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Recap / The Simpsons S 7 E 8 Mother Simpson

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Episode - 3F06
First Aired - 11/19/1995

After faking his own death and getting the mistake cleared up at the town courthouse, Homer makes a discovery: his mother, Mona (who supposedly died when Homer was a kid), is still alive, but the joyous reunion (at the cemetery after Homer discovers that the grave that allegedly belonged to his mom is, in fact, the grave of writer Walt Whitman) is cut short when the FBI comes after Mona for something she did in the 1960s, which is connected to Mr. Burns and is why she abandoned Abe and Homer.

Is one of the many most memorable episodes of the series all because of the ending—a scene where Homer sits on his car, looking up at the stars, giving us the waterworks. Eventually in 2002, a relative brought in an episode about a man's best friend, more a tearjerker at that.



  • All Just a Dream: Averted. Mona tearfully kissed young Homer while he was asleep before leaving. Homer thought he dreamt it.
  • And There Was Much Rejoicing: Marge is further dumbfounded by the strange claims of Homer's "death" when Patty and Selma gleefully come over, having prepared his tombstone, with the inscription "We are richer for having lost him". This is one of the few times Marge gets angry at their treatment of Homer.
    Marge: A tombstone?!
    Patty: It came with the burial plot, but that's not important. The important thing is Homer's dead!
    Selma: We've been saving for this since your wedding day!
    Marge: Get out of here, you ghouls! (slams the door in their faces)
  • Animation Bump: All over the place, given it's a David Silverman helmed episode. The most obvious stand outs being Homer's faked death and the scenes immediately following it.
  • Armor-Piercing Response: After reading in his file that his mom is considered still alive, Homer angrily points the bureaucrat to the stone angel that is placed at her grave... and his response is what truly kicks off the plot.
    Bureaucrat: Mr. Simpson, uh, maybe you should actually go up there.
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  • Artistic License – History: In the flashback to the night Mona attacked Mr. Burns's germ warfare lab, Abe is seen watching Super Bowl III. Howard Cosell - voiced by Harry Shearer, in this case - is shown on-screen, talking about the two quarterbacks in the game, the New York Jets' Joe Namath, and the Baltimore Colts' Johnny Unitas. Cosell is seen wearing a jacket with the ABC's Wide World of Sports logo on it (or, at least, a crudely drawn representation of one). In real life, Super Bowl III was televised by NBC, with Curt Gowdy calling the game. However, Cosell is more well-known these days than Gowdy, despite the fact that Cosell never called a Super Bowl in his whole career...and Gowdy called seven of the first 13.
  • Aww, Look! They Really Do Love Each Other: When the FBI raided the house to arrest Mona, her ex-husband Abe immediately jumped up to distract them, though even he's not sure if it was a distraction or just senility.
    Abe: A little from column A, a little from column B.
  • Bait-and-Switch: As the FBI interrogate a cabby who saw Mona, Bill Gannon is tapping away at a computer, talking about an aging program it has... only when he switches it around all it does is show a large "25", rather than a digitally aged Mona.
  • Big Eater: "The Simpsons' 138th Episode Spectacular" reveals a Deleted Scene showing that as soon as they returned home from the post office, Homer starts scarfing down on all the candy Mona sent him over the years.
    Mona: Homer, please. You don't have to wolf down that 25-year-old candy just to make me happy.
    Homer: But it won't make you unhappy, right?
  • Bittersweet Ending: Homer had to watch his mom walk out of his life again after keeping her from getting caught by Mr. Burns. But this time, Homer was awake to see his mom leave.
  • Both Sides Have a Point: While Abe was certainly justified in calling out Mona for abandoning Homer and leaving him as a single parent, Mona herself is equally justified in calling out Abe for lying to Homer about the reason for her absence.
  • Brick Joke: The cabby that's interrogated declares he'd seen Mona, only to correct himself to the more accurate "saw". Later on, the man at the cemetery says he saw Mona, only to modify his statement to he "seen" her.
  • Buried Alive: Hans Moleman was going to be because he didn't want to raise a fuss.
  • Calling Out for Not Calling: A major theme. Mona initially refuses to explain where and why she was gone for 27 years.
  • Celebrity Resemblance: Upon reuniting with Mona, Homer tells her "Some people say I look like Dan Aykroyd."
  • Chekhov's Gun: Wiggum's asthma, and the fact the anti-germ bomb cleared it up.
  • Cool Old Lady: Bart likes Mona because she's a rebel and a fugitive; Lisa admires her strength and intellect.
  • Death Glare: Mr. Burns is not impressed Smithers taped over his copy of Ride of the Valkyries with Abba.
  • Disproportionate Retribution: Don't feel like picking up trash on the side of the road? Fake your death!
  • Failed a Spot Check: Chief Wiggum fails to notice that he's been putting out an APB into his wallet.
    • Since Wiggum was secretly trying to help Mona escape, this may have been an intentional screw-up on his part. Sending all the police cars to Greek Town would certainly serve as a good distraction...
  • Faking the Dead: Homer did it to get out of picking up garbage at a highway during a Burns-sponsored event.
    • Abe is revealed to have done this to Mona after she is forced into hiding, believing Homer would be better thinking she had died than willingly abandoned him.
  • Foil: Mona to Abe. Abe is a senile, cranky, and unpleasant old man who goes off on wild tangents and generally annoys Homer and his family, albeit his wear and tear largely coming from all he has gone through with his family. Mona has aged with dignity, retained all of her faculties, and is someone Homer and his family loves to have around, though is left with a incredibly distant relationship due to her occupation.
  • Fridge Logic: Invoked. It's what created the actual episode, when the writers realized they'd never actually mentioned Homer's mother before.
    • Actually, she was mentioned before and appeared in a few flashbacks, but it was never revealed what happened to her.
  • Grandma, What Massive Hotness You Have!: Subverted. Mona has aged a lot better compared to Abe, not just physically but mentally. Abe attributes this to being a single parent.
  • Go Look at the Distraction: When the FBI and Burns storm the Simpsons' house looking for Mona, Grampa starts babbling which distracts them, though it's debatable how much of this is from a desire to help Mona escape and how much is his own senility/stupidity.
    Joe Friday: FBI. The jig is up.
    Grampa: Alright! I admit it, I am the Lindbergh baby! Waah! Waah! Goo-goo! I miss my fly-fly, Da-Da!
    Joe Friday: Are you trying to stall us, or are you just senile?
    Grampa: A little from Column A, a little from Column B.
  • Halfway Plot Switch: In order to get out of picking up trash as part of a mandatory work activity, Homer fakes his death. However, this causes him to be actually considered dead; not only do Patty and Selma show up with a tombstone, but since their home was in his name, the town cuts off their power. This causes Marge to force Homer to go to the Courthouse to correct this... which is done within seconds of him (angrily) telling the bureaucrat that he's still alive. But then Homer demands to see his file (which he is legally allowed to do), which causes the true plot of the episode to start once he spots the mention of his mom...
  • I Did What I Had to Do: Mona's reason for leaving Abe and Homer. By contrast, Abe lied about Mona being alive to spare Homer the shame of knowing his mother was a fugitive.
  • I Have Many Names: Mona's aliases include Mona Simpson, Mona Stevens, Martha Stewart, Penelope Olsen, Muddy Mae Suggins. Word of God says the first is her actual name, but see Mythology Gag.
  • I Need to Go Iron My Dog: While Lisa was spending time with Mona:
    Mona: (sees something) Gotta go, grandma stuff!
    (She runs back inside, leaving Lisa confused. Then she saw a police car drive by.)
    Lisa: (concerned) Huh?
  • Jerkass Has a Point: Abe was a pretty nasty father, but his anger toward Mona, for abandoning Homer, is somewhat understandable. She just rolls her eyes; though he was a lousy husband as well and it's implied he wasn't much interested in being a father until after she left.note  Also, Mona reveals she tried to keep contact with Homer even while on the run, only her care packages were deliberately not being delivered due to the postal workers pissed at not getting tips during the holidays.
  • Knight Templar Parent: Homer first meets Mona after she obliviously roars at him as an "awful, AWFUL man" for accidentally tripping into her son's grave. This fierce side of Mona vanishes the moment he defiantly claims his grave and the two figure it out.
  • Lazy Bum: Homer faked his death just to get out of trash duty.
  • Loud of War: Mr. Burns plays an audio casette recording of Ride of the Valkyries as he storms the Simpsons' household...and the tape quickly cuts to Abba's Waterloo, which Smithers admits he recorded over the original music.
  • Manly Tears: Smithers displays this when the power plant workers think Homer died from being sucked into a power turbine.
  • Mass "Oh, Crap!": The power plant workers after Homer is seemingly sucked to his death in a power turbine.
  • Moment Killer: Homer, by his own admission. Seconds after a tender reunion with his mother, a pelican comes out of nowhere and drops a fish down his pants.
  • Mood-Swinger:
    Mr. Burns: Smithers, who was that corpse?
    Smithers: (crying) Homer Simpson, sir. One of the finest, bravest men ever to grace Sector 7G. (normal) I'll cross him off the list.
  • Mood Whiplash: The episode is full of this, with wacky scenes immediately followed by dramatic, emotional ones. Best highlighted by Abe chewing out Mona, before sheepishly asking if they could have sex.
  • Multiple Identity IDs: The Simpson children were already starting to get suspicious about Mona because of her odd behavior when there's cops around but what really sets them off is when they check her purse and find multiple fake identity cards, which make them believe that she's a con artist trying to exploit the family's generosity. They then confront her with these cards and she tells the whole story.
  • Mythology Gag: "Penelope Olson" is the name of Homer's mother on the family tree in Bart Simpson's Guide to Life, although much in this source is most likely non-canonical.
  • Never My Fault: Lenny complains about picking up bottles on the freeway because half of them aren't even his.
  • No Celebrities Were Harmed: The FBI agents assigned to find Mona are Joe Friday and Bill Gannon. Harry Morgan reprised his role as Gannon.
  • No Good Deed Goes Unpunished: Mona took part in the destruction of Burns' germ lab, then went back to help him when he was knocked down by the fleeing hippies. He labelled her a fugitive, forcing her to spend the next several decades on the run. Though in her defense, she didn't know it was Burns until she helped him up.
  • Not So Different: Between Lisa and Mona.
  • Obfuscating Stupidity: For once, Wiggum was doing this. Mona's original sabotage indirectly led to him being able to enter the Police Academy when he was unable to do so before, and he felt he owed her one. He worked behind the scenes to make sure she could escape, no one being the wiser.
  • Obnoxious In-Laws:
    • Patty and Selma purchased a burial plot for Homer complete with tombstone that delivered some Last Disrespects ("we are richer for having lost him") all the way back to the day of the Simpsons' wedding and that they gleefully try to supply to Marge when they think Homer has died (this is one of the few times in the show where Marge calls them out on their awfulness to her husband). They also are the ones who tell the police where Mona is hiding... and they do so by showing them that the "coffee table" they were using the whole scene is that same tombstone.
    • Marge's first reaction upon learning she had a mother-in-law was commenting she couldn't live vicariously through her friends who do have in-laws, though this is averted, as Mona is actually nice to Marge and the kids. Though she was concerned about Homer spending time with someone who walked out on him when he was a kid. But she understood why she had to.
  • Obstructive Bureaucrat: Defied. Homer thinks the bureaucrat will give him trouble, but the guy is actually perfectly helpful and friendly despite Homer's obnoxious attitude. When she learned about Mona's past, Marge apologized for misjudging her.
  • Oh, Crap!: Mona's reaction when she sees the person she helped get up was Mr. Burns.
  • Paper-Thin Disguise: Mona Simpson once used "Mona Stevens" as an alias. Make of that what you will.
  • Prematurely Marked Grave: After Homer is believed dead, Patty and Selma visit Marge to present her a gravestone with Homer's name on it for which (they say) they have been saving since Marge's wedding day. As Homer does not actually need it, they use it as a coffee table.
  • Punctuated Pounding: "I! Hate! You! Walt! Freakin'! Whitman! Leaves of Grass, my ass!"
  • Rhetorical Question Blunder: Homer doesn't understand them. This example is even used at the top of the trope's page.
    Mona Simpson: (singing) How many roads must a man walk down / Before you can call him a man?
    Homer: Seven!
    Lisa: No, dad, it's a rhetorical question.
    Homer: Rhetorical, eh? ... Eight!
    Lisa: Dad, do you even know what "rhetorical" means?
    Homer: Do I know what "rhetorical" means?
  • Screw the Rules, I'm Doing What's Right!: Wiggum is usually in Burns' pocket, but he turns against Burns this time and helps Mona escape, because he owes her.
  • Shout-Out:
    • As Mona and her hippie associates plan to destroy Burn's germ-lab, a snippet of Jimi Hendrix's "All Along The Watchtower" plays.
    • Maggie dancing while covered in tattooed slogans is a reference to Rowan and Martin's Laugh-In.
  • The '60s: Mona's rebelliousness is encouraged when she notices Joe Namath's long hair and the spirit of the 1960s falls upon her.
  • Smart Ball: In a quick little gag, it's revealed that Homer is familiar with the works of Walt Whitman.
  • Solemn Ending Theme: In place of the usual Simpsons credits theme is a sad orchestral piece as Homer stares at the stars.
  • Stargazing Scene: When Homer's long-lost mother is forced to flee Springfield after a brief reunion, Homer tearfully waves her goodbye as she drives into the sunset, then sits and watches the stars as the credits roll.
  • That Makes Me Feel Angry: According to Gannon, Friday hasn't been the same since his son went crazy in Vietnam. Friday says in complete monotone that it's a pain that never ends.
  • Two Decades Behind: At the post office, Mr. Burns asks to send a letter to the Prussian consulate in Siam by autogyro. The Squeaky-Voiced Teen goes to check the manual and thinks that it must be out-of-date.
  • Ungrateful Bastard: This trope was the whole reason Mona Simpson was always on the run from the law. After saving Mr. Burns when a hippie demonstration she was participating in went wrong, Mr. Burns was able to identify Mona, forcing her to abandon Homer at such a young age. Luckily, the demonstration had also cured a young Clancy Wiggum, who was working as a security guard, of his asthma. Unlike Mr. Burns, Wiggum was, in fact, grateful because it finally allowed him to join the police force, and he anonymously helped Mona escape from Springfield to avoid getting arrested.
  • Wham Line: After Homer fails into his own open grave.
    Mona: You awful, awful man! Get out of my son's grave!
  • Wham Shot: Abe has this reaction upon seeing his ex-wife, Mona, for the first time in 27 years.
  • What the Hell, Hero?: When Abe meets Mona for the first time in years, they both call each other out for A: abandoning the family and B: telling Homer Mona was dead.
    Mona: Oh Abe, you've aged terribly.
    Abe: Well what'd you expect?! You left me to raise the boy on my own!
    Mona: I had to leave! But you didn't have to tell Homer I was dead!
    Abe: It was either that or tell him his mother was a wanted criminal! You were a rotten wife and I'll never, ever forgive you! ...Can we have sex, please?
    Mona (disgusted): Oh Abe...
    Abe: Well I tried. What's for dinner?


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