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Nightmare Fuel / Independence Day

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"Releeeeeeeeeease... meeeeeeeeee..."

A movie based on the concept of massive alien spaceships appearing out of nowhere and then proceeding to systematically destroy humanity's cities? Of course there's a lot of nightmare fuel to be found here.

  • The destruction of NYC, Washington D.C., and Los Angeles, which ends the first act. Imagine being on the ground, watching those hovering spaceships open up at the center, bathing the entire area in soothing greenish-blue light and shoot a beam down, believing it to be a welcome message from the aliens. Then the building the ship is under disintegrates inhumanly fast (mere seconds), becoming a shower of debris and a wall of fire starts moving outwards in every direction, destroying everything in its path and hurling cars away. It is a fireball you can't outrun. Critics at the time praised this scene for its haunting realism, which became even more hauntingly real on 9/11 five years later. Marketing for Independence Day: Resurgence reveals this happened in 33 other cities worldwide at the same time; imagine being in London, Moscow, Berlin or Paris, watching a famous, iconic landmark just disintegrate before your eyes and a wall of fire advance, destroying every single thing in its path. A later shot after the destruction shows an aerial view of Los Angeles after its destroyer has fired its initial beam. There is nothing left of Downtown or the surrounding areas and the blast wave is still moving outwards.
    • An LA office building is shown with the blast wave approaching it. Inside, a man attempts to gather files into a briefcase when the wave approaches, the wind buffeting everything inside the building (even through the windows), and finally killing him as the building's interior and facade are ripped apart, leaving only the cement skeleton behind.
    • The ship's opening is hauntingly beautiful, but serves a much more sinister purpose. The moment they start to open, everyone immediately stops to see what's happening. No one is panicking anymore and they're standing still. It's effectively like a giant bug zapper: mesmerize the primitive creatures with a bright light, then vaporize them.
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    • It's difficult to translate the visuals to the written page, but the novelization effectively describes the devastation as "a hurricane, a flood, and an atomic bomb all rolled into one."
    • Not to mention the War of 1996 website shows the course of the alien invasion. Every twelve hours, the ships move to their next targets and destroy them. Then they do it again. Like clockwork.
    General Grey: If you calculate the time it takes them to destroy a city and move on, we're looking at the worldwide destruction of every major city... in the next 36 hours.
    President Whitmore: We're being exterminated.
    • Humanity's first counterattack. The Black Knights along with thousands possibly tens of thousands of pilots around the world all end up the same way, finding out their missiles are useless against the Alien shields, coming craft to craft with smaller and faster attack fighters that outnumber them 200:1, also have shields and proceed to slaughter the human aircraft with plasma-based weaponry (which has the added effect of igniting the fuel of any human fighter they hit, ensuring no possibility of ejection). Whitmore realizes he made a mistake the moment the first missile hits the shield.
    Crewman: Squadron Leader! Do you read?! Abort mission!
    President Whitmore: This isn't happening fast enough. GET THEM OUT OF THERE!
    • Immediately after this, we cut to a random pilot still alive over Los Angeles. He looks around for any help, but all his wingmen have been shot out of the sky.
    • "Reports indicate that this battle has repeated itself all over the world with the exact same results."
      • At the same time that the Americans were engaging the New York, Washington, San Francisco and Los Angeles destroyers, the rest of the world was doing the same. The RAF was engaging the London destroyer, the French Air Force was flying at the Paris destroyer, the Luftwaffe was assaulting the Berlin destroyer, the Japanese Air Self-Defense Force was attempting revenge for Tokyo, the Russian Air Force was trying to get payback for Moscow's and Vladivostok's destruction, the Royal Canadian Air Force was fighting the Toronto destroyer, the Israeli Defense Forces were attempting to avenge Jerusalem, the Indian Air Force was combating the New Delhi, Mumbai and Kolkata destroyers, the VPAF was attempting to destroy Ho Chi Minh City's destroyer, the People's Liberation Army Air Force was fighting over the ruins of Beijing and Shanghai, the Iranian Air Force was fighting over Tehran, the RSAF fighting over the remains of Singapore, the list goes on from Mexico City to Havana to Rio to Dakar to Lagos to Jakarta to Manila to Hong Kong to Seoul to Karachi to Kiev to Istanbul to Athens to Rome to Warsaw to Amsterdam. Not one counterattack was victorious.
  • The departure of Air Force One from Washington. Whitmore and the others rush on board while he gives the order for takeoff. Half of his staff hasn't even left the White House yet, but there's no more time. Just as he takes a seat, David checks the countdown and it's over. The plane's engines roar to full power as it launches down the runway, when the fireball reaches Andrews AFB. Inside, the lights flicker and Whitmore cradles his daughter while everyone sits tense, unsure of whether they can escape. It takes a few seconds before you can exhale at the sight of Air Force One being the last plane to leave D.C.
  • The destruction of El Toro in the wake of the failed L.A. counterattack is pure Nightmare Fuel. The CO gets a report from one of his staff that unidentified craft are fast approaching. The officer asks a nearby sergeant if they're friendly; the man can only reply grimly "I don't think so." At this point, air raid sirens start wailing, the CO turns around... and can only stare in slack-jawed horror as an armada of alien fighters descend on the air base like locusts, presumably having tracked the Black Knights Squadron back to their point of origin, intent on ensuring there won't be another attack from the airbase. On the tarmac, pilots, flight crews and MPs can do little more than run for their lives and try to take cover as the aliens strafe the ground without mercy, intent on leaving neither the base standing or anything within its walls alive.
    • The visual of the enemy fighters swooping in and strafing the base shows them having generally poor aim, but it doesn't matter. They never stop coming and by the time Jasmine and her fellow refugees arrive the entire base is a smoking ruin, strewn with the smouldering wreckage of buildings and aircraft.
    • We only get to the events following the battle above the Los Angeles city destroyer, but judging from the broadcast heard in the RV convoy, once the jet-fighter squadrons that went up against the destroyers above their cities, from New York City, to Washington D.C., Tokyo, Berlin, etc. were massacred, the Invaders sent swarm after swarm of defender craft to strafe whatever base they took off from to prevent the possibility of another counterattack.
    • At the same time as this, the aliens deploy attackers to destroy any surviving military command centers. NORAD in Colorado, NATO headquarters in Brussels, all are destroyed.
  • The destroyers arriving over their target cities is terrifying by itself from the perspective of the people on the ground. Imagine being in Los Angeles on a normal July morning, when suddenly a shadow falls across the entire city and the sun is blocked out. Then a gigantic city-sized craft rumbles in incredibly low, emitting an inhuman noise and comes to a stop over the U.S. Bank Tower in Downtown. The entire sky for miles is taken up by the underside of this massive craft and the city below is shrouded in darkness almost as if it's nighttime, and the craft just... floats there, idling meters above the roof of the tower. Nothing happens, no signals come from it, only the sounds of its engines. Helicopters flit around it like flies, trying to communicate with it but it does nothing but hover there for the entire day, slowly rotating on a horizontal axis. Until night falls and the countdown finishes...
  • The Alien Autopsy scene.
    • "The arm is moving..."
    • Following that, the alien communicating via Dr. Okun and making the aliens' motives horribly clear:
    President Whitmore: I know there is much we can learn from each other, if we can negotiate a truce. We can find a way to coexist. Can there be a peace between us?
    Alien: Peace? No peeeeace.
    President Whitmore: What is it you want us to do?
    Alien: Die... dieeeeee...
    • Then the alien psychically links with Whitmore to attack him, which shows him the rundown of the aliens' history. The novelization goes into more detail, but it's Fridge Horror at best on what he saw: countless battles across countless worlds, numerous species slaughtered, whole civilizations scorched, and then the invaders land and establish their own settlements, consume the planet's resources until there's nothing left but a lifeless sterile rock and then go back to the mothership to move on to the next world
      • Some meta-context is needed to explain why this was so frightening. While films with aliens killing humans were quite common even before this film, most of these were slavering B-movie monsters, or otherwise incapable of communicating with us. Aliens that could talk to us were usually friendly. The aliens in this movie are among the first notable aliens shown to be able to communicate with us meaningfully for the sole purpose of telling us they're gonna kill us.
  • The point inside the mothership where Hiller and Levinson fly over a staging ground with thousands, if not millions, of alien soldiers assembled, waiting to board transport ships. Hiller speculates that they're likely the ground invasion force meant to wipe out any last vestiges of resistance on Earth, and given the numbers of the invaders, it really drives home the point of what will happen if they fail their mission.
  • The novelization goes into a lot more detail about nightmarish elements:
    • Russell has a flashback to his abduction. One night, he's out working on an airplane engine in a hangar. Then suddenly his body is paralyzed. He obviously thinks it's a stroke, but then he begins hearing the aliens say "You will not be harmed." Then they break out the probes, all while Russell is looking out a viewport at Earth from the lower atmosphere...
    • We also are treated to a flashback of the Roswell crash. Even though the aliens are utter assholes, their crash is still terrifying to read. Their carrier ship jumps away, as they were on the verge of being discovered, and because of that, their power systems quickly died. One of the pilots was killed in the crash, and another tried to crawl away from the site, but was attacked by coyotes.
    • The post-war world. The invaders have been resoundingly defeated, but the damage has been done. Imagine 1945 Europe on a global scale. One hundred and eight cities, from New York to Shanghai, Berlin to Moscow, Riyadh to Pyongyang have been obliterated. Nations and their military forces are in ruins. Billions are dead and millions more are now displaced. Critical infrastructure is also badly damaged and destroyed. The cost of rebuilding and the sheer scale of restoring what has been lost is incalculable. Factor in how long it took to rebuild Ground Zero and the surrounding area of Manhattan after 9/11, then scale that up to all of New York and multiply it by 108. It will likely take decades before every city is rebuilt (if every city will even be rebuilt; it is entirely possible many nations will not be able to restore every lost city) and trillions upon trillions of dollars. Not to mention the incalculable economic and cultural ruin that the world has suffered; major centers of finance and trade (London, Paris, Tokyo and New York among many others) were the first destroyed, taking with them banking centers, stock exchanges and critical financial institutions. Not to mention the massive wreckages of 34 City Destroyers littering the planet, many of which have likely fallen on the cities they were about to destroy.
  • The alien city ships are pretty terrifying. There's no beauty to them; they're giant work barges built to do one job. They just hang over cities ominously with no broadcast of their intentions. Then they open, bathing the city below in greenish light, fire their weapon and utterly annihilate the city, close, and move on their next target.
    • The ungodly horrible noises the City Destroyers make when they enter our cities. When NYC gets shadowed by the ship, the engines give out a horrible loud moan. The moment the ship exits from the fireball it gives out the most stomach churning noise ever given off from a spacecraft in film. It sounds like something you'll hear in a HP Lovecraft story.
    • The giant fireballs in the sky that form from the ships entering Earth's atmosphere. "Harbingers of doom" describes them perfectly.
    • Speaking of the fireballs, the AWACS scene. They're trying to identify the disturbance off of California with zero visibility. They reach a clearing... and suddenly the sky is entirely on fire. They try to pull up, but get engulfed...
    • Not to mention the attackers. Those nimble little things just dart of their parent ship like hornets, hundreds at a time and proceed to annihilate their assailants. They can also easily move at speeds that are the limits for human aircraft. The Black Knights and other U.S. military forces (and other forces around the world) mustered hundreds of fighter aircraft for the first counterstrike; the Destroyer over Los Angeles deployed hundreds, if not thousands of attackers, completely outnumbering and decimating the attacking human forces.
    • When we finally get a full view of it, the mothership is extremely unsettling. It's over 500km in diameter, tar-black with no external lights, and looks as though a moon had been sawed in half and given fangs. If you look at it with the right filters, you can see dozens of City Destroyers still attached to it. The mothership only deployed 36; Fridge Horror sets in when it's clear that had every City Destroyer deployed, humanity would have been wiped out far quicker, and would have no cities left.
    • Steve and David's flight through the mothership. Their expressions completely sell how they're not just witnessing an alien ship, but a self-contained alien world.
    • This shot of David looking at the New York City Destroyer. It's still not showing us the whole ship to scale, but it still reinforces what David is about to realize: he is the ant, and the ship is a magnifying glass.
  • The scene where Hiller goes to pick up the paper. There's very little music as he slowly looks around him, seeing all the neighbors are packing to flee the city, and are staring at something in the distance. Then he looks up, sees a helicopter flying overhead... and then a massive ship hovering over downtown Los Angeles. In addition, this is the first shot that both shows a majority of the ship and something appropriate to give its scale. The ship is so wide, it can't entirely fit within the frame. The entire Los Angeles basin is dwarfed by the behemoth, compared to an ant hill underneath a car. Downtown L.A. itself is barely visible in the distance under the center of the craft and helicopters flit around it like gnats around an elephant, a testament to its staggering size.
  • The aftermath of the first wave. As the morning of July 3 opens, we see the New York City Destroyer still hovering over the smoking ruins of the Big Apple. There's no sounds, not from people, not from anything except the saucer. 24 hours before, the city was a bustling hub of activity; now, it is as silent as a graveyard. The Statue of Liberty is toppled over and half submerged in the harbor, the tops of both World Trade Center buildings are sheared clean off, scorched black and fires rage inside the badly damaged structures; there's no sign of any living human within twenty miles of ground zero (the Empire State Building). All of Battery Park is in flames and most of the skyscrapers that once defined the Manhattan skyline are nothing more than burning, skeletal remains. Then, as silently as it opened, the City Destroyer closes its main cannon; it's getting ready to move to its next target (in that particular destroyer's case, Philadelphia) just like the 35 other City Destroyers throughout the world.
  • A lot of the in-universe news broadcasts, which can be found on the 20th Anniversary Blu-Ray, show a darker side of first contact. For instance, there's one segment that mentions the UN effectively disbanding due to disagreement about how to proceed with meeting the aliens.

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