With the exception of Endgame though, nearly all of Scott's appearances in the MCU have him inexplicably forced into a conflict without much choice in the matter, such as when he was picked by Hank to be the Ant-Man in the first film and being kidnapped by Hope to help her and Hank rescue Janet in Ant-Man and the Wasp. This wasn't criticized by people at the time though because Scott had a personal stake in what was going on in each film: being a hero for his daughter, helping Captain America, and helping Hank and Hope respectively. He also had his connections with the Avengers and the Pym-Van Dyne family established early on, making his involvement in those movies make sense. But here, Scott ending up in the Quantum Realm borders on being an Excuse Plot caused by Cassie, so his involvement in the story and connection with the Big Bad doesn't feel earned or organic as a result.
    • Many of Scott's supporting characters in the previous movies, including the Wombats, Maggie and Paxton, never show up and barely get so much as a mention this film in lieu of introducing new characters for the heroes to interact with, much to the disappointment of fans. However, this isn't the first time Marvel has used a third installment to sideline or outright excise supporting characters, as Thor: Ragnarok brought the Warrior's Three Back for the Dead, put Lady Sif on a bus, and killed off Odin. People were more accepting of Ragnarok doing this, mostly people were unimpressed with the Sequelitis that Thor: The Dark World had, and changing up the environment and characters brought revitalized interest in Thor's movies as a whole. Furthermore, the new characters introduced in Ragnarok, such as Korg and Miek, were popular enough for fans to ignore the change-up of the setting and characters. The same cannot be said for Quantumania, as not only was Scott's previous supporting cast (especially the Wombats) already quite popular, but the new characters introduced in this film have been criticized for being vastly inferior by comparison, with many viewers noting that they felt like generic alien creatures without much development or characterization.
    • Another criticism is how for all the hype surrounding Kang the Conqueror and trying to build him up as the new big villain of the MCU, his performance in this movie is rather unimpressive for getting thwarted by Scott Lang, a superhero who has mostly been regarded as comic relief. A similar problem befell Kang's predecessor Thanos. Prior to Avengers: Infinity War, Thanos's hunt for the Infinity Stones resulted in failure, having failed to acquire the Tesseract and losing the Mind Stone in The Avengers as well as getting betrayed by both Gamora and Ronan in Guardians of the Galaxy. But because Thanos remained on the sidelines and left the heavy lifting to his underlings, his failure to acquire the stones primarily rested on his proxies rather than him and when he finally did take matters into his own hands, he proved extremely effective, wiping out most of the surviving Asgardians and utterly trouncing Thor and Hulk and killing Loki and Heimdall in his first active battle on screen. Kang, meanwhile, was the Big Bad of Quantumania and is directly opposed by the heroes, which makes his defeat at Scott's hands all the more glaring since he has no proxy to take the blame for his defeat.
  • Hilarious in Hindsight:
  • I Knew It!: Many people suspected that Darren Cross didn't actually die at the end of the first Ant-Man movie, due to his death scene looking like he was shrinking uncontrollably instead of anything life-threatening. Sure enough, he's shown to have mutated into MODOK, who acts at The Dragon for Kang.
  • It's the Same, Now It Sucks!:
    • A large complaint about the film is that the changing of locations from San Francisco to the depths of the Quantum Realm and being much more serious and higher-stakes than the previous Ant-Man films caused Quantumania to lose the series' comedic, Lighter and Softer tone that made those two films stand out from the rest of the MCU and resulted in the film having little to differentiate it from the rest of the franchise's contemporary fare. It especially didn't help that the typical Mood Whiplash and inclusion of several comedic moments—aspects of which have since come under heavy fire for being too distracting—was still included in this movie despite the complaints against it in Phase IV. Worse still, audiences who would normally tolerate such humor for an Ant-Man movie actually felt it too jarring for a Darker and Edgier attempt.
    • Another criticism is Cassie becoming a Teen Genius, being the one who built the portal to the Quantum Realm that kickstarted the plot. Some felt that it feels like a retread of previous teen geniuses like Peter Parker, Shuri, and Riri Williams, especially since the latter two were in a movie that came just a few months before Quantumania, making the similarities even more obvious.
  • Just Here for Godzilla: Quite a number of fans tuned in this movie just so they could see Kang the Conqueror on the big screen after he was previously hyped up in Season 1 of Loki.
  • Memetic Badass: Darren, while dying after helping to save the family from Kang, deliriously states that he gets to die as an Avenger. Despite this being Played for Laughs, some fans have jokingly given him the Avenger title.
  • Memetic Loser: For all the hype put into introducing Kang the Conqueror in the MCU, some people found his showing here to be rather lackluster. Not only does he renege on his deal to let Cassie go For the Evulz, but after boasting about having killed countless Avengers in his conquests, his defeat at the hands of Scott, Hope and an army of giant ants made him look more pathetic than what was likely intended. This, combined with the murder of He Who Remains at Sylvie's hands, resulted in said people perceiving the Conqueror as an ineffectual generic villain that can be trounced by even the weakest of heroes. The fact that the subsequent season of Loki had another variant die repeatedly only to be saved by outside forces makes it even harder to take this character seriously as a threat. Not helping matters is Jonathan Majors' dismissal from Marvel Studios in light of the controversies surrounding him, which led to his storyline being scrapped altogether and his replacement as the Big Bad of the Multiverse Saga, ignoring he'd have been removed regardless of the character's reception.
  • Memetic Mutation:
    • MODOK looks like Mr. Electric.Explanation
    • "Quantumania is a sequel to Spy Kids."Explanation
    • MODOK is sexy.Explanation
    • <Movie Title>, I need you to distract Kang.Explanation
    • A gif of The Stinger showing the Council of Kangs celebrating is often used to celebrate something viewed as good.
    • “I don’t have to win. We both just have to lose.” Explanation
  • Narm: The mid-credit scene foreshadows the Council of Kangs, which is clearly supposed be a foreboding and ominous tease for the next big threat the Avengers are set to face. However, seeing several of Kang's variants filling up a huge stadium, complete with whooping and cheering like they're at the Super Bowl, ended up making the scene unintentionally goofy. Retroactively, the scene becomes even more anticlimactic with the dismissal of Jonathan Majors and complete shift to a new villain, leaving these football hooligans cheering about nothing at all.
  • Never Live It Down: Whether or not he would have recovered from his Memetic Loser status in future appearances, Kang the Conqueror will forever have to live with the fact that his onscreen debut in the MCU saw him getting beaten by ants. While there's more to it, it is still an undignified showing for someone who was hyped up to be the Big Bad of the Multiverse Saga. The fact that Kang's arc got abruptly shelved due to Jonathan Majors' dismissal means that this will be Kang's defining moment in the MCU.
  • One-Scene Wonder: Ruben Rabasa only appears as the cafe owner Ruben at the very beginning and the very end of the film, but he still brings the same comedic energy that fans know him for, albeit greatly toned down.
  • Overshadowed by Controversy: The praise for Jonathan Majors' performance as Kang the Conqueror quickly died down after Majors was arrested for domestic abuse, just a month after the film's release. Subsequently, fans went from expressing enthusiasm for Majors continuing to play Kang and his variants in the MCU, to wondering if he would even remain in the franchise at all. Since the incident, his only confirmed appearance in the MCU is Season 2 of Loki. Marvel Studios later fired Majors when he was found guilty of the assault charges in December 2023.
  • Questionable Casting: Kathryn Newton as Cassie Lang, replacing previous actress Emma Fuhrmann from Avengers: Endgame. Some fans expressed confusion about the recasting given Fuhrmann's praised performance in her scene with Paul Rudd in Endgame, alongside the very minuscule age difference between the two actresses. A key point of criticism focused on how an up-and-coming actress like Fuhrmann was sidelined for a bigger star like Newton, when Marvel Studios was once known for giving previously unknown actors (Chris Hemsworth, Simu Liu, etc.) a chance at playing a headlining superhero. Newton's performance ended up being divisive, though most ire was directed at the studio for the recasting in the first place.
  • Salvaged Story:
    • Some fans have criticized the MCU in general for how quickly the world seems to have moved on from The Blip in such a short time. This movie makes a point that there are plenty of people who are still feeling the effects, even if the rest of the world is no longer paying attention, and Hope and Cassie are said to be doing their part to help them.
    • Similarly, some fans harshly criticized the season finale of Ms. Marvel (2022) for the scene where the cops stand up to Damage Control, finding it tone deaf given the public focus on police brutality incidents. Here, Cassie Lang is confirmed to be specifically standing up to police violence, calling an officer out for firing tear gas at peaceful protesters.
    • One of the most prominent criticisms of the first Ant-Man film was its depiction of Darren Cross as a one-note Big Bad with little other development for him as a character. His usage of the Yellowjacket suit was similarly disliked because of how it gave him the same powers as Scott did, making the battle between them rather boring. This film reintroduces Cross as the Laughably Evil M.O.D.O.K, which made his interactions with Scott and his family much more interesting than he was previously. Being a deformed cyborg also means his abilities are very different now, giving his fight with Cassie more of an edge during the climax.
    • The Wasp's outfit from the previous and Endgame received criticism for its green and brown color scheme being too muted, making it difficult to see in darker environments. Hope receives a new costume in this film that has black and honey-yellow coloring, not only making it easier to see, but is Truer to the Text for how the Wasp's suit was depicted in the comics.
    • While it's true that Scott's outing with the Avengers in Germany had bad consequences for them, some people had issues with Hank and Hope being overly antagonistic to Scott in the previous movie, as it felt like it was repeating the same dynamics as the first film without adding much else, especially as they were forcing him to help them bring Janet back from the Quantum Realm. This film begins with Scott and the Pym-Van Dyne family on far better terms, with Hope rekindling her relationship with him and Hank explicitly telling Scott that he's proud of him for what he's accomplished. With Cassie acting as a surrogate granddaughter for Hank, they feel far more like a cohesive family unit now.
    • A lot of people who watched Loki had become frustrated that for all the hype put into Sylvie killing He Who Remains and creating the Multiverse, none of the stories that extensively involved the Multiverse really acknowledged the events of the show. The mid-credits Stinger of this film shows the branching timelines seen at the end of the first season to give a Continuity Nod to the Season 1 finale, while the post-credit scene reveals Loki and Mobius themselves spying on a Kang variant in Victorian England, reaffirming the God of Mischief's connection to the new Big Bad of the MCU.
    • Many fans and critics have noted that the heroes of the MCU seem to hoard their technology, with society appearing more or less identical to the real world despite the development of arc reactors, advanced nanomachines, et cetera. This film explicitly shows Hope running an organization that uses Pym particle technology for various humanitarian and environmental efforts, firmly averting Reed Richards Is Useless.
    • Throughout the Ant-Man films, Hank and Janet have primarily remained as Retired Badass characters who rarely participate in the action outside of flashbacks, which miffed some people who were familiar with their statuses as founding Avengers in the source material. This film gives Hank and Janet a lot more to do, with Janet having a personal connection to the film's Big Bad, and Hank using his army of ants to fight against the Conqueror's forces.
  • Sequelitis: Quantumania was not only considered a step down from the first two Ant-Man films, but ended up being one of the worst-reviewed films in the entire MCU. The most common complaint among fans was that the film lacked the low-stakes heists that made the first two films fun, instead putting the cast into a bloated, cross-dimensional epic with the fate of two different realms at stake. The constant tonal shifts between the usual lighthearted Ant-Man antics and the deadly threat posed by Kang's forces was too jarring for most audiences. Combined with the absence of most the supporting cast from the previous films, lackluster dialogue and pacing, teenage Cassie's mediocre performance, heavy CGI effects that felt rushed and poor showing from the supposed Big Bad of the Multiverse Saga, Quantumania proved to be a major stumbling point for Phase Five of the MCU. The failure of the movie, coupled with Jonathan Majors' firing due to assault allegations, ultimately led to the saga's villain being dropped in favor of Dr. Doom as the Multiverse's Big Bad.
  • Signature Scene: The flashback where Darren Cross is put into the M.O.D.O.K suit is the scene most people remember from this film, if only because of the sheer Fan Disservice of seeing his deformed naked body.
  • Special Effect Failure:
    • The design of MODOK has been the source of snickering since trailers. The film proper didn't help matters, as he's basically just Corey Stoll's head stretched over a CGI chair with arms and legs sprouting from it. This has drawn unfavorable comparisons with the MODOK seen in Marvel's Avengers, which is seen as properly balancing the creepy and the goofy, and actually portraying the body horror aspect inherent to most incarnations of MODOK.
    • The green screen is sometimes very noticeable, with some scenes where Michelle Pfeiffer as Wasp appears to be talking to the void, or sequences where the actors are noticeably not interacting with anything at all. This is very apparent in the scene where Cassie and Scott first encounter the Freedom Fighters, for example.
    • Victor Timely's Einstein Hair in the post-credit stinger is a very obvious wig on Jonathan Majors' head.
  • Tainted by the Preview: A few Ant-Man fans have expressed their disappointment with the promotional material emphasizing the Darker and Edgier Serial Escalation tone this film has, especially since the previous movies had much smaller stakes and light-hearted tones.
  • They Changed It, Now It Sucks!: A common complaint of reviewers is that after two Ant-Man movies that were basically low-stakes action comedies set in San Francisco, Quantumania changing locations to the depths of the Quantum Realm and being much more serious and higher-stakes lacked that carefree and fun nature that made the first two films well-received. The lack of familiar characters such as the Wombats, Paxton, and Maggie also disappointed many fans.
  • They Wasted a Perfectly Good Character:
    • In contrast to their appearances in the previous Ant-Man films, both Hank and Hope end up being heavily Out of Focus, with Cassie and Janet taking their place as the film's deuteragonist and tritagonist respectively.
    • Despite having a prominent backstory with most of the main Ant-Man cast and being a major threat to the Avengers in the comics, Darren Cross/M.O.D.O.K. only really serves as an Elite Mook to Kang. His abrupt Heel–Face Turn and Redemption Equals Death are both played for laughs. People also feel this applies to his identity as M.O.D.O.K. as a whole as well, being a comic relief villain stuck on the sidelines that people don't take particularly seriously rather than a major threat who forced people to take him seriously.
    • Many people bemoaned that for all their importance plot-wise, the members of La Résistance didn't get their personalities fleshed out all that much. Special mention goes to Quaz, played by the fan-favorite William Jackson Harper, who only speaks a handful of lines, most of which has to do with jokes regarding his mind-reading abilities.
    • Krylar shows a surprising level of depth as a Fallen Hero and ex-lover of Janet, as well as being played by the beloved Bill Murray. Unfortunately, he only appears in one sequence before being forgotten about. The resistance attack at the end of the film gave him a chance to return as villain or to redeem himself, but sadly he does not reappear.
    • Ironically due to Real Life Writes the Plot, the overarching Big Bad Kang could be considered this in hindsight.
  • They Wasted a Perfectly Good Plot: The trailers imply that Kang is offering Scott a deal where he, as a master of time, can help Scott make up for the time he had lost with his daughter during the five-year time-skip in Avengers: Endgame (and perhaps even during his time in prison). In the actual film, however, Kang simply takes Cassie hostage and coerces Scott into retrieving the power core for him. Some felt that the former would have been more interesting as it would not only highlight Kang's manipulative side but also adds weight to Scott and Cassie's father-daughter relationship which many viewers thought could be explored better in the final product, which oddly still kept Scott's rant about how Kang and him had a deal as though that was the original idea.
  • Took the Bad Film Seriously:
    • While critics have not liked this film very well, they have praised the performance of Jonathan Majors as Kang, saying that he is very intimidating and intriguing despite having a thinly written role.
    • Fans have also appreciated Paul Rudd's performance. Scott Lang generally is a more comedic character but like some of the scenes of despair in Avengers: Endgame, Rudd sells the darker, more dramatic moments well, especially whenever he is acting as a Papa Wolf to Cassie and his brutal Final Battle against Kang in the climax.
    • While "serious" might not be the term one would use to describe M.O.D.O.K, many people were happy with Corey Stoll's portrayal of Darren Cross here, especially when compared to the first Ant-Man film. He completely embraces the zany Large Ham concept of M.O.D.O.K, and goes all-in Chewing the Scenery every moment he's on-screen. Yet, Stoll also gives some surprisingly sincere moments near the end of the film regarding his decision to not be a dick and his subsequent Heroic Sacrifice. It's clear that Stoll had a blast with the character, and even those who didn't like the movie found M.O.D.O.K to be entertaining all the way.
  • Uncertain Audience: One of the biggest criticisms against this film is that it tries to draw in MCU fans who were otherwise not interested in the previous Ant-Man films for their relatively low-stakes and general unimportance to the overall MCU narrative while still trying to appeal those who are fans of the films for those aspects, which ended up alienating both camps. For example, the film attempts to be Darker and Edgier than the previous two films to make things more high-stakes, yet still retains much of the humor of the previous two films, resulting in severe tonal whiplash at times. And even those who are willing to overlook said whiplashes to watch the overaching Big Bad of the Multiverse Saga were similarly let down due to the villain's underwhelming performance and anti-climactic death.
  • Unexpected Character:
    • The first official trailer for this film showcases Dale, the Baskin-Robbins manager from the first movie commemorating Scott in his office. His return was very surprising for people, especially given how small his role was.
    • The second trailer reveals none other than MODOK, an iconic Avengers villain who very few people would've expected to appear in an Ant-Man movie. Even more unexpected is that he's not George Tarleton like in the comics, but rather Darren Cross, the Big Bad of the first Ant-Man movie who had seemingly perished in a horrifying way at the end of the film.
    • Bill Murray's character is confirmed to be Krylar, a character who was introduced and killed off within a single issue of The Incredible Hulk.
    • Another character slated to appear is Jentorra, who has only ever appeared in Hulk-related books much like Krylar.
    • While it does make sense given that we already saw a Variant of Kang in Loki, nobody expected to see Loki and Mobius in The Stinger so far ahead of Loki's second season.
  • Unintentional Uncanny Valley: While MODOK is always going to have an element of this, his comic book design tends to be more intentional about it, leaning into the grotesque. His appearance here, as Darren Cross' regular face stretched out, is much more human to try and make his Heel–Face Turn more sympathetic, but inadvertently makes him much more upsetting to look at.
  • WTH, Costuming Department?: Hope's shaggy pixie haircut has generated some criticism. While it's clearly meant to be a homage to her mother's own hairstyle in the comics, some felt that it doesn't translate as well in a live-action medium and it only makes it look like Hope just got out of bed.

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