Creator Backlash: According to the example on that page, James O'Barr later regretted that he glorified revenge, saying "I wish I had never written the goddamn thing." However, the Special Edition released in 2011 shows that now, O'Barr has come to terms with the work, seeing it as about true love and the importance of self-forgiveness. This is thanks in no small part to Brandon Lee's fiancée Eliza Hutton, with whom O'Barr became close.
As mentioned in the description, what started the whole thing.
After the death of Brandon Lee in the movie, James O'Barr said in an interview that writing the comic had been a vicious, self-destructive process and not at all cathartic, and that, combined with Brandon's death during shooting the film, made him "wish I had never made the goddamned thing," and wouldn't be able to come to terms with it until much later.
Limited Special Collector's Ultimate Edition: A definitive "special edition" of the comic was released in 2011. It features a new foreword by O'Barr and new or previously unseen artwork that O'Barr intended to include in the original release but couldn't due to the constraints of the format, in which page numbers had to be multiples of 16. The additions include but are not limited to:
An extra page in Gideon's pawnshop, in which Eric advises young rookie cop Albrecht to reconcile with his estranged wife
A flashback sequence of Eric and Shelly dancing together
A flashback sequence called 'An August Noel' which O'Barr says was so autobiographical in nature that it was simply too painful to include it the first time around
A penultimate sequence called 'Sparklehorse', in which Eric mercy-kills the horse in the barbed wire from the earlier 'Shattered in the Head' sequence, symbolising his final acceptance of the fact he wasn't able to help Shelly and has a discussion with the crow that very explicitly lays out that he's been trapped by his anger at himself as at the gang who attacked him and Shelly that night. The sequence takes place between Eric killing T-Bird and the final sequence of Eric at Shelly's grave.
Old Shame: James O'Barr said that he regretted the comic now, both due to what he now feels is a glorification of revenge, as well as the death of Brandon Lee due to the movie adaption. He only spoke positively of it many years later. Sadly, aside from Sundown, it's one of his few works that most people find awesome.
Deleted Role: Scenes featuring Michael Berryman as the Skull Cowboy were cut. Contrary to popular belief, they were cut before Brandon Lee's death, because everyone on set had thought the costume and look of the cowboy character clashed with the rest of the film.
The arcade demolition scene includes footage of the gang harassing and tying up the arcade clerk. She watches as the bomb's timer ticks down. Draven encounters the dying, burnt woman after the explosion and accidentally takes in her memory of the attack.
In the extended version of the arcade demolition, one of the gang members mentions the Detroit River. Although the film takes place in Detroit, no mention of the city is in the final cut of the film (except for a reference to 'Motor City').
Funboy wakes up in the bathtub and grabs the razor. He attacks Eric and cuts his hands and torso. Because Eric has weakened himself by getting the morphine out of Darla, he cannot heal properly. (This would have been explained by the Skull Cowboy, but those scenes were also cut.) To cover the wounds, he wraps them in black electrical tape. This explains why his hands and stomach are wrapped up later in the movie.
The shootout in Top Dollar's penthouse contains a bit of additional dialogue and more explicit bloodshed.
Skank gets shot in the leg by someone robbing the liquor store from which he was ordered to get smokes and road beers. This scene was supposed to show that crime is indiscriminant and even happens to criminals. This is why Skank is limping when he runs after T-Bird's car.
The scene in which Eric dies was changed - the original footage has been destroyed or is in police hands as evidence. The gun used is no longer wrapped in a grocery bag, and Eric (now Brandon's stunt double) is shot in the back instead of in the abdomen. Scenes showing his face were altered with digital effects and makeup, or reshot from different angles.
Development Hell: A complete reboot has been in the works since 2008, and passed between studios, actors, directors and even distributors. Several times it's gotten to the point of a filming start date being announced before someone along the chain drops out. In mid-2018, director Corin Hardy and actor Jason Momoa left the project.
The reason Eric wears tape on his body is because of a deleted scene where Funboy attacks him with a razor. The Skull Cowboy (who ended up being cut from the film) later explained that draining the morphine from Darla weakened his healing factor.
Skank is later seen with a bandage on his arm and limping. This is the result of a deleted scene where two kids rob the store he went to get smokes and road beers and shot him in the arm and leg.
Troubled Production: The film had an incredibly troubled shoot, so much so it would have been an example of this trope before its defining behind-the-scenes accident:
Series creator James O'Barr's first meeting with Paramount executives led to him discovering that they wanted to make the film a musical starring Michael Jackson, and when he laughed thinking it was a joke, they told him they were absolutely serious. Later on, they refused director Alex Proyas' request to shoot the film entirely in black and white.
There were several more accidents that befell the production crew, leading to a widespread belief that the film was cursed. A carpenter suffered serious burns on his upper body during the first day of filming. A manual worker had a screwdriver get embedded in his hand. An equipment truck burst into flames. A stuntman broke several ribs after falling through a roof, a rigger was horribly electrocuted, a disgruntled set sculptor went beserk and drove his car through the props room destroying it and a hurricane destroyed several of the sets. Just prior to his fatal shooting, Lee cut himself on a piece of breakaway glass (which isn't supposed to be sharp).
A lot of the trouble was due to cost-and-corner-cutting; one of the crew recalled "they were trying to make a 30 million dollar movie for 18 million dollars". The film was filmed in Wilmington, North Carolina, because North Carolina was a "right-to-work" state. This allowed the producers to get away with pay, conditions, and, crucially, production schedules that would have been nuked by unionized Hollywood. They began filming at night outdoors, but the aforementioned hurricane destroyed the sets, so they moved the production indoors - without changing the schedule, as switching a production from nights to days requires a 24-hour turnaround, time the harried production team didn't have. Moreover, it was still so cold that the camera rails had to be de-iced during filming by riggers with blowtorches hiding out of shot.
On top of all of this, cocaine abuse was rampant on set, according to Empire magazine, with cameramen shooting whilst high, crew going into the toilets to snort between shots, and people cutting around looking like the Got Milk? ads. One crewmember recalls hearing the sound of a sneeze on the set one day, and an annoyed Brandon Lee quipping "someone just lost $50".
Everything eventually got so bad that one of the neighbouring productions in the EUE studios began taking bets on mishaps...until a fire destroyed several of their sets as well.
And of course, with eight days of filming left, Brandon Lee was accidentally shot and killed due to a prop gun that discharged a piece of blank cartridge that was left in the barrel. The resulting shot punctured Lee's chest and impacted his spine, and he died in surgery from serious blood loss. The footage showing Lee being shot was destroyed, and the incident caused so much anguish for supporting actor Michael Massee (who pulled the trigger on the gun, and was cleared of any wrongdoing in the incident) that he took a year off from his career to recuperate.
As a result of Lee's death, and Paramount Pictures writing the project off as a result, Miramax finished production of the film via reshot sequences that used a stand-in for Lee. The FX studio Dream Quest Images (which was already trying to make effects for the entire film on a budget of $15,000) was forced to jury-rig handheld footage of Lee shot earlier in production to finish several effects shots.
Unintentional Period Piece: While based on a comic from 1989, the film is very much a product of The '90s, with the industrial-gothic soundtrack and visual style, the trenchcoats, the round-lensed glasses worn by Grange, the preponderance of shoulder-length hair, etc.
Wag the Director: A positive example. Brandon Lee requested that one Asian character from the comic who tries to steal Eric's powers, be removed from the script, as he felt it was a stereotype.
Iggy Pop was asked to play Funboy, but had to decline due to scheduling conflicts - The comic book version of the character was modeled after him to begin with. Instead, he played Curve in The Crow: City of Angels.
Two other sequels were in development, one being The Crow 2037, a futuristic dark gothic fanatsy to be written and directed by Rob Zombie; and Lazarus: A Tale of The Crow which took place in the world of gangsta rap and was set to star DMX and Eminem. Neither film failed to materialize and were actually attempted to be spun off into stand alone films separate from the franchise before those plans stalled as well.
Cameron Diaz was offered the role of Shelly, but turned it down because she didn't like the script.
Brandon Lee and Alex Proyas wanted the film to be in black and white like the comic, but the studio refused.
Eric Mabius, who would go on to play the lead role in The Crow: Salvation, auditioned for the role of Funboy.
According to screenwriter David J. Schow, who hung out with Brandon Lee before and during filming, Brandon thought Sir Peter Ustinov was a perfect fit to play Gideon, the sleazy pawnbroker (an idea he got after watching Spartacus late one night).