
The Music Video depicts a Cinderella-themed production with Suisei playing Cinderella and doing a dance number with Prince Charming and others. However, the shoot goes awry thanks to the actions of the director, and after a confrontation, Suisei decides to bail, ending the video doing the dance from the shoot in street clothes.
This video provides examples of:
- Camera Abuse: When the director charges at Suisei, he runs into the camera; it's sent spinning to the ground and ends up filming the near-fight between the director and Suisei upside-down.
- Giving Someone the Pointer Finger: Suisei angrily points at the director the entire time she's yelling at him, only stopping when she has to dodge the pages of the script after he throws them at her.
- Hostility on the Set: The video revolves around the tension between Suisei, the rest of the video's cast, and the Jerkass director. It starts with the pumpkin carriage set being broken down for the ballroom set and the director kicking one of the stagehands, then shows him chewing out another stagehand, then moves to Suisei protesting that she can't do the signature dance moves of the song in high-heel glass slippers. The director rudely insists that she get on set, and sure enough, she nearly twists an ankle and falls, ruining the take. While Suisei sits down to rest her ankle, the director goes off on her manager, including hitting him in the head with his bullhorn. Suisei takes exception to that and yells back at the director in her manager's defense. The two exchange more heated words before the director throws his script at Suisei, who retaliates by throwing one of her glass slippers at him. They almost get into a fight, but Suisei leaves on her own.
- How They Treat the Help: In contrast to the demanding and egotistical actions of the director who repeatedly abuses his subordinates throughout the video, Suisei is shown to be more considerate towards crew members, such as thanking the stagehand who offers her a seat after the failed take.
- Let Me at Him!: After the director knocks the camera down, when it comes to a rest, it shows the director and Suisei being held back from actually fighting each other by the stagehands and Suisei's manager.
- Mythology Gag: The video is one to her previous smash hit "Stellar Stellar
". In that song, she says that, rather than being a Cinderella who waits around, she wants to be the prince who takes action. In "Bibbidiba", she plays Cinderella but is far more assertive and take-charge than the actual Prince Charming, who is completely ineffective once the cameras stop rolling. - Oh, Crap!: The stagehands, the Prince Charming actor, and Suisei's manager all look nervous when Suisei and the director start arguing, and react with shock when they throw things at each other and then almost come to blows.
- The Oner: Aside from disguise cuts, the video is presented in one continuous shot with the camera turning to each of the scenes and even doing a 360 degree pan before the scuffle between Suisei and the director.
- Prima Donna Director: The video director is damned and determined to have everything proceed as he wants, ignoring Suisei's concerns about not being able to do the dance in the glass slippers and even kicking one of the stagehands as they're starting to break down the set before the filming of the dance number. He then angrily berates Suisei's manager as she's resting her foot after falling, and even hits the manager over the head with his bullhorn, which incenses Suisei.
- Prince Charming: Par for the course with a Cinderella-themed work, although in this case the actor playing Prince Charming is utterly useless once the dance scene ends. He apparently doesn't help Suisei up after she falls, and then does nothing but stand around in the background with an expression that bounces from awkward nervousness to shock at what's going on.
- Roger Rabbit Effect: The video utilizes the effect for Suisei and several extras who are Animated Actors for an Homage of Cinderella's signature ballroom dance, with the music video itself Set Behind the Scenes of said filming. The style used in the video is different from Suisei's normal appearance in normal promotional materials, giving the music video its own distinct style. This also allows the rest of the world, chiefly the filming studio and production crew, to be live-action, though they play around a bit with the concept as the animated actor playing the prince gets his clothes painted on by a crewmember. The effect and rotoscoping allow Suisei's Significant Wardrobe Shift from her being in her ballroom gown, which is fully animated, to being in street clothes, which are live action; her head remains animated throughout. It also allows her to show up in the music video while still concealing her real identity and appearance from the general public.
- Screw This, I'm Outta Here!: After Suisei is pulled away from the director, she apparently decides enough's enough, as she picks up the camera and films herself walking off set and taking a jacket off a clothes rack. The camera then does a full rotation; when it's back on Suisei, she's in street clothes wearing the jacket. She sets the camera down, walks out onto a plaza, throws away her other glass slipper and does the dance without a hitch, ending with giving a pose and V-Sign to the camera.
