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Trivia / The Magic Flute

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  • All-Star Cast: As Tamino, Pamina, Sarastro, the Queen of the Night, and Papageno...
    • Audio Recordings:
      • 1990, conducted by Georg Solti: Uwe Heilmann, Ruth Ziesak, Kurt Moll, Sumi Jo, Michael Kraus
    • Video Recordings:
      • 1983, conducted by Wolfgang Sawallisch at the Bayerische Staatsoper: Francisco Araiza, Lucia Popp, Kurt Moll, Edita Gruberová, Wolfgang Brendel
      • 2000, conducted by Iván Fischer at the Opéra National de Paris: Piotr Beczala, Malin Hartelius, Matti Salminen, Natalie Dessay, Detlef Roth
      • 2003, conducted by Colin Davis at the Royal Opera House: Will Hartmann, Dorothea Röschmann, Franz-Josef Selig, Diana Damrau, Simon Keenlyside
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  • Word of Dante: The interpretation that Sarastro is Pamina's father is fairly widespread and shows up in many stagings of the opera, particularly when the libretto is translated and the connection can be made more explicit, and so is frequently taken for granted. (In fact, the interpretation only works because the Queen of the Night's lines about Pamina's father are nearly always cut for time.)
  • Write Who You Know: It's common belief that Mozart wrote Papageno, a cheerful, easily-distracted fellow who falls in love with any woman he meets, based directly on himself.
    • Alternately, he was based on Mozart's friend Emanuel Schikaneder, whom Mozart personally described almost word for word as Papageno is normally played... and who originated the part on stage.
    • And the role of The Queen was originally played by Mozart's sister-in-law Josepha Weber, who, according to Mozart, was a cold and unpleasant person and only needed to "play herself".
      • In Amadeus there's a memorable scene in which Mozart's mother-in-law-from-Hell is telling him off and in the midst of her tirade she turns into the Queen of the Night.
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    • In a more musical example, Sarastro's vocal lines are quite simple, making the role accessible to a larger number of deep-voiced men, who are something of a minority to begin with. (It isn't known if Mozart wrote this way because all he had to hand was a bumbling James Earl Jones, but production managers have been thanking him ever since.)

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