Full Title: Though Young People Recoil From Entering the Black Magic Industry, I Found Its Treatment of Employees Quite Good When I Entered It, and the President and Familiar Are Cute Too So Everything Is Awesome!
Alternative : Wakamono no Kuro Mahou Hanare ga Shinkoku desu ga, Shuushoku shite Mitara Taiguu Iishi, Shachou mo Tsukaima mo Kawaikute Saikou desu!,Wakamono no Kuro Mahoubanare ga Shinkoku desu ga, Shuushoku shite Mitara Taiguu Iishi, Shachou mo Tsukaima mo Kawaikute Saikou desu!,젊은이들이 흑마법을 기피하는 문제가 심각하지만, 취직해보니 대우도 좋고, 사장님도 사역마도 귀여워서 최고예요,若者の黒魔法離れが深刻ですが、就職してみたら待遇いいし、社長も使い魔もかわいくて最高です!
Author(s): Kouki Izumi, Kisetsu Morita
Synopsis: Franz is a recent graduate of magic school who is having trouble finding a job he constantly bungles interviews due to his poor communication skills. With all the major magical jobs out of his reach, theres only one place left for him to go: The industry of black magic. Known for being Disgusting, Dirty, and Dangerous, Franz is incredibly hesitant to actually enter such a market, until he no longer has a choice. With his back to the wall, he talks to the Black Magic Incorporations CEO, who tells him the truth black magic has shed its harmful exterior, and has instead become Pure, Pleasant, and Permissive. In short, Black Magic Inc. has actually become a white company. Join Franz, his Cerberus boss, and his succubus familiar as they get to work in a company which actually respects them as human beings, which is probably another cry for help from Japans overworked populace in that a legitimately caring company is seen as a fantasy, but you probably already tuned out after I said succubus familiar.
- All Women Are Lustful: Franz' female co-workers come onto him, not the other way around, and he's often left stunned as to why they want sex with him so much.
- Aluminum Christmas Trees: The main story-line of chapter 28 does indeed happen as shown, and it's a world wide problem. Young girls looking to enter the "idol" industry, or become actresses, professional singers, etc. have to constantly worry that their recruiters and managers might not be legitimate and are merely impersonating being agents of an actual and reputable company, just looking to lure them in to sexually exploit them, or worse. Even if the agent is legitimate, there's no guarantee that he will be ethical and not stoop to demanding sexual favors in exchange for his referral(s) and recommendation(s). Case in point, the Harvey Weinstein case which launched the #MeToo movement had the man in question using Sexual Extortion for decades, and it was an Open Secret. When Seth MacFarlane unveiled the Best Supporting Actress nominees for the 2013 Academy Awards, he even joked "Congratulations, you five ladies no longer have to pretend to be attracted to Harvey Weinstein."
- Artistic License Economics: Zigzagged. Chapter 21 has a social-welfare reformer raise taxes, which somehow triggers deflation and sends the cost of goods through the floor, but on the back-end goes Reality Is Unrealistic when showing that raising taxes doesn't always guarantee a rise in revenue.
- Back from the Brink: Technically, Black Magic Inc. went over the cliff some time ago, and is hanging on to life by a rope, hence the desperate need for new talent. Under Cercer's management, Black Magic Inc. is making a comeback, slowly, but surely.
- Black Comedy Rape: Though it's off-screen. Franz shows up for his graduation ceremony, recently hired by Black Magic Inc. with Seruria as his familiar. Already treated dismissively by his class for months, they are even more obnoxious in response to hearing he got a job offer, at all. After Seruria verbally roasts them by showing that his job is vastly better than theirs, Drok shows up, accuses them both of lying, and demands a duel. End result: Seruria summons a lovecraftian horror "that which can not be named", after which the manga pulls away to the outside of the duel arena, tentacles swarming out over the rim, and by the time the camera comes back to the scene, all the obnoxious students are on the ground, in various states of undress, and there's slimy liquid everywhere. It's hilarious, and Seruria's "My God, What Have I Done?" face when she realizes she went overboard in protecting Franz and her honor completely sells it.
- Dark Is Not Evil:
- Lacking prospects and needing a job, Franz signs on to a black-magic company. To date, it's the friendliest and most ethical working environment in the whole series: Franz's wages are double what they would be in a white magic job, work is safe and steady, there's no mandatory overtime, management (i.e., Cercer) is nothing but supportive, and his co-workers tend to be attractive women.
- Details regarding the setting's magic system itself are sparse, but there is a recurring trend of black magic requiring something from the caster. Franz's first thoughts gravitate toward human sacrifice, but what's been depicted on-panel for modern black magic does not go anywhere near that far. note
- Did Not Think This Through: Whoever published the most recent edition of "Fundamentals of Black Magic" made it too user friendly. Not only is it written like a child's picture book, with very easy to understand illustrations that even a small child can grasp, but one of the very first spells covered is how to summon Satan! or his adorable little sister known as "Indescribable Nightmare Ancestor"! Along with the words "Do it! Now's your chance!" Of course, Franz follows the instructions, and FLASH, there she is.
- Everybody Has Lots of Sex: You better believe it!
- Faceless Mooks: In general, when there are antagonistic groups, like bandits or corrupt managers, they are illustrated either wearing masks, or as literally faceless individuals.
- Fanservice: Franz' first familiar and coworker is a succubus, and it gets raunchier from there.
- Hero with Bad Publicity: Black Magic has a very bad reputation, in large part because white magic slanders it. As can quickly be seen, Black Magic Inc. is, by far, the friendlier and more ethical place to work, not to mention having the most perks.
- Idol Singer: In chapter 28, Lydia decides to do some self-discovery, with her settling on being an idol after getting scouted. She doesn't actually succeed in the chapter due to the people that scouted her only doing so in order to attempt a Casting Couch situation. However, while the fact she was only scouted in an attempt to molest her made her disheartened, she doesn't let that discourage her from trying to legitimately become an idol anyway.
- Lightis Good: While the practitioners of light magic themselves are usually rather corrupt and unethical, light magic itself is fully good, with any attempt to directly use it for evil purposes backfiring on the user, as shown when a light-magic user in Ch.28 attempted to bind some demons in order to molest them.
- Light Is Not Good: As can be inferred from chapter 1 onward, white magic companies are run in an extremely unethical manner, with the management being abusive and corrupt, workers being forced to work overtime, unpaid, disciplined for calling in sick, and even sued if they quit. Despite this being highly illegal, the workers in question are so ground down, they don't have the energy or desire to sue for their rights. Franz has to call upon supernatural aid to make this stop.
- Long Title: Holy hell, it is long! Not even taking into account the size of the Japanese title, the English name for it is a full 34 words in length!
- Loophole Abuse: The arc starting from Chapter 26 deals with a black mage named Vanita Zeal using necromancy as a cost-free source of labor for mass-production of cheap items, with her using purple magic to keep them from mentally defying her, the fact the undead don't have rights, and making sure to take the corpses from unmarked graves with unknown families, allowing her to legally get away with it despite the moral bankruptcy. The arc is resolved by way of Franz and Co. using their own Loophole Abuse, with the initial plan being to get one of the zombies to admit their abusive treatment, while the actual way they succeed is by Cercer simply releasing the zombies from their various bindings, allowing them to retaliate against Vanita and free themselves.
- No Antagonist: The story's conflict comes from Franz trying to find his niche in life, and doing well at his job, not from Franz fighting enemies or scoundrels, for the most part. The closest it comes to having major antagonists is an occasional Arc Villain, but those only show up and are dealt with in their specific arcs, with there being no overall Big Bad, or even a Greater-Scope Villain, with the only thing that comes close to counting as such being the overarching reality of corrupt businesses.
- Oddly Small Organization: Black Magic, Inc., has less than three-dozen employees, total. Cercer admits that black magic as a whole is in something of a sunset period.
- Porn with Plot: The artist and author go out of their way to give Franz every excuse possible to have sex with his very attractive female co-workers, starting with the fact that Franz' first familiar and co-worker is a succubus that really loves her job, but the story is engaging and heartwarming with a solid premise, pointing out the many, many flaws in Japan's workaholic culture, and the fact schools pointedly do not teach the basics one needs to successfully pass an interview; thus many talented individuals fall by the wayside while Professional Butt-Kisser applicants, who are much less qualified, wind up getting the desired job.
- Ragtag Bunch of Misfits: The black-magic company Franz works for does things totally backwards. They hire people and then try to find them a fitting job. Surprisingly, this actually works out pretty damn well.
- Sex Is Good: All the onscreen sex is wholesome, heartwarming, healthy, happy, and completely adorable.
- Sugar Bowl: Life is actually pretty sweet in this story. Though serious subject matter, like suicide, is covered, that tends to be rare.
- What Measure Is a Non-Human?: Despite the fact they're all just as intelligent as when they were alive, the undead don't have legal rights, since the law counts them as just as dead as the corpses they used to be.