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"Hey there folks, welcome to Spectrum Pulse, we talk about music, movies, art and culture."
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Spectrum Pulse is a web review show hosted by Mark Grondin, which started on his blog in 2012 and moved to YouTube a year later. He reviews albums of various genres, as well as the occasional movie review or top ten list, where he is usually accompanied by a plush Voltorb that contributes to the show by adding snarky bottom text to the reviews.

His other series include:

  • Billboard Breakdown: A weekly in-depth look at that week in Billboard's Hot 100 by covering the Top 10, the movers and shakers, and reviewing new chart entries. In 2019, he moved it to a separate channel, largely because the show's frequent use of the songs he was covering was getting his main channel numerous copyright strikes from record labels, which was causing his main channel to get deprioritized.
  • Special Comment: An infrequent series where Mark makes a video essay about a specific burning topic regarding pop culture.
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  • The Trailing Edge: A monthly catch-up series giving short reviews to albums that didn't get enough votes on his Patreon schedule, similar to The Needle Drop's YUNO reviews.
  • Resonators: A Patreon-voted series where he reviews classic albums that are considered landmarks of a particular genre.

His main YouTube channel can be found here, his Billboard Breakdown channel is here, his Twitter is here, his Patreon is here, and transcripts of his videos can be found on his blog here.

He is also a published author, his first full-length novel To Kill A Dragon is available online here.

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This critic here provides examples of:

  • Anatomically Impossible Sex: The "Imma turn the bed into the ocean" line in "Work From Home":
    Mark: Fellas, porn is not real, nobody squirts that much!
  • Author Tract: invoked His "three Ps" for good political art are power, populism, and precision (or nuance), and he finds that, when a work lacks one or especially two of these qualities, it can descend into a bad case of this. He found Megadeth's Dystopia and ANOHNI's Hopelessness to have only power going for them, leading both to take broad, hateful swipes at large swaths of people, while he cited White Lung's Paradise, with its deconstruction of Riot Grrrl tropes and how women mistreat each other, to hit all three Ps and escape this.
  • Badass Bookworm: Has a degree in Physics, is a published author, goes on long analytical essays on music... and also used to be a track athlete in high school.
  • Berserk Button:
    • Post Malone, so much so when he covered him in a episode of Billboard Breakdown, he put up a trigger warning.
    • Misogyny, both lyrically and in general, is a pretty big one as Mark considers himself a sex-positive feminist.
    • Songs (usually rap songs) that get big thanks to being part of a meme, such as "Harlem Shake" or "Watch Me (Whip/Nae Nae)".
    • Badly-executed political statements in music, as explained in his reviews of ANOHNI's Hopelessness and Megadeth's Dystopia.
    • The chipmunk voice effect in songs.
    • Bro-country, as seen by many of his review targets (e.g. Luke Bryan), and by his inclusion of Brantley Gilbert's "Bottoms Up" as #1 on "Worst Hit Songs of 2014".
    • Sam Hunt, as seen in his reviews of "Take Your Time" from the Worst Hit Songs of 2015 list and "Make You Miss Me", "Drinkin' Too Much", and "Body Like a Back Road" from Billboard Breakdown.
    • AJR's "The Click". The only album that was given a score of 1/10 as of December 2017.
    • "Nu-crunk", his term for a variety of Hip-Hop that got big through social media platforms like Vine and SoundCloud. The proliferation of such songs on the charts starting in the mid-'10s was a bane of his existence.
    • Album bombs, when artists (especially in the aforementioned nu-crunk genre) exploit the Billboard Hot 100's rules for streaming to hit the charts with the force of a thousand bricks, displacing other songs and often sapping their momentum so that most if not all of the album's songs, including the filler (even interludes and sketches in some extreme cases), can chart. It doesn't help that he suspects many of these album bombs are driven more by payola with the major streaming services than anything. In 2018, he got fed up and instituted a new rule on Billboard Breakdown for discussing album bombs: if eight or more songs chart off an album in one week, he will only discuss his best and worst of the week and any songs that landed in the top 40.
    • Rap lyrics about stealing other men's girlfriends, particularly the listener's girlfriend, in order to demonstrate how masculine and virile the rapper is. Not only does he find it icky, he thinks it's become a worn-out cliche in hip-hop.
  • Big "NO!": His review of "Flex (Ooh Ooh Ooh)" by Rich Homie Quan on Billboard Breakdown (skip to 10.03).
  • Big "WHAT?!": His reaction to a Gucci Mane lyric on another Billboard Breakdown.
  • Big "WHY?!": His reaction to Beyoncé's "7/11" in the Worst Hit Songs of 2015 video as well as a Kanye West lyric from Billboard Breakdown.
  • Brain Bleach:
    • When discussing DNCE's "Cake by the Ocean" on Billboard Breakdown:
    Mark: I was going to use the line "the cake is a lie", but then I considered what the sexualization of that metaphor might mean in reference to Portal and I now have to rethink my entire life.
    • Also when discussing Big Sean's "Play No Games" on the July 18th, 2015 episode of Billboard Breakdown:
    Mark: Big Sean treats his girl with casual disinterest even though she apparently 'respects him like a father figure' - ew.
  • Broke the Rating Scale: A Refusal to Rate example: Mount Eerie's "A Crow Looked At Me". The reason being that Mark found it such an emotionally raw and personal album, dealing with the death of the artist's wife, that he felt that it stopped being a piece of "art" and couldn't bring himself to give it any kind of rating.
  • The Cameo: Mark appears in Part 2 of The Double Agent's Worst Hit Songs of 2009 video as well as the Weathered, A Thousand Suns, and Still Not Getting Any... episodes of Rocked Reviews' series Regretting the Past.
  • Canada, Eh?: Mark grew up in Winnipeg and currently lives in Toronto.
  • Catchphrase:
    • "We talk about music, movies, art and culture."
    • "NEXT!"
    • "Skip it!"
    • "Check it out!"
  • Caustic Critic: Has a tendency to lose his temper when discussing songs or albums that he dislikes. That said, he also says that he doesn't like giving negative reviews, and refuses to do a Worst Albums list.
  • Cluster F-Bomb / Flipping the Bird: At the end of his review of AJR's The Click, his first ever 1/10 and what he considers the worst album he's ever reviewed:
    Fuck this record, fuck everyone at Warner Brothers who bankrolled this, fuck the culture that enabled this and would excuse it, and if you inflict this on anybody, honestly, fuck you too!
  • Critical Dissonance: invoked Has discussed this with regards to Country Music. Among other things, he blames this trope on the critics' end for the prevalence of Lowest Common Denominator junk within the genre, arguing that the dismissive attitudes towards country held by many highbrow critics and listeners have caused them to withdraw their voices from the cultural conversation within the genre, allowing the worst sort of Pandering to the Base to flourish and essentially reinforce all of their prejudices.
  • Deadpan Snarker: His personality was a lot more like this in his early years of reviewing, but now has reached a Caustic Critic level with small amounts of snark.
  • Early Installment Weirdness: In the first season of Billboard Breakdown, Mark would review the returning entries in addition to the new arrivals and consider them for Best/Worst of the Week (which often resulted in a returning entry getting one of the titles). He revised this format for Season 2 onward so that only the new arrivals would be reviewed and considered for Best/Worst of the Week.
  • Flowery Insults: The review of AJR's "The Click" is abundant with these. Said record being referred to as "dick-shreddingly gross" is just the tip of the iceberg.
  • Forced Meme: Considers Pen-Pineapple-Apple-Pen to be this.
  • Freeze-Frame Bonus:
    • When Mark reviews White Iverson on Billboard Breakdown, the information captions at the top-right of the screen that is displayed after the video clip lists the genre of the song as "hip-hop", including the quote marks.
    • Did the same several months later with Pen-Pineapple-Apple-Pen listed as "comedy". And again with "Earth" by Lil Dicky in 2019, where he not only put "comedy" in quotes again, he listed bowel cancer as one of the genres, and "way too many fucking people who should know better" as the featured artists.
    • He does this rather often with country songs that he doesn't consider to be country, such as Sam Hunt songs.
  • Fun with Subtitles: An interesting take on it with the Voltorb adding additional commentary in videos, usually referring to Mark as "this critic...". For a short time the Voltorb would not be adverse to taking the piss out of Mark either.
  • Guilty Pleasures: When asked in the 15,000 Subscriber Q&A episode what Mark's big guilty pleasure album is, he whips out an S Club 7 CD.
  • Hormone-Addled Teenager: Mark's explanation for why his 18 year-old self used to like Chris Brown's "Kiss Kiss" in the Worst Hit Songs of 2008 crossover review with The Double Agent.
    Double Agent: So basically, you liked this song because you wanted to get laid?
    Mark: Well, yeah, obviously...
  • I Hate Past Me: Confessed to being somewhat of a Chris Brown fan back in the day in the Worst Hit Songs of 2008 review. It's fair to say that he doesn't hold that same opinion these days:
    Mark: Here's where my story of shame gets even dumber, because back in 2008 when I was looking for more Chris Brown songs-
    Double Agent: Why?!
    Mark: I DIDN'T KNOW ANY BETTER!
  • I Need a Freaking Drink: The Nine Track Mind crossover review with ARTV sees plenty of swigs from a beer bottle.
  • Kubrick Stare: Frequently happens.
  • No Indoor Voice: When he's especially angry, it's a cross between this and Suddenly SHOUTING!.
  • N-Word Privileges: Considering his rap reviews, has stated on Twitter he won't say the word if he feels it isn't necessary. When one song with the N-word in the title appeared on Billboard Breakdown, he said "N-word" in its place.
  • Large Ham
  • Leitmotif: "Amnesia" by Chumbawamba as the Billboard Breakdown theme song.
  • Precision F-Strike: He usually avoids swearing in his videos unless it's in the name of the song itself (like "Fuck You" by Cee-Lo Green) but sometimes he loses his cool.
    Mark: I can't believe I'm the one who has to say this, as a guy who used to be a fan of yours, but here it is: read between the lines and grow the FUCK up.
    • His reaction to Ty Dollar $ign's line in "Blaze" where he compares himself to Nate Dogg on Billboard Breakdown?
    Mark: FUCK YOU!
    • Also his review of Sam Hunt's "Drinking Too Much" has him calling the song "fucking disgusting".
    • During his review of Big Sean's I Decided, he says this about the closing track "Bigger Than Me."
    Mark: And then we have the final song where he's going to acknowledge he needs to aim higher and aim for a bigger cause outside himself because he made that choice for him to live in the moment and be there... which is a cute Objectivist point of view that kind of flies in the face of the fact you brought on the Flint Chozen Choir and that no matter what people decide in that community the water is still poisoned and you don't even have the fucking spine to mention anything beyond yourself!
    Mark: DO I EVEN HAVE TO FUCKING DIGNIFY THIS?!
  • Proud to Be a Geek
    Mark: I'm the kind of nerd who has hundreds of fantasy and sci-fi novels, can quote Monty Python and Star Wars verbatim, used to be a Dungeon Master when playing Dungeons & Dragons, occasionally still goes to Magic: The Gathering tournaments, has a physics degree, and has Aragorn's longsword Andúril from The Lord of the Rings mounted on his wall.
  • Raised Catholic: Attended a Catholic high school, and nowadays still identifies as Catholic but with complicated views on religion. Believes that the Bible is best interpreted metaphorically.
  • "The Reason You Suck" Speech:
    Alright, will.i.am, so let me pass judgement on you as an advertiser: your beats are monotonous and grating, your message is incoherent (if not stolen from better products), and your brand lacks recognizable distinguishing factors in the marketplace. It is the knockoff brand, the cheap imitation crap you get when you can't find anything better. People have asked why I write these reviews: this is one of the reasons, because the listening public deserves better. All throughout this review, I provided links to better songs, ones that have some shred of artistic integrity, songs i can recommend and that will stand the test of time. Even pop art - hell, even pop music, which many would consider the most disposable songs on the planet - deserves better than this advertising masquerading as music.
    Oh, what's that, will.i.am? You want me to judge you as a musician and artist, not an advertiser? Well, in that case, your hooks lack substance, your beats are badly positioned, your instrumentation is haphazard, your vocal production is sloppy, your lyrics are asinine and arrogant, your delivery is tepid, you waste your guest stars, you shamelessly rip off and plagiarize, and to top it all off, you have nothing to say. You advocate anti-intellectualism, terrible decision making, and misogynist behavior, and you have none of the personality or wit to make any of this transgressive behaviour tolerable.
    And the worst part, will.i.am, is that you're better than this. That's probably the most infuriating thing about #willpower, in that there are tiny shreds of a good idea here. There are snippets that have real beauty and real potential, and you clearly have the money and industry clout to make the album you want - and you made this trash. It is bar none the worst album you've ever made, and I sincerely hope that if you consider this the height of your talents, that this album flops and your long-overdue fifteen minutes comes to a screeching end.
    • His review of AJR's 'The Click' is essentially one big, 21-minute long one of these.
  • Running Gag:
    • "The Canadian charts are always better!" That said, by 2018 he'd begun retiring this bit, partly because streaming had homogenized the world's pop charts, and partly because of the rise of Drake, a Canadian musician who, as the decade wore on, he increasingly viewed as emblematic of everything wrong with pop music in the 2010s.
    • "So, did you know that [insert artist here] released a new record? Better question: did you care?!"
  • Scenery Porn: Pretty much all of the vacation episodes (which were filmed in Portugal and Spain) and the January 14th episode of Billboard Breakdown which was filmed in the Dominican Republic.
  • Screw This, I'm Outta Here!: The opening of the Cole Swindell review, where he abruptly got off his couch claiming he had better things to do, which caused Voltorb to argue with Mark to stop whining and finish the review. He reluctantly sat back down and demolished the album.
  • Shout-Out: Gives one to The Wonky Angle during his review of Against All Logic's 2012-2017. Which is particularly awesome, due to Tommy being an enthusiastic fan of Mark before he created the channel.
  • Shown Their Work: Always makes the effort to do research on an artist's discography or musical genre when doing an album review.
  • Signing Off Catchphrase: "I'm Mark, you're watching Spectrum Pulse, and I'll see you next time."
  • Top Ten List: Every year there's two top ten lists for the best and worst hits of the year, a top 50 for the best songs (not just hits) of the year, and a top 25 for best albums of the year.
  • Unreliable Narrator: In the 10,000 Subscriber Q&A episode, Mark claims to be a secret Pokémon trainer that found a wild Voltorb in a power plant and adopted him. Voltorb then explains the REAL story: Mark simply bought him from a friend of an ex-girlfriend who made and sold plush Pokémon on Etsy.
  • Unusual Euphemism: Has a habit of using the phrase "by/in the Nine Hells" to express exasperation. It kind of makes sense considering that he's Catholic...
  • Vacation Series: In August 2016, Mark did a series of short 30 second reviews while he was on vacation in Europe, as he didn't want to put the channel on hold while he was gone. He did it again a year later, this time doing joint four-album reviews in place of his typical one per episode.
  • Very Special Episode:
    • His reviews of David Bowie's Blackstar and Nick Cave & The Bad Seeds' Skeleton Tree, both having an uncharacteristically downtrodden and mournful tone; Mark himself has gone on the record as saying he nearly teared up in the process of filming both reviews. The former was shot mere days after the death of David Bowie, and the latter was the second and to date one of only three albums he's awarded a perfect 10/10 score.
    • Could also be considered for his review of Mount Eerie's "A Crow Looked At Me", the very first album which he gave no rating.
  • Vitriolic Best Buds: Mark and Voltorb, mainly Voltorb, who seems to think of Mark as somewhat of an idiot.
  • Wolverine Publicity: Believes this is the case with Drake in the last couple of years, to the point where as of late 2016, Mark is at the stage where he can't wait for Drake to finally go away.
  • Younger Than They Look: Mark was born in 1990 but has often been mistaken for being in his 30s. The receding hairline doesn't really help.


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