Wherever they may roam
Shiver and say the words
Of every lie you've heard"
Echo & the Bunnymen are a Post-Punk Psychedelic Rock band from Liverpool, England. They were part of the Neo-Psychedelic scene in Liverpool before breaking out in The '80s with popular albums and singles like Crocodiles and "The Cutter", reaching their peak in 1984 with Ocean Rain. Singer Ian McCulloch left the band in 1988 to start a solo career, and after the death of drummer Pete de Freitas and a brief reformation with Irish singer Noel Burke, McCulloch and guitarist Will Sergeant reformed in 1997. The band are currently still performing and recording, with their Revolving Door Band lineup always centered around McCulloch and Sergeant.
- Crocodiles (1980)
- Heaven Up Here (1981)
- Porcupine (1983)
- Ocean Rain (1984)
- Echo & the Bunnymen (1987)
- Reverberation (1990)
- Evergreen (1997)
- What Are You Going to Do with Your Life? (1999)
- Flowers (2001)
- Siberia (2005)
- The Fountain (2009)
- Meteorites (2014)
- The Stars, The Oceans & The Moon (2018)
This band provides examples of:
- Alternative Rock: Like many other Post-Punk acts, the band were a major influence on the movement and eventually hopped on board as the 80's progressed.
- Artist and the Band: Ironically, the band doesn't have any member called Echo. It is rumored that the "Echo" was a reference to the drum machine they used before hiring Pete de Freitas as the band's drummer. Nevertheless, frontman Ian McCulloch has been mistakenly refered to as "Echo" many times.
- The Band Minus the Face: Reverberation was recorded with Irish singer Noel Burke in place of Ian McCulloch. Its poor reception, due in part to McCulloch's replacement, led the band to dissolve again.
- Call-Back: Evergreen's album art mimics that of their first album, Crocodiles.
- Cover Version: Two of The Doors: "People Are Strange" and "Ship of Fools"
- Darker and Edgier: Heaven Up Here is bleaker and heavier than Crocodiles, with its proto-Goth Rock sound and nightmarish lyrics.
- The '80s: Active during them, and the sound of "Killing Moon" in any T.V show or film is more or less shorthand for "This series takes place in the '80's, and is probably about goths or at least miserable people".
- Goth Rock: One of the Post-Punk forerunners with their darker work, particularly 1981's Heaven Up Here with its dark, nightmarish tone and tribal drumming, and 1984's Ocean Rain and its nighttime romanticism.
- Looks Like Cesare: Ian and his wild, dark hair.
- New Sound Album: The Self-Titled Album marked the point where the band shed the last vestiges of Post-Punk and fully embraced Alternative Rock, while still maintaining their psychedelic core.
- Non-Indicative Name: There's no one named Echo in the band. Urban legend had it that "Echo" was the name of the band's drum machine prior to gaining Pete de Freitas, but the band have denied this.
We had this mate who kept suggesting all these names like The Daz Men or Glisserol and the Fan Extractors. Echo and the Bunnymen was one of them. I thought it was just as stupid as the rest.
- Will explained the actual meaning of the name.
- Oddball in the Series: Reverberation, the band's only album without Ian among their lineup (being replaced by North Irish singer Noel Burke) and the most overtly psychedelic album they ever put out.
- Perishing Alt-Rock Voice: Ian's voice was a quivering wail until The Noughties, when the years of smoking made it rougher and deeper.
- Post-Punk: Trope Codifiers of its darker side, alongside bands like The Cure and Joy Division.
- Psychedelic Rock: Part of the Liverpool Neo-Psychedelic scene alongside The Teardrop Explodes.
- Rearrange the Song: The Stars, The Oceans & The Moon consists almost entirely of orchestral re-recordings of the band's old hits, with two new songs thrown in for good measure.
- Revolving Door Band: Since 1999, Ian and Will are the only constant band members.
- Sanity Slippage:
"I don't think so"
- The subject of "Over the Wall"
- Subverted in "Is This a Breakdown?"
- Self-Titled Album: Their 1987 album.
- The music video for "Bring On the Dancing Horses" opens with a parody of the Metro-Goldwyn-Mayer Vanity Plate, featuring a cow that whinnies like a horse.
- The silhouette of the band members grouped together in a tree shape on the back LP cover and disc label of the Self-Titled Album references a similar image on the back of Pink Floyd's The Piper at the Gates of Dawn.