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Webcomic / Nimona

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Shapeshifters and fancy knights.

NIMONA is a webcomic (and later a Comic Book) by Noelle Stevenson, about a shapeshifter girl, Nimona, who joins a supervillain knight, Lord Ballister Blackheart, as his sidekick. Cue Ballister's surprisingly orderly villainy; he seems to just have more of a rivalry with the "hero" of the series and his antagonist: Sir Ambrosius Goldenloin, who's actually much more of a jerk than Ballister.

Only the first three chapters of the comic are currently available on the website due to the comic being licensed to become a graphic novel, which was published in May 2015. An animated film adaptation by Blue Sky Studios had been announced for release in 2022, but production was shuttered after the announcement that Disney was dissolving the studio in 2021, effectively cancelling the project despite it being far into production.


NIMONA provides examples of:

  • 24-Hour Armor:
    • Nimona, assuming it's really armor and she doesn't just shapeshift it into being.
    • Neither Ballister or Goldenloin are ever seen not wearing their armor, making them likely contenders as well.
  • Action Girl: Nimona, even when not in a girl's form. Also, Gloreth.
  • Alliterative Name: Ballister Blackheart.
  • Alternate Universe: "No matter what happens, remember that there is always an alternate universe out there somewhere where this is a story about some hip gay dads who adopt a baby and everything turns out okay."
  • Anachronism Stew: The series' main character is a knight with a robotic arm. In several other instances, medieval and technological themes combine, so smoothly that readers have confessed to not even registering that anything was off for several chapters.
  • Annoying Arrows: Discussed and subverted. When an arrow hits Nimona in the leg, Ballister treats it as a serious injury. Nimona thinks he's over-reacting, and wants to get back to fighting right away.
    Nimona: Will you chill out? No-one ever got killed with one little arrow!
    Ballister: Actually, they have. That is kind of the purpose of arrows.
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  • Armor-Piercing Question: When Ballister stands over a fallen Goldenloin during a fight:
    Ballister: What if I cut off your arm right now? Then you'd see how fast the Institution would cast you aside. Just like they did me.
    Goldenloin: You wouldn't.
    Ballister: No, I wouldn't. And I'm the villain. What do you suppose that says about you?
  • Artificial Limbs: Ballister's right arm. Goldenloin shot it off after losing a joust. Though later on, it's revealed that The Institution forced Goldenloin to shoot Ballister.
  • Badass Cape: Considering they're both knights, Goldenloin and Ballister both have one.
  • Bank Robbery: Among Ballister and Nimona's schemes. It's probably one of the evilest things Ballister has really done, and even then he leaves most of the gold out for commoners to grab.
  • Bar Brawl: A short one starting page 9 of chapter 7.
  • Beard of Evil: Ballister sports a goatee, while Goldenloin is clean-shaven. Although later in, Ballister don't trim it any more and it gets closer and closer to a full beard.
  • Berserk Button: Nimona reacts very badly to the suggestion that she could be examined to find how her power works, even For Science! She's nobody's Guinea pig.
  • Big Bad: Despite the reputation Ballister has as the kingdom's top villain, the story's true villain is The Director.
  • Big "NO!": Ballister, when Nimona's head is cut off.
  • Bishōnen: Goldenloin is a very pretty man with long, flowing hair and feminine features. He's the only man in the entire comic who is depicted as such.
  • Bittersweet Ending: Ballister and Goldenloin are reconciled and redeemed, the Institution is dismantled, and Blitzmeyer gets a fancy new lab with Ballister. However, Nimona's vengeful rampage killed many innocent people, she runs off after reassuring Ballister that she's alive, and there's only a slight possibility that she and Ballister will ever reunite.
  • Black Knight: Ballister's portrayed as one. Kinda.
  • Blade Below the Shoulder: One of Goldenloin's soldiers is Dual Wielding such blade and quite skilled with them, beheading Nimona's monster form.
  • Blood Knight: Nimona loves killing. Ballister, being the Noble Demon he is, has to tone this down at times. Later deconstructed, as her violent tendencies stem from a combination of killing before she understood the consequences of her actions, being put in a situation where killing was the only way out, and then defining herself as a killer due to her past.
  • Boyish Short Hair: Nimona has sidetails and bangs, while the rest of her head is shaved. Takes a darker tone as it appears to be mimicking a Traumatic Haircut from her past.
  • Career-Ending Injury:
    • Blackheart's arm being blown off at the joust. Although there turns out to be a deeper layer to this, as the Institution deliberately set this up for Blackheart. They made sure he would be injured, then used his injury as an excuse to get rid of him.
    • In some Laser-Guided Karma, Goldenloin may have lost use of his legs in the ending. Forgiving him for shooting his arm off, Ballister helps him with recovery and won't leave his bedside.
  • Chest Blaster: One of Goldenloin's soldiers has such a weapon integrated in his armor.
  • Christmas Episode:
  • Code Name: Played for Laughs, during the bank robbing scene.
    Nimona: [over radio] Red Fox to Tin Man. Come in, Tin Man, do you copy!
    Ballister: I can hear you, Nimona.
  • Color-Coded for Your Convenience: Goldenloin wears majestic gold and white while Blackheart dons black and red.
  • Creator Cameo: Noelle is visible in the background of one page.
  • Cute and Psycho: Nimona is a cute, plucky, adorable young girl who is disturbingly eager to kill and maim people.
  • Dark and Troubled Past: Nimona's real backstory is very harsh and troubled, and leaves you perfectly understanding why she has no love for the self appointed good guys.
  • Death by Origin Story: Nimona's parents, again, along with her entire hometown.
  • Deceased Parents Are the Best: Nimona's parents. However, subverted in her true backstory, where it's implied that she might have killed them herself after they gave her to the Institute.
  • Deconstruction: Nimona takes a look at stories that set villains as the protagonists and cast traditional heroes as antagonists. While most fanfics or original stories note that the villains are right and go that route, Ballister is not actually a villain. Instead, he was painted as one and merely decides to play the part. In addition, Ballister says he would cross the line if he ever hurt innocents and gets captured by the Institute when delivering a cure for a plague he caused. Nimona shows what would happen if a superpowered fangirl of a villain would do with immense powers and no moral code, leading to more destruction than before.
  • Designated Villain: Ballister is an In-Universe example. He's held up as a villain and the top threat to the Kingdom, but his schemes never involve killing anyone and doing the absolute least harm possible, and shows far more morals and compassion than the Institution does, especially for common citizens. The people gradually come to realize this over the course of the comic, and by the climax the people accept him and his leadership during a crisis without question, despite all the propaganda that has been defaming him over the course of the years.
  • Destination Defenestration: As part of the Bar Brawl above.
  • Doomed Hometown: Nimona's town was destroyed by raiders from the west. It's part of her backstory on how she became a shapeshifter. This is later revealed as a lie, and while the her hometown was destroyed, the cause of events is significantly darker.
  • Dramatic Unmask: The Director throwing away her hood reveals Pointy Ears and a bald head, showing she's probably not human. Nimona later guesses that she's a goblin, although The Director refuses to confirm or deny it.
  • Emerald Power: Dr. Meredith Blitzmeyer's Anomalous Energy Enhancer, which harvests the same infinite omnipotent energy source used by the sorcerers of the mountains... and does nothing at the moment except glow green.
  • The Extremist Was Right: Inverted. The true extremist of the story is The Director and the Institution, which she controls. They're the ones meddling with tools of dark sorcery which are extremely dangerous and have the potential to poison the entire country. Ballister is actually much more moderate, less callous with the lives of others, and he attempts to talk Nimona down from her rampage instead of trying to do nothing but kill her.
  • The Face: Goldenloin is this for the Institution. He's the handsome Knight in Shining Armor that the everyday people can admire as a hero and make the Institution look good, all while they carry on with much darker schemes under the surface.
  • Fiery Redhead: Nimona herself. Though it might be dye.
  • First Law of Tragicomedies: The series started off with a silly sense of humor paired with occasional pathos, then gradually got more serious and character-driven.
  • Foe Romance Subtext: Blackheart and Goldenloin, in spades. Confirmed to be canon by the author at the end of the comics and in some of her comments.
  • Freudian Excuse: Nimona is willing to hurt and kill people because her parents gave her up to the Institution after she saved the village from raiders and burning the invaders to the ground. Meanwhile, at the Institution she was treated as a monster and a lab pet, perhaps a weapon to replicate. Of course, when they recapture her, the attempt to study her blood goes wrong when she lashes out completely and starts wiping everyone out.
  • Friendship Denial: When Goldenloin talks to the Director about Blackheart, Goldenloin tries to protest that Blackheart isn't his friend and their past relationship won't prevent Goldenloin from stopping Blackheart.
  • Friendship Moment: Every time Goldenloin drags Blackheart out of danger. Also, the last panels of the epilogue.
  • From a Single Cell: It's pretty heavily implied that this is the root of both Nimona's Shapeshifting powers and Healing Factor. Every time Nimona transforms, all of her cells are destroyed and reformed. It's how she can resurrect and split into two bodies.
  • Fruit Cart: While locked in cat form, Nimona runs into one.
  • Foreshadowing: There's a few hints that Nimona's backstory is fake.
    • Blackheart keeps pointing out Plot Holes while she's telling it.
    • Nimona claims that part of her tragedy was that she couldn't control her shapeshifting when she first got it, and needed time to learn how to master it. She contradicts this after undergoing Shapeshifter Mode Lock and freaking out because she's apparently never lost control like that before.
  • Funny Background Event: In the background of one page, the extras include Hawkeye and Black Widow; Gandalf and Bilbo; Obi-Wan, Luke Skywalker, and Han Solo; Katniss; Pacha; Heisenberg; Noelle themselves; and someone in a shock blanket.
  • Gender Bender: During the bank-robbing scene, Nimona shifts into a burly-looking man carrying a chest, and later takes the form of a young boy named Gregor during the Science Expo with Ballister.
  • Girls Are Really Scared of Horror Movies: Nimona is, which Ballister points out make no sense considering her powers.
  • Government Conspiracy: One of the main plot points is that the Institution is actually this. The Institution is the true power player in the Kingdom, and is willing to do whatever it takes to hold onto or grow its power, including risking the lives of citizens or arranging accidents for members and potential members who ask too many questions.
  • Grievous Bottley Harm: Goldenloin to Ballister, as part of the Bar Brawl above.
  • Healing Factor: Nimona's arrow wound heals rather quickly. It's a shapeshifter thing. Turns out she could have healed much more quickly, but was misleading Ballister as to the extent of her powers.
  • Hero with Bad Publicity: Ballister, again. At one point we see that the Academy from which he was expelled (and consequently turned "villain" because of this) is stocking big amounts of a highly poisonous plant, making him worried about possible poisoning of the kingdom's food.
  • He Who Fights Monsters: Ballister fears crossing this line. He knows the Institute is evil and corrupt, but doesn't want to stoop to their level. Ballister suffers a Heroic BSoD on learning that his "harmless" plague actually killed innocent people, saying he's no better than the Director.
  • Holographic Terminal: This trope is surprisingly commonplace considering the medieval motif that dominates the story. Given that they also have laser and super science despite said medieval motif, perhaps it's not so surprising.
  • In the Hood: Along with a fake beard, Ballister wears a hooded cloak as a disguise at the Science Expo.
  • Jumping Off the Slippery Slope: Nimona herself does this in later chapters as her true motives and history come out and the Institution starts targeting her, feeling that her powers is the prime reason why Ballister is getting the best of them. The Director threatens to execute Ballister and tortures him in front of Nimona. Nimona gives her a chilling Death Glare and allows the Institute to take a sample of her blood. When that happens, her child-form dies and a monstrous clone forms, who starts laying damage.
  • Kill and Replace: At one point, Ballister and Dr. Blitzmeyer talk about a legend of a knight who supposedly fought and killed a shapeshifter like Nimona. Blitzmeyer mentions an alternate theory, that the knight wasn't victorious at all, but that the shapeshifter killed her and then took her shape in order to throw off suspicion and prevent further attacks.
  • Kill It with Fire: The Director gets burned to death by Nimona, who is using a dragon's form.
  • Knight Templar: The Director, who believes she is doing everything she does to protect the kingdom.
  • Leave Him to Me: Blackheart says this to Nimona, referring to Goldenloin.
  • Living MacGuffin: The Director and Goldenloin at least in beginning, think Nimona is this.
  • Loony Fan: Nimona joins Ballister because she is a fan of his work. She's much more competent than the usual version of this trope.
  • MacGuffin Super Person: The Director considers Nimona to be this.
  • MacGuffin Title: If you subscribe to the 'Nimona is a MacGuffin' view above, like the Director does.
  • Major Injury Underreaction: While in her dragon form, Nimona takes an arrow to the leg during the Bank Robbery scene, and doesn't notice (even after she shifts back to human) until Ballister points it out to her. Even then, her reaction is a simple "Oh." Played with: when the arrow is extracted, she reacts with considerably more pain — but it turns out she was faking in order to mislead Ballister as to the strength of her powers.
  • Meaningful Name: Goldenloin, along with his golden armor, wears a golden codpiece.
  • Minimalist Cast: The cast page shows all the characters with both a name and a recurring part. That list is exactly five people long.
  • Morality Pet: At first, Nimona seems to be an inversion of this for Ballister, since she's constantly nagging him about his self-imposed ethics and code of honor; as the story advances, however, it starts looking more and more like Ballister has been Nimona's Morality Pet all along.
  • Morphic Resonance: Nimona is a redhead, and many of her alternate forms have red or pink tones. Unlike many examples of this trope, she actually plays with it once by using a rat painted pink as a diversion. Subverted when she turns into a human however, as she is perfectly able to change herself into form with different hair colors. She even changes both the color and style of her haircut in her default form.
  • Noble Demon: Ballister does what he does just to "prove a point" instead of being actually evil.
  • No Name Given: The Director of the Institution is only known by her title. Her name is never spoken in the comic.
  • Nostalgia Filter: Towards the end of the comic, Ballister accuses Goldenloin of having this.
    Goldenloin: I just meant... there was a time. Before. Things were simpler. We were together. It was... good.
    Ballister: It was never that good. You always remember things as being better than they were.
  • Not So Different: In the end, Nimona and Ballister. Both were abused by organizations that study magic scientifically and emotionally manipulate others to their own ends. Both were taken in by said organizations as children and told that these organizations were the good guys for doing so. Both define themselves by how these organizations defined them. The difference is that while growing up Ballister thought he was being groomed as a hero and continues to behave heroically, while Nimona was told she was "sick" and "dangerous" and as such decided Then Let Me Be Evil.
  • The Only One Allowed to Defeat You: Briefly mentioned as the reason Ballister won't let Nimona kill Goldenloin. Later it turns out there are other factors at play.
  • Only One Name: If Nimona received a last name from her parents, she certainly hasn't told anyone. This is a tad unlikely, since the entire story was a lie.
  • Oh, Crap!:
    • When Ballister informs Nimona (over radio) that Goldenloin has ambushed him.
    • When the sample of Nimona's blood, extracted from inside the force field she's being detained in to the main lab, begins transforming into her monstrous form.
  • "Open!" Says Me: Rather than listen to Ballister's Techno Babble, Nimona's strategy of getting through high-security doors is just to ram through them as a rhinoceros. Ballister's less than amused.
  • Perky Female Minion: This seems to be the essence of Nimona's personality. At first, anyway.
  • Perpetual Frowner: Ballister's facial expression is usually serious. The only time it isn't is usually when he's shocked.
  • Pet the Dog: The Director has only one decent moment. In the climax, Nimona's Superpowered Evil Side is on a Roaring Rampage of Revenge and hunting down the Director in revenge for torturing Ballister and trying to study her. One of the guards helps the Director to her feet and says they need to evacuate per her orders. The Director orders him to leave her because the beast is hunting her and grabs a jaderoot cannon.
  • Plasma Cannon: Ballister's weapon of choice during the bank robbery.
  • Plucky Girl: Nimona. That is, if by "plucky" you mean "knife-happy punk-ass Blood Knight".
  • Poisonous Friend: Nimona may be this for Ballister; she's considerably more bloodthirsty and willing to kill than orderly Ballister.
  • Powered Armor: Goldenloin is outfitted with an enhanced (and still golden) suit with which to subdue Ballister and Nimona, complete with built-in Static Stun Gun gauntlets.
  • Properly Paranoid: When we're first introduced to Ballister and hear his complaints about his rival Goldenloin and the Institution, it's easy to imagine that Ballister's caught in a case of your standard villain paranoia, and that he and Goldenloin having a bit of a Doctor Doom-Reed Richards situation going on, where Ballister is blowing up an incident with Goldenloin and assuming malicious intent where there was none, and blaming the Institution for things it hasn't done. He's right about both Goldenloin intentionally injuring him and about the Institution, although it turns out he's actually significantly underestimating the Institution's capacity for nastiness, and cruel or careless actions.
  • Puppet King: It's implied that the realm's king is one, and the Institution, (specifically, the Director) is the true power. The king being killed off panel while the Director gets a much more significant climax with Nimona all but confirms it.
  • Purely Aesthetic Era: The Middle Ages with computers, TV screens, pop corn, finger gloves, earpieces and ray guns.
  • Reality Ensues:
    • In Goldenloin's joust with Ballister, he was supplied with an unfamiliar, weaponized lance by the Institution. The unfamiliar weight threw him off, and left a hole in his defense that Ballister took advantage of and used to defeat Goldeloin.
    • Ballister goes to great lengths to make his poison non-lethal, but eventually two people who were sick because of it die anyway. As anyone who works in medicine could tell you, there is no illness too harmless to be entirely non-lethal. There's always someone who is immunocompromised enough, or frail enough, or ill enough from something else that some minor illness which would normally not be a big deal can wind up being the last straw that does them in. Although it's possible that this is a subversion. Between the Institution guards at the hospital who had a trap prepared for Ballister, and the second trap prepared for Nimona when she tried to free him, it's possible that the deaths were either the doing of the Institution, or even that nobody died at all and the "deaths" were just a rumor spread by the Institution as part of a Batman Gambit to trap Ballister.
    • In the true and fake versions of Nimona's backstory.
      • Turns out appearing in your hometown as a dragon who can't speak means your friends and family won't recognize you, and then spending a long period of time mastering your powers on your own means you won't actually be there during the raider's next attack and kill everyone.
      • When a six year old girl transforms into a dragon, it doesn't matter that she saved the village from raiders: everyone she knows and loves becomes terrified of her.
    • Noted by Ballister at the end of the story. He says that Nimona was not a monster; she was a damaged person who didn't know how to handle trauma. What she went through— being experimented on for decades, called a monster and a pet— would break anyone. Ballister can confirm that from his experiences with the Institute. A disguised Nimona is touched by this and leaves a secret message to show she's alive.
  • Redemption Equals Affliction: In a dose of Laser-Guided Karma, Goldenloin gets badly injured while fighting Nimona and turning against the Institute openly. It's implied that he'll need to use a cane to walk and that he'll no longer be able to fight. The sign that he has changed is that Ballister waits by his bedside and vows to help him recover.
  • Relationship-Salvaging Disaster: While it's unknown if Goldenloin and Ballister rekindle their romantic relationship, Nimona's rampage forces them to ally and they reconcile in the epilogue.
  • The Reveal: Nimona developed her powers as a child, and she changed into a dragon to save her village. Her parents became terrified of her killing the raiders and handed her over to the Institution, who saw her as a guinea pig for weapons. She was experimented on for years to see the full potential of her powers, and Nimona ran away at the first opportunity. By then she developed cynicism about people after how she was treated, and it's hard to blame her.
  • Revenge Before Reason: This is apparently where Ballister draws the line. He has ample opportunity to avenge his missing arm when pinning down Goldenloin, and to cause widespread havoc or destruction. Instead, Ballister is too much of a Noble Demon. Even when he has a chance to amputate Goldenloin's hand, he refuses, and asks who the real villain is. It's revealed that Nimona doesn't care about the lives that she took and wants to destroy the Institution, no matter the cost. This includes killing guards or anyone unlucky enough to be in the way. Then again, these same people who were supposed to protect her abandoned her. When Ballister finds out why, he's sympathetic but worried that she's killing innocents while on a rampage.
  • Riddle for the Ages: We never do learn how exactly Nimona's powers work, or what caused them in the first place.
  • Rouge Angles of Satin: In-universe; Word of God has stated that knights choose their own names, and suggests that Goldenloin intended himself to be Goldenlion.
  • Savvy Guy, Energetic Girl: Ballister and Nimona are a villainous version.
  • Schizo Tech: See Anachronism Stew. There's bows and arrows and Death Rays; a knight's armor has built-in radio.
  • Shapeshifter Baggage: Lampshaded by Ballister, who notes that Nimona is able to create extra mass for herself seemingly out of nowhere, and how that should be impossible. It's a pretty good hint that there's more to her powers than she lets on.
  • Shapeshifter Mode Lock:
    • After being exposed to Dr. Meredith Blitzmeyer's Anomalous Energy Enhancer at the Science Expo, Nimona gets locked in the form of a cat.
    • The trope is also discussed when Nimona says that if she shifted into the form of an inanimate object, she'd be stuck as that object afterward.
  • Shoo the Dog: While meeting under truce, Goldenloin informs Ballister that the Institute wants Nimona dead. He advises Ballister to send his "sidekick" into hiding so that Nimona may live. Ballister says nuts to that for a lot of reasons, the main being that it's low of Goldenloin to be following the Institute so blindly.
  • Shoot the Dog: When reasoning with Nimona and talking her down doesn't work, Ballister is resigned to defeating her the violent way. He picks up the jaderoot cannon and, while crying, shoots her dragon self while telling her child self that it's still her.
  • Shout-Out: The above Funny Background Event entry contains numerous shout outs, mostly to fantasy and science fiction franchises.
  • Something Only They Would Say: How Nimona lets Blackheart know she's alive at the end by doodling on a doctor's chart. Sharks, indeed.
  • Sore Loser: Goldenloin. He shot off Ballister's arm after losing to him in a joust, causing Ballister to be expelled from the Institution. Cue Ballister's Face–Heel Turn. Subverted when Goldenloin reveals that he was forced by The Institution to shoot Ballister.
  • Talk to the Fist: After Blackheart decides he's heard enough of Goldenloin.
  • Then Let Me Be Evil: If the Academy wants a villain so much, Ballister is happy to give them one — on his own terms, at least.
  • They're Called "Personal Issues" for a Reason: Nimona doesn't willingly reveal her real backstory right away.
  • Those Two Guys: The two women who frequently appear in crowd scenes and share a speaking role on chapter 9, page 7. Referred to by fans as the Cute Lesbians.
  • Totalitarian Utilitarian: The Director, of course.
  • Unreliable Expositor: Nimona. Her initial account about her backstory in entirely false, a revelation that is foreshadowed by how Ballister starts immediately finding holes in her story.
  • Unwitting Pawn: Goldenloin has been one to the Institution for his entire life, as it turns out. He truly believes in the stated mission of the Institution and is clueless about their more immoral side.
  • Villainous Valor: Say this much for the Director when she has a final confrontation with Nimona, she doesn't beg, plead, or try to hide, she goes out fighting to the end.
  • Villain Protagonist: Well, hello. Though it's not really played straight, as Blackheart only takes the title of "villain" because that's what he's cast as to the public and his ultimate goal is to punish the corrupt system. Kinda more straight with Nimona, as she's much more interested in being evil for the sake of evil.
  • Villain with Good Publicity: Goldenloin and the Institution. The Institution likes to bill itself as the top force for law and order in the Kingdom, a group of protectors who watch over the people and keep them safe, with Goldenloin as its foremost champion and hero. In reality it's a ruthless organization intent on amassing power and influence, perfectly willing to risk the health and safety of the common citizen, and Goldenloin is a naive and well meaning patsy. Notably, the good publicity gradually wears off during the course of the story, as Ballister's effort make people increasingly suspicious of the Institution and its actions.
  • Voluntary Shapeshifting: Nimona's superpower. She can transform at will into any living creature, though they're often still red. Word of God says she can change her colors completely, but that takes more concentration.
  • We Used to Be Friends: Ballister and Goldenloin were the two best knights in the Institution, and longtime friends who had grown up together, with Ballister looking after the younger, more naive, and more sensitive Goldenloin. That ended when Goldenloin shot Ballister's arm off after losing a joust to him. And Ballister doesn't learn until late in the story that the Institution forced Goldenloin to shoot Ballister.
  • Wish Fulfillment: In-universe example, the fake backstory Nimona tells to Blackheart. While it acknowledges that her parents are dead, raiders were involved, and her first transformation involved a dragon when she was six, it removes all of the most painful elements.
  • Would Hurt a Child: Nimona's head gets chopped off by a guard. She gets better. Sort of. She turns into a giant fire-monster and incinerates all of them.
  • Would Not Hurt A Child: Goldenloin refuses an order from the Institution to kill Nimona, saying she's just a little girl. Then again, he could be easily replaced... Subverted when he agrees to kill Nimona in exchange for not having to kill Blackheart.


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