Case #0122204. Statement of Nathan Watts, regarding an encounter on Old Fishmarket Close, Edinburgh. Original statement given 22nd April 2012.
- Alluring Anglerfish: Something uses a lure in the form of a man asking for a cigarette in an attempt to ensnare Nathan.
- Ambiguously Human: The figure in the alleyway asks for a cigarette without moving its lips, and its feet never touched the ground. As if it were hanging in midair. When Nathan tries to record it, they fold up like a piece of paper and are pulled away as if on a string... or a lure.
- Cigarette of Anxiety: After taking a tumble on a steep road, Nathan decides to have a cigarette to calm his nerves.
- Info Dump: After testing his recorder, Jonathan starts the episode by describing his goals: to digitized the Institute's atrociously-organized archives. He also introduces his assistants (Sasha, Tim and Martin); as well as describing his animosity for his predecessor, Gertrude Robinson.
- Too Dumb to Live: Averted with Nathan, who decides that if the creepy stranger really wants a cigarette he can darn well come out of the dark alley to get it, but played straight with the six probable victims.
Case #9982211. Statement of Joshua Gellespie, regarding his time in the possession of an apparently empty wooden casket. Original statement given 22nd November 1998.
- Beardness Protection Program: Joshua hopes the beard he has grown in the months since meeting "John" will prevent the latter from finding or recognising him. It doesn't.
- Coffin Contraband: Joshua finds himself looking after a strange coffin containing something.
- Don't Touch It, You Idiot!: The coffin in "Do Not Open" has those three words scratched on its lid. Thankfully, the protagonist isn't Too Dumb to Live and was smart enough not to do so. Though it's not for lack of trying on the part of the coffin.
- Freestate Amsterdam: The statement begins with Joshua and his friends (all recent graduates) going on holiday to Amsterdam, for exactly the reasons you'd expect (though he also takes time to admire the architecture).
- Nothing Is Scarier: Joshua does not want to know what's in the box, so he doesn't look when the delivery men and John come back for it, meaning the listener never learns either. Except that it does something to John, or John does something to it, that results in horrible screams and John vanishing.
- Schmuck Bait: Averted, as Joshua is smart enough not to open the package from Breekon And Hope. John seems surprised and impressed that he's still alive, which suggests this has happened before and other people were not so smart.
- Sleepwalking: Whatever is in the casket makes Joshua start doing this—he refuses to open it while he's awake, but he keeps waking up with the key in hand, headed for the lock. Luckily, cold wakes him up, so he's able to stop it by keeping the key in a block of ice.
- Spot of Tea: How Joshua tries to calm himself down when the casket starts to disturb him.
Case #0070107. Statement of Amy Patel, regarding the alleged disappearance of her acquaintance Graham Folger. Original statement given 1st July 2007.
- Changeling Tale: The creature in this episode replaces its victim, and makes everyone believe that it's the person it replaced.
- Fate Worse than Death: Whatever happened to Graham.
- Paranoia Fuel: Applies to Graham at first, and Amy by the end of the episode.
- Perception Filter: The creature in this episode has the ability to make everyone (except Amy) see it as its victim. Curiously, although it makes itself look human, it doesn't look like its victim, but everyone who sees it thinks that's what its victim has always looked like. Specifically, Graham has short dark hair, whereas Not-Graham has blonde curly hair, is shorter, and has a completely different face, but aside from Amy, nobody notices any difference.
- Window Watcher: Amy confesses that this is her hobby. She does not enjoy being on the receiving end of it from Not-Graham.
Case #0132806. Statement of Dominic Swain, regarding a book briefly in his possession in the winter of 2012. Original statement given 28th June 2013.
- Deadly Book: Ex Altiora. It's filled with images of tall mountains that induce a sense of vertigo in all who view them, and appears to have the ability to read minds, as it displayed a lichtenberg figure that covered the body of Dominic's childhood friend after t hey got struck by lightning. This is the first Leitner tome encountered int he series.
- Kill It with Fire: Gerard Kaey disposed of Ex Altiora by burning it in Dominic's trash can.
- Spooky Painting: One of the woodcuts in the book Ex Altiora, of a starry sky, is strangely compelling. Dominic spends nearly an hour looking at it without realising it.
Case #0092302. Statement of Keiran Woodward, regarding items recovered from the refuse of 93 Lancaster Road, Walthamstowe. Original statement given 23rd February 2009.
- Creepy Doll: Disembodied doll heads are the first items to be found in the trash bags.
- Exhausted Eye Bags: As Alan loses sleep, Keiran notices the bags under Alan's eyes getting deeper, and sees him drink multiple energy drinks to get through his shift.
- More Teeth than the Osmond Family: Unusually, all the teeth were identical, but in various states of decay.
- Mysterious Note: Late one night Keiran receives a text from Alan that says "FOUND HIM." Alan doesn't respond to any of Keiran's texts, and Keiran never sees or hears from him again.
- Sleep Deprivation: Alan becomes obsessed with discovering whoever is leaving the trash bags at number 93, so he begins watching the house at night. The lack of sleep takes its toll, until eventually he falls asleep at work, causes an accident, and is fired.
- Stress Vomit: Keiran's coworker David vomits after the teeth spill out of the trash bag.
Case #0140912. Statement of Timothy Hodge, regarding his sexual encounter with Harriet Lee and her subsequent death. Original statement given 9th December 2014.
- Death by Sex: Immediately after Harriet and Timothy have sex, she dies.
- Kill It with Fire: Timothy's response to seeing what happened to Harriet is to set his flat on fire. Given the circumstances, it was more than reasonable.
- Nausea Fuel: When Timothy returns to the room, he finds that all that is left of Harriet is a warped mass of flesh covered in black liquid, and the walls and bed covered in a layer of writhing worms.
- The Worm That Walks: Our first introduction to Jane Prentiss, via one of her victims.
Case #9220611. Statement of Staff Sgt. Clarence Berry, regarding his time serving with Wilfred Owen in the Great War. Original statement given 6th November 1922.
- Anthropomorphic Personification: Wilfred claims to have met "The War" on the battlefield, which he describes as a man-sized being with three faces and multiple hands holding various weapons, wearing an olive green wool coat with burned and scarred skin visible beneath.
- Beethoven Was an Alien Spy: Wilfred Owen, best known for his poem Dulce et Decorum Est, made a deal with the manifestation of War in order to survive, only to die upon the eve of the armistice.
- Blood from the Mouth: Wilfred describes The War as having three faces, one of which did not open its mouth, for when it did, blood and soil would come gushing out.
- Magical Flutist: The War plays scrimshawed pipes of bone with one of its three faces
- The Problem with Fighting Death: Wilfred learns this lesson the hard way.
- Shell-Shocked Veteran: The doctor who treats Wilfred says that Wilfred has the worst case of shell-shock he's ever seen.
- Shown Their Work: Pretty much all of the information regarding Wilfred Owen is accurate, down to him being found in a shell hole after several days.
Case #0071304. Statement of Ivo Lensik, regarding his experiences during the construction of a house on Hill Top Road, Oxford. Original statement given 13th March 2007.
- Bloody Horror: When Ivo hits the tree with the crowbar, it bleeds.
- Evil Is Burning Hot: While working at the house one night, Ivo realizes he's alone, and then feels heat radiating from his bones that increases until he feels like he's cooking inside.
- Room Full of Crazy: Ivo describes the walls of his father's study as being covered with drawings of fractals.
- Spider Swarm: When Ivo takes the apple out of the box, it immediately shrivels and splits open, and hundreds of spiders come pouring out.
Case #0020312. Statement of Julia Montork, regarding the actions and motivations of her father, the serial killer Robert Montork. Original statement given 3rd December 2002.
- Call-Back: To Episode 7, wherein the name of the body that was found with Wilfred Owen is the same name as the defrocked minister who founded the Peoples' Church of the Divine Host - Maxwell Rayner. Whether or not it's a coincidence is undetermined.
- Even Evil Has Loved Ones: Julia tells that her father, although a serial killer (who committed his murders during her childhood), always seemed to love her, and she believes his love was genuine. And unlike everyone else, she doesn't think her mother was one of his victims.
- Killer Cop: Robert Montork was a policeman and a serial killer.
- Nothing Is Scarier: The streetlights in Julia's neighborhood go out in succession, moving toward her house. Then there's a knock at the door, and then another, and another, with each one sounding less like a human, and more like wet meat slapping against the door.
- The Power of Love: It's implied that Robert did what he did in order to protect Julia, though how or why or what from isn't clear.
- Religion of Evil: Whatever the hell Robert Montork is a part of, it's nothing good.
Case #0100710. Statement of Trevor Herbert, regarding his life as a self-proclaimed vampire hunter. Original statement given 10th July 2010.
- Accidental Murder: Self-proclaimed vampire-hunter Trevor Herbert admits to having killed two people he's not sure were vampires and one who he since realised definitely wasn't, but he adds the latter was a violent criminal, so he doesn't lose much sleep over it.
- Extremely Dusty Home: The house of Sylvia McDonald, who Trevor claims was the first vampire he killed, is covered in dust and mould except for a narrow strip along the floor where she walks, as if she has lived there for years but done absolutely nothing except walk through the place.
- Our Vampires Are Different: They cannot speak due to their throats not having room for anything but their tubular tongues, and instead communicate via hypnosis. They can also go out in sunlight.
- Shout-Out: Possibly; a vampire hunter named Trevor features in an episode called Vampire Killer.
- Unreliable Narrator: Trevor's sanity is called into question throughout the episode, due to being an alcoholic tramp.
Case #0151403. Statement of Antonio Blake, regarding his recent dreams about Gertrude Robinson, previous head archivist of the Magnus Institute. Original statement given 14th March 2015.
- All Just a Dream: This episode reveals that the Magnus Institute rejects statements that can be attributed to dreams or hallucinations because they cannot be corroborated.
- Dreaming of Things to Come: Antonio's statement, addressed directly to Gertrude, tells of the strange dreams he has had of various people's futures, including hers. Specifically, of their deaths.
- Never Found the Body: A variant: "Antonio Blake" gave his statement under a pseudonym, making following up on it impossible for the Institute.
Case #01201102. Statement of Lesere Saraki, regarding a recent night shift at St. Thomas Hospital, London. Original statement given 11th February 2012.
- Man on Fire: Two patients are brought into the hospital completely covered in burns, but with their clothes somehow unharmed.
- No Body Left Behind: The body of the man stabbed by Gerard Keay instantly cremates itself.
- Nominal Hero: Although Gerard Kaey does save Lesere from being trapped in the abandoned hospital, his motivations are incredibly obscure at best. And given how many different opposing factions there are, it's difficult to say what side he's really on...
- Power Tattoo: One of the strange burned patients has tattoos of eyes on various parts of his body. Those are the only unburned bits of skin below his neck.
Case #0161301. Statement of Naomi Herne, regarding the events following the funeral of her fiancé, Evan Lukas. Statement recorded direct from subject, 13th January 2016.
- Mysterious Mist: Naomi gets lost in thick fog that, given the high winds, simply shouldn't be there. Her day doesn't get any less weird.
- Or Was It a Dream?: Naomi isn't sure her experience wasn't merely in her imagination except for a carved fragment of stone that she retrieved.
- The Four Loves: Seemingly what saved Ms. Herne from her impending death.
- You Are Not Alone: Just as Naomi feels hopelessly lost, she seems to hear the voice of her dead fiancé Evan pointing her way.
Case #0112905. Statement of Lee Rentoul, on the murder of his associate, Paul Noriega. Original statement given 29th May 2011.
- Asshole Victim: Lee is a violent criminal and all-around unpleasant person.
- Body Horror: Imagine your body being pulled apart, bit by bit, and mailed to you in cardboard boxes. This happened to the Victim of the Week: when his landlord went to clear his flat, they didn't find him... only 206 boxes scattered about.
- Dramatic Deadpan: Lee is taken aback when Angela, a perfectly ordinary and harmless-looking old lady, talks calmly and matter-of-factly about having someone killed.
- Evil Old Folks: Angela seems like a harmless little old lady at first, but Lee, himself a hardened, violent criminal, recognises in her eyes the look of someone extremely nasty.
- Healing Factor: The body parts Lee loses don't come back, but the wounds they leave behind heal instantly.
- London Gangster: Lee seeks revenge on a fellow criminal who double-crossed him.
- Never Mess with Granny: Angela is a friendly old lady whom even Lee recognises as someone very nasty and who offers to kill someone for him. When he gets angry with her and lunges at her, he loses a hand and can't remember how it happened.
- Sympathetic Magic: Angela can arrange someone's death as long as she has an object taken from the victim not a gift, it has to have been taken.
Case #0149011. Statement of Laura Popham, regarding her experience exploring the Three Counties System of caves with her sister, Aleana Sanderson. Original statement given 9th November 2014.
- Claustrophobia: Laura tries to make her way through a tunnel that gets tighter and tighter until she can no longer go forward. When she tries to go back, she finds a solid wall of rock behind her.
- Hearing Voices: At one point Laura hears Aleana ask her in a low, grating voice how lost she was. Laura snaps that they aren't lost at are, but when she looks at Aleana, she sees that her sister has a confused look on her face.
- Madness Mantra: From the addendum:"Take her, not me. Take her, not me. Take her, not me. Take her, not me. Take her, not me. Take her, not me.
Case #0150409. Statement of Carlos Vittery, regarding his arachnophobia and its manifestations. Original statement given 9th April 2015.
- Cruel and Unusual Death: Carlos is found dead, covered in webs.
- Kung-Shui: Carlos kicks and smashes his television to kill the spider sitting on the screen.
- Spiders Are Scary: Carlos is plagued by one particular spider. Even though it's not particularly big, there's something horrible about it. He eventually realises that it's somehow the same spider that started his arachnophobia when he was a child.
- Spider Swarm: Carlos' encounter with this as a child is the origin of his fear of spiders.
- Why Did It Have to Be Snakes?: Carlos is terrified of spiders, though his phobia is unusual he has no problem with pictures or videos of spiders or even spider horror films, but seeing an actual spider, or knowing it's there, absolutely terrifies him.
Case #9991006. Statement of Sebastian Adekoya, regarding a new acquisition at Chiswick Library. Original statement given 10th June 1999.
- Body Horror: When Jared Hopworth returns to the library (or at least, something that has Jared's voice), Sebastian describes him as looking longer, and standing at an odd angle, as if his legs were stiff, and having sharp, pointed fingers. When Sebastian punches Jared, he feels Jared's ribcage shut tight around his hand, as if it were trying to bite him.
- Deadly Book: The Bone Turner's Tale. As the name might suggest, it's a work of fiction that's presented as a story from the point of view of a pilgrim in Canterbury Tales, but without any sign that it was ever written in Middle English. Reading it gave Jared the ability to manipulate bone and flesh to the point where he was able to attach extra limbs. Naturally, it's from Leitner's library.
- Public-Domain Character: In the titular book, the Bone Turner turns out to be one of the pilgrims in Geoffery Chaucer's Canterbury Tales. And the Bone Turner does... something to the Miller.
Case #0081212. Statement of Christof Rudenko, regarding his interactions with a first floor resident of Welbeck House, Wandsworth. Original statement given 12th December 2008.
- Nausea Fuel: The descriptions of the state of the upstairs apartment. Rotting meat stapled to the walls, the floor, to every available surface.
Case #0113005. Statement of Father Edwin Burroughs, regarding his claimed demonic possession. Original statement given 30th May 2011.
- Evil Is Burning Hot: As with Ivo in "Burned Out," Father Burroughs also feels intense heat with no apparent source when he visits the house on Hill Top Road.
- Hollywood Exorcism: Averted. Catholic exorcism and the problems that prompt it are presented as being much less dramatic and horrific than the Hollywood version. Most of the time.
Case #0113005-B. Continuation of the statement of Father Edwin Burroughs, regarding his claimed demonic possession.
- For Doom the Bell Tolls: When the altar server in the weird mass opens his mouth, instead of words he makes the sound of a tolling bell. When Father Burroughs tries to speak there, the same thing happens. Later, when his former fellow priests visit him in prison, it's all he can hear when they speak to him.
- Twisted Eucharist: Father Borroughs takes part in a creepy, hallucinatory mass that ends with him taking communion. He notes that the texture of the wafer is wrong, only to realize that he's eating human flesh.
Case #0022010. Statement of Moira Kelly, regarding the disappearance of her son Robert. Original statement given 20th October 2002.
- Cliffhanger: Jonathan's follow-up at the end of the episode is interrupted by Martin bursting in, with Jonathan crying out "What are those things?!"
- I Fell for Hours: Robert Kelly had something happen to him on a skydive that caused him to fall for what seemed like hours through an endless, cloudless and sunless blue sky.
- You Cannot Grasp the True Form: Moira Kelly cannot bear to think about what she saw happen to her son Robert, let alone find the words to describe it. The least inadequate description she can manage is "the sky ate him".
Case #0161203. Statement of Martin Blackwood, archival assistant at the Magnus Institute, London, regarding a close encounter with something he believes to have once been Jane Prentiss. Statement recorded direct from subject, 12th March 2016.
- Genre Savvy: Martin, following up an earlier statement, is looking around a Creepy Basement and hears a noise, and remarks that he's read enough of the archive's statements to know that following the noise is always a bad idea. He then defies the trope and investigates it anyway, because it's his job.
- Evil Phone: Martin dropped his phone in the basement while running away. Two weeks ago. But "Martin" has been texting Jonathan saying he has a stomach bug and can't come in. At the end of the episode Jane texts them using his phone again, saying "we've had our fun" and the Archives can keep Martin.
- O.O.C. Is Serious Business: After spending the entire season dismissing basically every statement he's recorded and ragging on Martin, Jonathan not only does not immediately poke holes in his story, but offers to let Martin sleep in the Archives and says he will ask Elias to look into some extra security. This is because he takes Jane Prentiss very seriously.
- Royal "We": The way Jane Prentiss talks (well, texts), probably because the thing that was once Jane is essentially an ambulatory bipedal worms' nest.
- The Voiceless: Martin notes that the entity he encountered did not speak aloud because given what it was made of, there was no more room for a windpipe.
Case #8163103. Statement of Albrecht von Closen, regarding a discovered tomb near his estate in the Black Forest. Original statement given 21st March 1816.
Case #0051701. Statement of Leanne Denikin, regarding an antique calliope organ she possessed briefly in August 2004. Original statement given 17th January 2005.
- Circus of Fear: The "Another Circus," discussed in the follow-up by Jonathan, to which he believes the calliope has some sort of connection.
- Creepy Doll: Leanne finds many in the attic of her grandfather's house, all but one with their lower jaws removed. Another is later discovered in the shape of her ex-boyfriend. Said ex is found dead the next day, his lower jaw torn off.
- Magic Music: Comes from a calliope with purportedly-supernatural properties.
- Ominous Pipe Organ: Leanne finds one in her grandfather's loft, unusually a calliope rather than a church-style organ.
Case #0151904. Statement of Mark Bilham, regarding events culminating in his visit to Hither Green Chapel. Original statement given 19th April 2015.
- Bigger on the Inside: Hither Green Dissenters' Chapel.
- Electromagnetic Ghosts: Originally believed to be the cause of the lights constantly going out in the narrator's girlfriend's flat. Subverted when it turns out not to be supernatural, merely bizarre - his girlfriend's strange flatmate keeps unscrewing all the bulbs just enough to break the connections.
- Evil Is Not Well-Lit: A recurring theme. First, the lights keep going out in Kathy and Natalie's house. Then Mark discovers, after Kathy flees the house and he goes back, that Natalie has used everything to hand to board up the window and keep all light out. Later, when the narrator Mark is driving to the chapel he believes is at the centre of the weirdness, the street lamps and his car headlights seem strangely dim. When he enters the chapel it's pitch dark except for the light of torch, and seems to become Bigger on the Inside when the torch goes out and revert when he lights another. The cult seems to worship darkness, or at least an entity associated with it called "Mr. Pitch".
- Ominous Latin Chanting: Although it's not in Latin: what the voices are saying is Ny-Ålesund.
- The Scully: Mark openly states he doesn't believe in the supernatural.
Case #0160204. Statement of Sasha James, assistant archivist at the Magnus Institute, London, regarding a series of paranormal sightings. Statement recorded direct from subject, 2nd April 2016.
- Call-Back: To Episode 6, with the infested corpse being that of Timothy Hodge.
- Cryptic Conversation: Sasha and "Michael," full stop.
- Glamour Failure: While "Michael" looks human, the glamour fails if you look at it through warped glass (at which point it looks humanoid but stretched-out and boneless), and it definitely doesn't feel human.
- Mysterious Stranger: "Michael's" true motivations are very indeterminate: although it protects Sasha by removing a worm from burrowing into her shoulder, it doesn't call itself an ally; and it states outright that it doesn't care if the Institute's employees died, although it wants to be "friends". The only thing determined about its allegiances is that it stands opposed to the Flesh Hive, calling it "always rash."
- You Cannot Grasp the True Form: When Sasha asks what it is, "Michael" says it actually can't explain itself.
- Bloody Horror: The narrator struggles to keep a door closed as something on the other side tries to open it. When it finally gives up and he takes his hand away, it's covered in blood, though he has no injuries and the door handle is clean.
- Living Shadow: Paul sets up a camera to record whatever is tormenting him at night. He sees nothing in the footage, except for a brief moment from one night when the shadows seem to form a leering face.
- Police are Useless: Paul calls the police after something tries to open his bedroom door. Because there's no sign of a break-in and he's an old man living alone, they assume nothing happened and he's just going senile.
- Things That Go "Bump" in the Night: In this case, it's things that rattle your doorknob in the night.
Case #0161704. Statement of Melanie King, Statement of Melanie King, regarding events at the abandoned Cambridge Military Hospital during filming in January 2015. Statement recorded direct from subject, 17th April 2016.
- Abandoned Hospital: This episode takes place in a Real Life one, the Cambridge Military Hospital, where a team of ghost-hunters go to investigate an alleged haunting (whose rumours are indeed old and well documented in Real Life) but find...something else.
- Body Horror: Sarah Baldwin peeling back the skin of her arm and stapling it back into place.
- Call-Back: To Episode 1, with the reappearance of Sarah Baldwin.
- Humanoid Abomination: A man that is all too tall was seen in the video recordings that Jonathan watched of the investigation, although the figure wasn't present at the time of recording.
- Occult Detective: Melanie King
- Paranormal Investigation: Ghost Hunt UK
- The Rival: Melanie sees herself as something of the sort to the Magnus Institute, squabbling with Jonathan at the beginning of the episode over the latter's practices.
- Chess with Death: According to Nathaniel, Death offers a choice of games, including chess. It's impossible to win if you choose a game of skill. You're better off playing Roulette or another purely luck-based game instead. If you win you will not die, but Be Careful What You Wish For. There are actually multiple Deaths, each of whom was once a mortal who, upon winning a game against a previous Death, was doomed to take over from them. Oh, and it's not just a folk tale - that narrator was one of them.
- Exact Words: Nathaniel starts off by telling a story of a soldier who challenged Death to a game in an attempt to save his life. He fails to notice that Death said "if you win you shall not die" - it didn't say "you will live".
- The Immortal: Nathaniel if his word is to be believed, is over 200 years old.
- Mortality Phobia: The soldier in the folk story told by Nathaniel had a dread of death that went beyond ordinary fear, which is why he took care to position himself at the rear during battles, and why he desperately challenged Death to a game. It turns out it wasn't just a folk story.
- The Problem with Fighting Death
- Who Wants to Live Forever?: Nathaniel becomes immortal after beating Death at a game to escape dying - which dooms him to become a new Death until he can pass on the role to someone who beats him in turn. Even then he doesn't fully escape the curse - he cannot die, age, eat, drink or sleep, and constantly craves something unknown.
- Alien Geometries: The layout of the abattoir follows very few laws of physics or mathematics.
- Creepy Cleanliness: One of the first signs that something strange is going on in "Killing Floor" is when the narrator notices that the slaughterhouse is far cleaner than it should be.
- Self-Harm: David finds one of the his colleagues at the slaughterhouse shooting himself with a bolt gun in various parts of his body.
- Sickening Slaughterhouse: The setting for this episode.
Case #0100912. Statement of Lawrence Mortimer, regarding his hunting trip to Blue Ridge, Virginia. Original statement given 9th December 2010.
- Crouching Moron, Hidden Badass: While he was definitely panicked and at a disadvantage, Lawrence deliberately pretends to be helpless and no kind of threat, in the hope that the hunter will get sloppy and make mistakes. When the hunter gets close enough, Lawrence unleashes his RAF training to throw him to the ground, and shoot him several times before he can get back up.
- Gun Nut: Lawrence is keen on guns and shooting but is limited in pursuing his interest by the UK's restrictive gun laws. When he visits America to hunt with his internet-friend Arden Neally he is excited by Arden's gun collection.
- The Hunter Becomes the Hunted: A very literal example this.
- Hunting the Most Dangerous Game: The mysterious hunter in "First Hunt".
- Manly Men Can Hunt: This is very much the attitude of Lawrence's American friend Arden Neally in "First Hunt".
- Our Werewolves Are Different: Lawrence finds one in the United States. He looks like a normal human. A very sharp, drooling human capable of tracking and running through a forest with ease and surviving two rifles' worth of gunshot wounds.
- Slasher Smile: The strange hunter's smile seems to have "far too many teeth to it".
- And I Must Scream: Jane Prentiss becomes host of a sentient colony of demonic worms slowly enough to record her experience in the Magnus Archive
- Bee Afraid: There is a wasp's hive in Jane's attic. Or at least, something like a wasp's hive.
- Heroic BSoD: Jonathan suffers one when recording his comments at the end of Jane Prentiss's statement. By this time Prentiss has already put two of his assistants through traumatic danger and appears to be indirectly and slowly attacking the Institute, so his distress is hardly surprising.
- I Just Want to Be Loved: Jane has always wanted this. Part of the way the Flesh Hive converts her into its main host rather than just a breeding ground is by telling her every single component of it loves her. How much she likes this goes back and forth over the course of her statement.
- Mad Oracle: This appears to have been a side effect of the infestation of Jane Prentiss. Jane's statement is a mad, rambling, stream-of-consciousness rant that includes premonitions about the future of Gertrude and the Institute.
- Nothing Is Scarier: Invoked. The Flesh Hive hates the Archives because the job of the Archives is to learn about and understand things—and if people understand the Flesh Hive, they won't be as scared of it.
- Villain Episode: We hear first hand from resident Big Bad Jane Prentiss, on what life being slowly taken over by a horde of flesh eating demonic worms is like. Even Jonathan Sims is extremely disturbed.
- Word-Salad Horror: The Victim of the Week has very obviously lost much of her mind at the time of the statement.
- The Worm That Walks: The Flesh Hive.
Case #0110201. Statement of Carlita Sloane, regarding her work on a container ship travelling from Southampton to Porto do Itaqui. Original statement given 9th December 2010.
- Good Old Ways: Inverted by the ship Tundra - the mate's eponymous whistle and the old-fashioned wooden lifeboat with oars belie (or perhaps portend) the evil that is aboard.
- Hell Is That Noise: The eponymous whistle.
- It's Quiet... Too Quiet: The crew of the ship strenuously avoid talking to each other, until after one of them disappears, seemingly having been chosen to be thrown overboard.
- Leaning on the Fourth Wall: The recording begins with Tim discussing various continuity errors in prior statements supposedly reported by students listening to the statements.
- Nothing Is Scarier: Carlita wonders with dread what she will find inside the container she examines on the ship. It turns out to be completely empty. This does not reassure her.
Case #0161207. Statement of Dr. Lionel Elliott, regarding a series of events that took place during his class Introduction to Human Anatomy and Physiology, at Kings College, London. Statement recorded direct from subject, 12th July 2016.
- Creepy University Students
- Beat Still, My Heart: The unusual anatomy students attempt to figure out how a human heart is supposed to beat while in the dissection lab. It gets bloody.
- Driven to Suicide: The next professor who gets stuck with these particular students ends up killing himself. He leaves a note that says his body may not be used for science, and especially not for teaching.
- Mr. Smith: The students' names are all placeholder names for missing persons in various countries, ex. John Doe. While the subject didn't pick up on this at the time, Jonathan notices it in his post-statement follow up.
- The Nondescript: The students all look so normal that Dr. Elliott, despite having taught them for most of a term, can't remember what they looked like. And they all wear similar clothes: blue jeans or denim skirt and a white shirt. It is hinted that this is a deliberate effort on their part to seem like normal people, or, rather, like people at all.
- Transformation Horror: When Dr. Elliott shows the students skeletons, he keeps hearing awful cracking noises when he turns his back, but the skeletons are all intact when he looks. Finally he gets a glance at the right (or wrong) moment, and realizes the cracking noises are the students changing the shape of their bones to match.
- Uncanny Valley: How the mannerisms of the students come off as.
Case #0020406. Statement of Harold Silvana, regarding discoveries made during the renovation of the Reform Club, Pall Mall. Original statement given 4th June 2002.
- Smoky Gentlemen's Club: The use of one by an occult society, and later renovation, are the subject of the episode.
Case #0121911. Statement of Nicole Baxter, regarding visits culminating in the fire that consumed Ivy Meadows Care Home in Woodley, Greater Manchester. Original statement given November 19th, 2012.
- Flies Equals Evil: Nicole's partner Josh is unnerved when a fly lands on John Amherst's face and crawls over his eye, and he doesn't react. In a subsequent visit, Nicole enconters Alenka, a nurse at Ivy Meadows. She's covered in a rash, and when she screams, a swarm of flies come out of her mouth.
- The Plague: The subject of the episode, though it's exact nature is unknown.
Case #0090608. Statement of Jason North, regarding the discovery of an alleged ritual site found near Loch Glass in Scotland. Original statement given August 6th, 2009.
- Evil Is Burning Hot: When Jason enters a mysterious clearing, he suddenly feels extremely hot. He tries to take a drink of water, only to find that it's boiling. He then notices scorch marks and the bodies of burned animals on the ground.
Case #0120606. Statement of Andre Ramao, regarding a series of misplaced objects lost over the course of three month. Original statement given June 6th 2012.
- Artifact of Doom: After Andre acquires the vase, it starts messing with his life. Judging by the hand that emerges from it near the end of the statement, it's something like a Summoning Artifact as well.
- Attack of the Monster Appendage: Late one night, Andre awakens to see everything that had gone missing over the last few months come tumbling out of the vase, one by one (even things that seemed to be too big to fit inside it.) These are followed by a hand with long fingers creeping above the brim of the vase.
- Cassandra Truth: Andre's husband David refuses to believe Andre when Andre tells him about the things that have gone missing, to the point where Andre begins to wonder if David is intentionally gaslighting him.
- Clingy MacGuffin: Although the vase is a valuable antique, Andre is unable to sell it. Something always happens to derail the sale before it can be completed. What's more, the person he bought it from forgets that he ever sold it, and he refuses to take it back, claiming that he can't remember ever having it to begin with.
- Run or Die: Jonathan yells at Sasha to run at the episode when Jane Prentiss launches her attack on the Institute.
- Unperson: After his missing items return, Andre discovers that his husband has disappeared, and that according to his housing association, Andre had always lived alone. When Tim investigates, he finds a copy of Andre's marriage certificate, but the half of it that should contain David's information is blank.
Case #0160729-A. Original recording of Jane Prentiss' attack upon the Magnus Institute, London, 29th July 2016.
- All Your Base Are Belong to Us: The Institute itself comes under attack.
- Badass Normal: Sasha.
- Grand Theft Me: Sasha is killed and replaced by whatever is in the fractal-patterned table from MAG 3.
- Humanoid Abomination: Whatever is left of Jane Prentiss is far from human.
- Precision F-Strike: After nearly 40 episodes of stoically documenting a terrifying range of paranormal occurences, our narrator finally curses when entering the archive, running head first into Jane Prentiss.
- Wham Episode: Oh boy! The Archive is invaded by a horde of flesh eating worms in the shape of Jane Prentiss, several case files were destroyed (hinted to contain critical information pertaining to the wider mystery arc), and Sasha is likely dead and replaced by something else.
- Double-Meaning Title: Referring to the survival of Team Magnus after the events of the previous episode and the discovery of the remains of Gertrude Robinson in the catacombs under the archive.
Case #0160902. Statement of Jonathan Sims, Head Archivist of the Magnus Institute, regarding exploration of the tunnels recently discovered below the archive. Statement given direct, 2nd September 2016.
- Dug Too Deep: Played With We partially explore the labyrinthine tunnels under the Magnus Institute (Although the tunnels have not been created by the explorer.). Before something politely asks our hero to leave.
- The Paranoiac: Jonathan becomes this after the discovery of Gertrude's body in the tunnels below the archive. He becomes increasingly suspicious of his co-workers and irrational, to the point of alienating them. By the end of the season, it turns out that he wasn't entirely wrong about all of them.
Case #0131103. Statement of Jennifer Ling, regarding a live musical performance she attended in Soho. Original statement given November 3rd 2013.
- Brown Note: The effect of the music the titular band play, even a corrupted recording from a phone can, tragically, induce a homicidal and suicidal rage in the Victim of the Week.
- Dreadful Musician: According to urban legend, Grifter's Bone is this, and that's why they have to sneak into venues and people tear their ears off after listening. Averted as it turns out this isn't true; their music is beautiful, but it makes people kill each other.
- Schmuck Bait: The comment left on Jennifer's article with cryptic directions to a Grifter's Bone show. She does try to avert this by leaving her phone to record the music rather than actually attending herself, but it still ends badly.
- Wound That Will Not Heal: Although Jennifer's coworker escaped a Grifter's Bone show, his ears have never stopped bleeding since; no doctor can help him.
Case #0160919. Statement of Police Constable Basira Hussain regarding her time investigating strange occurrences as part of Section 31. Statement taken direct from subject September 19th 2016.
- Incredibly Lame Pun: A dark one. Getting ordered to sign Section 31 under "strange" circumstances is called being Sectioned, which is slang for being confined under an involuntary mental health hold.
- The Men in Black: Averted. While only Sectioned officers will be asked to deal with strange occurrences, to the point that non-Sectioned police will actually refuse to enter a scene if it looks weird enough, "Section 31" is not actually an official unit, just the form. This means that they get no extra training, no special resources, and no real backup, because other cops are so scared of getting Sectioned they refuse to help.
- Shout-Out: Zig-Zagged The title could be a reference to the mysterious wetwork unit of Star Trek: Deep Space Nine but is also the name of the British Police Force's regulations concerning withholding information from the public to protect ongoing investigations.
Case #9790302. Yuri Utkin. Incident occurred in the village of Algasovo, central Russia, November 1952. Statement given 2nd March, 1979. Committed to tape 15th April, 1997. Gertrude Robinson Recording.
- The Ace:Gertrude Robinson of all people turns out to be this.
- And Now for Someone Completely Different: We are treated to the first recording from Gertrude Robinson's secret archive.
- Badass Normal: The narrator's brother somehow manages to survive being forced to perform in the Other Circus, which Gertrude notes is extremely unusual.
- Body Horror: The freaks in The Freakshow include men without heads, and men with mouths not on their faces.
- Circus of Fear: "Another Circus," first mentioned in "Strange Music," is the subject of this episode.
- Uncanny Valley: In-universe, the tigers at the circus. They look almost right, but something is off that Yuri just can't put his finger on. Eventually he figures out that while he heard the iconic tiger roar, they don't actually seem to be able to open their mouths.
Case #0110209. Statement of Thomas Neill, regarding his experiences working in malarial research during the spring of 2010. Original statement given February 9th 2011.
Case #9981221. Statement of Herbert Knox, regarding a repeat customer to his bookshop in Chichester. Original statement given December 21st 1998.
- Call-Back: To episode 4, which centers around Ex Altiora, and includes a mention of Michael Crew.
- Deadly Book: Ex Altiora
- Distinguishing Mark: Michael has a branching scar on his neck in the shape of a Lichtenberg figure.
- Signature Scent: According to Herbert, the odor that followed Michael is similar to the smell in the air just before a storm.
- Affably Evil: When Michael meets Jonathan he seems, if not friendly, then at least not outwardly hostile. However, he also says that he's there to return Helen to his domain, which, based on her past experience there, seems like a Fate Worse than Death.
- Badass Normal: When faced with a being of immeasurable power that has, right in front of him, just abducted an innocent young woman to make into its plaything for an eternity or two, what's the first thing Jonathan Sims does? Demand her release. Not ask, not beg, demand.
- Beast in the Maze: After three days in the corridor maze, Helen sees a distorted humanoid figure with long pointy hands approaching her.
- Did We Just Have Tea with Cthulhu?: How else would you describe surviving a conservation with an Eldritch Abomination like Michael?
- Dimension Lord: Michael, which doesn't even view itself as having an identity and sounds more like a sentient dimension that consumes people seems a likely candidate.
- Eldritch Location: The corridor maze Helen finds herself trapped in.
- The Lonely Door: Helen encounters a door in a suburban home that had not been there before. When she opens it, she sees an Endless Corridor behind it.
- Oh, Crap!: When Helen realizes that she's trapped in the corridor.
- Vagueness Is Coming: Michael hints to Jonathan that there's a struggle going on, and that he intervened to protect the Archive because its destruction too early on would have unbalanced things.
Case #0100325. Statement of Andrea Nunis, regarding a series of encounters in the streets of Genoa, Italy Original statement given 25th March, 2010.
- Continuity Nod: Michael's Visit is mentioned, as well as the wound that Jonathan sustained during the encounter.
Case #0081103. Statement of Gregory Pryor regarding his investigations into one Hector Lerado during the summer of 2007.
- An Arm and a Leg: Jared Hopworth pulls the bones out of Gregory's arm. His arm is later amputated.
- Body Horror: Jared pulls the bones out Hector's body and molds them like they were putty into new shapes. He throws most of them into a tooth-lined hole in the floor, but he inserts one of Hector's femurs into his own body.
- Fate Worse than Death: Hector is still alive when Jared begins pulling his bones out of his body.
- Your Cheating Heart: Hector's wife Nicola suspects Hector of cheating, and hires Gregory to investigate him.
Case #8141206. Statement of Sampson Kempthrone, regarding the workhouse architecture of George Gilbert Scott. Original statement given June 12th 1841.
- Deliberate Values Dissonance: Since Kempthrone is a Victorian-era architect, he sees nothing wrong with the idea of workhouses, and even thinks it's good for conditions to be harsh because it will "discourage the idle".
- Everyone Has Standards: While, as mentioned, Kempthrone is about as classist you'd expect from someone of his social standing and time, he thinks Scott's designs are far too cramped to house anybody in.
- Mistaken for Romance: When Jonathan explains Basira was looking for him because he's helping with an investigation off the record, Tim takes this to mean they're in a relationship.
- Victorian London: The events related in the statement occur in London during the Victorian era.
Case #0080701. Statement of Antonia Hayley, regarding a deep dive that took place near Sable Island, Nova Scotia in August 2006.
- Call-Back: To episode 21, Simon Fairchild again makes his way into an archive account.
Case #0040904. Statement of Phillip Brown, regarding his time working at HMP Wakefield between 1990 and 2002.
- Bi the Way: Tim who has apparently seduced police officers of both genders to keep a supply of classified information coming into the Magnus Archive to help with investigations.
- Darkness = Death: When the power goes out at the prison, the guards go to check on Robert Montork's cell. They find it filled with a darkness that their torches can't penetrate, and hear a wet tearing sound from within. When the power comes back on, they find that Robert is dead, with 47 stab wounds to his chest.
- Sequel Episode: To Episode 9.
Case #9970509. Sergeant Walter Heller recording. Regarding a discovery made near Alexandria during Operation Crusader in November of 1941.
- Ambiguous Disorder: Alexander notices that the taxidermist, Daniel Rawlings, avoids looking at him, and recognises it as similar behaviour to his cousin, who is autistic. Daniel is probably not autistic.
- Call-Back: The Alluring Anglerfish from the very first episode is back, and we get some idea of what happened to Sarah Baldwin in episode 28.
- Dramatic Irony: Jonathan has no idea that Sasha is anything but trustworthy, and consequently writes off much of this statement when her follow-up investigation reveals nothing out of the ordinary.
- Taxidermy Is Creepy: Discussed. Alexander figures everyone's interests look weird to outsiders and withholds judgement.
- Taxidermy Terror: When Daniel finally looks Alexander in the eye, so does every animal in the shop.
- "Uh-Oh" Eyes: When Daniel finally looks Alexander in the eyes, Alexander sees that his eyes are glassy and empty, like the taxidermied animals in the shop.
- Uncanny Valley: The taxidermy people.
- Breather Episode: Not for us, but Jonathan notes in the supplemental that he has been dealing with the annual rush of bogus Halloween statements and finds it a rather relaxing change of pace.
- Evil Is Burning Hot: When the owner of the house grabs Jordan by the throat, Jordan notices how hot his hand is.
- Evil Smells Bad: When Jordan sets the house's owner on fire, he describes the odor like a combination of burning flesh and rubber, with an underlying smell of sickness.
- The Swarm: Jordan enters a house to find thousands of ants covering the walls and floor.
- Call-Back: It turns out Trevor didn't suddenly die after giving his statement in episode 10, because this one is part of the same interview. (There might be some missing conversation between the two.)
- Hero of Another Story: There's some indication that Trevor has been working with police officer Alice "Daisy" Tonner - they may have appeared together in episode 36, given Trevor wasn't dead at the time, and this episode reveals that he had an encounter that at least fits the same brief description from episode 43 as the case that got her Sectioned.
- The Worm That Walks: The homeless woman whom Trevor initially thought was a vampire turned out to be full of spiders.
- Call-Back: The Daedalus Station was built and funded through the combined efforts of companies owned by the Fairchild and Lukas families, as well as a company based in Ny-Alesund, first mentioned in Growing Dark. Also doubles as an example of a Big Bad Triumvirate— The Vast, the Lonely, and the Dark are working on the station together for unknown reasons.
- Go Mad from the Isolation: Carter's mind begins to deteriorate under the strain of long-term isolation. He mentions that the line between dreaming and reality seemed to blur.
- I'm Not Hungry: Carter stops eating, hoping to starve himself to death as a means of escaping his situation.
- Space Isolation Horror: After several weeks of isolation, Carter looks out of his window to find that the earth, sun, and moon have all vanished, and that he's completely unable to contact anyone or get out of his area of the space station.
- Apocalyptic Log: This statement takes the form of a letter written by a woman after she's been stranded in a snowstorm in the Rocky Mountains. The author knows she isn't going to survive.
- Dead Person Conversation: The author claims that, for five days, her dead husband whispered "eat me.''
- No Party Like a Donner Party: Despite it being late in the season, a guide offers to take a couple through the Rockies. Predictably, they get snowed in. However, it turns out the guide knew this would happen, and deliberately led them into the mountains so he could eat them.
- Snowed-In: The author, her husband, and their Guide get caught in a snowstorm when they try to cross the Rockies, forcing them to take shelter in a cave.
- Vehicular Sabotage: Eustace purposely smashes the wagon wheel in order to strand the couple he's guiding in the mountains.
- All Webbed Up: When Ronald goes into the basement, he finds it covered in spiderwebs, and several of the former residents of the halfway house, wrapped in cocoons, their bodies warped and bloated with spider egg sacs.
- Department of Child Disservices: Raymond, the man running the halfway house does something that makes the teenagers he takes in more responsible and mindful, but at the same time, after they leave the house, they're used as living nurseries for spider eggs.
- Creepy Basement: The basement at the halfway house, which no one except Raymond Fielding ever goes into.
- Magic Kiss: Agnes Montague gives Ronald a kiss on the cheek before he leaves the house. His cheek burns in this exact spot shortly after, breaking him out of the enchantment Raymond had on him and allowing him to flee the house.
- Being Watched: Rosa is convinced that someone or something is constantly watching her.
- Evil Old Folks: Mary Keay gives this off in spades.
- Necromancer: What Dr. Tillison appears to be doing with the Leitner. Mary Keay ends up taking the book for herself.
- Wham Episode: Gertrude Robinson knew Mary Keay, and was introduced beforehand to the skin book that would kill her.
- Wham Line:Gertrude: You make a lot of assumptions, Mary. I thought we were supposed to be on the same side.
- Darkness = Death: Erin and Luke's torches stop working, leaving them in total darkness. Luke is killed shortly thereafter.
- Living Shadow: Trapped in total darkness, Erin activates the flash on her camera. She sees Luke suspended in mid-air before her. On the wall behind him, she sees two thin shadows holding up Luke's shadow and ripping its head off.
- Do Not Adjust Your Set: The Sergei video does this to Tessa. Just her, specifically; he manages to follow her through even through display sets in store windows, using whatever screen she's looking at to force her to watch.
- Cybernetics Eat Your Soul: Tessa's, interpretation of her experiences, both supernatural and mundane. "Nothing about humanity is binary."
- Memetic Mutation: In-universe, the "Sergei" chatbots. It's a popular hobby among some coders to make bots that eventually "go mad" and beg to be saved, based on an urban legend about a coder named Sergei who supposedly uploaded his own mind. The idea is that the bot is Sergei and he really regrets it. Tessa used to download them for fun. After she got stuck with the real deal, though, she doesn't think this anymore.
- What the Hell, Hero?: Once again, Tim is not pleased with Jonathan treating him like a suspect, although he relents a little when he realizes he and Jonathan share the same opinion on how shady the Archives are.
- Enclosed Space: Vincent finds himself trapped in a crate. Whenever something happens to alleviate his fear or give him hope, the crate gets smaller.
- Exposed to the Elements: Vincent notes that although it's the middle of January, Salesa is wearing a tank top and unbuttoned shirt.
- Recurring Character: Mikaele Salesa, who was previously mentioned in episodes 14, 38, and 45.
- Sealed Evil in a Can: Vincent accidentally nudges upon the lid of a crate. When he next awakens after going to bed, he's trapped in the crate.
- Double-Meaning Title: Refers both to the strength of Jack's attraction to Agnes, and the fact that getting too close to her literally burns.
- Facial Horror: Jack's face is severely burned after he receives a kiss from Agnes.
- Foregone Conclusion: Once Agnes mentions the tree, it becomes pretty clear where this is going, since earlier episodes have already established that she dies after its destruction.
- Last Kiss: When Agnes goes into the battle that's going to kill her, Jack asks to kiss her, and she agrees. It is possibly also her first kiss with anybody, not just him.
- Mugging the Monster: A man flirts with Agnes at the diner, and unwisely decides to get angry and start harassing her when she tells him to buzz off. Cue her superheating her coffee and letting him spill it on himself.
- Deadly Book: The Tale of a Field Hospital
- Down in the Dumps: Joseph spends a lot of time at the dump looking for junk he can use in his art.
- Fan Boy: Joseph tells the archivist that he's a big fan of The Magnus Institute.
- Flies Equals Evil: The first time Frederick Treeves encounters Private Amherst, he notes that the flies seemed to fly thicker over the grave he was digging than the graves the other soldiers were digging. In subsequent encounters with Amherst, the swarm of flies surrounding him get thicker each time.
- Resurrective Immortality: Frederick Treeves sees Private Amherst die, only to encounter him two months later and see him die again. He later meets him again, and sees him die for a third time.
- The Man: Joseph says his art is his way of sending a message to "the puppetmasters and fat cats" who run the world.
- Walking Wasteland: Private Amherst twice gives up his bed in the field hospital for soldiers who are more badly wounded than he. Both die of infected wounds shortly thereafter. Amherst himself dies when his wound becomes suddenly gangrenous. Later, we learn that Joseph Russo also dies after making his statement from an infected wound as well.
- Gone Horribly Wrong: The University Psychology Department conducts an experiment in which students in one room try to project feelings of fear into a subject in another room through ESP. While it seems to go well at first, it ends in a way that that is both completely unexpected and horrifying.
- Marionette Motion: Darren describes seeing Annabelle walking strangely, bending her knees at odd angles while holding herself stiffly.
- People Puppets: Annabelle takes control of Darren's body and forces him to strangle himself.
- Science Is Bad: Darren notes that he thought the experiment sounded like something out of a horror movie. In fact, he's initially interested in the experiment because he's a fan of horror with a sci-fi bent.
- Spiders Are Scary: After the experiment is underway, Darren notes that cobwebs start appearing in the science labs on a nightly basis, although he never gets a good look at the spiders that make them. Annabelle later moves like a scuttling spider, and after her skull is caved in, Darren sees that her head is filled with a mass of cobweb.
- Artifact of Death: The book mentioned in the title of the episode (although the book itself is untitled).
- Deadly Book: The book is a collection of detailed accounts of the deaths of various people throughout history. It's strongly implied that all the people described in the book were people who read and/or owned the book, and that the book accurately predicted when and how they would die. However, each time Masato re-reads the description of his death, the time, place, and manner of his demise changes, which at least suggests that the book may be causing the deaths it describes, rather than just predicting them.
- Is This a Joke?: After Masato reads the book, he reasons that someone must be playing a sick joke on him, since it's the only explanation that makes any sense.
- Made of Indestructium: Masato is unable to destroy the book, and he notes evidence which suggests that previous owners had tried as well.
- Portent of Doom: The text of the book is this to anyone who reads it.
- Tomes of Prophecy and Fate: The book not only fortells the death of its reader, re-reading the book changes the details of that death, and makes it happen sooner as well.
- With Friends Like These...: Masato says that since he and Phil had the same group of friends, they would often end up hanging out together, and so everyone just assumed they were friends, even though they didn't actually like each other.
- Afterlife Express: The train in this story doesn't take riders to the afterlife, but rather to a place - probably outside our reality - where it's completely surrounded by earth, which begins to close in on the train cars, slowly crushing them.
- Buried Alive: This appears to be Karolina's fate, as the earth surrounding the car causes the ceiling to buckle and sink. Rather than panicking, Karolina chooses to lie down and accept her fate. This may be what ends up saving her.
- Call-Back: To Episode 30.
- Fingore: Thomas Han cuts off a couple of Craig's fingers, and we later see him chewing on a bunch of severed fingers.
- Gorn: Probably the most explicit and nauseating description on the show so far comes from the narrator describing the sensation of his Achilles' tendon being severed with bolt cutters.
- I Am A Humanitarian: Craig opens the statement by saying that he's 'probably a cannibal', though not by choice— the titular takeaway served human meat for a period before the owner's arrest and its closure, and he ate there during that time.
- Ten-Second Flashlight: The unnatural darkness drains the batteries of the officers' torches. In less than an hour, each officer is onto their second or third torch (having been forewarned, each had brought several of them).
- Call-Back: To Episode 25. We find out what happened to Natalie Ennis.
- Casting a Shadow: The darkness the officers encounter when they go down the stairs is clearly not natural. Their torches barely penetrate it, and Basira describes flecks of black dust like "inky snow" hovering in air, never seeming to settle to the ground. When they encounter Raynor, a substance like black fog is spilling out of his mouth and onto the floor, where it rolls toward Callum and is oozing up and over his body toward his mouth.
- Dark Is Evil: Maxwell Raynor, his cult, and his powers are all associated with darkness.
- Darkness = Death: Subverted: None of the officers are killed while wandering around in the darkness. When the lights suddenly come back on, a woman suddenly appears and stabs one of the officers.
- Evil Is Not Well-Lit: Basira says that as the officers approached the industrial complex, the security lights actually seemed to get dimmer.
- Muzzle Flashlight: When Goodman fires his weapon, the muzzle flash cuts through the darkness and momentarily lights up the room.
- Nothing Is Scarier: The officers move through a supernaturally dark area, with a dull roaring sound coming from somewhere up ahead. Basira says that by the time their second or third torches began to die, she could feel herself starting to panic.
- Screw This, I'm Outta Here!: At the end of the episode, Basira quits the police force, half because a shadow cult was too much and half because of the lack of support.
- Shell-Shock Silence: When Goodman fires his weapon the first time, Basira isn't prepared, and as a result she can't hear much for a while thereafter.
- Face Your Fears: The Victim of the Week tries to make his brother do this (the fear being heights) as part of a prank. It doesn't go according to plan.
- Fate Worse than Death: Stephen says at the start of his statement that he hopes his brother is dead, because he can't comprehend how awful the alternative would be.
- And Now For Something Completely Different: Another Gertrude recording.
- Changeling Tale
- Chronic Evidence Retention Syndrome: For unknown reasons, Not-Sasha kept the tapes containing the real Sasha's voice in her desk, which gives Jonathan the confirmation he needs about Not-Sasha's true nature.
- Invisible to Normals: Only Lucy Cooper can see that her mother has been replaced by something else.
- Wham Episode: Jonathan finally realizes what the being calling herself "Sasha James" actually is. He's not pleased.
- Idiot Ball: Hoowee, where to begin? Jonathan destroys the fractal patterned table with an axe, thinking it's the source of the Not-Them. It's actually the thing holding them in. This comes directly on the heels of him listening to a statement discussing why this is a bad idea, from a predecessor who we've come to learn is much more well-versed in the supernatural than he is.
- Nice Job Breaking It, Hero!: Jonathan's attempts to kill Not-Sasha ends up freeing it from its prison, making it much stronger.
- Barrier Maiden: The position of Head Archivist is revealed to be something of this, as Not-Sasha wonders aloud as she's about to kill Jonathan whether she'll inherit the position's powers if she steals his form. What those powers are are as of yet unknown.
- Deus ex Machina: Jurgen Leitner's arrival, saving Jonathan from Not-Sasha and almost certain death.
- It Amused Me: Michael muses that maybe it should kill Tim and Martin, not because it hates them or would enjoy hurting them, but because it thinks things will be more interesting if they don't help Jon. It just makes them get lost instead.
- Evil Gloating: By Not-Sasha to Jonathan, before she's about to kill him."I'm going to wear you...It'll hurt. It hurt Sasha."
- For the Evulz: Not-Sasha scares and kills people simply for enjoyment.
- Jump Scare: Surprisingly the first one in the series proper, accompanied by a nice Scare Chord.
- Magical Library: Leitner stored his collection of books in a house specifically designed to contain it safely. It turns out that the fatal flaw in its design was that it was built to keep anything from getting out, but had no defenses against anything getting in.
- Sentient Cosmic Force: Leitner explains that there are effectively eternal beings of vast, dark power that exist "next" to our world that can affect our world through their will. All the monsters that have appeared, and all of Leitner's books, are essentially aspects of these entities projected into our reality.
- Wham Episode: Elias is revealed to be the murderer of Gertrude and proceeds to murder Jurgen Leitner, forcing Jonathan to go on the run.
Case #0171702. Statement of Jonathan Sims, regarding a childhood encounter with a book formerly possessed by Jurgen Leitner. Statement recorded by subject, February 18th, 2017.
- Origins Episode: We learn in this episode what led Jonathan to research the supernatural as well as the source of his burning hatred for Jurgen Leitner.
- Take That!: Jonathan jokingly comments that thanks to her podcast Georgina must be "rolling in all that sock money" and "up to her eyeballs in mattresses", the latter of which prompts her to comment that she got a free mattress but couldn't bear sleeping on it for more than three days. This is clearly a dig at frequent podcast sponsors Bombas Socks and Casper mattresses, both of whom also happen to sponsor TMA's inspiration The Black Tapes.
- A full episode of Georgie's podcast was later made available to Patreon subscribers. Sure enough there is an ad for "Bedcetera" mattresses.
Case #0171702-B. Statement of Alice "Daisy" Tonner, regarding the crimes and death of Calvin Benchley. Statement never given.
- And Now for Someone Completely Different: This time around Elias narrates the episode's statement... regarding something Daisy never told anyone with the goal of blackmailing her into keeping quiet about the Institute's activities.
- Call-Back: Elias chuckles when Daisy refers to Leitner's corpse as a "John Doe", and passes it off as remembering "an old joke". He's likely recalling the students from "Anatomy Class".
Case #0131910. Statement of Chloe Ashburt, regarding a new window display at Fantons department store in Hammersmith. Original statement given 19th October 2013.
- Little People Are Surreal: Averted. Chloe's dwarfism is only brought up in passing, as it's mentioned she sues Fanton's for workplace discrimination after being let go.
- Marionette Motion: Chloe sees a tall, thin figure moving with stiff, jerky steps, its arms snapping out and back as it approaches her.
- Murderous Mannequin: At first, Chloe notices that one particular mannequin seems different somehow. Then, someone makes bizarre changes to one of the store displays after hours. Finally, Chloe and her manager, Lana, work late one night. Chloe hears Lana cry out, and when she goes to investigate, she discovers the aforementioned mannequin has become animate, and has murdered Lana.
Case #9900112. Martin Blackwood, Archival Assistant at the Magnus Institute, recording statement number 9900112, statement of Adrian Weiss, given December 1st 1990.
- Down in the Dumps: Because Maggie allowed rubbish to accumulate on her land, it becomes known as "Maggie's Dump," and eventually the people of Cratfield began to use it as an actual dump.
- Trash of the Titans: The area around Maggie's home is cluttered with discarded appliances and furniture, food wrappers, magazines, old clothes, and other junk.
- Wicked Witch: Adrian believes that Maggie is one of these. As she's old, ugly, and a recluse, she fits the popular stereotype of one.
Case #376-U. Statement of an unknown figure, regarding an encounter they may or may not have had in their home. Date of original statement unclear
- Absurdly Long Stairway: The narrator spends all night traversing a spiral staircase in his home, despite the fact that the staircase in his house isn't long, isn't steep, and isn't a spiral.
- And I Must Scream: A literal example. When the "man who wasn't there" switches places with the narrator, he realizes that he's actually been dead for decades. He tries to scream, but the sound is cut off as his throat decomposes.
- Arc Words:As I was going up the stair
I met a man who wasn't there!
He wasn't there again today,
Oh how I wish he'd go away!
- Death of Personality: When the narrator's parent's visit him, they seem confused. His mother asks where her son is, while his father tells him that he's no son of his.
- Ghost Story: This episode is based on the poem Antigonish, which is a ghost story told in verse.
- Identity Amnesia: The narrator has trouble recalling who he is, nor can he remember basic details of his life. May actually be a case of Ghost Amnesia.
- Our Ghosts Are Different: The narrator implies that the "man who wasn't there" is some kind of ghost. However, he also implies that he himself may be a ghost too, although he doesn't die so much as fade out of existence.
- Ret Gone: This appears to be what happened to the narrator.
Case #9830203. Statement of Benjamin Hatendi... Hateendi? Regarding... A blanket. Dead friend. Monster. Regarding his unavoidable and gruesome end. How he tried to hide. He couldn't. Statement is from 1983. March 2nd. And I guess... I'm doing this one. Tim Stoker. Archival assistant... Archival prisoner at the Magnus Institute.
- Dislikes the New Guy: Tim admits that he and Martin don't want Melanie there at the Institute, although it's not because they dislike her personally: Martin doesn't like change, and Tim hates the Institute and doesn't want anyone there.
- Nausea Fuel: When Benjamin finds Robin's body, he says it looked like a large, slick, wet bag with a dark liquid oozing from it onto the floor.
- Primal Fear: Ever since he was a child, Benjamin has been afraid of the dark.
- Sadist: Whatever is terrorrizing Ben has been toying with him for years. Hiding his head under the blanket has never been any real protection. It's been allowing him to believe this so it could savor his renewed fear when it reveals the truth.
- Things That Go "Bump" in the Night: Every night, when Benjamin is in bed, he's terrorized by something inhuman and monstrous.
Case 0141010. Sebastian Skinner. Incident occurred in Gwydir forest, North Wales, September 2014. Statement given 10th October, 2014. Committed to tape 4th April, 2015.
- Creepy Circus Music: As Jonathan is recording his addendum to the statement, he hears calliope music playing in the distance, which utterly unnerves him (for a good reason). Also serves as a call back to episode 24.
- Determinator: Despite the fact that he's terrified, and despite all the negative effects it's had on his life, John admits that he can't stop searching for the truth about who is sending him statements, and why, and what's really going on.
- Evil Is Burning Hot: When Jude grabs Sebastian's shoulder, he feels sudden, blistering heat on his back.
- Flaying Alive: Sebastian admits that he didn't know what "flensing" meant, and assumed that Megan was talking about some kind of sculpture.
- Losing Your Head: When Sebastian screams, all the suspended heads look at him in unison, and by the look in their eyes tells him "that they still knew pain."
- Murderous Mannequin: Several of them, including Megan, who is poorly disguised as a human.
- Weirdness Censor: An odd case, in that Sebastian isn't specifically oblivious to weirdness so much as he's just oblivious in general, and as a result, he doesn't notice anything unusual on his visit to the workshop in the forest. This actually becomes somewhat hilarious in hindsight, albeit very darkly, when you later hear about everything he didn't notice, particularly Megan's reactions to Sebastian's obliviousness.
- You Wouldn't Believe Me If I Told You: John says this to Georgie when she asks him what's really going on.
Case 0030411. Martin Blackwood, Archival Assistant at the Magnus Institute, recording statement number 0030411, statement of Enrique Mac Millan, given November 4th 2003.
Case 0172404. Statement of Jude Perry, regarding... some advice. Recorded direct from subject, April 24th 2017.
- Ax-Crazy: Jude, though in her case, it's fire crazy.
- Biomanipulation: The members of the cult are able to warp and alter their own bodies as if they were made of soft wax. Jude implies they can do this to others too.
- Compelling Voice: Jonathan - and the listeners - learn that Jonathan, as a servant of the Beholding, can compel people to answer his questions, and that he's been doing it without being consciously aware of it. He finds out when Jude threatens to kill him if he tries using it on her.
- Desperately Looking for a Purpose in Life: Jude, pre-Lightless Flame. Although she had a high-paying job and a beautiful girlfriend, she was unfulfilled and burnt out
- Evil Is Burning Hot: Jude and The Cult of the Lightless Flame.
- Fire Purifies: Jude tells Jonathan that when she looks at him, she feels the "burning liquid pain" eager to flow out of her and purify him.
- For the Evulz: Jude and the cult's MO. She selected her first victim because lots of people would miss him, then posthumously ruined his repuration and burned down his house for kicks. Oh, and she still stalks his son, just in case she thinks of an inventive way to destroy his life, too. And dumped her ex by immolating herself in front of her.
- I Lied: Jude demands that Jonathan shake her hand in exchange for some information he wants (Jonathan had refused to shake her hand earlier, saying "I'm not stupid"). She promises that it won't hurt.
- Man on Fire: After Jude kills Nick, she channels the power of her "god" to immolate his body.
- Also, Jude herself, as this is the final initiation rite.
- Pyro Maniac: Pretty much a given for members of The Cult of the Lightless Flame. Jude is at least a 5 (out of 7) on the sliding scale.
- Self-Immolation: Jude does this to herself, though not to kill herself.
- Scary Amoral Religion: The Cult of the Lightless Flame sits on the blurry line between this and Religion of Evil. On the one hand, Jude commits acts of murder and destruction because she enjoys it. On the other, the cult isn't about promoting evil, but about causing destruction.
- The Fourth Wall Will Not Protect You: "The audience is only safe when the story isn't about them."
- The Sociopath: Jude has all of the characteristics, except that she may have genuine feelings for Agnes, although those feelings come off as more like religious devotion than affection.
Case 0130807. Martin Blackwood, Archival Assistant at the Magnus Institute, recording statement number 0130807, statement of Ross Davenport, given August 7th 2013.
- Belly Mouth: The thing on the parallel bars has one of these.
- Determinator: Ross, when it comes to perfecting his physique. Marie even more so.
- Gone Horribly Right: It's implied that the people who are drawn to Jared's gym have a form of body dysmorphia wherein they're always dissatisfied with their physiques (to the point of self-hatred), no matter how hard they work out. After they've joined, when the time is right, Jared re-shapes their bodies into horrific new configurations, and afterwards, they're happy about it, because in some twisted way they now have the body they could never achieve before.
- Humanoid Abomination: The gym members.
Case 0172804-A. Statement of Michael Crew regarding his experiences with the supernatural.
- Affably Evil: Michael Crew is a murderer, but he's also polite and doesn't outwardly seem to be particularly malevolent.
- Big Damn Heroes: Basira shows back up just in time to stop Daisy from murdering Jon.
- But for Me, It Was Tuesday: Michael's attitude towards the events of "Long Way Down". He doesn't even actually remember them but ackowledges that it's something he would do.
- Hunter of Monsters: Daisy, who seems to be heading into He Who Fights Monsters territory.
- "Rashomon"-Style: We get a look at a few past statements, such as "Literary Heights", from Michael Crew's point of view
- Vigilante Man: Daisy. In her efforts to destroy the manifestations of the entities, she bludgeons Michael Crew to death. She almost does the same to Jonathan, until Basira's timely intervention.
Case 0172804-B. Statement of Barnabas Bennett, as given in a short letter to Jonah Magnus. April 9th 1824.
- Dead Man's Switch: Elias warns Daisy that if he's killed, or the institute is destroyed, everyone who works there will die.
- Figure It Out Yourself: Elias tells John that he can't tell John how to stop The Unknowing, because if he simply told John how, John would fail. Rather, John needs to "get better at seeing" in order succeed.
- It Gets Easier: When Melanie proclaims "This is Insane!" Tim replies with a deadpan "You get used to it."
- Morality Pet: Basira to Daisy; Elias describes her as the last thing connecting Daisy to humanity.
- Noodle Incident:Basira: Daisy, where do I know [the name "Jurgen Leitner"] from?Daisy: Oh, the Yusuf case? "An Introduction to Higher Anatomy".Basira: Oh. Oh God. And you killed him? Shouldn't we be giving him a medal?
- Manipulative Bastard: Elias, in fine form. He threatens Daisy's life to make Basira join the Archives, then turns around and uses the Dead Man Switch to keep Daisy in line.
Case 9950503. Statement of Lester Chang regarding the cleaning habits of his father-in-law. Original statement given March 5th 1995.
- Evil Smells Bad: Lester describes the smell coming from the shower drain as sour, like old milk.
- Neat Freak: How Lester describes his father-in-law.
- So Crazy, It Must Be True: Georgie accepts John's explanation for what's been going on with almost no skepticism.
- Surprisingly Sudden Death: Lester's wife and mother-in-law both die within the same year from a hereditary condition. The doctors describe the chances of it happening as astronomical.
- What Cliffhanger: Georgie asks if one of the entities John is taking about is like death. John says yes and asks why she's asking. Georgie pauses, then replies "I'll make us a cup of tea," and the episode ends.
Case 0172904. Statement of Georgina Barker regarding the last words of possible corpse. Recorded direct from subject April 29th 2017.
- Death by Despair: Implied to be what happened to all the people in the room in the medical building.
- Despair Event Horizon: Immediately after the dead woman whispers in Alex's ear, she crosses this line.
- Go Mad from the Revelation: Essentially what happens to anyone who hears what Alex hears. In this case the madness takes the form of complete catatonia.
- The Un-Reveal: Averted. We get to hear what the dead woman whispers to Alex.
Case 9770211. Martin Blackwood, Archival Assistant at the Magnus Institute, recording statement number 9770211, statement of Luca Moretti, given November 2nd 1977.
- Buried in a Pile of Corpses: As Luca makes his way through the cave, he discovers numerous corpses half-buried in the walls and ceiling. As he presses on, he encounters more, until eventually they completely cover the cave interior, and are stacked two or three deep.
- Dwindling Party: The members of the expedition are picked off one by one, until only Luca is left.
- Our Zombies Are Different: The old woman at the mountain cabin.
- River of Insanity: The journey up the mountain to find the deserters goes bad quickly, and ends with everyone except for Luca dead.
Case 9961505. Statement of Alfred Breekon, regarding a new pair of workers at his delivery company. Original statement given May 15th 1996.
Case 0090303. Statement of Jackson Ellis, regarding the geographical oddities in the town of Bucoda, Washington. Original statement given 3rd March 2009.
- Masquerade: Whenever Jackson asks anyone about the pit, they mishear, misunderstand, or ignore him. Possibly crossed with Weirdness Censor, as Jackson states that the people didn't seem evasive, but rather that they simply weren't able talk about the pit.
- Nothing Is Scarier: Nikola Orsinov notes that sometimes not being able to see something is actually a good thing.
- Town with a Dark Secret: Bucoda
Case 8640514. Martin Blackwood, Archival Assistant at the Magnus Institute, recording statement number 8640514, statement of Doctor Algernon Moss, given May 14th 1864.
- Assassination Attempt: Melanie attempts to poison Elias with painkillers dissolved in a cup of coffee. Elias sees through this immediately, and chides her for trying to kill him in such an obvious and poorly-planned way.
- Dark Is Evil: As The Sandman approaches Jonathan, the world around him is enveloped in "choking" darkness.
- Eye Scream: Dr. Moss does this to himself after being confronted with an eternity of being trapped in darkness, claiming that sightless and darkness are not the same thing, and that the former is much more preferable to the latter.
- Humanoid Abomination: The Sandman is described as being tall and thin, with black sand trickling from his mouth, and joints that twist and move with every step it takes.
- The Sandman: The Sandman appears first as a character in a book of horror stories as a monstrous creature that steals the eyes of children who won't go to bed. Later, it comes into Dr. Moss's bedroom at night, bringing smothering, impenetrable darkness with it.
Robert E. Geiger. Incident occurred in Boise City, Oklahoma, April 1935. Victims name given as Stefan Brotchen. Statement given 20th February, 1952. Committed to tape 2nd September, 2007. Gertrude Robinson Recording.
- Cliffhanger: Jonathan is kidnapped by Brekon & Hope, on orders from Nikola Orsinov. This is particularly rough, because the next episode focuses on other characters entirely, followed by a six-week hiatus for the show.
Assorted live statements. No further details available.
- Affably Evil: For the walking incarnation of isolation and loneliness, Peter's voice actor is surprisingly chipper, but there's a distinct edge of menace lurking beneath.
- All First Person Narrators Write Like Novelists: Averted. All of the statements given sound realistically incoherent and with the sort of credibility you'd expect from the average testimony of supernatural activity, with the strong implication that it is the Archivist's powers that gave previous statements their exaustive and expressive quality.
- Breather Episode: Unlike the rest of the series, this episode is (mostly) played for comedy instead of horror.
- Day in the Life: A look into some of the more... frustratingly mundane of statements that the archival assistants take in Johnathan's absence. Until Peter Lukas crashes the party looking for Elias.
- Maybe Magic, Maybe Mundane: Even more so than other episodes. The tone and incoherent nature of each "statement" easily leads one to dismiss these people as cranks but each testimony includes enough elements of the Powers at work (the Lightless Flame, the Spiral, the Church of the Divine Host and spiders) to be more than mere coincidence. Word of God confirmed in the third Q&A session that what they experienced was in fact real, keeping up with the already stated claim that all statments read on the podcast relate to actual events.
Statement of Michael, taken from subject. Date: the last day of the Archivist's life.
- Anti-Hero: Gertrude used the real Michael's trust in her to sacrifice him to the Distortion, forcing it to incarnate in him instead of remaking the world in its image.
- Arc Words: "He trusted her."
- Big Damn Heroes: Although not through any actual heroic intent. Just as Michael is about to take Jonathan through a door and kill him, the Distortion cottons on to the fact a decidedly human emotion is influencing its actions and intervenes.
- Bizarrchitecture: A house made of impossible angles on a nonexistent island was a key part of the Distortion's plan to take over the world.
- The Bus Came Back: Helen Richardson from episode 47 becomes the new host of the Distortion and releases Jonathan.
- Genius Bonus: Sannikov Land is an actual mythical island in Russia.
- Sins Of The Father: Part of the reason Michael has come for Jonathan is that the part of it that remembers being the real Michael has always longed for revenge against Gertrude, but couldn't get at her. So her successor will just have to do.
- Unreliable Narrator: Michael insists that Michael Shelley is gone, and it's only angry at the Archives because Gertrude not only destroyed its plans but forced it to wear evidence of its failure. However, the way it keeps repeating the Arc Words and the fact the Helen incarnation is not angry suggest pretty clearly that it's lying.
- Was Once a Man: This episode confirms that Michael Shelley the archival assistant is indeed the source of the Michael avatar.
Case #0140406. Statement of François Deschamps, regarding the family and presumed marriage of Benoît Maçon. Statement given June 4th 2014.]
- Bait-and-Switch: François's comment that Benoît seemed like a totally different person when he came to work after he got a date at first seems to point to a Not-Them infestation. It's actually the Filth; Benoît is just really happy because of his new girlfriend.
- Honey Trap: Sad-sack failure at life bartender Benoît finally gets the girlfriend he's been uselessly pining for and she's the most amazing thing ever? Yes, of course "his little beetle" is a monster. He at least seems happy when "she" devours him.
- I'm Standing Right Here: To head off her assassination attempt, Jon tells Melanie that for right now, they need Elias, but they can get rid of him later. Elias says this almost word-for-word; Jon replies that he could be spying on the conversation anyway, so it doesn't matter.
- Incredibly Lame Pun: Gertrude was not above a little bit of Gallows Humor; her notes refer to the dancers who will enact the Unknowing as the "corpse de ballet".
- The Omniscient: Now that Jon is more aware of what exactly being Archivist entails, he's starting to develop powers that come with the position. He knows Gerard and Gertrude worked together without ever having read it, and at the end of the episode he realizes he flawlessly translated the entire statement despite not knowing a lick of French.
- Not So Omniscient After All: Elias seems to be less powerful than the Archivist. Jon knows more about the Unknowing from getting kidnapped one time than Elias knows from being the boss of the woman who spent years investigating it. Elias also seems to be limited to information that directly affects him, while Jon can get things related to the statements.
- That Liar Lies: Melanie flat-out does not believe the supposed Dead Man Switch connected to Elias exists, which is why she feels so comfortable trying to kill him.Melanie: It's not even a good lie!
Case #0140207. Statement of Dylan Anderson, regarding an unusual pig he acquired on his farm near the Marlborough Forest, New Zealand.
- Blackmail: Jon's growing rapidly more comfortable with his powers. To get some papers Gertrude accidentally left at Dylan's house from Dylan's brother Kurt (who lives in England, and was supposed to return them, but didn't), he compels Kurt to tell him his darkest secret, and then says he has it on tape now, so Kurt had better hand the papers over or Jon will show the tape to his superiors.
- Circus of Fear: Averted with the actual circus—Gertrude and Gerard came to New Zealand because they thought it was the Other Circus, but it's actually just a regular one. The nightmares Dylan has after the pig eats a clown, however, definitely qualify.
- Driven to Suicide: After the monster pig almost kills his brother and eats a clown, Dylan goes into the pigpen and lies down, inviting it to eat him, because he's afraid of what the pig will do and doesn't want to be alive to see it. Of course, since he's able to give the statement, it doesn't—it likes him, for some reason, so it just lies down next to him instead.
- Madness Mantra: "Long pig, short pig, fat pig, narrow pig."
Case #0171106. Statement of Timothy Stoker, on the disappearance of his brother, Danny, four years ago. Statement given June 14th 2017.
- A Day in the Limelight: We learn more about Tim's background and the reason why he joined the Institute.
- Historical-Domain Character: The Monster Clown Joey is apparently Joseph Grimaldi.
- It's Personal: After learning about the Unknowing and the Circus of the Other's involvement, Tim vows to go after them to avenge his brother.
- Kill Me Now, or Forever Stay Your Hand: Tim gives Elias this ultimatum. Elias brushes it off by saying that he'll come back when Tim is feeling more reasonable.
- Locked Out of the Loop: Nobody clued in Tim about the impending end of the world until now. As the same entity that killed and flayed his brother is the one behind the coming apocalypse, he is not pleased.
- Monster Clown: Joey.
- Precision F-Strike: "Either kill me, or fuck off".
Case #D-1862-143. Statement of Second Lieutenant Charles Fleming, regarding his experiences during the Taiping Rebellion. Original statement undated, but apparently written in early 1862.
- Asexuality: Melanie claims that according to Georgie, Jonathan is asexual.
- Call-Back: Kilbride was aboard Daedalus at the same time as Chilcott from "Personal Space". It's also revealed that Melanie's father died in the fire in the Ivy Meadows Resting Home from "Taken Ill"
- Mind Rape: Elias makes Melanie know how her father really died and threatens to make her see it if she keeps trying to interfere in Elias' plans.
- Nothing Is Scarier: The audience never actually finds out what the Filth did to Melanie's father, as Elias doesn't say it out loud. All we know is that it's enough to make Melanie cry. Melanie.
- Switching P.O.V.: We see the events of "Personal Space" from Kilbride's perspective.
- Take That, Us: Basira says she enjoyed the first and second seasons of Georgie's What the Ghost? podcast, but the third got weird.
- The Bus Came Back: Jon runs into Julia Montauk ("A Father's Love") and Trevor Herbert ("Vampire Hunter" and "Children Of The Night" in the U.S.
- Malevolent Masked Men: By the end of the statement, all the audience members have been replaced by identical masked figures.
- No Body Left Behind: When Adonis strikes the masked figure, it crumples to the ground, leaving behind just a cloak and a mask, and a stick that was propping them up.
- White Mask of Doom: Adonis describes the mask the figure in the audience wears as being like an old Greek chorus mask with a neutral expression and a hint of mourning about the mouth and eyes.
- Like an Old Married Couple: Julia and Trevor.
- The Movie Buff: Alexia says that she's never met anyone who knew as much about films, and as little about everything else, as Dexter Banks.
- O.O.C. Is Serious Business: Dexter finally got started on the remake of his big spider movie when he came across the book it was supposedly based on (no doubt another Leitner book), which he thought was better than getting a copy of the film or its script. When he told Alexia this over the phone, she felt uneasy about it, but it took a moment for her to figure out why - it was that Dexter would never say a book is better than a movie.
- Teeth-Clenched Teamwork: Alexia states that her relationship with Dexter was built on over a decade of "disdain and interdependence." Although they hate each other, they also need each other (Alexia because she can't get other gigs as a cinematographer, and Banks because he knows that she's responsible for a lot of the success of his films)
- Transgender: Alexia is notable as being the first character in the series to be trans.
- Barred from the Afterlife: Gerard's spirit is bound to Leitner's book, trapping him in a state where he's dead, but still exists.
- Dead Person Conversation: Almost the entire episode is made up of a conversation between Jonathan and the spirit of Gerard Keay.
- Devil, but No God: There are the fourteen (according to Smirke, anyway) Powers, based on the fears of living beings, but that's all. There's no opposing pantheon of hope, love, etc.
- Fate Worse than Death: Being bound to the skin book hurts all the time, worse than any living being can imagine, and you can't even die to escape it. The only way out is for someone to take pity on you and burn your page.
- Ghostly Goals: Gerard refuses to help Jonathan unless Jonathan promises to destroy Gerard's page in the Leitner book, freeing Gerard's spirit.
- Info Dump: Gerard gives a lengthy one regarding the name and nature of each of the Powers.
- Parental Neglect: Mary Keay was interested in her son mainly as a vehicle for creating some kind of independent occult dynasty, and otherwise had no time for him.
- Primal Fear: Gerard explains that the cosmic entities that exist adjacent to our reality don't feed on fear; they are fear. Specifically, each one is a primal fear, e.g., the fear of death, madness, disease, darkness, etc...
- Blood from the Mouth: What Justin develops, as The End manifests itself as a form of carbon monoxide poisoning.
- Dead Man's Switch: A literal example for Gertrude: John finds it in the archives, wrapped in a block of plastic explosive.
- Eye Scream: Adelard drives a meat skewer through Justin's eye and into his brain as an impromptu trepanation to cut off his ability to dream and break The End's hold over him. It turns him into a vegetable, but it's dubious whether the procedure has the intended effect. The action is described by Adelard in... well, let's say loving detail.
- Your Mind Makes It Real
- Giant Spider: When Anya looks into the crack in the basement floor, she sees eight spindly legs reaching for her.
- Stranger in a Familiar Land: After the events at Hill Top Road, Anya complains that the people she thought she knew (those she can find, that is) seem different, she can't find her favorite coffee shop, and everything is just wrong. This is a particularly extreme example, since the fact that Jonathan can't find any evidence of her existence implies that she may have come from an Alternate Universe.
- Unperson: When Johnathan tries to follow up on Anya's statement, he can't find any evidence that she exists, nor can he corroborate the details of her statement.
- When Trees Attack: Anya has a vision of the tree in the garden grabbing her.
Case #0070401. Statement of Mikaele Salesa, regarding an antique meat grinder in his possession during the Autumn of 1999. Original statement given January 4th 2007.
- Badass Normal: Mikaele serves no power and therefore has no supernatural backup, but, at least by the time he gives the statement, has been dealing with artifacts that could kill him horribly with very little trouble for years. In fact, unlike most other statement-givers, he is at no point actually afraid or in danger, just disgusted and annoyed with himself for slipping up.
- Double-Meaning Title: Stock refers both to wares a business sells and to a type of broth made from animal bones. In this case, Cooks arm bones.
- Fingore: The sausage is very homemade. Eventually escalates to Cook's whole arm.
- I Ate WHAT?!: Even before he confirms it, Mikaele stops eating Chef's meat once he suspects where it's coming from.
- Noodle Incident: Mikaele gave his statement as some kind of repayment for an artifact he sold the Institute causing trouble. (From the sound of it, the artifact was associated with the Frenzy, which doesnt point to good things.)
- Screw This, I'm Outta Here!: Mikaele used to work for Leitner. After seeing one of his colleagues get devoured by a book, he swiftly reconsidered his career choices.
- The Secret of Long Pork Pies: Mikaele says that the meat dishes tasted too fresh to be canned.
Case #7870211. Abraham Janssen. Incident occurred in the Court Theatre Buda, October 1787. Statement taken journal entry dated 2nd November of that year. Committed to tape 4th October 2013.
- Achilles' Heel: Like the other Powers, the Stranger is most vulnerable during its big ritual. Some agents of the Frenzy are able to one-shot the cast with a cursed cannon because of this.
- Clockwork Creature: The Mechanical Turk, the ushers, and the birds.
- Reality Is Out to Lunch: As the ritual Abraham describes is enacted, things become weirder and weirder until he experiences a "moment of absolute nothing." When he returns to existence, reality has become nightmarish, bizarre, and chaotic. As he puts it, "nothing was anything." Possibly averted, in that the ritual may have altered Abraham's perception of reality, rather than reality itself.
Case #0170208-A to F. Assorted statements of Magnus Institute archival staff, prior to their departure for Great Yarmouth.
- Lock and Load Montage: A rather short one: Daisy's "statement" consists solely of her loading a gun and saying "Right."
- Remember That You Trust Me: Jonathan ends up doing this to himself: after reflecting on what his paranoid attitude in the previous season cost him, he makes the conscious decision to choose to trust his companions.
- The Reveal: Melanie finally gives a statement on the time she was shot by a ghost in India.
Case #0170608-A/B. Original recordings of a Magnus Institute visit to the House of Wax, Great Yarmouth, and an internal management dispute.
- Deadly Closing Credits: At the end of the episode, Daisy has been affected by the Unknowing, and she's pointing a gun at John. The last thing we hear is John yell "Daisy," and then a gunshot, followed by the end credits.
- Fate Worse than Death: John thought that the anglerfish simply ate the bodies of its victims after flaying them. He discovers that instead, that they're still alive, and have been turned into wax figures.
- Iron Woobie: Martin takes being on the receiving end of Elias' Mind Rape a lot better than Melanie did.
- Oh, Crap!: "Oh God... Oh God... They're not waxworks." Doubles as a Wham Line, along with "I guess you don't need skin to sing."
- No One Gets Left Behind: Tim wants to try and rescue the victims of the anglerfish, but John argues that they can't help them.
- Wax Museum Morgue: Averted, horribly. The people who have been turned into wax figures are still alive.
- We Need a Distraction: Martin distracts Elias by burning a bunch of statements.
- Ax-Crazy: After the Unknowing whacks everybody over the head, Daisy completely loses her connection to humanity and morphs into a laughing, growling thing to tear half of the deliverymen apart with her bare hands.
- The Fourth Wall Will Not Protect You: Nikola got to the theme music. That means you're in the Unknowing's audience.
- Mind Screw: In spades.
- Surreal Theme Tune: The standard creepy intro is replaced by bizarre calliope music.
- Taking You with Me: Tim sacrifices himself by detonating the C4 to disrupt the ritual.
- "The Reason You Suck" Speech: Nikola puppeteers Gertrude and Jurgen's bodies to deliver one of these to John. It works... almost.
- Uncertain Doom: Tim, Jon, Daisy, and Basira.
- Adventures in Comaland: John experiences a repeating succession of dreams while in a coma. Averted, in that despite his attempts in his dreams to wake himself up, he is unable to do so.
- Fate Worse than Death: Jon is trapped in a coma in which he has a rotating series of nightmares that belong to the people whose statements he's taken. He must watch each one play out again and again, unable to change anything no matter how much the people in the dreams beg him to help, with the the Eye always filling the sky above him.
- Infectious Insanity: Each of Jon's dreams that Elias narrates represents a different "gifted nightmare" whose statement Jon took directly from its subject. The tape recordings apparently are a way for Jon to put a barrier between him and the Beholding - otherwise, he relives the statements on repeat every time he falls asleep.
- Wham Episode: The Unknowing was seemingly stopped and Elias is arrested, but Tim and Daisy are apparently dead, Jon is in a coma-like state and Peter Lukas has taken over the Institute.
- Call-Back: Oliver Banks is "Antonio Blake", the statement giver of episode #11.
- Georgie recognizes "Antonio" as an Avatar of The End due to her experiences described in #94
- Dead All Along: Oliver reveals at the end of his statement that he deliberately steered the Point Nemo expedition ship into the path of a falling satellite, killing everyone on board, including him.
- Shown Their Work: Point Nemo exists and it really is used as a spacecraft cemetery due to it being far away from any landmass or air/sea traffic.
- Ambiguously Human: After being ordered to choose whether he's a human or the Archivist last episode, Jon is shockingly well-recovered for someone who just woke up from a six-month coma and is entirely well once he's finished reading the statement.
- Bait-and-Switch: Given the name and who showed up last time, you'd expect the End to be involved. It's actually about Lorell's progressive delusion that certain people around her are philosophical zombies, and the Spiral attacking her using it.
- Meaningful Rename: Jon introduces himself simply as "Jonathan Sims, the Archivist".
- Our Zombies Are Different: They're alive, and they act like people, but they're empty inside (so says Lorell). Eventually she is stalked by a literal empty shell, which deflates when she punches it but has the side effect of convincing her everyone is a zombie, not just select people.
- Screw This, I'm Outta Here!: Georgie splits, apparently cottoning on to the implications of Jon waking up right after Oliver's visit, and unwilling to deal with this after what she already went through with the End.
- Extreme Doormat: How Angie describes Greg's personality.
- Eye Scream: Instead of eyes, the thing Angie and Greg encounter has eye sockets (and a mouth) that are full of spiders.
- From Bad to Worse: Basira finally lays out just how badly things have gone in the Institute during Jon's coma: Melanie has become a lot more violent and angry, possibly indicating that the Slaughter is getting to her; Martin is spending all his time on some unknown project for Peter Lukas; and worst of all, the other Powers have turned their attention towards the Beholding due it never having attempted a ritual and the disruption of the Unknowing, with the Flesh having mounted a full scale attack on the Insitute.
- Haunted Technology: The forum that Greg sets up and maintains is, if not supernatural itself, then a conduit for supernatural powers.
- Meaningful Name: The website is called Chelicerae, which is the scientific name for spider jaws.
- No One Sees the Boss: Somewhat unsurprisingly, Peter Lukas does all his business by himself (and possibly Martin) and thus only communicates with the rest of the Institute via memos and email from offsite. The only indication other employees get that he even exists is that people who ignore his directives tend to disappear.
- Spiders Are Scary: Angie describes the thing that accosts her and Greg as some kind of human-spider hybrid swarming with spiders.
- Blatant Lies: At the end, Julian says he's no longer as close to his mother as he used to be, because she flatly denies anything strange happened even when they both know she remembers everything.
- For the Evulz: Jon notes that out of all the Avatars he knows of, Simon Fairchild is the only one who seems to do what he does simply "for the hell of it".
- The Corruption: The Slaughter has been slowly taking over Melanie ever since the events narrated in episode 117.
- The Omniscient: Jon's powers kick up another gear; despite having no medical training, he knows not only exactly what kind of difficult and risky surgery is needed to remove the cursed bullet from Melanie's leg, but also how to do it.
- We Have to Get the Bullet Out: Justified. Jon's powers allow him to see that the bullet Melanie was shot with by the ghost in India is infecting her with the Slaughter's power. He and Basira are forced to resort to Meatgrinder Surgery to get it out.
- Accidental Murder: It seems Deborah unwittingly did something to a classmate and ended up with the woman's dead body in her basement, resulting in her being convicted of the woman's murder.
- Ambiguous Situation: At the end of the episode, Jon says he's not entirely sure whether Deborah was truly able to refuse Gabriel's invitation to join the Spiral's cultists in Sannikovland, or just didn't go because she was in jail.
- Call-Back: "Gabriel" turns out to be the Worker in Clay, who was mentioned by Michael as part of the Spiral's ritual in episode #101. He also invites Deborah to Sannikovland, presumably for that same ritual.
- Deal with the Devil: Martin is being so distant because he's made some kind of bargain with Peter Lucas to save everyone from some undefined threat, and trying to get power from the Lonely is part of it.
- Extreme Doormat: While Deborah initially isn't this, the first time she comes to what she thinks is a different class and ends up being sculpture class instead, she doesn't walk out because she's afraid of hurting the teacher's feelings.
- Leaning on the Fourth Wall: Martin talks to the tape recorder that suddenly appeared in his office and claims that his admin is not "thrilling listening" and asks it if it missed Jon and if it's back because Jon is. He might as well be talking straight at the listener.
- For extra meta points, Alex J. Newall is the Creative Director of Rusty Quill: thus, he IS the guy doing their admin in real life!
- Mind Screw: It starts with the schedule of Deborah's community center changing so that every adult education class she attends is the sculpture class she has with Gabriel, and always has been, no matter what time she tries to go. Then it gets worse.
- Being Watched: While Dr. Fanshawe is alone in Albrecht Von Closen's estate, he experiences an intense sensation of being watched.
- Call-Back: Albrecht Von Closen was the statement giver in episode #23, whereas this time, he's the subject of the statement.
- Eyes Do Not Belong There: When Dr. Fanshawe performs an autopsy on Albrecht, he discovers that his organs, bones, and the inside of his skin are literally covered in dozens of eyes.
- And I Must Scream: Daisy is confirmed to be alive inside the coffin, unable to move, die, or be released.
- Didn't See That Coming: Whoever hired Breekon and Hope to deliver the coffin apparently never expected the recipient to actually not open it, like the subject of "Do Not Open" managed to do. As such, B&K were forced to lug the coffin around until the Unknowing attack since it was a package without a destination.
- Even Evil Has Loved Ones: Breekon seems to feel genuine affection and grief for its other half, beyond just being traumatized by essentially being chopped in two.
- Hive Mind: Breekon and Hope turn out to be two halves of the same being.
- Horrifying the Horror: Jon scares the crap out of what's left of Breekon and Hope by turning the knob up on his powers and apparently psychically tearing the statement from its mind.Breekon: [utterly terrified] Stop looking at me!
- Mind Probe: Jon's Archivist powers have grown to the point he can now literally rip statements out of subjects' minds and even use his Compelling Voice to immobilize them when he does so. It's as horrifying as it sounds.
- Painting the Medium: The more oomph Jon puts behind his Compelling Voice, the more distorted the audio becomes.
- Stealth Pun: Breekon is wandering completely lost with the death of his other half. He is both literally and figuratively Hope-less.
- Wham Line: "Stop."
- Dramatic Thunder: The first thunderclap of the storm is so powerful, Kulbir momentarily thinks that it's an earthquake. It later wakes him from sleep.
- Memento MacGuffin: The sheath of Kulbir's Grandfather's Kukri becomes instrumental in saving his life.
- Perpetual Storm: What seems like a normal rainstorm as first goes on and on endlessly, causing a flood that traps Kulbir in his home.
- Power Incontinence: Jon is doing his best to keep the door in his head shut, but he has a very hard time not knowing the answer the second he thinks of a question. He finds Martin simply by thinking about him, and has to forcibly push away more knowledge about the statement after accidentally wondering aloud. Not only that, but he voices the fear that sometimes he does this without realizing and has no reliable way to tell which information in his head came from outside.
- Rising Water, Rising Tension: As the rain falls, the roads begin to flood, but soon the water rises to where it submerges the cars in the street and floods the bottom floor of Kulbir's house. After a brief lull in the rain, the waters begin to rise again rapidly, seemingly flooding the entire city, and threatening to drown Kulbir.
- Weird Weather: The rainstorm seems normal at first, but as Kulbir looks outside his window, he notes a complete absence of cars, buses, or other human activity. Later, he comes to realize that there is no longer a day or night, just the rain, and he sees floodwaters rising rapidly in the streets.
- Bait-and-Switch: Between Gertrude's ominous reassurance that once Lucia gives her statement her nightmares won't be bothering her much longer and the former taking her time reaching inside her desk to supposedly pull out a flyer for a counselling service, it's heavily implied that Gertrude is about to murder Lucia in cold blood...only for it to be revealed that due to Lucia not knowing about Getrude's involvement in the affair, she didn't kill her. Maybe.
- Exactly What It Says on the Tin: The episode is about the Flesh's ritual, which is in fact mainly about filling a hole (that is also a mouth) with meat.
- He Knows Too Much: The point of taking the statement was for Gertrude to find out whether she needed to pull this with Lucia—after all, Gertrude knew exactly what happened, because she was there, laying explosives to disrupt the rite. Luckily, Lucia doesn't really remember running into Gertrude, so she gets to live. With the memories of participating in the ritual and the recurring nightmares that come from giving a statement.
- Endless Corridor: When Jared attacked the Institute and even a Slaughter-driven Melanie couldn't put him down, Helen showed up and helpfully ushered him into one of these. He's not happy about it.
- Exact Words: Helen and Jon promise Jared that in return for removing the latter's rib, the former will create a door out of the Endless Corridor he's trapped in. At the end Helen does create a door out of the corridor..."some distance above a river".
- Fingore: John tries cutting off one of his fingers. Repeatedly.
- Healing Factor: Jon discovers he has one of these. Unfortunately, it's around the time he actively needs to sever a body part to rescue Daisy.
- Not Brainwashed: When Jon asks Melanie if getting the Slaughter-infected bullet out has reduced her anger, Melanie shoots back that her anger has always been there her whole life. The Slaughter simply gave it focus and told her that it was a part of her. In fact, the bullet only stayed in her body because she let it. Jon can only let out a single "Shit." in response.
- Not So Different: Helen responds to Jon's cold treatment of her by pointing this out, even claiming that Jon is as much the "Jonathan Sims" that joined the Institute as she is "Helen Richardson" (i.e. only superficially).
- Joke and Receive: After explaining that his attempts to create an "anchor" from his flesh are being foiled by his Healing Factor, Jon jokes to Melanie that he wishes the Boneturner was around to pop out one of his ribs. Cue Melanie taking Jon to Helen and revealing the latter has kept the Boneturner prisoner meaning they can literally do just that.
- Rescued from the Underworld: Jonathan succeeds in rescuing Daisy from the realm of The Buried.
- Sympathetic Magic: Jonathan leaves one of his ribs behind, surmising that it will act as an anchor to the real world, allowing him to find his way out of the realm of The Buried. It turns out he was only partially correct: the anchor was actually all the statements he's recorded.
- Reality Ensues: Being trapped in an And I Must Scream state for eight months has caused Daisy to develop severe muscle atrophy, and she now requires assistance even to move around.
- Stealth Pun: The title refers to Fawcett's Dead Horse Camp, so called because it's the point where his horse finally died. However, the Everchase is essentially a journey without a point to it, other than to keep on going forever. After a certain point, you're just beating a dead horse.
- Stock Unsolved Mysteries: Three lesser-known ones feature here. Percy Fawcett is revealed to have survived his failed expedition to the Lost City of Z but actively faked his own death, and along the way meets some of the crew of the HMS Terror's expedition to find the Northwest passage and Eduard Toll's expedition to Sannikov Land. In all cases, their obsession with reaching a location that does not exist allows them to be drawn into the Everchase.
- Victory Is Boring: Turns out this is one of the key aspects of the Hunt: all that matters is the chase, not the capture. Daisy relates that during her time with the police, the part that she hated the most about her job was actually cuffing suspects due to the sense of finality it brought. Jon also discovers that this even plays into the Hunt's Ritual, the Everchase: the ritual never ends and instead provides the Hunt's disciples with an eternal hunt.
- Adult Fear: The Extinction is borne of the fear of replacement and catastrophic change, something that seems pretty endemic to life in the late 2010s.
- After the End: Paris post-Extinction hasn't been inhabited by humans for at least one-hundred years. The "Inheritors" that are there are terrifying.
- Doomed Protagonist: Dekker's account of the Extinction is taken second-hand. The professor who actually encountered the power had the look of a 'half-eaten meal', according to him.
- Nothing Is Scarier: Because Gertrude didn't take the statement about the Extinction herself, there is no description of its servitors, except that they are so awful that not even every human atrocity stacked together is enough to make us deserve them.
- The Reveal: Martin placed the tape recorders by the coffin, allowing Jon to escape.
- Also, Peter reveals that Gertrude stopped the Lonely's ritual when she was alive, meaning that it not be attempted again for centuries, making his plans for Martin all that more mysterious.
- Wham Episode: There is a new Power emerging and Peter Lukas aims to stop its emergence with Martin's help.
- Wham Line: "I am now certain my theory was correct. There is something new emerging. A 15th Power."
- Light Is Not Good: Being a servitor of The Dark, Manuela believes that the default state of the universe is darkness, and that light is nothing but a corrupting influence.
- The Reveal:
- The reason the Daedalus was launched was so that the Dark could create some kind of mass of dark matter in order to perform its ritual, The Extinguished Sun.
- Supplies are being sent to Ny-Ålesund on Svalbard, and Elias suspects that they are attempting to conduct the aforementioned ritual as quickly as possible.
- Space Isolation Horror: Manuela brings an unnamed man onto the Daedalus, and subjects him to the torment of endless darkness. By the time they leave, he's screaming so loud that no amount of soundproofing can silence him.
- Call-Back: Neil Lagorio, mentioned in Episode 110, appears alongside Annabelle Cane from Episode 69 and Episode 123.
- Compelling Voice: Jon accidentally uses his on Melanie, who blurts out that she's started going to therapy.
- Get a Hold of Yourself, Man!: Daisy tells Jon to get over himself and stop constantly moping about how he's turned into some kind of monster. She even gets Jon to let out a genuine laugh at a joke.
- Marionette Master: Alison finds herself in this role when she's asked by Neil to construct an apparatus that allows her to puppet him around the house.
- Year Outside, Hour Inside: Alison is forced to watch Neil's original cuts while Annabelle does something with him that results in his death. Alison later learns from her daughter that she had been missing for five months.
- Draft Dodging: Wallis considers becoming a conscientious objector when he's drafted into the war.
- No-Sell: While the Slaughter's music makes everyone else start killing each other, it simply doesn't work on Wallis, because he's a pacifist who has never truly desired to hurt another person (he only joins the army because he can't bear to hurt his father by refusing).
- POW Camp: The statement partially takes place in one, with Wallis having been captured by the Japanese.
- "Shaggy Dog" Story: The Slaughter's ritual, The Risen War, fails without any outside intervention after the Nemesis sinks. Gertrude speculates that it was meant to be bombed to complete the ritual, and notes that if they had waited a couple of more years, they could have just sailed into Nagasaki harbor and gotten it done right.
- Artistic License History: Smirke is stated to have died while writing the letter, which was dated mid-February; in reality, he didn't die until April.
- Exorcist Head: Smirke describes his carriage driver rotating his head 180 degrees to stare at him. He notes that none of his fellow passengers seemed to notice.
- Matchlight Danger Revelation: Smirke is awakened at night and finds his daughter standing in the drawing room in a corner, facing away from him. Then his candle goes out. When he lights a match, she's face to face with him, her eyes bulging.
- Nice Job Breaking It, Hero!: While he didn't create the rituals (as is evidenced by Episode 116, which takes place in the 1700s) Smirke had some role in formulating their modern incarnations, in the hopes of containing and balancing the Powers.
Case #0063011 Statement of Eugene Vanderstock, regarding the creation of Agnes Montague, her life, care and death. Original statement given November 30th 2006.
- Ambiguous Situation: Once again, Agnes's relationship with Jack Barnabas is brought into question. Eugene is adamant that Agnes didn't feel anything for him, but the relationship itself may have given Agnes some doubt as to whether or not she wanted to be an Avatar of the Desolation.
- Cutting the Knot: Eugene points out that the Web's subtle manipulations and machinations are less effective than just burning everything to the ground.
- Dark Messiah: Agnes Montague was conceived specifically to be an avatar of The Desolation.
- The Fettered: Agnes makes Jude Perry promise that she won't kill Jack Barnabas. Last we heard, he's still alive, but it's implied that Jude is going to make his life a living hell for what he did to Agnes.
- Nightmarish Factory: Eugene manages to acquire a managerial position at a furnace plant after several of his superiors meet with unfortunate accidents. This lets him set up a workshop where he turns migrant workers into candles to act as sacrifices to Agnes.
- Poke in the Third Eye: John seems to get a particularly severe one when he tries to view what's going on with Peter and Martin.
Case #7150101 Statement of John Flamsteed, taken from a partial unsent letter to Abraham Sharp, 1715.
- Historical Villain Upgrade: Astronomer Edmond Halley, best-known for discovering Halley's Comet, served the Dark, and may have become Maxwell Rayner.
- Meaningful Name: Flamsteed refers to his rival Edmond Halley as "Reimer", after Nicolaus Reimers, who he describes as "persecuting" Tycho Brahe. It eventually evolves into "Rayner".
- Origins Episode: For Maxwell Rayner.
- The Un-Reveal: Jon doesn't remember anything from when he tried to forcibly Know something at the end of last episode.