To Kill a Mockingbird is the 2018 stage adaptation of the novel by Harper Lee, adapted by Aaron Sorkin. The Broadway run was directed by Bartlett Sher with Scott Rudin producing. The original cast included Jeff Daniels as Atticus Finch and Celia Keenan Bolger as Scout Finch. Ed Harris later took over the role of Atticus. Greg Kinnear was supposed to play Atticus after Harriss run, but then Broadway shut down due to the ongoing pandemic, and it remains to be seen when the show will return and with whom in the cast.
Tropes Associated With This Work Include:
- Aborted Arc: The Mrs. Dubose plotline goes much further than it did in the movie, but it doesn't reach the ending that the book did, and instead ends before Jem's final meeting with Dubose (the one where it's revealed that she was dying and had a morphine addiction).
- Adaptation Deviation: As a Composite Character, Link Deas has much of Dolphus Raymond's backstory added to his character, with one key difference. While he still has children with a black woman, his past of his fiancee committing suicide on their wedding day is omitted. Instead, the tragic part of his past is that one of his children fell ill, and died after he was refused aid due to his status as a biracial child.
- Adaptation Expansion: The play gives more scenes with Calpurnia and Tom Robinson as well as a direct confrontation between Atticus and Bob Ewell.
- Anachronic Order: The play opens with the "child" characters as adults remembering the events, and the story uses the trial as a Framing Device.
- Batman Gambit: Atticus harshly questions Mayella, knowing that her father will kick up a scene and get himself thrown out of court, enabling Mayella to answer Atticus questions more honestly. This backfires and Mayella remains loyal to her father (although she does have visible regret after taking her seat again).
- Beware the Nice Ones: After Bob Ewell shows up drunk in front of Atticus house and taunts Atticus with Toms guilty verdict, then threatens his family specifically Scout, who he says must learn to use her mouth for something other than yapping Atticus finally snaps and pins Ewells wrists behind his back. Atticus then threatens to break both of Ewells arms so he cant touch Mayella again before he snaps out of it.
- His rage also breaks through much earlier when he questions Mayella rather intensely.
- Bittersweet Ending: Tom Robinson dies after (supposedly) trying to escape from the police on foot and Atticus is thrown off his seat in the Alabama council after pushing an equal rights bill forward, but his relationship with Calpurnia and his children is strengthened and he has vowed to take a more active role in the fight for civil rights going forwards.
- Character Development: Sorkin's stated goal when adapting the book was to create a story where Atticus, rather than being a perfect, contained hero from the start, becomes heroic as a result of the events.
- Specifically, Atticus starts out more passive towards the racism in Maycomb, and takes Tom Robinson's case not for justice, but because it was assigned to him. As the case goes on, Atticus becomes more focused on racial justice (especially after being confronted by Calpurnia), and by the play's end he's much more active in civil rights, to the point that he even tried to get an equal rights bill passed.
- Composite Character: Link Deas and Dolphus Raymond are a single character in the play, with the name of the former but the latter's status as the town drunk.
- Disabled in the Adaptation: Link Deas is portrayed as deaf in this version, communicating through a mixture of speech and ASL, with the kids translating.
- In Medias Res: As seen in Anachronic Order above, the opening starts at the trial before flashing back to the beginning of the original story.
- Throwing Out the Script: Lampshaded by Scout in a line of dialogue.Atticus had spent all night working on that speech, tweaking it just about to perfection. You could see in his eyes the exact moment he decided to throw it all out.