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From left to right: Fredrik Thordendaal, Tomas Haake, Jens Kidman, Mårten Hagström, and Dick Lövgren
Meshuggahnote  is a Swedish metal band formed in 1987. They are well-known for their signature musical style, which involves lots of chugging, complex, polymetered song structures, loud, savage, bass-heavy riffing, unusual compositions and precise musicianship. Meshuggah has found little mainstream success as yet, but is a significant act in extreme underground music and has received significant critical acclaim.
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Since its formation, Meshuggah has released eight studio albums, five EPs and eight music videos. The band has performed in various international festivals, including Ozzfest and Download, and embarked on the obZen world tour in 2008.

Current lineup:

  • Jens Kidman – lead vocals (1987–present), rhythm guitar (1987–1992)
  • Fredrik Thordendal – lead guitar, backing vocals (1987–present), lead vocals (1987-1992) (has not toured with the band since 2017)
  • Tomas Haake – drums, spoken word (1990–present)
  • Mårten Hagström – rhythm guitar, backing vocals (1993–present)
  • Dick Lövgren – bass (2004–present)

Past members:

  • Niklas Lundgren – drums (1987–1990)
  • Peter Nordin – bass (1987–1995)
  • Gustaf Hielm – bass (1995–2001)

Live members:

Studio albums:

  • Contradictions Collapse (1991)
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  • Destroy Erase Improve (1995)
  • Chaosphere (1998)
  • Nothing (2002)
  • Catch Thirtythree (2005)
  • obZen (2008)
  • Koloss (2012)
  • The Violent Sleep of Reason (2016)


Tropes that apply to Meshuggah:

  • Animated Music Video: "I Am Colossus".
  • Bald of Awesome: Jens Kidman. Take a look.
  • Breather Episode: Each album except Chaosphere and The Violent Sleep of Reason has at least one of these, whether it's a full song, or just part of a song.
    • Contradictions Collapse - the first minute of "Choirs of Devastation"
    • Destroy Erase Improve - "Acrid Placidity"
    • Nothing - the clean interlude before the final verse of "Closed Eye Visuals"; the second half of "Straws Pulled at Random"; the first few minutes of "Obsidian"
    • Catch Thirtythree - "Mind's Mirrors", the second half of "In Death/Is Death", the end of "Sum"
    • obZen - The clean interlude before the solo part of "Bleed" and the breakdown of "Lethargica"
    • Koloss - The first lead break in "Break Those Bones Whose Sinews Gave It Motion" and "The Last Vigil"
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  • Careful with That Axe: Uncommon, but not unheard of. "I", from the eponymous EP, has Jens screaming at the top of his voice while the music suddenly shifts into noisegrind territory. The sudden shift occurs at 1:33, right after the intro riff.
  • Concept Album: Catch Thirtythree focuses on paradoxes, though there's no specific story.
  • Cool Shades: The band wears them offstage, most notably in their video for "New Millennium Cyanide Christ"
  • Cover Version: Averted; they made a remix for "Benzin" by Rammstein with completely re-worked drum and guitar parts, completely abandoning the industrial vibe of the original song for dark and slow and downtuned groove metal riffs.
  • Early Installment Weirdness: Contradictions Collapse and the preceding self-titled EP are basically Thrash Metal with some progressive elements, as opposed to the complex and eclectic sound showcased on later works. Also, Jens Kidman's vocals are different, being a slightly raspy shout as opposed to the strident roar he's known for.
  • Epic Rocking: Plenty of songs, especially more recent ones. Catch Thirtythree (47:15) and the I EP (20:59) are the longest songs, with the former being split into thirteen tracks, the longest of which ("In Death - Is Death") itself runs for 13:23. Also of note is "Elastic" (15:30), though it's Zig-Zagged by the ambience in the middle followed by a terrifying segment with all the songs on the album being played at the same time. "Dancers to a Discordant System" (9:36) plays it straighter.
  • Heroic RRoD: Tomas Haake. Considered a near-rival to Yoshiki Hayashi of X Japan when it comes to extreme, manic and relentless drumming, as he would often put his drumming abilities to the test when recording and in live performances. Several of his noteworthy efforts include "Bleed" from obZen and the more recent "The Demon's Name is Surveillance" and "The Hurt That Finds You First" from Koloss.
  • Intercourse with You: Surprisingly, but at least the closing verse of "Ritual" takes the cake. Also "Ritual" as a whole could pass as an Anti-Love Song.
  • Last Note Nightmare:
    • "Spasm" is an oddity compared to the rest of Nothing. The guitars are tuned lower, and the song lacks much of the angularity and aggressiveness of the other songs. Combing with Haake's robotic, breathy vocals, it gets downright hypnotic, and almost serene...then the final measures kick in, bringing everything into discord with each other.
    • Close to 60% of "Elastic" from Chaosphere is a long, drawn-out Last Note Nightmare that consists of repeated riffs that come right out of nowhere, a very long, droning guitar note, followed by the final measures that consist of every riff in the album played all at once.
  • Literary Allusion Title: Catch Thirtythree is one to Catch-22, so titled because it is a Concept Album centring around paradoxes like the one in Heller's classic novel.
  • Long-Runner Line-up: The studio line-up has been the same since 2004. Frederik Thordendal stopped touring with them in 2017 but will still appear on their albums.
  • Loudness War: Most of their albums are clipped. It's worse on some than on others, though.
  • Mascot: This guy.
  • Metal Scream: Jens' vocals are usually strained, very pissed-off Type 1 screams, though he also ha s a very high affinity for very loud and incredibly long Type 3 shrieks.
  • Mind Screw: The band's concept and lyrical themes.
  • Mohs Scale of Rock and Metal Hardness: Usually at 10-11. Sometimes crosses into 9 territory. The aptly named "Mayhem" version of Future Breed Machine may be the hardest song they've ever made, at a very hard 11. This is thanks to the much sludgier feel of the song compared to the original, along with the heavy industrial elements and of course, Jens' constant throat-shredding shrieks.
  • Motor Mouth: Kidman. Haake too, during his spoken word parts.
  • Neoclassical Punk Zydeco Rockabilly/Genre-Busting: Aside from just "metal", the band's genre causes quite a lot of confusion. Death Metal? Thrash Metal? Groove Metal? Progressive Metal? Djent? They've also been referred to as "math metal" and even "avant garde metal". Guitarist Martin Hagstrom and drummer Tomas Haake are known to prefer the label "experimental metal".
  • One-Letter Title: The I EP.
  • Out-of-Genre Experience: The Chaosphere album brought in a lot of Harsh Noise and Industrial Metal elements, many (but not all) of which were dropped on their following releases.
  • Piss-Take Rap: Jens was pretty close to this trope in "Ritual" from "None" EP.
  • Scary Musician, Harmless Music: Inverted; aside from the weird faces they make in pictures sometimes, they overall seem like pretty harmless, down-to-earth guys, and despite their lyrics, they do have a sense of humor and a highly positive outlook. But their music is dark, crushing, incomprehensible, and almost inhuman.
  • Serial Escalation: Trying to follow the polyrhythms in many Meshuggah songs is extremely difficult, and gets even more difficult as you go from song to song. There was once an article written in Music Theory Spectrum magazine which dissected the structure of just the main riff of "Rational Gaze," and the first three minutes of "I" (see the link in Uncommon Time below). The article was over 20 pages long, and had almost a dozen diagrams.
  • Shout-Out: The title of the song "Break Those Bones Whose Sinews Gave It Motion" comes from a line by Nobel Peace Prize winner Albert Schweitzer.
    "Revenge... is like a rolling stone, which, when a man hath forced up a hill, will return upon him with a greater violence, and break those bones whose sinews gave it motion."
  • Signature Style: Metalheads frequently cite the band as the Trope Maker for djent; the genre's name itself being derived from the sound of their signature palm-muted and heavily-bent guitar riffs. The band, however, has done everything from slow and heavy Groove Metal with sparse beats akin to Pantera's slower material and arrythmic, discordant and extremely noisy metal with loads of chugging, atonal leadwork, and digital effects.
  • Spoken Word in Music: Drummer Tomas Haake dominates this trope in an unholy fashion. Some examples can be listened in songs like "Spasm", "The Exquisite Machinery of Torture" and "Dancers to a Discordant System".
  • Step Up to the Microphone: played straight with Haake's spoken-word parts, Averted with Kirk Hammett's guest solo on one of the live performances of "Bleed".
  • Stylistic Suck: The music video for "New Millennium Cyanide Christ," a song about a man who sacrifices his humanity to become a sufficiently advanced cyborg, and seeks to reshape the whole world in his hellish image, consists of Hagstrom, Thordendal and Hielm air-guitaring, Haake air-drumming, and Kidman lip-synching(badly) into an ink pen, all while wearing ridiculous sunglasses on their tour bus. They reportedly were extremely drunk at the time.
    • The "Mr. Kidman Delirium Version" music video for "Rational Gaze" which is just a handicam of Jens Kidman performing as his bandmates, with the help of different wigs, including a Funny Afro. The shots focusing on him singing make gratuitous usage of Jitter Cam too.
  • Subdued Section: Several songs have them. A couple of examples are the lengthy instrumental break of "In Death - Is Death" and the end of "Sum", but there are several others.
  • Surprisingly Gentle Song: "Acrid Placidity", "Unanything" and "The Last Vigil". All of them are instrumentals.
  • Title Track: "obZen" and "Violent Sleep of Reason".
  • Three Chords and the Truth: They have written songs with only two or three notes. Zig-Zagged, though, because what they lack in complexity of melody, they make up for in complexity of rhythm - see Uncommon Time below.
  • Trope Maker: For Djent
  • Uncommon Time: Frequently considered the rivals to Tool in taking this trope Up to Eleven, but arguably subverted or (again) Zig-Zagged. According to Hagström, they're not that big on odd time signatures. Almost all of their music is based on a 4/4 centre, no matter how far out the rhythms wander; "Dancers to a Discordant System" was written in 6/8 and "Spasm" is in 7/4. That being said, they are no doubt masters of polyrhythms; this article barely scratches the surface. Most of the odd feeling of their songs comes from their unique style: all the guitar and bass is played in rhythm with the drum parts.
  • Updated Re-release: A rare musical example of this (besides the standard reissues with bonus tracks that nearly every band has): The Nothing album was re-released with rerecorded guitars, new programmed drum tracks, and some other minor changes because the band was dissatisfied with the production of the initial release.
  • Vocal Tag Team: Kidman and Haake.
  • Word Salad Lyrics: They sometime use too much jargon that would normally make no sense to most listeners.
  • Xtreme Kool Letterz: "Rare Trax", compilation album of unreleased songs.


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