Following the suicide of frontman Ian Curtis the previous year, the members of Joy Division decided to continue recording music, changing the band's name in compliance with a pact they made that required them to do so should any member be removed from the lineup. The band previously debuted the "New Order" moniker in January with the release of their debut single, "Ceremony", a Joy Division song that had been written but only rehearsed prior to Curtis' death. Movement, however, was the first time the band attempted a proper studio album as New Order.
Produced by regular Joy Division collaborator Martin Hannett, the album acts as a continuation of the sonic palette explored on Joy Division's second and final album, Closer. Synths are present on all but the opening track, and the album's general sound acts as a middle ground between the Post-Punk that made Joy Division famous and the electronic sound that would define New Order's forthcoming career.
Interestingly, Movement was the last of New Order's Factory-era studio albums to be released on Quincy Jones' Warner (Bros.) Records-based Qwest Records label, first appearing on CD in 1989 as a mailing club-exclusive release before appearing in brick-and-mortar stores on CD and cassette in 1992. It would not be the last Qwest Records release of New Order material though, with the band still releasing material in the US through the label up until their jump to Reprise Records for US distribution in 1998.
Movement received lukewarm reception from critics and fans when it debuted, being criticized for a lack of artistic progress compared to Joy Division's work. The band members also looked at the album unfavorably, a factor in their shift to Alternative Dance a year later. However, it has since been Vindicated by History, with listeners today appreciating its "one foot in the past, one foot in the future" nature; it is now ranked among the best albums of the early 1980's, to the point where a "definitive edition" box set focusing entirely on Movement and the singles surrounding it was released in April of 2019.
- "Dreams Never End" (3:13)
- "Truth" (4:37)
- "Senses" (4:45)
- "Chosen Time" (4:07)
- "ICB" (4:33)
- "The Him" (5:29)
- "Doubts Even Here" (4:16)
- "Denial" (4:20)
- Gillian Gilbert - synthesizers and programming, guitars, spoken words ("Doubts Even Here")
- Peter Hook - 4- and 6-stringed bass, vocals ("Dreams Never End" and "Doubts Even Here")
- Stephen Morris - drums, synthesizers and programming
- Bernard Summer - vocals, guitars, melodica, synthesizers and programming
"The trope begins, collapsing without warning":
- Accentuate the Negative: Given that this album was more or less an attempt at continuing Joy Division under a different name, this trope was inevitable. The fact that the entirety of this album is spent mourning the late Ian Curtis makes this even more prominent.
- Album Title Drop: The opening track includes the phrase "a simple movement or rhyme."
- Broken Record: The phrase "but never gets in how the Him will scream" is repeated several times at the end of "Dreams Never End".
- Early Installment Weirdness: Compared to later New Order albums, Movement is straight Post-Punk rather than Alternative Dance. At this point, New Order was simply aiming to continue what they had started as Joy Division and didn't undergo the Genre Shift until after they realized that their first approach wasn't working, so the disparity is understandable.
- Fun with Acronyms: The track title "ICB" is an acronym for "Ian Curtis buried," something long-rumored by fans and eventually confirmed by Peter Hook in an interview.
- Grief Song: The whole album counts, being produced while the former members of Joy Division were still in shock over Ian Curtis' suicide not even a year prior.
- In the Style of...: Peter Hook's vocals on "Dreams Never End" and "Doubts Even Here" are a clear attempt at mimicking Ian Curtis' signature yarling singing voice.
- Minimalistic Cover Art: A futurism-inspired design incorporating the letters "F" and "L" (as in the Roman numeral for "50") as a clever way of playing around with the album's catalog number of FACT 50.
- Non-Appearing Title: Joy Division's habit of not including their song titles anywhere in the lyrics continues here. Played with in the case of "The Him"; the phrase is absent from the song itself, but appears at the end of "Dreams Never End".
- One-Word Title: "Truth", "Senses", and "Denial".
- Record Producer: Martin Hannett; this was the final album he produced with the members of Joy Division, walking out on them during production of the non-album track "Everything's Gone Green" a year later due to Creative Differences.
- The album cover is designed after a poster by Italian futurist Fortunato Depero.
- "Doubts Even Here" ends with intersecting vocals by Peter Hook and Gillian Gilbert reminiscent of "The Murder Mystery" by The Velvet Underground.
- Step Up to the Microphone: Peter Hook gets lead vocals on "Dreams Never End" and "Doubts Even Here", the latter of which also features spoken-word parts by Gillian Gilbert, one of few instances in New Order's catalog where she has any vocals. In Hook's case, this was in part due to a brief period early in New Order's history where they were unsure as to who would be taking over lead vocals in Ian Curtis' absence.