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  • Calvin and Hobbes: Calvin's six year-old imagination has the tendency to run away with him, resulting in spectacular fantasy sequences featuring characters like Spaceman Spiff, Stupendous Man, and Tracer Bullet. Then, of course, there's Hobbes himself, Calvin's stuffed tiger to whom he attaches a personality. Hobbes is even drawn differently when other characters are in the panel, to reflect how they see him as just a toy. Word of God is deliberately mum on whether or not Hobbes is just a stuffed toy, or really somehow alive. And then there's the storyline where Hobbes ties Calvin to a chair and Calvin's dad finds him and can't for his life figure out how the heck Calvin has managed this...
  • Some members of the For Better or for Worse Hatedom point out that a lot of events are communicated to the readers by having one character tell another, such that we get this information second or even third hand. This treatment is notably applied to Anthony's ex-wife, Therese - the audience sees very little of her, and almost everything we know about her is communicated by other characters when she's not present. As a result some question just how accurate the portrayal of Therese as an evil harpy really is.
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    • Elly is inclined to think of herself as a kind, reasonable, generous mother, and will paint herself as such in any retelling of events which involved her. Occasions when Elly has been any of those things, as a mother, as a wife, or just as a person in general, are few and far between.


Alternative Title(s): Newspaper Comics

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