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Series / Coupling

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Clockwise from top left: Jeff, Sally, Patrick, Susan, Steve, Jane. Not shown: Oliver.

"Let me explain, Patrick. Here on Earth, there is a gap between seeing someone you like and having sex with them that we like to call conversation. In Jeff's case, it can last for up to ten years."
Steve, "The Man With Two Legs"

Coupling was a 2000–04 BBC sitcom about a circle of friends in their 30s and their complicated sex lives. Written by Steven Moffat, produced by his wife Sue Vertue, and based very loosely on their early relationship. (The Word of God is that Steve and Susan went on to make a sitcom about their lives, after which Steve worked on "some old kids' show they recently pulled out of mothballs".)

The series was notable for its meticulously-crafted plots, revolving around lies and misunderstandings in the "Fawlty Towers" Plot and Three Is Company veins, and hilarious cases of Digging Yourself Deeper. Each episode was very detailed and expansive on matters such as impotence, masturbation, pornography and lesbianism.

The characters are intended to represent a spectrum of confidence and paranoia in relationships among men and women. They are:

  • Steve Taylor (Jack Davenport): A nice, if somewhat neurotic everyman, who starts dating Susan after breaking up with Jane.
  • Susan Walker (Sarah Alexander): A snarky and practical blonde with the occasional mean streak, who starts dating Steve after breaking up with Patrick.
  • Jeff Murdock (Richard Coyle): Steve's best friend. A paranoid Manchild who provides the show's most awkward moments, generally by overthinking everything.
  • Sally Harper (Kate Isitt): Susan's beauty-obsessed best friend. Although originally written as a one-note character, she gets plenty of serious character development after the first series.
  • Patrick Maitland (Ben Miles): Susan's ex, a laid-back casanova who does have his heart in the right place on occasion. He is also very well-endowed (a "tripod", apparently). Although he's not too bright, he has his serious moments.
  • Jane Christie (Gina Bellman): Steve's ex. A walking mess of crazy with many hidden layers of even more crazy, although hidden underneath all of that crazy, she seems to be a very sweet, very scared woman.
  • Oliver Morris (Richard Mylan): The final series' replacement of Jeff. Owns a fantasy/sci-fi store and is worse with the opposite gender than the rest of the cast combined. Notably, even Jane thinks he's crazy.

It had an American remake on NBC, which lasted for only four episodes in the US before being pulled (though the full season of 13 episodes was broadcast in the UK, ironically enough). There was also a Greek version that ran for a full series of 10 episodes.

Came fifty-fourth in Britains Best Sitcom.

There are some commented out Zero-Context Examples.

This show provides examples of:

  • Aborted Arc: Jeff and Jane were implied to have an interest in each other at the end of series 3, but Richard Coyle left the show and this was never mentioned again. This was, however, salvaged for Oliver in the fourth series.
  • Anthropomorphic Personification: We do not talk about the Melty Man!
    Jeff: All of us, in our time, are visited by the Melty Man.
    Patrick: The what?
    Jeff: Don't say his name, Patrick! Don't even think his name! Or he will rise from the shadow dimensions to do his evil work inside your terrified pants.
    Patrick: (scoffing) Terrified pants?!
    Steve: (gravely) There's nothing funny about the Melty Man, Patrick!
    Patrick: You know about the Melty Man, too?
    Steve: We all know the Melty Man.
    Patrick: Who is he?
    Steve: The arch-enemy of trouser confidence.
    Jeff: Professor Moriarty, in groin form.
    Steve: Darth Vader.
    Jeff: Without the helmet!
    • We do talk about Captain Subtext, but only when we mean something else...
  • Author Avatar: Steve. Susan is an example of that more rarely seen species, the Producer Avatar.
  • Babies Ever After: The series ends with the birth of Steve and Susan's child.
  • The Baby Trap:
    • Discussed by Jane in "Gotcha":
      Jane: Where are we going wrong? Are we supposed to hang around bars, shag every man in sight, get ourselves pregnant and then trap some poor loser into a lifetime of misery and heartbreak?
      Sally: Of course not.
      Jane: Okay, you suggest something!
    • Susan attempts this with Steve:
      "We never really got 'round to organizing a wedding. Thought maybe a whole human being would be easier."
  • Bad Liar: Patrick has this problem, leaving him unable to keep secret the fact that he recorded another woman over his sex tape with Susan.
    Susan: Did you tape that woman over me?
    Patrick: I can explain. Yes, I did.
  • Bait-and-Switch Comparison: Part of Susan's snarky repertoire.
    • From "The Girl With Two Breasts":
      Susan: Jeff, Jeff! Listen to me! Women want someone with command, with confidence, someone who won't take no for an answer. We want somebody arrogant and gorgeous with a terrifying sexual appetite and an amazing range of sexual technique. But when it comes right down to it, d'you know what? We'll settle for a man!
      Steve: [after Jeff leaves]) So have you settled for me, then?
      Susan: Oh, don't be paranoid, Steve. [beat] Of course I have!
    • Susan even does this in Sally's head in "The Melty Man Cometh":
      Sally: What am I doing?
      [Susan and Jane appear behind her]
      Jane: Well, you're about to attempt sex with a close friend.
      Susan: He's so worried his erection will fail again.
      Jane: Which will destroy one of the most important relationships in his life.
      Susan: And his relationship with you!
    • She gives a very mean-spirited one in "Gotcha", in response to Jane seemingly implying that she's better at turning Steve on than her. Even the audience reacts at her retort:
      Jane: Oh, it's pretty easy to get a response out of Steve as long as you hit the right notes. It's like... snake-charming.
      Susan: Well, personally speaking, I'm not in the habit of charming snakes... I just try to be polite to you. [walks out of the salon]
      Jane: Well. I think I got out of that okay.
  • Becoming the Mask: According to Jane, this is how she got the way she is. She went on holiday, pretended to be her own imaginary insane twin sister, and eventually it just stuck.
    Jane: D'you know, I could get away with anything when I was my crazy twin Jane.
    Sally: But you are Jane.
  • Belligerent Sexual Tension: Sally and Patrick, from the first episode right up until they become an official couple at the end of season three.
  • Better as Friends: Susan and Patrick only saw each other once a week while they were dating, and Susan wasn’t even being faithful. They get along quite famously after separating.
  • Better than Sex: Jeff once said this in "The Cupboard of Patrick's Love" of a childhood activity that involved writing the word "naked" hundreds of times on a sheet of paper and rubbing his face in it.
  • Big Brother Mentor: Jeff tries to be this to Steve, even though they're the same age and Jeff is presented as pretty incompetent in his encounters with women.
  • Bigger Is Better in Bed: Patrick, so much so that a former girlfriend used him as a model for a sex aid—without his knowledge.
    Steve: I think you may have been had, mate.
    Jeff: And a lot more often than you realized!
    • In his personal opinion, he's also "got technique". Woman don't always agree - he's been advised that, when kissing, he should stop considering the epiglottis at the back of the throat a target and that he should stop trying to make nipples revolve like the knobs on an etch-a-sketch.
  • Big "NO!": In "Faithless", Jane lets one out when she realizes that the guy she likes is against premarital sex.
  • Bilingual Bonus: "The Girl With Two Breasts" plays with this, the latter half showing the same conversation twice: once from Jeff's perspective, then again from his Israeli crush's. (Her side has Jeff speaking improvised mock-Spanish, though he speaks English with a Welsh accent.)
  • Birds of a Feather: As the pairing develops: Only Sane Man Susan and Steve, shallow and vain Sally and Patrick, Cloudcuckoolander Jane and Jeff/Oliver.
  • Birthday Suit Surprise Party: Happens in the aptly-titled episode "Naked". Oh, Jeffrey.
  • Blonde, Brunette, Redhead: Susan, Jane, Sally.
    Jane: Quite a threesome, huh?
  • Bondage Is Bad: Averted in the episode "The Freckle, the Key, and the Couple Who Weren't". Jeff and his girlfriend are shown to take part in bondage as part of their relationship and it is shown as part of a Safe, Sane, and Consensual relationship... or would be if Jeff weren't so bad at it. Also discussed in that Julia's possessive ex-boyfriend walks in on them and misunderstands what's going on.
  • Brick Joke: In most episodes, there's often a particular joke that keeps coming up at the first half, and is then set aside until the near-end of the episode. Sometimes, jokes even reoccur in later episodes, and often when you least expect them.
    • In "Size Matters", Jeff rambles on about celebrities hooking up because all the people who are currently having sex and fantasizing about each of them create a kind of psychic charge. At the end of the episode, when Susan sleeps with Steve, the scene cuts to Angus Deayton and Mariella Frostrup meeting each other, they being the objects of both Susan's and Steve's fantasies respectively.
      Susan: So is it absolutely necessary to think about somebody else?
      Jeff: Well, everybody does. That's why there are so many celebrity marriages.
      Sally: I'm sorry?
      Jeff: Well you know, if you fantasize about someone else during sex, and so does your partner, and you know, those two people that you're fantasizing about happen to meet while you're still doing it, you know, they're bound to sense something, aren't they? Because, you know, they're connecting on like a virtual plane! So can you imagine what it was like when Posh first met Beckham? They were the epicentre of a non-stop, nationwide, virtual shag! I mean, it's no wonder she got pregnant!
    • After Jeff explains the "unflushable" concept in "Flushed", it doesn't come up again until the season 1 finale, where Steve gets dumped and Jeff asks how he feels. He simply answers, "Flushed."
    • In "Split", Susan constantly remarks that hearing Jane's voice makes her grind her teeth. At the end of the episode, she sees Steve asleep on her bed, and performs oral sex on him. Meanwhile, the phone rings, and as the answerphone picks up the call, Jane's voice plays, after which Steve immediately sits up and screams.
      Susan: I'm sorry.
      Steve: I'll be fine...
      Susan: It's just Jane's voice... doesn't it set your teeth on edge?
      Steve: It will now...
    • "Faithless" has Jeff overreacting over saying "Hi" to a colleague at work, complaining that there are very few ways to end an "H" sound. The last word he can think of is "Hippo". Later in the episode, flustered by said colleague's casual admission that she's also in a relationship but still wants to date Jeff, he ends up saying "Hippo." In the season 3 finale, Steve says "Hippo" when he reacts awkwardly to Susan's revelation that she's pregnant.
  • Brit Com
  • British Brevity: Four series, and a total of 28 episodes, just barely more than a single American season of 22.
  • Cannot Talk to Women: This is one of Jeff's defining characteristics. It inevitably leads to him panicking when talking to women, leading to (among other things) him claiming to only have one leg, which the lady in question actually finds endearing.
  • Can't Act Perverted Toward a Love Interest: In "The Melty Man Cometh", Patrick doesn't succeed getting an erection during a hookup with Sally because he was falling in love with her.
  • The Casanova: Patrick is unashamed about his "love 'em and leave 'em" approach to women. Once he has succeeded in getting a woman into bed, he invents whatever excuse he can to get out of the relationship so that he can move on to his next conquest. Steve and Jeff note that he almost never refers to his latest partner as his "girlfriend" as a result, as it implies a level of emotional attachment he rarely forms.
  • That Came Out Wrong: Some of the humor in the series comes from the characters falling into this trope.
    • From "The Cupboard of Patrick's Love":
      Susan: God! What is it with you lot? Why do you all have this desperate desire to see me naked?
      Steve: Oh Susan, no one wants to see you naked! (beat) Okay, that came out wrong.
    • Happens to Sally in "Her Best Friend's Bottom":
      Susan: Okay. So Steve saw your bottom, so what?
      Sally: So? My relationship with your boyfriend has been thrown completely off-balance by the weight of my bottom! (beat) Can I please rephrase that?
  • The Cast Show Off: In the U.S. version, Chris Moynihan showcases his juggling and balancing talents in one episode.
  • Category Traitor: In "Size Matters", Sally accuses a gay man of being a traitor because he supports the Conservatives.
    Howard: Maggie Thatcher, in my opinion...
    Sally: Now listen to this, Patrick, this is the voice of an oppressed minority!
    Howard: Maggie Thatcher, in my opinion, is THE best Prime Minister we've ever had.
    Sally: You can't say that! You're gay, you're on our side!
  • Cerebus Syndrome:
    • Started rearing its head in series 3 with the increasing Patrick/Sally tension, but became more noticeable after Jeff left.
    • Jeff himself was going through this just before he left, especially in his last conversation with Jane - it's filled with plenty of jokes but it slowly becomes clear just how lonely and deeply unhappy they both are, especially when they get onto talking about their love interests who are supposedly 'exploring their feelings' which as Jeff sadly points out means they are actually being dumped.
  • Character Filibuster: Steve, about Once A Series - topics include pornography ("Inferno"), the pointlessness of cushions ("Her Best Friend's Bottom"), and the sanctity of the toilet ("The Girl With One Heart").
    • From "Inferno", when Steve is forced to justify owning a VCR tape of lesbian porn:
      Jill: How could you possibly enjoy a film like that?
      Steve: (exasperated) Oh, because it's got naked women in it! Look, I like naked women! I'm a bloke, we're supposed to like them, we're born like that! We like naked women as soon as we're pulled out of one! Halfway down the birth canal, we're already enjoying the view! Look, it is the four pillars of the male heterosexual psyche; we like: naked women, stockings, lesbians and Sean Connery best as James Bond, because that is what being a boy is! And if you don't like it darling, join a film collective! I want to spend the rest of my life with the woman at the end of that table there (gestures at Susan) but that does not stop me wanting to see several thousand more naked bottoms before I die! Because that's what being a bloke is! When man invented fire, he didn't say, "Hey, let's cook!" He said, "Great! Now we can see naked bottoms in the dark!" As soon as Caxton invented the printing press, we were using it to make pictures of, hey, naked bottoms! We've turned the Internet into an enormous international database of... naked bottoms! So, you see, the story of male achievement through the ages, feeble though it may have been, has been the story of our struggle to get a better look at your bottoms. Frankly, girls, I'm not sure how insulted you really ought to be.
    • Even Susan has one in "Split":
      Susan: Okay. You know what's really getting me mad? My boyfriend, my fiancé, the man who, against all my better judgment, I actually love, chatted up a woman in a bar. And on the very same day, the very same day, I chatted up a man. Do you see? Do you get it? I'm equally at fault. How can I ever forgive him for that? Well, of course, I'm not going to forgive him, because men, and I don't mean to generalize, are crap! They're the human race's only failed gender! Who needs them? And why are they so difficult to keep hold of? Do you think they realize, that were it not for the genetic imperative to populate the earth, they wouldn't get a date? That's one hell of an inducement: "No pressure, girls, but shag one of these or it's curtains for all humankind!" That's harassment! But you know what? Do you know what's even more crap than men? We are more crap than men! All those stupid books you guys have, and... and these magazines! A hundred pages of "men are useless bastards" and an article about why you should wake him up with a blowjob! Am I alone in spotting the inconsistency here? And these places! (referring to the salon) Because, for God's sake, don't let them see what we really look like! Just let them enjoy the results, don't let them see how it all happens!
      Jane: You know, I went out with Steve for six years, and—
      Susan: No, you didn't! You went out with him for four years, I checked!
      Jane: Oh. Well, it seemed longer.
      Susan: Yeah. Yeah! Of course it seemed longer! I myself have been going out with him since the 12th century! Or possibly since last week, it's hard to keep track. Because how are you supposed to measure time with the one you want to spend the rest of your life with? What would make sense? Centuries? Nanoseconds?
      Sally: Eggs.
  • Cleaning Up Romantic Loose Ends: The finale of series 3 had Patrick and Sally finally getting together, and series 4 gave Jane a love interest in the form of Jeff's Suspiciously Similar Substitute Oliver.
  • Cliffhanger: Every series ends this way.
  • Cloud Cuckoolander: Sally and Patrick have their moments when the Rule of Funny demands, but Jeff and Jane have bought a 2-bedroom maisonette in Cloud Cuckoo Land and only return to reality once a month to collect their mail.
  • Cluster F-Bomb: Sally's reaction to discovering Patrick's engagement ring in the series finale.
    Sally: Fuck... Fuck... Fuckity-fuck...
    Patrick: Was that a yes?
  • Corpsing: In-Universe, thanks to Jeff introducing the concept of the Giggle Loop, the other guys start having this problem at Jane's aunt's funeral. However, the only one shown to break is Jane herself, despite not being in the initial conversation.
  • Country Matters: When Susan is in labor in the series finale, she wants to have a natural birth, but tells Steve to ask her three times if she wants the drugs. Midway through, though, she changes her mind about this:
    Nurse: She said "you can't."
    Steve: Yeah, trust me, the word wasn't "can't."
  • Cross-Referenced Titles: Stephen Moffat is rather fond of this trope, hence...
    • "The Girl With Two Breasts", "The Man With Two Legs" and "The Girl With One Heart".
    • Two consecutive episodes titled "Naked" and "Dressed".
    • The final series begins with "9 And A Half Minutes" and ends with "9 And A Half Months".
  • Dead TV Remote Gag: One time Steve checks the TV remote just to discover that there are no batteries in it. He tells his new girlfriend Susan of this and is surprised when she goes to her nightstand to retrieve some batteries but finds those are also dead before opening up a drawer to reveal several huge multipacks of spare batteries.
  • Depth Deception: Jeff being dragged up to the invoked miniature guillotine.
  • Did I Just Say That Out Loud?: Happens to Sally quite often.
    • From "Flushed":
      Sally: Facial - Wednesday evening.
      Susan: Well, just don't count every time you find a wrinkle.
      Sally: Do I do that out loud?
      Susan: You have a running tally in my file!
    • In "The Girl With Two Breasts", when the girls look jealously at the Israeli woman at the bar:
      Sally: I bet she doesn't lie on her back and fill her armpits. Hah!
      Susan: Sally. In case you didn't realize, you just said that out loud.

      Sally: No, not Jeff...
      Susan: Yes.
      Sally: But she's not meant for a guy like Jeff. He's supposed to have someone plump and organized. Healthy-looking, but mottled. Probably called Joan or Frieda, all chunky jackets and hill-walking and they'll get married and she'll age badly, and I'll just seem prettier and prettier.
      Susan: Sally. Still out loud.
  • Digging Yourself Deeper: Jeff, in spades - the trope was formerly named for Jeff's epic "Bucket of Ears" speech in "The Girl With Two Breasts". Steve has his moments, too.
  • Drama Queen: Steve, with his hypochondria and his passionate speeches about everyday annoyances.
  • Early-Installment Weirdness : in the pilot Susan's implied to be more of the player that Patrick eventually became, whereas Patrick is totally into his monogamous relation with Susan, even "saving up" for Susan instead of masturbating.
  • Earpiece Conversation: Jeff gets talked through a possibly-a-date with a co-worker in the consecutive episodes "Faithless" and "Unconditional Sex".
  • Everything Sounds Sexier in French: In "The End of the Line", it's mentioned that Susan has a bad weakness for an Aussie accent. According to Sally, when they were visiting Australia, they always knew it was time to leave town when a new bar was named after her. As the episode plays out, it turns out that the French woman that Susan was talking to at the start of the episode was Julia invoking this trope on who she thought was Jeff.
  • Extreme Doormat: Steve "It's up to you" Taylor, at least where women are concerned. Can't say no to girls in bars, can't stand up to his girlfriend, and couldn't break up with his ex without assistance.
  • Fidelity Test: The plot of "Faithless" involves a rumor about businesses that sent actors to tempt people into cheating, so their spouses know if they're faithful. Jeff fears he's being targeted by his girlfriend when another woman comes on to him. Since this is Coupling, rather than do anything sane and reasonable, the others equip him with a radio and talk him through the encounter like he's an undercover cop trying to bust a drug kingpin.
  • The Friend Nobody Likes: Jane is Steve's ex; Susan seems to genuinely loathe her, Steve is uncomfortable around her and no-one else seems to particularly like her, but she continues to hang out with them apparently out of sheer obliviousness to how they feel.
    • Averted with Patrick. His relationship with Susan was never serious and once they break up, he almost immediately becomes friends with Steve and Jeff and is generally supportive of Steve's relationship with Susan.
  • The Friends Who Never Hang: The Cast Calculus generally splits the gang into guys and girls, apart from the various, well, couplings that arise, plus Steve/Jane and Susan/Patrick occasionally interacting as exes. Jane also attempts to have sex with Patrick at one point, but it's implied that it never goes beyond that (the show's final episode confirms that they did in fact have sex multiple times, without any of the others being aware of it until much later), leaving Jeff and Sally as the only pair who never really interact together, and she seems to fairly openly dislike him.
  • Freudian Excuse: Jeff's mental stability is largely a result of the way his mother raised him.
  • Freudian Slip: Lampshaded with Captain Subtext in "Her Best Friend's Bottom".
    • From "Size Matters", after a discussion about when "dinner" really means "sex";
      Susan: When I say "dinner", I mean dinner.
      Steve: I know that, absolutely.
      Susan: Plain, ordinary cooking.
      Steve: Well, I wasn't expecting a fish course. (Jeff cracks up)
    • Occurs frequently in "Gotcha":
      Susan: (noticing the wedding invitation) What's that?
      Steve: Ah, just a final demand— I mean, a wedding invitation!

      Susan: Sorry I'm late.
      Steve: That's okay...
      Susan: Should've called.
      Steve: They took my phone away. It's at the front desk.
      Susan: Oh, really?
      Steve: Well, you know, phones can be a bit irritating when you're trying to eat a bra— A meal! Not a bra, a meal! Did I say "bra"?
    • Susan makes one in "The End of the Line":
      Jane: So what's the guy like?
      Susan: I'm with Steve now.
      Jane: Yeah, but if you had a night off from Steve, is he the kind of guy you'd go for?
      Susan: There's nobody I'd go for. Absolutely nobody. Nobody at all. Or an Australian.
      Jane: Australian?
      Susan: (embarrassed) Sorry... I don't know where that came from.
      Sally: Australians are her weakness.
  • Freudian Slippery Slope:
    • Patrick gets stuck in one in the episode "Her Best Friend's Bottom":
      Steve: Okay. Anyone want another drink?
      Patrick: Better not. Came in my penis. I'm taking it to the garage; been having a lot of trouble with it lately, it just won't start.
      Steve: Your car?
      Patrick: I said "penis" there, didn't I?
      Jeff: So. Having a bit of "car" trouble, are we?
      Steve: Anything you wanna share with us?
      Jeff: Any of your "motoring" difficulties?
      Patrick: Hey, hey! Now look, you guys, you two may have subconsciouses but let me tell you, there's nothing going on in my head!
      Jeff: All right, only joking...
      Steve: Just kidding, Patrick!
      Patrick: Anyway, it was your fault. You started talking about traitors in the first place. Penises! Not traitors, penises!
    • Happens to Jane in "Faithless":
      Jane: I do not say "penis" when I mean penis! I mean, penis! Penis, car, penis, car...
  • Full-Name Ultimatum: Jeff's mother's reaction to the (very many) times she caught him doing something embarrassing was always "Oh, Jeffrey..."
  • The "Fun" in "Funeral": The "Giggle Loop"; also the memorable "Will you three stop playing Reservoir Dogs?" As well as Jane's very snarky (living) aunt.
  • Gay Conservative: Howard, Jane's "date" in "Size Matters".
  • Gender-Equal Ensemble: Three guys (Steve, Patrick and Jeff) and three gals (Sally, Susan and Jane).
  • Gilligan Cut: When Jane tries to invite her therapist to a dinner party;
    Jill: ...and now you're doing what you always do, which is try to manipulate me by emphasising your vulnerability. It's what we call 'passive-aggressive' and it doesn't work on me, because I'm a professional.
    Jane: Hiya Susan! This is my friend, Jill.
    Jill: [sourly] ...Hello.
  • Girl on Girl Is Hot: Noted by every main male character, Steve in particular.
    • So crucial is lesbianism to Steve's (ahem) solo sex life that he finds himself unable to give a sample at a clinic until Jeff fetches some porn from home to supplement the material provided.
    • In "Nine and a Half Minutes", when Susan complains that Steve doesn't find her attractive anymore after becoming pregnant, she kisses Jane in front of him.
      Susan: Told you I could fix anything with one snog.
  • A God Am I: Jane has a strange moment like this in "Faithless" in discussing her job as a morning traffic reporter riding a helicopter.
  • Granola Girl: Jane, though it's debatable though in how far this is just another mask she uses to manipulate the people around her.
    Jane: Vegetarianism, for me, is about saying yes to things. Even meat.
  • Hair Today, Gone Tomorrow: As shown in "Remember This", Jeff is clean-shaven in the present, but in a flashback to about two years earlier he has a goatee and shorter hair. He also has 5000 fewer synonyms for 'breasts' in his collection.
  • Happy Place: In "Circus of the Epidurals", when Susan tries to talk to her birth partner Sally about the possibility of the doctors having to make "an incision", we cut to Sally sipping champagne in a white room, looking serene as a string quartet play Madame Butterfly. Susan's voice calling her then starts to fade in, then the scene cuts back to Susan shaking her awake. "Sorry... I went to my safe place." A later attempt to retreat there is interrupted by a giant scalpel blade literally cutting it apart.
  • Hidden Depths:
    • Jane. Compared to Susan she's still pretty shallow but she's actually less insane and more sensitive to others' feelings than she appears to be. She is, however, still an Attention Whore.
    • Susan, on the other hand, is actually more shallow than she appears to be.
  • Hilariously Abusive Childhood: Jeff. Among other things, his mother threatened to cut off his penis with a guillotine. He still has nightmares about it.
  • Holding in Laughter: In "Sex, Death, & Nudity", Jeff explains to his friends Steve and Patrick the concept of "the giggle loop". During a very solemn occasion, a person can create a mental feedback loop of thinking how inappropriate it would be to laugh, and then laughing at how inappropriate it would be if they had just laughed. Later, they're put to the test when Jane's aunt dies and they have to attend the wake. A giggle loop begins during the minute's silence, and all three men fidget, sweat, and hold hands to keep their laughter inside, until finally ... Jane bursts out laughing. When the rest of the room look at her, she says, "Well, you've got to laugh!"
  • Hypocritical Humor: Sally's punchline to this speech in "Size Matters":
    Jeff: If you're gay, see... if you're gay, masturbation is practice. Y'know, you can have a good old practice on your own, and then later, when you're ready, when you've got the hang of it, you have a go on someone else's. It's a piece of piss! See, it's different... it's different when you're a straight bloke. When we finally get our hands on the gear, let me tell you, it's not a drill! Gays have their own practice kit, but you don't get any practice women. We're supposed to fly those babies the first time we get in 'em!
    Howard: That's a very good point, actually.
    Sally: No it's not, it's homophobic, you stupid queen!
  • I Am Spartacus: From "The End of the Line": "I'm Giselle!" "In that case, I'm Dick Darlington!"
  • I Banged Your Mom: A variant occurs when Patrick sees an ex of his in the bar, and wants to avoid her because he also had sex with her daughter. Turns out, though, that she actually is the daughter.
  • I Call Him "Mister Happy": In "My Dinner in Hell", he calls it "Junior Patrick".
  • Idiosyncratic Episode Naming: There were several episodes titled "The [Man/Girl] With [X] [Body part]", such as:
    • "The Girl With Two Breasts"
    • "Her Best Friend's Bottom"
  • Idiot Ball: In "The End of the Line", Steve has been freaking out the whole episode about how he needs to intercept the phone so he can tell the woman he gave his phone number to that it's the wrong number. But when she actually does call, he freezes up, refuses to answer it, and does nothing as Susan puts her on speaker-phone and lets the whole room know what he did.
  • If You Die, I Call Your Stuff: According to Jeff in "Flushed", "porn buddies" are a variation in which the surviving buddy has to retrieve all the porn from the dead one's flat before their family goes through their effects, to spare the dead man's post-mortem embarrassment and help the survivor through the grieving process. Getting to keep said collection is of course merely a bonus.
  • Ironic Echo:
    • From "The Girl With Two Breasts":
      Susan: Go!
      Jeff: But she won't understand a word I'm saying!
      Susan: Yeah, but on the plus side, she won't understand a word you're saying!
      Jeff: I hadn't thought of that...
    • "Where are you going" and "up to you" in Season 2's finale, "The End of the Line." Steve feels like he's constantly being asked, "Where are you going?" while Susan is annoyed at Steve's indecisiveness, answering "It's up to you" whenever he's asked to express an opinion. This is Played for Laughs until the end of the episode, where Susan is left uncertain of their commitment to one another and leaves Steve's apartment. Steve asks her, "Where are you going?" to which she replies, "It's up to you."
  • I Want My Beloved to Be Happy: Patrick, in the series 3 finale. It's epic. And a subversion.
    Patrick: Sally, you need someone who'll love you forever, properly. You're my friend, Sally, and I wanna see you with the best. You need Mister Amazing, Mister Incredibly-Superbly-Fantastic... ness. And in your heart, I'm sure you know I'm right.
    Sally: I don't want Mister Incredibly-Superbly-Fantastic-ness, you stupid, stupid arse. I want you.
    Patrick: Oh, for God's sake, Sally...
    Sally: What?
    Patrick: ...I was talking about me!
  • Kavorka Man: Plenty of women have slept with Patrick despite finding him intellectually, politically and/or personally repellent, if not physically unattractive, apparently just because he's so well hung. He's even described as not being great in bed.
  • Leaning on the Fourth Wall: In the episode "Split", during Steve's unsuccessful attempts to call Susan after they broke up, the characters realize that they can confirm that Steve is the one phoning Susan by dialing 1471. Before they come to that realization, Sally asks, "Shall we say it together?", after which even the men say it with Sally and Susan.
  • Left Hanging: The finale of season 2 ends with Susan discovering that Steve gave his number to another woman he met in a bar and breaking up with him as a result; Steve chases after her to try to make amends. Cue end credits.
  • Life Embellished: Moffat calls the series "my life as told by a drunk". In a specific example, he says that he wrote "Inferno" based on a similar situation where he was caught with porn in his VCR; however, he admits to adding the "spanking" part because it made the whole thing just a little more twisted.
  • The Loins Sleep Tonight: As personified by the Melty Man, whom Steve and Jeff explain to Patrick after he and Sally first attempt to sleep together, only for Patrick to have a "failure" for what he claims is the first time ever.
  • Love Epiphany: After Sally and Patrick unsuccessfully try to sleep together for the first time, Sally visits again and the two get worked-up to try it again. As the two privately think about it, the two have imaginary conversations where they both realize that they fancy each other. The revelation also "fixes" Patrick who suddenly has his "partner" ready.
  • Magnetic Girlfriend: When Jeff gets a girlfriend, he is offered a hookup on a silver platter.
  • Mars and Venus Gender Contrast: Plot and humour both tend to rely heavily on this, particularly Steve's Character Filibusters.
  • Master of the Mixed Message: Played with; one episode revolves around Jeff, who has a girlfriend, being convinced a work colleague is one of these, when she's really very up-front about the fact that she wants to have an affair with him. Gets to the point where the whole gang, sitting on the other end of an Earpiece Conversation (with the women there to "translate"), hear the following:
    Wilma: OK, before we go any further it's cards-on-the-table time. I fancy you like mad, and I think you fancy me. Am I right?
    Susan: [listening in] Need any help translating that one?
  • Messy Hair: Jeff. Lampshaded in "The Cupboard of Patrick's Love", when Jeff reminisces about his obsession with the television:
    Jeff: One day, I lost control in front of my whole family during Songs of Praise!
    Steve: Lost control?
    Jeff: Completely wrote off the television!
    Steve: So you're telling us that as a young child, and despite the obvious electrical dangers, you sexually assaulted the television set? During Songs of Praise?
    Patrick: Is... is that what happened to your hair?
  • Metaphorgotten: Some of the humorous bits of the show are of this nature:
    • From "Size Matters":
      Steve: This pause is just expanding and expanding like, this out-of-control... thing!
      Jeff: Yeah, like in The Blob!
      Steve: Yes, like in— What?
      Jeff: The Blob! Fifties horror movie. This Blob comes from outer space and just keeps growing and growing.
      Steve: Right, thanks...
      Jeff: It eats people. And in the end they kill it by electrocution. (beat) But that bit really doesn't apply here.
    • Steve himself gives one in "My Dinner in Hell":
      Steve: Well, if music be the food of love, then masturbation is just a snack between meals!
    • Happens twice in "Her Best Friend's Bottom" after Steve inadvertently sees Sally naked, and she insists he stop thinking about her bottom:
      Steve: You keep bringing it up! I can't get it out of my head... it's expanding!
      Sally: Expanding!?
      Steve: Like... space jelly!
      Sally: What's space jelly?
      Steve: I don't know!
      Sally: My bottom is not expanding space jelly! I'm just big-boned! (the towel she is wearing slips, showing Steve her breasts)
      Steve: Oh, great! Now I've got breasts!
    • Later in the same conversation:
      Sally: As Susan's best friend, I am, to you, a bit like Australia.
      Steve: Australia?
      Sally: Very distant, largely uninhabitable, and with areas of great danger.
      Steve: Oh, right! I see!
      Sally: Good.
      Steve: I thought it was about having a lot of convicts. [winces]
      Sally: I was trying to say, Steve, that there are very few areas of me where you can go in safety.
      Steve: Right, good, yes. Very delicate way of putting it.
      Sally: Thank you.
      Steve: You mean, I can visit your Sydney, or your Melbourne...
      Sally: Exactly.
      Steve: But I'm not welcome in your bush.
    • Patrick makes a strange one in "Dressed":
      Patrick: Thing is, Ivan, I don't share my woman. It's like finding the right tennis racket. Once you've got one you really like using, you keep on using it until it falls apart and you have to get a new one... only more emotional.
    • Sally gives one in "Split":
      Susan: It just seems like a needy thing to do. I don't do needy.
      Sally: You're a woman. Needy is our golf!
      Susan: What does that mean?
      Sally: I don't know. I didn't think it through...
  • Miss Conception: Jane apparently believed that you couldn't get pregnant 'if you didn't really know the man'.
  • Mistaken for Gay:
    • Sally, by Patrick's girlfriend, probably because Patrick told her "that Sally is the sort of woman a lesbian." She is oblivious to this, however, and it leads to a wacky misunderstanding, of course. See One Dialogue, Two Conversations.
    • Happens earlier in "Inferno" when the gang mistakes Jane's therapist for her lesbian lover and the therapist mistakes Patrick for gay due to his haircut.
    • Also happens to Patrick in "Gotcha", when an old flame seemingly mistakes him for an old friend of hers who's gay. Jeff is perhaps a little too quick to play along by pretending to be Patrick's boyfriend. It's eventually revealed that said old flame knew all along that it was Patrick, and she was just messing with him to get back at him for the fact that he shagged her mum as well.
  • Mood Whiplash: Pretty much Susan's specialty. She frequently goes from faking outrage (as an impish prank) to genuine outrage, which is especially awkward when the thing that she's now actually angry about turns out not to be the case and she's angry for no reason, but stays angry. Several of the series finales end with one of the couples seeming to break up for real (killing the comedic atmosphere) only to have them come back together with such speed and ferocity that it can make your head spin.
  • Most Writers Are Writers: No reference is made to Steve's job during the series, but in a invoked DVD Commentary, Moffat mentions that Steve is, like him, a writer.
  • Mushroom Samba: Jane on the "paracetamol" in Jane & The Truth Snake.
  • Musical Pastiche: In the intro to Jane & Oliver's segment of the episode "Nine and a Half Minutes", shortly after Steve elaborates on "the John Hurt scene", the show's jazzy score quotes the eerie, echoing, siren-like Leitmotif from Alien.
  • Must Make Amends: Steve does this a lot. He's actually pretty good at it; even while drunk, as seen in "Split".
  • New Old Flame: Julia's scary squaddie ex shows up while Jeff rather unfortunately has her tied to the bed. After the episode resolves, Julia says the two of them have a lot of stuff to work out, and that ends up being the last we see of her. Apparently they moved to Bolton together.
  • Nice Job Fixing It, Villain: The Melty Man, who holds his Evil Gloating speech to Patrick, not knowing that Patrick hasn't realized his feelings for Sally yet.
  • Nice, Mean, and In-Between:
    • Jane and Jeff are nice. While Jeff is a socially inept Cloudcuckoolander and Jane is an eccentric Attention Whore, both are actually very sweet and typically kind if a bit blunt. Hapless nerd Oliver also eventually falls into this category.
    • Sally and Patrick are mean. Patrick is often oafish and rude, treats women like playthings, and has very low emotional intelligence, while Sally is incredibly catty and superficial and snaps at people at the slightest provocation.
    • Steve and Susan are in between. Steve has his moments of surly, aggressive behavior and Susan can be an emotionally manipulative control freak, but both are capable, grounded people who care about their friends and are committed to making their relationship work.
  • Noodle Incident: Jane's "long story" about her crazy twin in the season 2 finale.
  • Office Romance: Late in Series 2, Jeff starts a relationship with his and Susan's new boss Julia. While Julia expresses concern about the ethics of this, forcing them to keep it a secret, the other girls don't see an issue with it, with Susan in particular becoming a Shipper on Deck from them.
  • One Dialogue, Two Conversations: Moffat loves this trope. There's dozens of little tidbits in this and other scribblings that rely on One Dialogue, Two Conversations; here it's used to cement the "Fawlty Towers" Plot.
    • The award-winning episode "The Girl With Two Breasts" is a variation, showing Jeff's cross-linguistic conversation with an Israeli woman from each of their perspectives.
    • Combined with Multitasked Conversation with Jeff in "Faithless" when his co-worker asks him if he fancies her, while Julia asks him on the phone if he loves her. He simply answers, "Yes."
    • Happens in "The Girl with One Heart" to Sally with Patrick's Girl of the Week Jennifer - Sally thinks Jennifer was fooling around with Jeff, but that she's aware that Sally is in love with Patrick. Jennifer thinks Sally is a lesbian and is coming on to her. Which is something she's totally okay with.
  • One-Hour Work Week: Neatly averted, as most episodes either take place in the pub where the characters meet in the evening after work, or (more rarely) in one of their workplaces.
  • One-Word Title:
    • The show itself, about couples becoming couples.
    • Episodes:
      • "Inferno"
      • "Faithless"
  • Open Mouth, Insert Foot: Jeff when he talks to any woman always inserts two feet and then some.
  • Pass the Popcorn: Jeff is clearly very used to Steve's little rants. In "Inferno", he's not only sitting back and enjoying the show, he actually applauds at the end.
  • Person as Verb:
    • From "The Cupboard of Patrick's Love", when Sally complains that if Jane sleeps with Patrick, she (Sally) will be the only one who hasn't slept with him:
      Sally: This isn't fair! I was gonna have Patrick!
      Susan: Sally, please—
      Sally: (to Jane) Now you're having Patrick! (gesturing to Susan) And she's had Patrick lots of times! I'll be the only one who hasn't been Patricked!
      Jane: You're the only one who hasn't been Steved!
      Sally: Oh, Jane. Steve's nice. But Patrick's enormous!
    • Jeff does this in "My Dinner in Hell", and Patrick follows suit after Jeff explains:
      Jeff: Did she ask? You know, ask...
      Patrick: If you still... you know...
      Jeff: Frostrup.
      Patrick: Frostrup?
      Jeff: Yeah, Steve's whole fantasy life revolves around Mariella Frostrup.
      Steve: Jeff, please...
      Jeff: If he ever meets Mariella Frostrup in person, his right hand will shout, "Mother!"
      Steve: Jeff!
      Jeff: It'd be like, you know, the end of E.T. when he saw the spaceship. There'll be organ music, you know...
      Steve: Thank you for clearing that up, Jeff.
      Jeff: Hey! Organ music!
      Steve: Yes, Jeff...
      Patrick: (to Steve) So did she ask, about your, you know, um... Frostrupping?
  • Pizza Boy Special Delivery: In the season 3 finale, Jane does this in Jeff's flat.
    Jane: He works in pizza delivery, which just answers all your prayers, doesn't it? Man, motorbike, has own food.
  • Plug 'n' Play Friends: Oliver is introduced as a blind date for Jane at coincidentally the same time Jeff leaves, and immediately after his introductory episode starts hanging out all the time with Jeff's oldest friend Steve and more recent friend Patrick.
  • Porn Without Plot: Discussed at length in "Inferno" when Steve is grilled by the women over the discovery of a tape of lesbian porn in his possession, which he gamely tries to defend as artistic "erotica" before eventually conceding that it's this.
  • Put on a Bus: Jeff is Put On A Plane... to Lesbos.
  • Quote Overdosed: Case in point: this very page.
  • Rant Comedy: When Steve is allowed to break out of Deadpan Snarker mode, get ready to Pass the Popcorn.
  • The Rashomon: Several times.
    • "The End of the Line" is divided into several sections: "The End of the Line", where Susan tells off her French client Giselle and hears that there's a bar named after her owned by an Australian; "The Other End of the Line", where the Australian that Susan talks to is revealed to be Steve; "The Beginning of the Line", where it turns out that the Frenchwoman Susan was talking to in the beginning was actually Jeff's girlfriend Julia; and "The End", where all the misunderstandings of the episode are finally clarified for everyone.
    • "Remember This" elaborates on the story of Patrick and Sally's first meeting (and first kiss) at a party in Susan's office:
      • From Patrick's recollection of the story:
        Sally: How did you get to the party, then?
        Patrick: BMW M3. Midnight blue. Nought to 60 in five seconds, on to 100 in another six. Sequential semiautomatic gear box, traction control, and black leather seats.
      • From Sally's recollection of the story:
        Sally: How did you get to the party, then?
        Patrick: Car.
    • "Nine and a Half Minutes" tells a nine-and-a-half-minute-long story from three different perspectives: Sally and Patrick, Susan and Steve, and Jane and Oliver.
  • Reality Is Unrealistic: The girls react this way when they nitpick at the appearance of the Israeli woman in "The Girl With Two Breasts":
    Susan: (referring to the woman's breasts) Yeah, but the point is, are they fake?
    Sally: Of course they're fake; they're so realistic.
    Jane: Yeah, they're so pert and firm. Are we supposed to believe that?
  • Real-Person Cameo: Mariella Frostrup and Angus Deayton appear in a weird, possibly imaginary sequence in "Size Matters"; Mariella appears in a later episode ("My Dinner in Hell") for real. Later, Mariella reappears in another dream of Steve's in "Split".
  • Reality Has No Subtitles: Played With in the episode "The Woman with Two Breasts". The Israeli woman that Jeff is talking to speaks no English, and no subtitles are provided because he, like we, has no real idea what she's saying. Then, in the second half, when the whole sequence is run again with her speaking English and Jeff speaking nonsense, we again get no subtitles, and have to rely on our memories of what his side of the conversation was. Plus, we get to find out that some of his assumptions about what she was saying were... less than accurate.
    Jeff: I was looking for Shadayim.
  • Retargeted Lust: Jane doles out (possibly fictitious) stories of her past encounters with women in order to interest men.
  • Right Through the Wall: From "Her Best Friend's Bottom":
    Sally: I hate having sex at home. I've got a listening flatmate.
    Jane: Oh no, I hate those. Do you have to be really quiet for her?
    Sally: No. I have to be really loud, we're very competitive.
  • Scenery Censor: Used by Steve in "Sex, Death and Nudity" to hide his erection when Jane starts talking suggestively about threesomes during her aunt's funeral.
  • Serious Business: The Sock Gap, as explained by Jeff in "Size Matters":
    Jeff: Okay. Have you thought through your foreplay yet?
    Sally: (overhearing, to Susan) They know about that?
    (Susan and Sally hide from the men)
    Steve: What do you mean, foreplay?
    Jeff: What do you think I mean? I mean, when exactly do you take your socks off? My advice is to get them off right after your shoes, and before your trousers. That's the Sock Gap! Miss it... and suddenly you're a naked man in socks. No self-respecting woman will ever let a naked man in socks do the squelchy with her!
    (Susan and Sally nod to each other)
    Patrick: That's your foreplay tip? Socks?
    Jeff: (turning to Patrick with a grave expression) Many men have fallen through the Sock Gap, Patrick. Under the sexual arena of earthly delight, there lurks a deadly pit of socks.
  • Shameless Fanservice Girl: When Jane and Oliver finally open up to each other and Jane suggests that they watch some porn, while he's looking for something to watch she announces that she'll go and make tea, and leaves the room. When she returns, she stands in the doorway completely naked, and he is temporarily robbed of the power of comprehension. She talks to him casually for a couple of minutes, inviting him to her flat the following day, and when he's recovered his wits she smirks at him and saunters out to get dressed and go home, saying "You didn't have any nice tea anyway."
  • Shirtless Scene: Every male lead gets at least one, though Steve's are rather conservative.
  • Shout-Out:
    • Steve Taylor almost shares a name with Steven Taylor, a companion on Doctor Who. Oliver also has Doctor Who merchandise in his bookshop, and when going to a dinner with the gang in "Bed Time", wears a sweater reading "Bring Back Doctor Who" on the back. Which became hilarious in hindsight after Steven Moffat started working for the Doctor Who TV series (although he was already involved in its Expanded Universe) and eventually became its Show Runner.
    • From "Her Best Friend's Bottom":
      Steve: But Susan, Sally, Jane, this... is a sofa. It is designed by clever scientists in such a way so is to shield the unprotected user from the way of skin abrasions, serious head trauma, and of course - [he collapses behind the sofa and reemerges] - Daleks!
    • The Melty Man in "The Melty Man Cometh" is referred to as "Darth Vader without the helmet." In an imaginary scene with Patrick, another more specific Star Wars reference turns up:
      Patrick: Melty Man!
      Melty Man: Join me.
      Patrick: Never! You killed my erection!
      Melty Man: No, Patrick. I am your erection!
      Patrick: No!!!
    • The whole show is laden with these, all highlighting Moffat's geeky nature: Steve describing the deep meaning of Alien to men everywhere, the Melty Man being shown as a Darth Vader parody, as well as various references to comic book superheroes.
  • Single Malt Vision: Subtly done in one of the many sequences involving a Perspective Flip; Sally is at a party and some people, especially Patrick, are acting in an odd or annoying fashion. However, it's eventually revealed that Sally is actually completely trolleyed and Patrick and his friend are actually the same person.
  • Sitcom
  • Snark-to-Snark Combat: In "Sex, Death and Nudity", Sally gets into this with an old woman who claims that Sally looked like her when she got married:
    Sally: And look at my neck. Look at the under-hang of my jaw. No way is that a forty-year-old under-hang.
    Old lady: It's getting a bit... segmented.
    Sally: What do you mean?
    Old lady: That's how it starts, you know. (reaches out to touch Sally's neck)
    Sally: (recoils in terror) Don't touch me! I'm full of moisturizer, you might drain it all off!
    Old lady: What?
    Sally: It'd be like rain on a desert; it would all get sucked away. You'd probably reflate.
    Old lady: Forty-five.
    Sally: What?
    Old lady: I was forty-five when I got married, when I looked just like you.
    Sally: And what age are you now?
    Old lady: Ninety-two.
    Sally: You must be pretty nervous then.
    Old lady: Nervous?
    Sally: Let's be honest. This has got to be your last funeral standing up.
    Old lady: You use a lot of face cream, don't you?
    Sally: Yes.
    Old lady: So did I.
  • Spit Take: Both the women and the men in "The Naked Living Room" when Jane/Oliver tells them Jane and Oliver were taking a stroll toward Oliver's apartment and Jane asked: "Can I come up?"
  • Splash of Color: In "Faithless", Jane has a black-and-white flashback to the first time she saw James, in which he's driving a bright red, very phallic convertible into a very tight parking space. Freud Was Right; Jane intends her ice-breaker to refer to his car, but instead, this happens:
    Jane: You've got a fantastic penis.
  • Split Screen: Done beautifully in the episode titled, well, "Split". The two screens follow the women and the men, managing to keep the conversation and the story going on both sides even while focusing on only one group at a time. In the latter part of the episode, the split screens follow Steve and Susan an hour apart at the same place.
  • Stop Being Stereotypical: In "Size Matters", Sally gets mad when Howard, a gay friend (whom Jane believes to be her boyfriend) agrees with Jeff's eccentric views on the advantages of homosexuality, and exclaims "That's homophobic, you stupid queen!" Howard may well have just been winding Sally up anyway, because she got really snarky about him being a Tory earlier in the scene.
  • Suspiciously Specific Denial:
    • Jeff has many, the funniest of which is:
      Steve: I don't know, Patrick - I don't keep some sort of self-abuse diary.
      Jeff: Well, neither do I.
    • A non-verbal variant is explained by Jeff in "Her Best Friend's Bottom" with "the prickles, the blurts, and the head laugh".
    • Patrick and Sally once spent over a minute explaining to Jane's boyfriend how they weren't a couple. The comment that prompted this? 'Hello'.
    • Also this, from "Unconditional Sex":
      Susan: How exactly did you pass your driving test?
      Jane: Morally.
  • Suspiciously Similar Substitute: Jeff is completely socially inept, especially around women. When Richard Coyle left the series, he was replaced by Oliver... who is completely socially inept, especially around women.
  • Swallow the Key: Done accidentally in "The Freckle, The Key, and The Couple Who Weren't", when Jeff Murdock holds the key to his girlfriend's handcuffs in his mouth and then does his best Darth Vader impression. He spends the episode trying to find a way to get it out before she realizes what's gone wrong.
    Jeff: (on laxatives) If I take all of them at once, do you think there's a danger of liftoff?
  • Team Power Walk: Parodied in "Sex, Death and Nudity": "Stop playing Reservoir Dogs!"
  • The Tell:
    • Steve, to Susan; "You only say 'apparently' when you're annoyed about something."
      Susan: Well, there's a useful clue!
    • In "Her Best Friend's Bottom", Jeff discusses the pattern when someone is lying; "The prickles, the blurts, and the head laugh."
  • Throw the Dog a Bone: Jeff finally getting a girlfriend in Julia (averting Minor Flaw, Major Breakup after their first date is a disaster), which even manages to avert invoked Shipping Bed Death by mining the comedy of this poor woman having to manage a relationship with Jeff.
  • Twice Shy: Jeff and Julia in "Naked". We even see their respective Imagine Spots of the terrible things they thought would happen if they kissed in the stationery cupboard.
  • Unexpected Positive: In the season 3 finale, Sally buys three pregnancy tests because she doesn't know what a negative test looks like and asks Susan and Jane to take one each. The entire episode builds up to the reveal of whose test is positive.
  • Unexplained Accent: Richard Coyle (Jeff) doesn't have a Welsh accent, and he was never asked to do one for the show. Jeff's mother has a very RP English accent, though we never hear his father speak. According to Steve Moffat in one of the commentaries, Coyle simply showed up on set doing the accent, and since he wasn't a well-known actor, no-one noticed for ages until they got to know him better, by which point the first episode had been filmed and there was nothing they could do. Most likely Rule of Funny - while it sounds pretty authentic and so isn't really a 'comedy accent', there is no denying that it gives a certain something to Jeff's bizarre sexual metaphors.
    • Conversely, Jeff's replacement, Oliver, was played by a Welsh actor (Richard Mylan) who had to do an English accent in order to avoid the character being too similar to Jeff.
  • Unusual Euphemism:
    • Jeff has one for everything sex-related. In the first episode ("Flushed") he introduces "The Boyfriend Zone"note  and "Unflushable"note  in the opening five minutes. There's also the Sock Gapnote , the Nudity Buffernote  and the (non-sex-related) Giggle Loopnote .
    • The others got in on it, too. Susan explains "The Fuck-me Fork"note  in the episode "Unconditional Sex".
    • In "My Dinner in Hell", due to Steve's very awkward reaction to a BBC show explaining how men continue masturbating even while in a relationship, the characters refer to his habit as "whistling".
  • Verbed Title: The episode, "Flushed."
  • Waking Non Sequitur: In "Circus of the Epidurals", when Susan attempts to have a frank conversation with Sally about how the doctors may need to make an incision to facilitate her giving birth, Sally tries to retreat to her Happy Place. A giant scalpel intrudes on her serenity, and she snaps out of it screaming, "Mummy, I'll be good!"
  • Wife-Basher Basher: Julia's soldier ex doesn't like men who hurt women, which creates a problem when he walks in on her and Jeff's bondage-session-gone-innocently-awry and mistakes it for something else.
  • Your Little Dismissive Diminutive:
    • Sally has a tendency to use this a lot.
    • Susan does this a few times, usually when annoyed at Steve talking about something with his friends.

Ha! I love this bar.