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WMG / The Bartimaeus Trilogy

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The Bartimaeus Trilogy is set in the same universe as William Shakespeare's The Tempest.
  • It scares me that this makes so much sense.
    • Less mysterious if you figure that Jonathan Stroud consciously drew on Shakespeare for inspiration.
  • YES!!! This troper was discussing The Tempest in her Shakespeare class the other day and came to the sudden realization that the relationship between Prospero and Ariel almost exactly mirrors the one between Nathaniel and Bartimaeus, right down to the threat of punishment by confinement in a small prison (tree knot instead of a tin at the bottom of the Thames) if Ariel doesn't carry out orders. There's also the extension of Ariel's contract without his consent, the substantial question of whether he and Prospero have any goodwill for each other, and the fact that it is eventually Ariel that brings Prospero's attention to the lack of humanity in his treatment of the other men. There's even this quote, which, modernized slightly, would fit perfectly into any of the Bartimaeus books:
    Ariel: Your charm so strongly works 'em
    That if you now beheld them, your affections
    Would become tender.
    Prospero: Dost thou think so, spirit?
    Ariel: Mine would, sir, were I human.
    Prospero: And mine shall.
  • In the same vein, Alexander Pope's The Rape of the Lock fits nicely into the same universe: it features an Ariel (who may or may not be the character from The Tempest) once again leading a team of lesser spirits to wait upon their mistress (albeit doing much more menial tasks: instead of foiling assassination attempts and bringing usurpers to justice, he is babysitting a lapdog, helping his mistress cheat at cards, and shielding her expensive brocade gown from spilled coffee).
    • If you accept the shared universe theory, it makes a nice chronological bridge between the era of Prospero (and Shakespeare) and the decadence of John Mandrake's London. Seriously, Belinda (real name: Arabella Fermor) employs a hundred imps just to keep her petticoats fluffy during a lengthy soiree (and Ariel warns that an attendant caught shirking his task will have his "essence" boiled in a chocolate mill). And if you thought John Mandrake was prissy about his hair...
  • Aladdin (the original story, not the Disney one) fits in too.

All the demons are souls of the dead summoned for those who wish to use their new abilities.
How would people know the names of demons unless they started guessing?
  • Word of God says demons are unnamed before they are first summoned and given a name - they're not even individuals before being ripped away from the Other Place the first time. Though Jonathan Stroud has expressed interest in the idea that Nathaniel survived the end of Ptolemy's Gate by having his spirit dragged alongside Bartimaeus to the Other Place...
    • But that would condemn him to an eternity of slavery, should his name be discovered. Surely Bart isn't that cruel.
      • If any such thing happened (face it, killing him just when he was turning back into Nathaniel was just plain cruel), it would probably be by accident.

The humans are demons
They have been trapped in bodies for so long that they have essentially become animals. They slowly forget how to use their inherent magic; now they resort to summoning other demons to do it for them.

The Demons are all a Hive Mind.

That's why they are in so much pain when they are ripped from their world. They're all part of a larger colony that mingles freely and chaotically.

  • Pretty much the exact canonical explanation.

The Demons are related to Hollows
They eat people's essences (souls), can devour each other to get stronger, and are veeery tough to kill without the right methods. Sound familiar? Some of their spells could even be related to Hollow abilities - Detonations = Cero, for example.

The "demons" are all a single Eldritch Abomination.
The consciousness within the Other Place was tapped into by humans completely by accident. The humans expected demons and monsters, with terrible forms and long names, to appear; the entity of the Other Place thus took forms and made up names. Bartimaeus, Farquarl, Queezle, and all other spirits are simply extensions of this entity, pseudopods of one big body.
  • That's pretty much the canonical explanation. The only reason that there even is a Bartimaeus, a Faquarl, or a Queezle is because humans tore off bits of the Other Place and gave them names. Eventually, the develop separate personalities and so forth, but return to being one giant Eldritch Abomination when sent back to the Other Place.

Faquarl is an afrit
Well, how else could he defeat four freaking over powered djinns while in Hopkin's body and with a freaking knife in a Curb-Stomp Battle? It is alto stated that Bartimeus is a fourth-level djinn, and yet Faquarl completely outclasses him. It seems rather unlikely that just three "levels" make a difference so huge.:Well, Bartimaeus did once claim to have taken on six djinni at the same time. He was talking to Ptolemy at the time, too, which substantially raises the likelihood that he was actually telling the truth. A djinn's power level probably has a very great deal to do with the circumstances, precisely who's going against them, what condition they're in, how mad they are, etc. etc.
  • My interpretation is that the reason Faquarl can always beat Bartimaeus in a fight is BECAUSE he's a djinn. Bartimaeus can usually outsmart afrits and djinn like Jabor, they're stronger, but he's more quick-witted. Afrits and most high-level djinn rely on brute strength. Faquarl is just as smart as Bartimaeus, and much stronger. He doesn't have the heavy hitting power of Jabor, but he's a far better in realistic combat. And remember, inhabiting a body makes a spirit stronger because the constant pain that plagues any trip into our world is removed, and besides, those djinn were not expecting any resistance. Not to mention that a kitchen knife seems to be Faquarl's preferred weapon, so it's not like that was slowing him down.

The Other Place is the result of the Bad Ending of Demon's Souls
The Old One, at the end of demon souls is described as an irrevocable poison placed on the earth. it appears to be the source of all demons in the universe of demon's souls, and it emanates a colorless white fog, which corresponds with the seeming nothingness within the other place, as the colorless fog swept across the land, destroying all and reducing it to nothing. in the good ending, this is halted, and the world is saved. in the bad ending, the PC Becomes a new demon, and spreads the colorless fog across all of the world, destroying it entirely, and nothing but demons live where the world used to be.

The Other Place is The Blind Eternities
Spirits are basically very small Eldrazi. Nathaniel might have survived by becoming a Planeswalker.

Simon Lovelace is actually Nathanials father
Several people talk about the resemblance between them. He could have encouraged the mother to give him up for magical training.
  • Magicians aren't allowed to have children to prevent dynasty drama, and are encouraged not to take long-term romantic partners (weak ones like Underwood got away with it because they're not important) because it serves as a point of weakness to political rivals. Simon's resemblance to Nathaniel, and Bartimaeus's observation of Nathaniel copying his fashions and affectations is meant to show Mandrake and Lovelace being not so different.

The three main characters represent the three main British political parties.
Nathaniel represents the Conservatives, Kitty represents Labour, and Bartimaeus represents the Liberals.

Kitty’s Resilience helped her survive the Other Place.
Although Kitty was prematurely aged by her time in the Other Place, it sounds like Ptolemy got it much worse. It’s possible that her resilience helped protect her somewhat./——

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