—Lil' Jon, regarding everything
I said, describe Lil' Jon here.
Describe Lil' Jon here!
The Trope Codifier for "Crunk" Hip-Hop, Lil' Jon (real name Jonathan Smith, born January 17, 1971) is the Large Ham of the hip-hop world. He got his start with The East Side Boyz, largely defining what Crunk was and what it could be, before making his big "break" with Kings of Crunk. From then on, he largely gained his memetic style as a guest feature and hype man on other artist's tracks, gaining almost legendary status with how much manic energy he can bring to a track. As the 2000's rolled on, he began to make a transition away from Crunk towards Trap Music, though with his prolific nature, he's bounced around throughout.
He has had several hits, most notably "Get Low", "Turn Down for What" and his memorable appearance on Usher's "Yeah!".
Tropes that apply to Lil Jon:
- Big "WHAT?!": One of his trademarks, famously spoofed by Chappelle's Show.
- Big "YES!": "YEEEEEEEEEEEEEEAAAAAAAHHHHHHHHHH-UUUUUUUHHHHH!!!!!"
- Big Word Shout: "OOOOHHHHHHH-KAAAAAAAAAAAAAAAAAAAYYYYYY!!!!!"
- Body Horror: A mild version in the video for "Turn Down For What", where people's body parts seem to be dictating their owners' dancing - and it's infectious.
- Catch Phrase:
- YYYYYYYYYYYYYYYYYEEEEEEEEEEEEEEEEEEEAAAAAAAAAAAAAHHHHHHHHH-UUUUUUUHHHHHHHH on practically every song he's ever been on, ever. Though, some of his earlier songs aren't much like what people expect from him today.
- Todd in the Shadows even speculated on a Lil Jon appearance in a ballet ("YEAH SWAN LAKE")
- Bowdlerisation: Many of the clean versions of his songs sound like instrumentals. However, he does switch up his lyrics every now and then for the edits.
- Cluster F-Bomb: His song "Real Nigga Roll Call" is said to contain more swear words than any other single ever released, and its chorus contains more words that had to be removed in the clean version than words that were allowed to stay.
- Destructo-Nookie: The "Turn Down for What" music video.
- Getting Crap Past the Radar: The "clean" version of "Get Low" changes "All skeet skeet, motherfucker!" to "All skeet skeet skeet skeet skeet skeet." Which is still just as filthy, considering what "skeet" really means.
- Large Ham: Quite possibly the largest ham in rap.
- No Indoor Voice: Dare we say a Trope Codifier for hip-hop?
- Hell, even his reddit AMA was answered completely in ALLCAPS.
- N-Word Privileges: Takes it Up to Eleven.
- Playing Against Type: Many people have noted that while he's working on a song (namely, not in front of the mic), Lil Jon is a quiet, professional gentleman.
- Punctuated! For! Emphasis!: Safe to say, almost every song he's involved with.
- Rap Metal: "Stop Fuckin' Wit Me".
- Sampling: "Stop Fuckin' Wit Me" was put together by Rick Rubin entirely with guitar riffs from Slayer recordings that Rubin produced.
- Sequel Song: Worked with Chris Rock on Rock's album Never Scared for "Get Lower".
- Trope Codifier: For crunk. He wasn't the sole Ur-Example (as Three Six Mafia was transforming into a recognizably crunk-based sound around the same time that Get Crunk, Who U Wit: Da Album was released), but he most certainly was responsible for fine-tuning the style into its most recognizable format.