The Lightning Thief
is a rock musical adaptation of the first book in the Percy Jackson and the Olympians
The Lightning Thief contains examples of:
- Abusive Parents: The gods, for being negligent. Gabe's abuse of Sally and Percy is also implied, though not as heavily as in the source material.
- Action Film, Quiet Drama Scene: The fast-paced, upbeat show pauses during "The Tree On the Hill", a solemn ballad in which Grover tearfully confesses what happened to Thalia while Percy listens, uncharacteristically quiet.
- Actor Allusion: George Salazar plays the main character's best friend and has a tearjerking song about their past relationship with a character. Michael, is that you?
- Adaptational Early Appearance: Silena appears and even gets to do some singing with the cast. She didn't appear until the second book and had no real relevant scenes until the third.
- Adaptation Distillation: There are some things simplified or skipped over:
- Crusty (Procrustes) and his water beds are skipped over.
- The subplot of Percy being a fugitive is cut.
- Percy, Annabeth, and Grover escape from the Underworld by a portal, not by floating bubbles.
- They also don't have to retrieve a shield for Ares from Waterland.
- Annabeth immediately makes the connection between the Lotus Hotel and the Lotus-Eaters from The Odyssey.
- Adaptation-Induced Plot Hole: Has its own page, although only one instance from the musical itself makes it in (and one shared with the film, at that), specifically Percy successfully using the winged shoes despite it being a spectacular way to piss off Zeus.
- Adaptational Angst Upgrade: The campers bitterness over their godly parent's Parental Neglect is much more apparent in the musical.
- Percy is much more angsty in general, lamenting his inability to do well in school in multiple songs along with feeling bad about how his mom had to take care of him by herself.
- Adaptational Jerkass: Beckendorf is apparently cheating on Silena with a nymph during "Another Terrible Day", even though in the books he does no such thing. (Though it was Dionysus who said this, so...)
- Adaptational Nice Guy: Ares offers Percy, Annabeth, and Grover a ride on his motorcycle instead of forcing them to retrieve his shield in exchange for transportation.
- Adaptational Villainy: A downplayed example in Hades. In the book, he says that he doesnt want a war between the gods because he has enough souls to take care of and its more trouble than its worth. In the musical, he still didnt steal the bolt, but he wants Percy to give it to him anyway, so he can start a war between his brothers. His reason? A war will make a bunch of new souls go down to the Underworld, and he gets lonely.
- All Musicals Are Adaptations
- Arc Words:
- "Put you/them in your/their place." for villainous/antagonistic characters.
- "the real world" for the show as a whole.
- Big "NO!": Percy after Sally is throttled by the Minotaur (though some productions have the line performed as a half-whimpered Little "No").
- Black Comedy Burst: "DOA" has this trope written all over it.
Charon: [gleefully] It's the Vienna boys choir. They crashed their bus on the way to sing for the Vatican.
Percy: [aghast] They're kids!
Charon: They're lucky! Their voices will never change now.
- In "The Campfire Song", as the half-bloods one-up each other with stories of how comically terrible their parents are:
Chiron, who's your dad?
Chiron: My father is Kronos. [beat] Remember my lecture? He ate his children.
Percy, Annabeth, Katie, Grover, Silena: [uncomfortable silence]
Luke: Chiron wins!
- Brief Accent Imitation: Percy imitates his dad's surfer dialect while trying to figure out the significance of the seashell, complete with faux-rocker hand gestures.
- Campfire Character Exploration: The demigods complain about their godly parents around a campfire in "The Campfire Song".
- Cerebus Call-Back: Luke expresses his bitterness over the gods abandoning them in "The Last Day of Summer", in sharp contrast to his light-hearted complaining in "The Campfire Song" earlier, when he goes from singing "I met the guy once, and once was enough" to "They won't bother to show their face / It's time to make the world our own / Time someone put them in their place."
- Composite Character: A relatively minor one. Because much of the Arch incident that led to Percy getting the portal pearls from a nereid was cut, Poseidon instead gives him a seashell directly.
- Dark Reprise: Luke does a reprise of "Good Kid" in "The Last Day of Summer".
- Similarly, Ares briefly reprises "Put You in Your Place" during his climactic battle with Percy.
- And "The Weirdest Dream" a relatively light-hearted song, is reprised as Percy glimpses Kronos for the first time.
- Descent into Darkness Song: "The Last Day of Summer" as Luke reveals his plan to bring back Kronos and overthrow their godly parents.
- Early-Bird Cameo: Bianca appears in "Drive" in the Lotus Hotel despite not showing up until The Titan's Curse in the books.
- Establishing Character Moment: "Another Terrible Day" serves as one for Mr. D.
Mr. D: Another terrible day at Camp Half-Blood, where everything's the worst! Another terrible day! You can hate it here, BUT I HATED IT FIRST! Just another terrible day, stuck here with these runts in the muck and mud. Another terrible day! Oooooh gods! ..... I need a drink. Enjoy your stay at Camp Half-Blood.
- Evil Sounds Deep: True to the literary depiction, Kronos' voice is rendered as a theater-shaking basso rumble.
- Evil Laugh: Kronos gives a classic (but still creepy) example when he spots Percy spying on his conversation with the thief.
- Foreshadowing: In Pick a Side, while Clarisse and Silena are egging on the campers to pick sides in the upcoming war, Luke states he'd never help his father and neither should the rest. In the moment, it just comes off as 1) Luke's being the Only Sane Man and trying to keep things calm and 2) bitter towards his dad. In hindsight, Luke's subtly trying to turn the rest of camp against the Gods.
- Granola Girl: Parodied with Katie Gardner, daughter of Demeter.
Mr. D: You don't have flying lessons on Thursdays, you have archery.
Katie: Those arrows are made of wood. Wood comes from trees. I refuse to participate in any activity that encourages the senseless slaughter of our arboreal friends!
- Headbutt of Love: Percy and Sally are prone to this.
- "I Am Becoming" Song: "Son of Poseidon" for Percy, as it signifies him taking full control of his powers and accepting his role in the story, thus concluding his character arc.
- "I Want" Song: "My Grand Plan" and "Good Kid".
- Jerkass Gods: "The Campfire Song" features the entirety of Camp Half-Blood lamenting that all their parents are assholes.
Campers: Oh, things couldn't be worse / When your parents run the universe!
- Leaning on the Fourth Wall: After almost half the show, Percy initially refuses to sing in "The Campfire Song" because....
Percy: If I try to sing, it'll probably cause an avalanche.
- Leitmotif: The most prominent one is Percy's Recurring Riff from "Good Kid" and "Son of Poseidon", which is echoed in the guitar that opens the show.
- Luke has an interesting version. Despite singing in several songs, he never seems to have a melody of his own. He's always singing someone else's. Until "The Last Day of Summer" reveals that he shares Percy's motif.
- Life Isn't Fair: Percy says so during "Son of Poseidon" when he decides to stop angsting over his dad not being in his life and starts counting his blessing instead.
- Minor Character, Major Song: Clarisse steals the show in "Put You In Your Place", despite not having a whole lot of bearing on the main plot.
- As does Charon with "D.O.A.", and Mr. D in "Another Terrible Day".
- Misery Poker: "The Campfire Song" is essentially the group singing about who's godly parent is the worst. Chiron is declared the winner after bringing up how his father, Kronos, ate his children.
- Mood Whiplash: Given that the very nature of the plot invokes Bathos, it's inevitable.
- "The Minotaur", a dramatic song featuring Sally being grievously injured leads directly into "The Weirdest Dream", a surreal Dream Sequence where Percy pokes fun at the weirdness of his own dream.
- "The Campfire Song", a humorous Misery Poker sequence, is interrupted by Percy's verse. He quietly eulogizes "the only family that really mattered", then, when told to sing about his godly parent, wonders if his dad abandoned him because he didn't want the trouble.
- Mythology Gag: Several.
- No Indoor Voice: Dionysus manages to combine this with Guttural Growler.
- One-Paragraph Chapter: Chiron's verse in "The Campfire Song" is only a couple of sentences long.
- Opening Chorus: "Prologue/The Day I Got Expelled" starts with the demigods bemoaning their godly parents.
- Parental Love Song: "Strong," sung by Sally to Percy when he feels like hes a screwup because of his ADHD and dyslexia.
- Pep-Talk Song: "Strong, again (see above). Chiron tries this in Their Sign, telling Percy that the gods have a plan for him, but hes too angry at his father (who hes just learned is one of said gods) to listen. Luke does a better job of it, commiserating with Percy about feeling rejected by their respective parents and saying they have to stick together.
- Race Lift: Sally is portrayed by Carrie Compere, an African-American woman, when she's definitely of European descent in the books.
- Relationship Compression: Silena and Beckendorf are already together by "Another Terrible Day", but in the books, they only get together during The Battle of the Labyrinth.
- Reprise Medley: "Bring on the Monsters" contains reprises of "Drive," "Strong," and "My Grand Plan."
- Shout-Out: All of the bands and musicians mentioned in "D.O.A.": James Brown, Kurt Cobain (the "Smells Like Teen Spirit" riff is played under his lines), Janis Joplin, Josh Groban (a possible shout out to the books, where Grover is a fan of Groban), Mozart, and the song "Come Sail Away" by Styx.
- Stealth Pun: "Prologue" has Luke, Annabeth, Clarisse, and Grover, three of whom are half-blooded children of the Olympians, commentating to the audience about events that are about to happen on-stage. They're a Greek Chorus.
- Take That!: Not in the musical itself, but when a fan commented that the musical was probably gonna be just as inaccurate as the movies, the official twitter responded with "We've got a blonde Annabeth, so we're already ahead of the curve."
- A subtle one, but Movie!Grover mentions that country is his least favorite music as they drive to Tennessee. In the musical, guess what style of music Grovers song Drive is?
- Tenor Boy: Played with in that both Percy and Luke are young characters played by tenors, but Luke is a much less heroic figure than he initially appears.
- Then Let Me Be Evil: Upon being told Kronos is just using him to get back at the gods, Luke only replies "Good" and then proceeds to gleefully sing about how he'll do anything and hurt anyone if it means he'll get his revenge on the Gods.
- Toxic Friend Influence: Attempted by Luke, who encourages the other demigods (and Percy in particular) to embrace their resentment of their parents.
- Truer to the Text: Compared to the heavily-reviled movie adaptations.
- Villain Song: "D.O.A" may not be sung by the main antagonist, but considering it's about Charon gloating that the trio aren't ever going to leave the underworld...
Charon: No hope of survival / You're dead on arrival!
- A more straightforward example would be Luke's reprise of "Good Kid" during "The Last Day Of Summer".
Luke: So, I'll do anything. I don't care if I hurt anyone. It doesn't pay to be a good kid, a good kid, a good son. The gods were never on our side, so I think it's time we watch them fall! And soon you'll see what I did! Soon they'll be no gods at all!